Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Wyszukujesz frazę "a mask" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Czarny metal, białe twarze – corpse paint jako element performatywnej konstrukcji podmiotowości w black metalu
Black metal, white faces: corpse paint as an element in the performative construction of subjectivity in black metal
Autorzy:
Kubiak, Zuzanna
Powiązania:
https://bibliotekanauki.pl/articles/1944371.pdf
Data publikacji:
2021-06-30
Wydawca:
Narodowe Centrum Kultury
Tematy:
black metal
corpse paint
maska
podmiot
przemoc
a mask
a subject
violence
Opis:
The aim of this article is to analyse the phenomenon of corpse pain, a style of stage make-up used by black metal bands developed in Norway in the 1990s. Black metal is a subgenre of rock music. Its relationship with violence is very complex and hardly obvious. The focal point of the culture that has developed around this genre is an independent subject whose functioning is based on the categories of agency, power, and domination perceived through the prism of masculinity. Such a subjectivity emerges from the consolidation of artists’ stage and non-stage lives, and needs to have its authenticity constantly confirmed. One way to authenticate it is through the use of corpse paint. This type of stage make-up connects musicians with the content they symbolise and seek to embody. The subject is born out of the performative act of merging with corpse paint. This specific make-up may be perceived as a stage mask originating from ancient theatre. The juxtaposition of corpse paint and a theatrical mask highlights the process that leads to the creation of a black metal subject while revealing its dark sides. One of them is masculinity based on the exclusion of others. In its most extreme manifestations it reaches out for elements of fascist or racist ideologies only to reassert its power and advantage, and thus strengthen its position in the world.
Źródło:
Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2021, 114, 2; 162-175
1230-4808
Pojawia się w:
Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kunderowskie zmagania z kiczem – raz jeszcze o „Nieznośnej lekkości bytu”
Autorzy:
Hudymač, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/1187221.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Milan Kundera
The Unbearable Lightness of Being
kitsch
testament
lie
mask
socialism with a ‘human face
Opis:
This paper deals with the Kundera’s most popular novel as a passionate dialogue with kitsch. The Unbearable Lightness of Being is based on the antinomy of lightness and heaviness, as well as kitsch and individuality. The narrator treats his characters as the experimental ego and confronts them with the reality created on the cross-scheme of those key-words mentioned above. Kundera interprets the phenomenon of Kitsch as the tool to create a totalitarian reality and slave human beings, but also as something, that can be recognize and ‘domesticate’, and then comprise an inalienable part of human existence and its relation to the world. Paper also deals with the Kundera’s famous aversion to film his novels. He banned any further film adaptations of his work, having disliked the way The Unbearable Lightness of Being had been adapted by Philip Kaufman in 1988.
Źródło:
Załącznik Kulturoznawczy; 2016, 3; 72-84
2392-2338
Pojawia się w:
Załącznik Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

    Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies