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    Wyświetlanie 1-5 z 5
    Tytuł:
    Antoniny Kłoskowskiej koncepcja kultury narodowej jako źródło inspiracji
    ANTONINA KŁOSKOWSKA’S CONCEPT OF NATIONAL CULTURE AS A SOURCE OF INSPIRATION
    Autorzy:
    Szpociński, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/781624.pdf
    Data publikacji:
    2011
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Antonina Kłoskowska
    symbolic culture
    national culture
    kultura symboliczna
    kultura narodowa
    Opis:
    The article is an attempt at contemporary interpretation of Antonina Kłoskowska’s theory of culture. The Author starts with a brief summary of her concept and follows with his analysis and elaboration on a few interesting issues which are the most inter- esting in his opinion. They include: national culture and the culture of a national society (i.e. a society, the members of which regard themselves also as members of a national community, an essence of integrative functions of national culture and conciliative functions of artistic heritage.
    Źródło:
    Kultura i Społeczeństwo; 2011, 55, 2-3; 73-83
    2300-195X
    Pojawia się w:
    Kultura i Społeczeństwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    National Cultures and Racial Formations: Articulating the Knowledge Cultures of Kłoskowska And Du Bois
    Autorzy:
    Kennedy, Michael D.
    Powiązania:
    https://bibliotekanauki.pl/articles/781550.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Antonina Kłoskowska
    W.E.B. Du Bois
    sociology of culture
    dominant culture
    nation
    race
    socjologia kultury
    kultura dominująca
    naród
    rasa
    Opis:
    One of the most powerful ways in which we can globalize knowledge, and sociology, is to figure ways in which leading intellectual figures within insufficiently articulated knowledge cultures might inform readings of the other’s work. With the recent revivals of Antonina Kłoskowska and W.E.B. Du Bois in Polish and US sociology respectively, it is a propitious time to figure the ways in which their scholarship aligns, contrasts, and can mutually transform. In particular, the two are both concerned for how marginalized communities with their associated subjectivities engage dominant cultures, but Kłoskowska works within a national/regional frame and Du Bois a global and racial one. Too, Du Bois theorizes from within that marginalized community, with political pointedness, not from outside it or with any attempt to refrain from value judgements. Finally, while Du Bois blends Marxist accounts with a culturally rich account of Blackness and its others, Kłoskowska offers a more semiotic and intersubjective hermeneutic view of how various fusions of horizons might also create a more open world. Those who extend Kłoskowska’s tradition exemplify that very potential while Du Bois, in his very conditions of existence, made racism’s hardest shell manifest. Figuring exemplars of national and racial leadership might, however, invite powerful figurations of the future, but only when their cultural and political constitutions are made explicit.
    Źródło:
    Kultura i Społeczeństwo; 2019, 63, 3; 7-30
    2300-195X
    Pojawia się w:
    Kultura i Społeczeństwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Sfera symboli czy nie tylko? Wybrane aspekty kultury narodowej w ujęciu Antoniny Kłoskowskiej i innych polskich socjologów współczesnych
    IS IT MERELY A SPHERE OF SYMBOLS? SOME ASPECTS OF NATIONAL CULTURE IN THE VIEW OF ANTONINA KŁOSKOWSKA AND OTHER MODERN POLISH SOCIOLOGISTS
    Autorzy:
    Baran, Leszek
    Powiązania:
    https://bibliotekanauki.pl/articles/781753.pdf
    Data publikacji:
    2011
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Antonina Kłoskowska
    culture / kultura
    national culture / kultura narodowa
    symbolic culture / kultura symboliczna
    policy / polityka
    nation / naród
    sociology of culture / socjologia kultury
    Opis:
    In the last period of her professional career, Antonina Kłoskowska focused on issues related to national culture and nation itself, which is evident e.g. in her publication National Cultures at the Grass-Root Level. The article presents Kłoskowska’s main agruments concerning the notion of “national culture”. The author regarded this specific type of culture as one that could be characterized as symbolic, compound and coherent in the syntagmatic sense. Kłoskowska points out that, in order to be recognized as a member of a national community, it is necessary to acquire and refer to the canonical resources of its culture. In the second part of the article some of the findings of contemporary Polish researchers are laid out, which correspond or directly relate to some of Kłoskowska’s ideas. A comparison and analysis of their views leads to a conclusion that their diversification does not generally mean that they are completely distant in their judgments but rather that various aspects are stressed in different ways. This attests, however, to the fact that the authors belonged to diverse intellectual formations.
