- Tytuł:
-
Rosyjskie kinociała lat pięćdziesiątych – między „obcym” a „swoim”
Russian body cinema of the 50s’ – between “us” and “them” - Autorzy:
- Bułgakowa, Oksana
- Powiązania:
- https://bibliotekanauki.pl/articles/1853422.pdf
- Data publikacji:
- 2018
- Wydawca:
- Narodowe Centrum Kultury
- Tematy:
-
język cielesny
gest
naśladowanie
moda i film
amerykanizacja
bikiniarze
bodily language
gesture
copying
fashion and film
americanisamion - Opis:
- The armicle analyses the changes of a Soviet man’s bodily language shown in the films of the late 1950s’ and early 1960s’. The author observes how foreign movies shown on Russian screens with great delay had been changing the bodily language of Russian film characters and the impact of a significant gender roles switch so vivid in post-war Western European and American cinemamic producmions. Getming rid of a might pattern of gesture in the world of cinema has become a phenomenon almost as important as the polimical thaw. This approach is parmicularly visible in the images of the workers’ bodies, working class people brought up in children’s homes and living in dormitories – the youth portrayed in films such as Under the Clouds, Girls, I am 20, Dima Gorin’s Career, Spring on Zarechnaya Street, Walking around Moscow. By observing the process of an on-screen change of bodily techniques one may assume that the body doesn’t have a memory of its own, and therefore imitates new techniques easily; the body keeps the memory of a gesture and acquires new habits with much dificulty. Soviet films subsequently suggest both approaches.
- Źródło:
-
Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2018, 99, 1; 13-28
1230-4808 - Pojawia się w:
- Kultura Współczesna. Teoria. Interpretacje. Praktyka
- Dostawca treści:
- Biblioteka Nauki
Artykuł