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    Wyświetlanie 1-8 z 8
    Tytuł:
    „Krótka pociecha z kosztownych grobszczynów” – groby w „Sielankach nowych ruskich” Józefa Bartłomieja Zimorowica
    „Small consolation from expensive tombs” – the motive of graves in „New Russia Bucolics” by Józef Bartłomiej Zimorowic
    Autorzy:
    Rot-Buga, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/2012208.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Józef Bartłomiej Zimorowic
    Szymon Zimorowic
    sielanka
    śmierć
    poetycka nieśmiertelność
    pastoral
    death
    poetic immortality
    Opis:
    The article is devoted to the motifs of mortality of Sielanki nowe ruskie (New Russia Bucolics) written by J. B. Zimorowic. The landscape of Ruthenian Arcadia is permeated with the vision of death and destruction of the body – the graves of his loved ones (wife, brother and children) are an important element there. The author reconstructs Zimorowic’s attitude to the tombs, and discusses the role of references to the transience and metapoetic motifs in the context of mourning bucolics (to preserve the memory of the dead). According to the author the abundance of mortality motifs in Zimorowic’s poetry is connected to the poet’s biography, his poetic strategy (writing about the beloved Lviv) and the effi ciency in the use of traditional bucolic tradition.
    Źródło:
    Prace Filologiczne. Literaturoznawstwo; 2012, 2(5); 237-256
    2084-6045
    2658-2503
    Pojawia się w:
    Prace Filologiczne. Literaturoznawstwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Siedmiogórnym padołom znak sprzyja nemejski – herb Lwowa w dziełach Józefa Bartłomieja Zimorowica
    The Nemean Sign Favours the Sevenhilled Valley – the Lviv Coat of Arms in the Writings by Józef Bartłomiej Zimorowic
    Autorzy:
    Rot-Buga, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/636338.pdf
    Data publikacji:
    2011
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    Lviv
    Józef Bartłomiej Zimorowic
    heraldic motifs
    Opis:
    The article describes the heraldic motifs of Lviv in poetry and historiographical works of J.B. Zimorowic. It’s goal is to explain by what means, why and what for they are used by the poet. The important factor is an allegorical tradition of the bucolic, which heraldry is a part of. The author quotes and discusses poems and inscriptions by Zimorowic, known only through his work Leopolis [...] obsessa, that was originally placed on the gates of the Lviv (including emblems). Zimorowic had a deep knowledge of the history and coat of arms of Lviv, as he was a great admirer of the city. During his lifetime he was recognized by readers and residents of Lviv as familiar and local poet. The references to various aspects of Lviv that appear in his works are part of an overall strategy (poetic as well as lifetime one) – by writing about his family and local matters he hoped to improve Lviv.
    Źródło:
    Terminus; 2011, 13, 24; 101-118
    2084-3844
    Pojawia się w:
    Terminus
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kędy wasilek kocha się i mięta z przykrym lubczykiem. Leksyka roślinna w poezji braci Zimorowiców
    Kędy wasilek kocha się i mięta z przykrym lubczykiem. A Plant Lexicon in the poetry of the Zimorowic Brothers
    Autorzy:
    Klimek, Jolanta
    Powiązania:
    https://bibliotekanauki.pl/articles/1953864.pdf
    Data publikacji:
    2005
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    pole leksykalne
    sielanka
    stylistyka
    Zimorowic
    lexical field
    idyll
    stylistics
    Opis:
    The study sought to order the arboreal-floristic vocabulary and analyse its poetic function in two seventeenth-century collections of idylls: Szymon Zimorowic’s Roksolanki and Józef Bartłomiej Zimorowic’s Sielanki nowe ruskie [New Russian Idylls]. The lexical field of plants is composed of the following: 1. general names of plants, flowers, trees, and bushes; 2. concrete, genre names; 3. names of autonomic plant parts; 4. names of acreage filled with listed designates. Thus defined lexis has been subjected to a functional analysis, during which the poetic function and values the vocabulary under study have been shown. The works written by the two brothers and belonging to a similar trend of Baroque poetry, with regard to their genology and themes, show no principal differences with respect to the lexis under study. The differences result from different problems of the texts, the poets’ various experiences, and unequal talents.
