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Tytuł:
Kulturowy wymiar designu – między estetyzacją a odpowiedzialnością
Autorzy:
Głutkowska-Polniak, Alicja
Powiązania:
https://bibliotekanauki.pl/articles/1186599.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
aestheticization
values
aesthetics
ethics
responsibility
Opis:
When it comes to design, are aesthetic and ethical values oppositional to each other as they have been considered to be, or are they compatible and complementary? Design theorists and critics often distance themselves from aesthetic assumptions, focusing on ethical foundations and values based on duties towards another person (designer for the user) or responsibility However, aesthetic values are clearly inscribed in the field of design. Firstly, because design is related to the appearance (aestheticization of reality) – form, harmony, and proportion between elements – but also to manipulation or simulation (aestheticization of design). In design as a cultural area, values interpenetrate and, at the same time, are ethical, social and aesthetic in their form and contexts; the aesthetic values especially permeate everything. They are not isolated in any separate order but rather they combine with other types of values.
Źródło:
Załącznik Kulturoznawczy; 2019, 6; 77-90
2392-2338
Pojawia się w:
Załącznik Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Old age – „how beautiful to be yourself”
Autorzy:
Zakowicz, Ilona
Powiązania:
https://bibliotekanauki.pl/articles/628418.pdf
Data publikacji:
2011
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
old age, elderly, body, advertisement, appearance, aestheticization
Opis:
in every given period one can observe different attitudes towards old age, death and the elderly, which are shown through varied stances and ideas about this specific period of human life. The reality of the xxicentury often regarded as “vision-centric” is dominated by the cult of beauty and youth which creates increasingly demanding requirements, rela-ted mainly to the attractiveness of appearance, of the body – especially the one belonging to the elderly. The increase in the number of senior citizens compared to the rest of the society that can be witnessed nowadays leads to the elderly being amore carefully examined social group. Mediated by the media discourse the images of the elderly are becoming more common and therefore the author’s attempt at reconstructing the postmodern strategy of the rendering of late adulthood seems to be an interesting and important topic to consider.
Źródło:
Journal of Education Culture and Society; 2011, 2, 2; 47-54
2081-1640
Pojawia się w:
Journal of Education Culture and Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Extracting limestone: How to interpret the city through ammonites and belemnites
Autorzy:
Sadowska, Monika
Powiązania:
https://bibliotekanauki.pl/articles/914198.pdf
Data publikacji:
2020-10-09
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
aestheticization
natural history
stone
city
museum
Opis:
The paper analyzes the presence of the remains of ammonites and belemnites in the stones used to build the elevations of houses in modern Polish cities. The process of aestheticizing buildings is the reason for fossilized cephalopods being moved from the natural environment into urban space. I consider whether the use of such materials leads merely to making the buildings look more attractive or if this process provides an opportunity to interpret these buildings in an alternative way, which goes beyond aesthetic categories and is related to the fact that the fossils have been moved from the natural world into the cultural sphere. The limestone elements of architecture also allow one to look at the city as a unique museum of cultural and natural history.
Źródło:
Polish Journal of Landscape Studies; 2020, 3, 6; 83-95
2657-327X
Pojawia się w:
Polish Journal of Landscape Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Philosophy in Digital Culture: Images and the Aestheticization of the Public Intellectual’s Narratives
Autorzy:
Skowroński, Krzysztof Piotr
Powiązania:
https://bibliotekanauki.pl/articles/451313.pdf
Data publikacji:
2020-04-15
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
philosophy
digital culture
Internet
narratives
aestheticization
ethics
stoic pragmatism
Opis:
The present paper deals with the problem of the digital-culture-public-philosophy as a possible response of those philosophers who see the need to face the challenges of the Internet and the visual culture that constitutes an important part of the Internet cultural space. It claims that this type of philosophy would have to, among many other things, modify and broaden philosophers’ traditional mode of communication. It would have to expand its textual, or mainly text-related, communication mode into the aesthetic and visual communication mode. More precisely, philosophers would have to learn how to aestheticize and visualize their ethical (epistemic, ontological, social) narratives by using some digital tools – YouTube clips for example.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2020, 4, 1; 23-37
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Aestheticization of Serial Killers in Contemporary Crime Literature and Film
Autorzy:
Ziomek, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/601293.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
serial killers
aestheticization
murder
violence
crime
literature
film
Opis:
Fictional serial killers often appear attractive, since the authors and film directors deliberately employ certain techniques to depict the villains as seductive and manipulate readers/spectators into forming a bond with devious protagonists. This article argues that by virtue of different stylistic and literary devices, the villains presented in contemporary texts are aestheticized. Moreover, it also explains why the reader/audience often sympathizes with the murderer rather than the victim.
