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Wyszukujesz frazę "anthropology of rock" wg kryterium: Temat

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    Tytuł:
    Antropologia słowa Nicka Cave’a na jego debiutanckiej płycie z zespołem The Bad Seeds From Her to Eternity (1984)
    Anthropology of the word: The case of From Her to Eternity (1984), a debut album by Nick Cave and The Bad Seeds
    Autorzy:
    Tański, Paweł
    Powiązania:
    https://bibliotekanauki.pl/articles/1944362.pdf
    Data publikacji:
    2021-06-30
    Wydawca:
    Narodowe Centrum Kultury
    Tematy:
    antropologia rocka
    teksty piosenek rockowych
    głos
    śpiew
    Nick Cave
    anthropology of rock
    rock song lyrics
    voice
    singing
    Opis:
    This article tries to interpret the lyrics from From Her to Eternity (1984), a debut studio album by Nick Cave and the Bad Seeds, including a cover of a song originally written by Leonard Cohen. As an example of a rock song lyrics study, it follows the receptive trace while reflecting on the beginnings of the creative path of this outstanding songwriter, rock music composer and vocalist endowed with a captivating voice. Nick Cave’s first musical incarnation was the Boys Next Door (1976–1980, the band changed its name several times and for a longer time was known as Concrete Vulture), later followed by the Birthday Party (1980–1983), Nick Cave and the Bad Seeds (1984–), and Grinderman (2006–2011). Originating from Warracknabeal, Australia, Nicholas E. Cave is considered to be one of the best rock culture artists, confirming his class as with every new album. His last two productions, Idiot Prayer: Nick Cave Alone at Alexandra Palace (2020) and Carnage (2021, a studio album recorded in a duo with the outstanding multi-instrumentalist Warren Ellis), are beautiful, moving, and extraordinary works. The former is a concert film and a live album featuring Cave performing solo on piano, and it serves as the final film in a trilogy of this Brighton-based singer and composer, along with the phenomenal 20,000 Days on Earth (2014) and One More Time with Feeling (2016). Nick Cave is an artist who writes about loneliness, pain, and yearning for love, as clearly evidenced by From Her to Eternity, a moving study of the anthropology of love.
    Źródło:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2021, 114, 2; 31-47
    1230-4808
    Pojawia się w:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Demolition. (Nie)słyszalne głosy i praktyki dyskursywne anglosaskich artystek hardrockowych
    Demolition. (In)audible voices and discursive practices of female hard rock artists in English-speaking countries
    Autorzy:
    Kosek, Jakub
    Powiązania:
    https://bibliotekanauki.pl/articles/1944375.pdf
    Data publikacji:
    2021-06-30
    Wydawca:
    Narodowe Centrum Kultury
    Tematy:
    kultura rocka
    artystki anglosaskie
    praktyki artystyczne
    antropologia hard rocka
    rock culture
    female artists of the Anglosphere
    artistic practices
    anthropology of hard rock
    Opis:
    This article focuses on female hard rock and (heavy) metal artists largely marginalised in previous national research on the anthropology of popular music. The current state of research is presented in a context. Selected topics are discussed related to the artistic practices and image, the multidimensionality of the voice, the category of the body, and the aesthetics of the aging of female artists. The (heavy) metal culture is analysed in the context of exhibitionism defined in a non-reductionist manner not only as a kind of sexual paraphilia, but more broadly as a tendency (at times excessive) to reveal personal and intimate details to others, expose one’s self, and in some cases also one’s body. The text focuses on Girlschool, the British longest-running all-female rock band whose career can be viewed from the perspective of longue durée, and Otep, an American band synthetically characterised through its leader’s political manifestations represented on the album Kult 45 (2018). The careers of the both bands are analysed in terms of the dominant metal masculinist paradigm, as well as from the perspective of ideological discourses and the (trans)media logic of convergence culture.
    Źródło:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2021, 114, 2; 61-73
    1230-4808
    Pojawia się w:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dyskursy, performanse tekstowe i narracje transmedialne polskich piosenek rockowych
    Autorzy:
    Tański, Paweł
    Powiązania:
    https://bibliotekanauki.pl/articles/2030972.pdf
    Data publikacji:
    2018-12-16
    Wydawca:
    Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
    Tematy:
    rock song
    anthropology of sound
    sound studies
    performativity
    piosenka rockowa
    audioantropologia
    performatyka
    Opis:
    There are a few reasons why a song, in its broad sense, is not the main focus of the present study, but its variety – a particular attention is devoted to the genre of the so-called rock music. Firstly, in my opinion, this work of art currently seems to be the most interesting, resonating, as well as artistically and aesthetically valuable. Secondly, the qualitative and quantitative intensity of the genre is priceless. Thirdly and finally, the influence of this very sort of musical activity on the 20th century is commonly known not only through a powerful impact of various counterculture areas in which rock music found its own reason for existence, but mostly owing to being what it is – a performative artistic output in which different areas of art – music, lyrics, visuals and others – correspond with one another. Awarding the Nobel Prize in Literature in 2016 to Bob Dylan has marked a significant moment in cultural history – the musician gained recognition among the honourable Academy and, by the same token, the song – Dylan’s most commonly used artistic medium has raised cultural awareness, reaching out to a wider public. But did it really have to reach out to listeners? Is it not true that a song has been a soundtrack to our lives being constantly present in them? Maybe the decision which the Academy has made was only a formality – lyrics are very important and it is only up to us what meaning we assign to them. This paper aims to interpret selected lyrics of Polish rock songs, considering them as a significant part of the history of the Polish literature.
    Źródło:
    Tematy i Konteksty; 2018, 13, 8; 522-540
    2299-8365
    Pojawia się w:
    Tematy i Konteksty
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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