    Źródło:
    Roczniki Humanistyczne; 2005, 53, 6; 35-52
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Szczęśliwe niegdy ruskie [...] kraje” − Józefa Bartłomieja Zimorowica wizja Arkadii spopielonej
    “Formerly happy [...] Ruthenian countries” − Józef Bartłomiej Zimorowic’s vision of incinerated Arcady
    Autorzy:
    Rot-Buga, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/2013671.pdf
    Data publikacji:
    2014-06-02
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    J. B. Zimorowic
    sielanka
    Arkadia
    locus amoenus
    locus horridus
    pastoral
    Opis:
    The author of the article describes the ways the Arcadicvision of the world as well as its contradiction i.e. the dystopia were constructed in J.B. Zimorowic’s New Rutheniam bucolics. Both of these are described within literature tradition and in their historical context as well. It is shown how Zimorowic, in his dialogue with Vergil, Ovid and Polish writers, creates the vision of Ruthenia as an Arcadic and also pleasant place (locus amoenus).He further creates a vision of locus horridus – the burnt Arcady. The Ruthenian Arcady contains the vision of happiness sand the golden age in Ruthenia, the Arcadic landscape and the interfusion of the realistic world with the world of myths. Ruthenian Arcady of Zimorowic is destroyed by the war (1648), epidemic and the loss of the loved ones (his wife and brother) − the themes of war, death and vanishing. New Ruthenian Bucolics contain contradictory visions, namely, the poetic Arcady of family and Lviv and the Arcady of loss. This dystopia becomes a poetic comment to bloody events of the century and the personal grief of the author. The text shows how the author exploits the locus amoenus theme and how he changes it into the theme of locus horridus.
    Źródło:
    Prace Filologiczne. Literaturoznawstwo; 2014, 4(7); 307-332
    2084-6045
    2658-2503
    Pojawia się w:
    Prace Filologiczne. Literaturoznawstwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Owoż ja, Hymen, (…) przychodzę na biesiadę. Swat weselny w folklorze południowo-wschodniej Polski i Roksolankach Szymona Zimorowica
    There I, Hymen, (...) Come to the Party. The Wedding World in the Folklore of Southern and Eastern Poland and in Szymon Zimorowic’s Roksolanki
    Autorzy:
    Klimek, Jolanta
    Powiązania:
    https://bibliotekanauki.pl/articles/1945429.pdf
    Data publikacji:
    2008
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    epitalamium
    etnografia
    folklor
    leksykologia
    wesele
    Zimorowic
    epithalamion
    ethnography
    folklore
    lexicology
    wedding
    Opis:
    The paper focuses on the co-existence between literature and folklore by way of transporting the folk formulas (in the broad sense of the word) to poetic texts. It is from this point of view that one of the obligatory component of the wedding rite – the former master of ceremonies – has been analysed. The sources are the nineteenth- and twentieth-century ethnographic studies from the territories of southern and eastern Poland and Szymon Zimorowic’s Roksolanki. On the basis of the sources and folkloristic studies, additionally confronated with lexicographic data, a vocabulary of names of the figure in interest has been constructed. The names have been classified according to two criteria: 1) obligations and tasks that he has to take, 2) traits he should have. We have also discussed the psychophysical predisposition and obligations of the master of ceremonies dependent on the stage of the rite: matching couples, preparing for the wedding, and the wedding itself. Zimorowic’s wedding corresponds to the construction of the vivid wedding performance. It is instanced in his tract “Dziewosłąb” with its literary picture of the functional figure. It turns out that the Roksolanki are realised according to some elements of the pattern, others are modified in line with the poetics of the epoch, yet others – redundant or inessential from the point of view of the content – have been omitted.
    Źródło:
    Roczniki Humanistyczne; 2008, 56, 6; 63-76
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wzloty, odchylenia i lamenty, czyli imitatorzy wobec potrzeby nowości
    Surges, Deviations, and Laments, That Is, Imitators Versus the Need for Novelty
    Autorzy:
    Buszewicz, Elwira
    Powiązania:
    https://bibliotekanauki.pl/articles/534698.pdf
    Data publikacji:
    2019
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    imitation and creation
    Jesuit neo-Latin poetry
    Józef Bartłomiej Zimorowic
    Albert Ines
    Andrzej Kanon
    Opis:
    Precursors and forerunners, when they seek for novelty, establish some norms and frameworks which, in turn, become defining for poetical genres and currents. So, what is the right of an imitator to search for new paths? The subject of the article are meta-poetic declarations of creators, who willingly and consciously follow in the footsteps of their great predecessors. The author points to the metaphors by means of which the poets defend their “space of freedoms” or concede to their powerlessness. The cases of the following poets are considered: Józef Bartłomiej Zimorowic in relation to Szymon Szymonowicz, Albert Ines and Andrzej Kanon in relation to Maciej Kazimierz Sarbiewski. Especially close attention was given to problematics and contexts of Albert Ines’s words prefacing a collection of poems that are quoted and translated in the article.
    Źródło:
    Śląskie Studia Polonistyczne; 2019, 14, 2; 45-66
    2084-0772
    2353-0928
    Pojawia się w:
    Śląskie Studia Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    SZCZĘŚLIWE ZIEMIE RUSI CZERWONEJ W KREACJACH LITERACKICH WYBRANYCH POETÓW RENESANSU I BAROKU
    HAPPY LANDS OF RED RUTHENIA IN SELECTED RENAISSANCE AND BAROQUE POETS’ LITERARY CREATIONS
    Autorzy:
    Krawiec-Złotkowska, Krystyna
    Powiązania:
    https://bibliotekanauki.pl/articles/566440.pdf
    Data publikacji:
    2018-02-14
    Wydawca:
    Akademia Pomorska w Słupsku
    Tematy:
    Ruś Czerwona
    ruski koloryt
    filiacje poetyckie z poezją europejską
    konwencja
    tradycja
    muzyka
    tańce
    padwany
    sielanki
    poemat renesansowy
    Sebastian Fabian Klonowic Szymon Zimorowic
    Józef Bartłomiej Zimorowic
    Red Ruthenia
    Ruthenian nature
    poetic affiliations with European poetry
    convention,
    tradition
    music
    dances
    „Padua” pieces
    bucolics
    renaissance poem
    Sebastian Fabian Klonowic
    Szymon Zimorowic
    Opis:
    In the study Happy Lands of Red Ruthenia in selected renaissance and baroque poets’ literary creations there were explored associations of literary space with European poetry’s tradition, especially Italian, as well as with native tradition vested with local habits and ceremonies. Those affiliations created in Sebastian Fabian Klonowic, Szymon Zimorowic and Józef Bartłomiej Zimorowic’s chosen pieces. Studies contained Sebastian Fabian Klonowic’s poem Roksolania czyli ziemie Czerwonej Rusi and Zimorowic brothers’ poetic cycles Roksolanki and Sielanki nowe ruskie. Thematics of those pieces pertain to space and tradition of Red Ruthenia, however it is possible to indicate affiliations with Mediterranean culture in them (especially in context of conventional speech poetics connected with mythological and mythical literary tradition). Analyzed pieces confirm that renaissance and baroque’s culture of former Republic of Poland shaped under the influence of European heritage. At the same time, for Mediterranean those pieces could become a source of inspiration (for example Zimorowic brothers’ bucolic cycles correspond with music and former dances) or knowledge (Klonowic’s poem shows unknown areas of Republic of Poland’s southeast borders for European reader). An image of nature and Red Ruthenia’s literary landscape, which appears in those poets’ works, places their legacy in the circle of convention, tradition and universal values.
    Źródło:
    Ars inter Culturas; 2018, 7; 121-144
    2083-1226
    Pojawia się w:
    Ars inter Culturas
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Przekształcenia mitologii miłosnej jako zasada konstrukcyjna Roksolanek Szymona Zimorowica
    Transformations of love mythology as a construction principle of Szymon Zimorowic’s “Roksolanki”
    Autorzy:
    Mileszczyk, Robert
    Powiązania:
    https://bibliotekanauki.pl/articles/1597396.pdf
    Data publikacji:
    2020
    Wydawca:
    Polska Akademia Nauk. Instytut Badań Literackich PAN
    Tematy:
    Szymon Zimorowic
    mitologia miłosna
    cykl poetycki
    aksjologia
    symbolika
    małżeństwo
    reinterpretacja
    love mythology
    poetry cycle
    axiology
    symbolism
    marriage
    reinterpretation
    Opis:
    “Roksolanki” by Szymon Zimorowic is one of the greatest achievements of Polish love poetry. It is characterized by an unconventional and multi-faceted approach to the subject matter, which is strongly tied with tradition. The reader is presented with the perspective from amor coniugalis to amor profanus. There are praises of the sanctity of the marriage relationship, which coexist in one choir with the acceptance and appreciation of promiscuity. As a result, the structure of the cycle seems to be spontaneous and therefore more authentic as a ritual form. In the construction of the work, however free, there are hidden superior semantic structures based on constantly recurring and evolving motifs. Through gradual transformations in the sphere of symbolism, imagery and axiology, the poet changes the vision of love mythology, degrading the position of Venus and Cupid, and in their place, as patrons of love, placing Rozymund and Lilidora.
    Źródło:
    Meluzyna. Dawna Literatura i Kultura; 2020, 1, 12; 33-43
    2449-7339
    Pojawia się w:
    Meluzyna. Dawna Literatura i Kultura
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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