Temat: XX century Ukrainian painting - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Życie i twórczość Danyły Dowboszyńskiego (zarys problematyki)
Autorzy:: Jakubowska-Krawczyk, Katarzyna
Powiązania:: https://bibliotekanauki.pl/articles/1789913.pdf
Data publikacji:: 2018-04-20
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: Danylo Dovboshynsky
XX century Ukrainian painting
Lviv
Carpathian Mountains
portratits
Opis:: In this article I analyse the scientifi c and popular writings on Danylo Doboszynski. I follow his biography and inspect the most important fi elds of his artistic activity. Born in Volhynia in 1924, he spent most of his life in Lviv, where he worked at the Academy of Fine Arts. I scrutinise various aspects of his life as an artist and as a teacher.
Źródło:: Studia Ucrainica Varsoviensia; 2018, 6; 359-365
2299-7237
Pojawia się w:: Studia Ucrainica Varsoviensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: AWANGARDA, TOTALITARYZM, GLOBALIZACJA: WSPÓLNE DOŚWIADCZENIE? WYBRANE ZAGADNIENIA SZTUKI XX WIEKU NA UKRAINIE I W POLSCE
AVANT GARDE, TOTALITARIANISM, GLOBALISATION: COMMON EXPERIENCE? SELECTED ISSUES OF XX CENTURY ART IN UKRAINE AND POLAND
Autorzy:: Kal, Elżbieta
Powiązania:: https://bibliotekanauki.pl/articles/566468.pdf
Data publikacji:: 2019-01-23
Wydawca:: Akademia Pomorska w Słupsku
Tematy:: sztuka Ukrainy
malarstwo XX wieku
awangarda
socrealizm
globalizacja
inspiracje artystyczne
ecykling kulturowy
Ukrainian art
painting of 20th century
avant garde
social realism
globalisation
artistic inspirations
cultural recycling
Opis:: The text constitutes a reference to the article on applying social realism discourse in pop-art and modern popular culture (“Ars inter Culturas” 5 (2016): 209-239) and an elaboration by means of including Ukrainian art. It reminds about Ukrainian artists’ contribution to the development of the avant garde of the first half of 20th century and social realism ideas of involvement, “growing of art into” life as well as its presence in various areas of social practice. It also recalls the mediatory role of Władysław Strzemiński between Russian and Polish avant garde. Furthermore, on the basis of examples the author analyses formal strategies adopted from avant garde by the output of social realism, points to iconographic patterns of Ukrainian works from which Polish artists got inspiration according to their programme and critics’ recommendations. Also, differences resulting from the relations between patternmutation are important, as well as the duration of the doctrine which was in force from the first half of the 30s to the end of the 80s of the 20th century in Russia while in Poland in the years of 1949/50-1954/55. In both countries, it had important but different consequences, which results in different attitudes to realism as a general artistic strategy. Contemporary communication and globalisation processes have led to standardisation of visual language also in post-soviet countries, and internet memes play a significant role in it. In the world of the Internet, the elements of social realism discourse become memes detached from old meanings, lose their historical and political sense, become an element of entertaining exoticism which enhances forgetting about an oppressive character of the doctrine which, especially in Ukraine, has led not only to the exclusion but also to the extermination of artists.
Źródło:: Ars inter Culturas; 2018, 7; 145-188
2083-1226
Pojawia się w:: Ars inter Culturas
Dostawca treści:: Biblioteka Nauki

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