Źródło:
New Horizons in English Studies; 2018, 3
2543-8980
Pojawia się w:
New Horizons in English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Sakralizacja” ciała w kulturze współczesnej. Perspektywa filozoficzna
Autorzy:
Guzowska, Beata
Powiązania:
https://bibliotekanauki.pl/articles/2131405.pdf
Data publikacji:
2021-06-07
Wydawca:
Polskie Towarzystwo Religioznawcze
Tematy:
body
contemporary culture
somatics
spirituality
aestheticization
aesthetic experience
Opis:
In contemporary culture, many categories are separated from metaphysical premises. Currently, man feels called to create his unique lifestyle, to pursue his humanity free from external religious, social, or political influences. Today’s somatic turn in culture means that the body is seen as the source of all values. This turn is directed not so much at the outer form of the body but our inner experience and spirituality. Secularization encourages us to consider ourselves, our happiness, in more earthly and carnal terms with almost religious adoration.
Źródło:
Przegląd Religioznawczy; 2021, 2/280; 71-78
1230-4379
Pojawia się w:
Przegląd Religioznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Исповедь эстета: маски, шифры и перепорученный опыт в романе Оскара Уайльда Портрет Дориана Грея
Autorzy:
Джумайло, Ольга
Powiązania:
https://bibliotekanauki.pl/articles/1826251.pdf
Data publikacji:
2019-09-16
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
Oscar Wilde
The Picture of Dorian Gray
confessional novel
aestheticization
Opis:
The paper addresses Oscar Wilde’s The Picture of Dorian Gray and its specific confessional strategy, which is characterized by aestheticization of personal experience. The choice of means is correspondent to intellectual, aesthetic and ethic positions developed by Wilde as a critic in his theoretical works. Confessional Wilde puts forward style, imagination and reinvention of the Self with the help of masks, scripts and allusions to literary and non-literary sources. It is claimed that there are various allusions to Greek life and its cultural reinvestigation in Wilde’s time, and to different aspects of Christian aesthetics and mythology.
Źródło:
Conversatoria Litteraria; 2016, 10; 67-80
1897-1423
Pojawia się w:
Conversatoria Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bóg, który powiedział wszystko. Mała hermeneutyka Janowej Apokalipsy w świetle wybranych świadectw hezychastycznych
The God who told everything. A little hermeneutics of St John’s Book of Revelation in the light of the selected hesychastic testimonies
Autorzy:
Grzywacz, Robert
Powiązania:
https://bibliotekanauki.pl/articles/546320.pdf
Data publikacji:
2019
Wydawca:
Polskie Towarzystwo Religioznawcze
Tematy:
hiddenness
Nietzscheism
hesychasm
aestheticization of religion
aesthetic cultivation
practical renewing
sensibility
Opis:
The paper offers a contribution to the contemporary discussion on the hiddenness argument as it was formulated by J.L. Schellenberg. Starting from the famous statement of John of the Cross on the ultimate Word of God, it focuses on the Book of Revelation as somehow the very incarnation of such a word. Two rival interpretations of the chosen book are examined and confronted: one by D.H. Lawrence, and the other inspired by some selected writings of Silouan the Athonite. The former represents rather a critical and deconstructionist endeavour even if it is not totally deprived of a positive meaning (the forgotten vitality of the apocalyptic symbols). The latter suggests another hermeneutical possibility: the constructive and recapitulative one. This interpretation inspired by the exceptional hesychastic experience opens a practical orientation in reading of the Revelation and may be translated into more aesthetical terms. The perspective thus privileged to renew the senses seems to confirm backwardly the recapitulative reading following the hesychastic inspiration.
