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    Wyświetlanie 1-3 z 3
    Tytuł:
    Soundscapes
    Autorzy:
    Olszewska, Marta
    Powiązania:
    https://bibliotekanauki.pl/articles/628351.pdf
    Data publikacji:
    2010
    Wydawca:
    Fundacja Pro Scientia Publica
    Tematy:
    soundscape/ high-fidelity soundscape, city heteroglossy, musical graphic, graphical music, melosphere, acoustic ecology, ambient music, interspace, music-in-the-city, audibility
    Opis:
    This article examines the issues of soundscape construction and reception and states that a city is a construction built from private sonic narrations that both shape and are shaped by spatial structures. The analysis of three audio-visual practices: Playtime,a film by Jacques Tati;Infrasonic Soundscape, an interactive online artwork by Hidekazu Minami; and Dialtones (A Telesymphony) by Golan Levin, a concert performance whose sounds were produced by theaudience’s mobile phones reveals the polyphonic character of space. These examples necessitate verifying the way one perceives the understanding of the concepts of sound and space as well as their interactions. The phenomenon of soundscapes requires transgressing the dichotomies of space/place, seeing/listening (sound/image), and listener (recipient)/creative subject (sender of a specific message), in favour of the intermediate categories. The core of the interspace which arises on this ground constitutes a dialog anyone might enter if they afford a gesture addressed to the other (various forms of space embodiment).
    Źródło:
    Journal of Education Culture and Society; 2010, 1, 1; 84-94
    2081-1640
    Pojawia się w:
    Journal of Education Culture and Society
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “Acoustic wallpaper” under control – the case of musique d’ameublement and Muzak
    Autorzy:
    Makomaska, Sylwia
    Powiązania:
    https://bibliotekanauki.pl/articles/2122174.pdf
    Data publikacji:
    2021-11-21
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    acoustic engineering
    audiomarketing
    Brian Eno
    ambient music
    Muzak
    Erik Satie
    musique d’ameublement
    effect of “acoustic wallpaper”
    peripheral attention
    Opis:
    Attention is one of the most important cognitive processes. Its functioning and key characteristics play a vital role in the perception of music, especially in everyday situations when music becomes an acoustical background. Thanks to selectiveness, shift and division of attention, the listener can balance between an active and a passive act of listening, however, the results of auditory perception may be difficult to determine. Can the sender, in the process of musical communication, manage the listener’s attention in such a way as to achieve the effect of “acoustic wallpaper” understood as a perception-based effect of background music, where music, in line with the sender’s intentions, is located in the peripheral zone of the listener’s attention, within extensive attention? What function, from the perspective of the sender, is performed by “acoustic wallpaper”? Is it a target result or a mechanism leading to cer- tain reactions in an indirect way? What factors play a decisive role for the efficiency of an adopted strategy? The main aim of this article is to answer the above questions by the analysis of two exemplary concepts of background music (musique d’ameublement by Erik Satie and Muzak) through the prism of the author’s theoretical model of “acoustic wallpaper” (Makomaska, 2021). This novel ap- proach derives from the psychologically-based reciprocal feedback model of musical response (hargreaves, et al., 2005) and socio-musicological studies on pragmatic forms of musical communication (brown, 2006). It assumes that the effectiveness of “acoustic wallpaper” being under control of the sender (the composer or a professional company) is conditioned by correlations between structural characteristics of music, the listener, and historical-social context. The analysis shows that the intended functions of background music (seen from the perspective of the sender) can differ from the real ones and in the case of particular concepts can be moderated by various groups of factors. The results provoke further discussion on the application potential of the proposed model in psychologically, historically and/or marketing-oriented studies on such concepts as e.g. ambient music and contemporary audiomarketing strategies implemented in commercial environments, where music located on the periphery of the listener’s attention can become an effective tool of mani- pulation.
    Źródło:
    Interdisciplinary Studies in Musicology; 2021, 21; 39-55
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Music for Nine Post Cards jako przykład kankyo ongaku, czyli „muzyki unoszącej się w powietrzu jak dym”
    Music for Nine Post Cards as an Example of Kankyo Ongaku i.e ‘Music that Floats in the Air Like a Smoke’
    Autorzy:
    Sznajder, Patrycja
    Powiązania:
    https://bibliotekanauki.pl/articles/2189498.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
    Tematy:
    Yoshimura Hiroshi
    ambient
    Japanese music
    kankyo ongaku
    sound design
    Opis:
    The aim of the article is an attempt to present the genesis and describe the first compositions that formulated the Japanese ambient trend, i.e. kankyo ongaku. The subject of the research is both the history of the creation of the series by Hiroshi Yoshimura, Music for Nine Post Cards, which became the cornerstone of later albums from the ambient and minimal music trend in Japan, as well as individual works included in the cycle under study. Based on the results of the automated and auditory analysis of Music for Nine Post Cards, the structure of musical works and their stylistic features are determined. For automated analysis, Sonic Visualiser was used—an application used to create a graphical visualisation of the music content of audio files. As a result of the research, the answer was obtained as to how Hiroshi Yoshimura and Satoshi Ashikawa realised the original assumptions of kankyo ongaku.
    Źródło:
    Kwartalnik Młodych Muzykologów UJ; 2022, 2(53); 73-91
    2956-4107
    2353-7094
    Pojawia się w:
    Kwartalnik Młodych Muzykologów UJ
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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