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Wyszukujesz frazę "anthropology of sound" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Audio-antropologia: praktykowanie dyscypliny poprzez dźwięk
Autorzy:
Stanisz, Agata
Powiązania:
https://bibliotekanauki.pl/articles/644484.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
anthropology of sound
audio-anthropology
audiography
acoustemology
knowledge
Opis:
The article pertains to the notion of audio-anthropology both as the methodology and the way of practice of the discipline through sound. The audio-anthropology should be understood as application of digital audio technologies relating to recording, editing, arranging, listening and publishing: a) cultural sonic manifestations, b) audio-representations. In other words, the audio-anthropology is the audio-production of anthropological knowledge. As an alternative way of „doing discipline” the audio-anthropology is the result of so called auditory turn which had raised the question of the authoritarianism of Eye – fundamental and irrefutable organ of insight into the socio-cultural reality. Practice of sounded anthropology casts doubt on oculocentric model of anthropological knowledge and leads to appreciation of sonic phenomenon and practices in a social life.
Źródło:
Prace Etnograficzne; 2014, 42, 4; 305-318
0083-4327
2299-9558
Pojawia się w:
Prace Etnograficzne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dyskursy, performanse tekstowe i narracje transmedialne polskich piosenek rockowych
Autorzy:
Tański, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/2030972.pdf
Data publikacji:
2018-12-16
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
rock song
anthropology of sound
sound studies
performativity
piosenka rockowa
audioantropologia
performatyka
Opis:
There are a few reasons why a song, in its broad sense, is not the main focus of the present study, but its variety – a particular attention is devoted to the genre of the so-called rock music. Firstly, in my opinion, this work of art currently seems to be the most interesting, resonating, as well as artistically and aesthetically valuable. Secondly, the qualitative and quantitative intensity of the genre is priceless. Thirdly and finally, the influence of this very sort of musical activity on the 20th century is commonly known not only through a powerful impact of various counterculture areas in which rock music found its own reason for existence, but mostly owing to being what it is – a performative artistic output in which different areas of art – music, lyrics, visuals and others – correspond with one another. Awarding the Nobel Prize in Literature in 2016 to Bob Dylan has marked a significant moment in cultural history – the musician gained recognition among the honourable Academy and, by the same token, the song – Dylan’s most commonly used artistic medium has raised cultural awareness, reaching out to a wider public. But did it really have to reach out to listeners? Is it not true that a song has been a soundtrack to our lives being constantly present in them? Maybe the decision which the Academy has made was only a formality – lyrics are very important and it is only up to us what meaning we assign to them. This paper aims to interpret selected lyrics of Polish rock songs, considering them as a significant part of the history of the Polish literature.
Źródło:
Tematy i Konteksty; 2018, 13, 8; 522-540
2299-8365
Pojawia się w:
Tematy i Konteksty
Dostawca treści:
Biblioteka Nauki
Artykuł
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