Źródło:
Przegląd Religioznawczy; 2019, 2/272
1230-4379
Pojawia się w:
Przegląd Religioznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zjawisko estetyzacji ciała w perspektywie socjologicznej. Przegląd wybranych koncepcji teoretycznych i wyników badań
Autorzy:
Rak-Suska, Magdalena
Binięda, Anna
Powiązania:
https://bibliotekanauki.pl/articles/2130905.pdf
Data publikacji:
2018
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
sociology of the body
body aestheticization
social prestige
beauty market
Opis:
The article focuses on the problem of body aestheticiziation as a source of social prestige in the con- sumer society. It also contains an attempt to verify the thesis that the body aestheticization is used as a tool to multiply the resources of social prestige. The results of the research on aestheticization of the appearance presented in the paper indicate that firmly fixed beliefs about social benefits that result from physical attractiveness are strongly entrenched among consumers of the beauty market. Nearly half of Poles claim that the external appearance is one of the most important values – it plays a deci- sive role in both personal and professional success. These beliefs are also illustrated in an observable, statistical increase in the economic value of the Polish beauty market from the current PLN 16 billion to PLN 20 billion forecast for 2021. Additionally, the analysis of secondary data confirms the general thesis that the aestheticization of the body is used to increase social prestige.
Źródło:
Humanum. Międzynarodowe Studia Społeczno-Humanistyczne; 2018, 3(30); 3-11
1898-8431
Pojawia się w:
Humanum. Międzynarodowe Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ciało w jodze. Tradycja i współczesność
The body in Yoga. Tradition and modernity
Autorzy:
Świerzowska, Agata
Powiązania:
https://bibliotekanauki.pl/articles/464872.pdf
Data publikacji:
2015-03-31
Wydawca:
Akademia Wychowania Fizycznego we Wrocławiu
Tematy:
asana
ciało
estetyzacja
joga nowoczesna
tożsamość
zdrowie
body
aestheticization
modern yoga
identity
health
Opis:
This article is an attempt to show one of the most important, in the author’s opinion, changes that took place in the cultural and historical development of yoga, namely the change of direction in thinking and perceiving the body in the yoga practice, being the transition from the model named as “off the body” (functioning in the pre-modern, traditional yoga) to the model named as “to the body” (functioning in the modern forms of yoga). Both models have been shown through the prism of three values that in today’s yoga practice (especially in the mass practice) are perceived through the prism of the body and through the body are realized. These values have been defined as: “healthy body”, “beautiful body” (aesthetically perfect) and “social body”. Description of both models has been supplemented with basic information about those processes which enabled the aforementioned transition to occur, changing the body-tool into the body-goal.
Źródło:
Rozprawy Naukowe Akademii Wychowania Fizycznego we Wrocławiu; 2015, 48; 63-75
0239-4375
Pojawia się w:
Rozprawy Naukowe Akademii Wychowania Fizycznego we Wrocławiu
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Метод деконструкции в современной российской „новой драме”
The Deconstruction Method in Contemporary Russian ‘new drama’
Autorzy:
Колбасин, Вадим Н.