    Źródło:
    Kultura i Społeczeństwo; 2011, 55, 2-3; 53-72
    2300-195X
    Pojawia się w:
    Kultura i Społeczeństwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Pole kultury w Polsce. Szkic socjologiczny
    The field of culture in Poland. A brief sociological study
    Autorzy:
    Matuchniak-Mystkowska, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/1853836.pdf
    Data publikacji:
    2018
    Wydawca:
    Narodowe Centrum Kultury
    Tematy:
    pierre bourdieu
    antonina kłoskowska
    bogusław sułkowski
    pole kultury
    społeczne ramy kultury
    instytucje kultury
    uczestnictwo w kulturze
    field of culture
    social framework of culture
    cultural institutions
    cultural participation
    Opis:
    The text focuses on Pierre Bourdieu’s concept of the field of culture, providing both a theoretical insight and empirical applications. It also refers to the concepts of Polish sociologists, Antonina Kłoskowska, Bogusław Sułkowski and Stefan Żółkiewski, on the social framework of culture. The field of culture and its functioning in Poland is described based on the current statistical data and sociological research, just like in the writings by the aforementioned classics of sociology. The article discusses the institutional framework of culture (the field of agents), cultural participation (the field of recipients) and field dilemmas (influence of the field of politics on the field of culture, duration and changeability of institutions and the position of the goods of culture, strategies used by artists and practices adopted by recipients). Selected theoretical concepts and empirical data are presented which paint a certain picture of social reality, while offering space for further reflections, studies and ideas.
    Źródło:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2018, 100; 37-50
    1230-4808
    Pojawia się w:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Społeczne Ramy Kultury” Czterdzieści Lat Później Pięć Modeli Komunikacji Kulturowej
    “SOCIAL FRAMES OF CULTURE” FORTY YEARS LATER FIVE MODELS OF CULTURAL FRAMES OF COMMUNICATION
    Autorzy:
    Sułkowski, Bogusław
    Powiązania:
    https://bibliotekanauki.pl/articles/781769.pdf
    Data publikacji:
    2011
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Antonina Kłoskowska
    social frames of culture
    social background of culture
    symbolic culture
    cultural partcipation
    face to face communication
    massmedia
    on-line communication
    społeczne ramy kultury
    układ kultury
    kultura symboliczna
    partycypacja kulturalna
    komunikacja bezpośrednia
    media masowe
    komunikacja on-line
    Opis:
    Forty years ago Antonina Kłoskowska built up a universal paradigm of three social frames of culture. They included: frame one, i.e. local production of symbolic processes, close to folk culture; frame two — understood as a network of local institutions of culture; frame three — involving a radiation of pan-local centers, in particular a reception of contents transmitted by mass media. A basic sociological criterion of differentiating between these categories includes a type of contact, and adjacency of sender and recip- ient of symbolic communication. Currently, following years of development of digital means of communication, computer networks and fiber optic technologies, audio-visual systems, mobile telephones, etc. a proposal of frames of culture must be examined again. New media shape new vehicles of expression (e.g. hypertext), but most importantly they inspire specific social relations. Discussion over cultural framework is also triggered by accelerated processes of economic and social transformation, advanced globalization, increase of living standards and dissemination of consumption attitudes, changes in leisure activities of the middle class. In more narrowly understood domain of institutional and professional culture one witnessed the processes of European dereg- ulation and release of culture from state, which in Eastern Europe was accompanied by abolition of censorship and a different model of culture distribution, which is controlled by market and cultural (creative) industry rather than by central government. As a result, the nature of direct communication among people is subject to ongoing transformation. We witness more and more indirect cultural communication (off-line and on-line). Modified and broadened proposal of social frames of culture includes five rather than three paradigms, namely: the culture of indirect communication, the culture of associations and volunteers; the culture of local institutions (public and private), mass culture versus pop culture, cyber-culture, culture of network community. One has to underline that in the new reality of our civilization we can still use analytic principles of Kłoskowska’s typology. First, we can treat spiritual culture as a phenomenon of autotelic semiosis with pragmatic definition of sign; second, while describing social functioning of culture we can use a sociological criterion of contact and adjacency.
    Źródło:
    Kultura i Społeczeństwo; 2011, 55, 2-3; 5-35
    2300-195X
    Pojawia się w:
    Kultura i Społeczeństwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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