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Wyświetlanie 1-3 z 3
Tytuł:
How to study the enlightenment: a cultural and literary perspective
Autorzy:
Kostkiewiczowa, Teresa
Powiązania:
https://bibliotekanauki.pl/articles/28408611.pdf
Data publikacji:
2022-09-26
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
modernity
universality
multifaceted research
anthropological projects
literary culture
Opis:
Polish research on the Enlightenment developed in the first half of the 20th century but gained new momentum in the period after the Second World War. At that time, efforts were made to outline a picture of the phenomenon with a strong ideological character, but also a program of recognising important and hitherto not widely studied areas, above all of the literary cultures, was developed. A systematic exploration of sources was also started, and preparations for scientific editions of literary works were undertaken. These activities meet two permanently up-to-date requirements: an interdisciplinary, comparative, historical and ideological approach, as well as the necessary and constant contact with the source material. The research examined the source, sociological-cultural, structuralist and historical-ideological perspectives but focused on the Enlightenment itself. In this situation, the works should be primarily contextual. Based on the previous and new critical studies, it is necessary to undertake systematic research on the position and role of the Enlightenment in the development of Polish culture – in the context of old Polish culture and Romanticism and the phenomenon of modernity. A good reference to this issue is the already introduced concept of change, which allows to dynamise the image and situate the phenomenon of the Enlightenment in the broader time perspective. The second – related to the previous – problem that requires theoretical reflection and reflection on the source material is the anthropological perspective of viewing literature and culture. Such issues as ways of constructing the speaking “I” in different literary genres, ways of expressing the identity of the “I” and shaping the collective identity may shed new light on the epoch, require research consideration and reference to the main tendencies of the so-called new humanities. Such approaches will make it possible to introduce research on the Enlightenment into the dialogue with the latest tendencies of this humanities, test the usefulness of its proposals for historical works, and check the usefulness of new approaches.
Źródło:
Wiek Oświecenia; 2022, 38; 25-39
0137-6942
Pojawia się w:
Wiek Oświecenia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zanurzenie w etyce i kulturze. Antropologiczne projekty zaangażowane społecznie
Immersion in Ethics and Culture. Socially Engaged Anthropological Projects
Autorzy:
Chwieduk, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/580259.pdf
Data publikacji:
2015
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
ETHICS
ANTHROPOLOGICAL PRACTICE AND REFLECTION
SOCIALLY ENGAGED ANTHROPOLOGICAL PROJECTS
ETHICAL DILEMMAS
Opis:
In the practice of sociocultural anthropology, ethics is an important subject for Polish scholars, who more and more readily discuss the need for developing ethical standards regulating their research practice. Special attention in this respect should be paid to socially and practically engaged anthropological projects which, as the text proves, are above all “ethical”, that is focused, as a task in itself, on the goals and effects of researchers’ actions in specifi c environments. The objective of the text is to reflect on selected aspects of this type of anthropological activity. Its main source of inspiration were the experiences of scholars conducting research, undertaking specific actions on behalf of immigrants and refugees, and entering into negotiations with offi cials – persons from the broadly defi ned sphere of education. All the anthropologists involved in these activities are connected to the Poznań Centre for Migration Studies (Centrum Badań Migracyjnych, CeBaM) and the Department of Ethnology and Cultural Anthropology at Adam Mickiewicz University, as is the author of the text, and participated in the project: Social and Cultural Identification of Foreigners.
Źródło:
Studia Migracyjne - Przegląd Polonijny; 2015, 41, 2 (156); 165-179
2081-4488
2544-4972
Pojawia się w:
Studia Migracyjne - Przegląd Polonijny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pojęcie i doświadczenie czasu w polskiej sztuce konceptualnej
The Concept And Experience Of Time In The Art Of Polish Conceptualism
Autorzy:
Zdanowicz, Maciej H.
Powiązania:
https://bibliotekanauki.pl/articles/424647.pdf
Data publikacji:
2012
Wydawca:
Akademia Sztuk Pięknych w Gdańsku
Tematy:
In my paper I analyse the art of selected Polish conceptual artists
whose art and creative strategies clearly attempt to analyse the essence of time
I consider exceptional in this context the work of Roman Opalka (Opałka 1965 /1 - ∞)
Natalia LL's recordings (Permanent recordings of time)
Zdzislaw Jurkiewicz's Saturn and Jupiter Ways
and the projects by Stanisław Dróżdż (FROM TO) that touch upon various levels of time
In the presented analyses
I refer to the psychological and philosophical concept of perception and aperception
as well as an anthropological understanding of time
In my view
conceptual art is the genre whose characteristics lie in the conscious cognition and deep intellectual analysis of the reality surrounding the artist
With regard to the active role of the mind in the process of perception the aperception of time may be a more appropriate term
CONCEPTUALISM
CONCEPTUAL ART
ROMAN OPALKA
NATALIA LL
ZDZISLAW JURKIEWICZ
STANISLAW DROZDZ
PERCEPTION
APERCEPTION
TIME
SPACETIME
NOTATION
RECONSTRUCTION
DOCUMENTATION
Opis:
In my paper I analyse the art of selected Polish conceptual artists, whose art and creative strategies clearly attempt to analyse the essence of time. I consider exceptional in this context the work of Roman Opalka (Opałka 1965 /1 - ∞), Natalia LL's recordings (Permanent recordings of time), Zdzislaw Jurkiewicz's Saturn and Jupiter Ways, and the projects by Stanisław Dróżdż (FROM TO) that touch upon various levels of time. In the presented analyses, I refer to the psychological and philosophical concept of perception and aperception, as well as an anthropological understanding of time. In my view, conceptual art is the genre whose characteristics lie in the conscious cognition and deep intellectual analysis of the reality surrounding the artist. With regard to the active role of the mind in the process of perception the aperception of time may be a more appropriate term.
Źródło:
Sztuka i Dokumentacja; 2012, 6; 141-147
2080-413X
Pojawia się w:
Sztuka i Dokumentacja
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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