Powiązania:
https://bibliotekanauki.pl/articles/22446756.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
contemporary Russian drama
‘new drama’
deconstruction
literary text de-aestheticization
relationship between literature and reality
Opis:
Contemporary Russian ‘new drama’ is a controversy with a range of traditions in art, an attempt to protest against the established aesthetic forms which express the main line of modern theatre and drama. There is an idea of the relationship between literature and reality in the ‘new drama’ when the penetration into reality expresses a literary text de-aestheticization process. We determine the method of the Russian ‘new drama’ as deconstruction, which consists in the fact that the principle of authenticity in cooperation with the reality and its fixation are declared in contemporary ‘new drama’. First of all it is manifested in the choice of ‘material’ for the plays. Deconstruction appears with respect to the traditional ‘cultural’ drama topics. The taboo of physiological presentation is removed, violence becomes the basis of dramatic experience, and antiaesthetizm – the principle of its implementation. In the atmosphere of the ‘bottom of life’ every dramatic situation takes place. The antiheroes become heroes of the ‘new drama’. The character which is the most important category for drama is subject to deconstruction. The technique Verbatim (‘literally’), which is the basis of the documentary drama method, does not imply the well-defined author’s nature. The playwright is just a developer of issues and a ‘recording’ person. Religious, literary and historical myths undergo destruction. Finally, the deconstruction method influences poetics and the ‘new drama’ structure. The drama genre specificity is finally destroyed, there is even no attempt to identify the play genre. Thus, the multileveled deconstruction method becomes a determining factor for the ‘new drama’. This trend of simplification, fundamental principles de-aestheticization is not only in the drama but in the traditional relationship between art and reality.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2013, Zeszyt specjalny 2013; 49-56
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Lajki, memy, fejki — odbicia polityki historycznej na Facebooku widziane przez pryzmat popkultury
Memes, Likes and Fake News. Politics of Memory Through Prism of Pop Culture
Autorzy:
Włodarczyk, Łukasz
Powiązania:
https://bibliotekanauki.pl/articles/2080921.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
politics of memory
Facebook
memes
aestheticization
discpurse
polityka historyczna
memy
estetyzacja
dyskurs
Nauki Humanistyczne i Społeczne
Opis:
The article is a brief presentation of the relationship between the politics of memory and Facebook. This type of connection advantages aestheticism, pictures and emotional infl uence but discounts traditional instruments modelling collective memory. The article focuses on the answer to the question of how a popular culture aesthetic infi ltrates and changes the politics of memory.
Źródło:
Historyka studia metodologiczne; 2018, 48; 197-213
0073-277X
Pojawia się w:
Historyka studia metodologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Prosthetic” Memory, “Aftersights” of Memory, Memory “Easy to Consume”? A Few Words About Visual Remembrance of the Holocaust
Autorzy:
Kowalska, Urszula
Powiązania:
https://bibliotekanauki.pl/articles/951489.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
prosthetic memory
aftersights of memory
aestheticization ofthe Holocaust
Zbigniew Libera
Elżbieta Janicka
Mikołaj Grynberg
Paweł Szypulski
Opis:
Discussion about the borders restricting (unavoidable today) aestheticization of memory about the Holocaust experience is still valid – in the article are recalled some different strategies of remembering the Holocaust in the art using photography. Two of the artistic projects (Powidoki by Zbigniew Libera and Pocztówki z Auschwitz by Paweł Szypulski) are using authentic photographs to initialize the discussion about trivialization of image, removing it from its original context and, at the same time, “blunting” the sensitivity of the recipient. The other two works (Auschwitz, co ja tu robię by Mikołaj Grynberg and Miejsca nieparzyste by Elżbieta Janicka) are suspended between conversation and silence (two classic poles of memory about the Holocaust). All of these works are disputing with “fixed” models and imaginary experiences, deconstructing pathos, they are talking about the blurring memories and manipulating with memory, about competition of different historic narrations and attempts at overtaking the past, passing the traumatic experiences of the war and the Holocaust to the next generations.
Źródło:
Poznańskie Studia Slawistyczne; 2017, 12; 331-345
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Estetyzacja rzeczywistości – skutek dobrobytu czy upadek wartości? Analiza i krytyka poglądów Wolfganga Welscha dotyczących procesu estetyzacji
Aestheticizing of reality - the result of prosperity or the values collapse? Analysis and criticism of Wolfgang Welschs views regarding the aestheticizing process
Autorzy:
Kociołek, Kamil
Powiązania:
https://bibliotekanauki.pl/articles/1621510.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:
aestheticization
beauty
aesthetic
aesthetical values
Wolfgang Welsch
welfare
metaphysic
estetyzacja
piękno
wartości estetyczne
estetyka
dobrobyt
metafizyka
Opis:
Artykuł stanowi polemikę z krytyką procesu estetyzacji przeprowadzoną przez Wolfgang’a Welsch’a w artykule pt. "Procesy estetyzacji – zjawiska, rozróżnienia, perspektywy". Jego celem jest udowodnienie, że argumenty sugerujące negatywną ocenę tego zjawiska są nieuzasadnione, a estetyzacja powinna być traktowana raczej jako odsłaniający wyjątkowo korzystne perspektywy rezultat powszechnego dobrobytu, aniżeli problem grożący degeneracją czy upadkiem wartości. W pierwszej części tekstu przedstawiona zostaje definicja omawianego procesu oraz kilka przykładów jego zachodzenia. Następnie przeprowadzona zostaje analiza wyróżnionych przez Welsch’a negatywnych skutków jego funkcjonowania oraz obaw przed jego postępującym rozwojem. Argumentacja oparta na piramidzie potrzeb Maslowa uwidacznia, iż troska o wartości estetyczne jest możliwa dopiero w sytuacji zaspokojenia potrzeb niższych, przez co świadczy o wysokim poziomie dobrobytu, a nie załamaniu wartości, na który wskazuje Welsch. Faktyczną konsekwencją omawianego procesu okazuje się lepsze rozumienie struktury rzeczywistości, możliwe do uzyskania dzięki procesowi estetyzacji, który uzmysławia niemalże nieograniczoną podatność świata na jego przekształcanie i modelowanie, jednocześnie zwiększając możliwości oddziaływania na niego poprzez ludzką wolę. W tym świetle estetyzacja nie stanowi przepowiadanego przez wielu zagrożenia, ale raczej szansę zrobienia przełomowego kroku na drodze rozwoju ludzkości.
The article is a polemic with Wolfgang Welsch's criticism of the aestheticization process presented in his article entitled ‘Aestheticization Processes. Phenomena, Distinctions and Prospects’. Its purpose is to show that arguments suggesting a negative assessment of this phenomenon are unfounded and the aestheticization should be rather treated as a sign of human civilization welfare which revealing favourable perspectives than as a problem threatens a degeneration or the fall of values. In the first part of the text, I present the definition of aestheticization and some examples of it. Next, I analyse the potentially negative consequences of this process and fears about its further development pointed out by Welsch. I argue that the aestheticization is a positive phenomenon because people may care of aesthetic values only after satisfying more basic needs. The real consequence of this process is a better understanding of the reality, as the aestheticization emphasizes its immanent susceptibility to modelling which simultaneously enhance a possibilities of influencing on it by the human will. Therefore, instead of a danger for humanity, aestheticization may become a breakthrough in the development of our civilization.
Źródło:
Analiza i Egzystencja; 2020, 52; 37-54
1734-9923
2300-7621
Pojawia się w:
Analiza i Egzystencja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pozorna lekkość bytu - estetyzacja w fotografii dokumentalnej
The simulacre lightness of being – aestheticization in documentary photography
Autorzy:
ZARYCHTA, ANNA M.
Powiązania:
https://bibliotekanauki.pl/articles/921108.pdf
Data publikacji:
2016-10-09
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
lightness
aestheticization
weightiness
beauty
documentary photography
Italo Calvino
Wolfgang Welsch
Georges Merillon
Sebastiao Salgado
Luc Delahaye
Simon Norfolk
Opis:
The starting point for analyzing aestheticization processes in contemporary documentary photography in this text are both the “poetic” images of lightness in literature and culture analyzed in a lecture by Italo Calvino (Six Memos for the Next Millennium) and the critical thought of Wolfgang Welsch on intentional aestheticization processes in the real world. According to Welsch, these processes, through specific procedures of “lavishing lightness”, cease to be a binding image of the world and become part of a culture game (Grenzgange der Asthetik). Examples selected for analysis include award-winning documentary photography, including war photography, represented by the work of Georges Merillon, Sebastiao Salgado, Luc Delahaye, Simon Norfolk and Tim Hetherington. These ‘aestheticization procedures’ are outlined in this text in the context of the history of photography perceived as its “struggle” for a place in the history of art, as well as in the context of the theoretical considerations which accompany these processes.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 317-331
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
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