Temat: World War Two - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Alceo Valcini: un testimone della storia polacca negli anni a cavallo del secondo conflitto mondiale (1933-1946)
Alceo Valcini: a witness of Polish History before and during the World War II (1933-1946)
Autorzy:: Bernardini, Luca
Powiązania:: https://bibliotekanauki.pl/articles/28643070.pdf
Data publikacji:: 2019
Wydawca:: Associazione Italiana Polonisti (AIP)
Tematy:: Valcini
Warsaw
World War Two
Journalism
Opis:: Alceo Valcini was the Warsaw-based correspondent for the Italian daily “Corriere della Sera” during the years 1933-1946. Valcini encountered great difficulties with the editor-in-chief of the newspaper, Aldo Borelli, who was not interested in following the political life of Poland except for Poland’s clashes with the Soviet Union. Valcini managed to publish his articles as long as they stressed the influence of Mussolini’s fascism on Polish political life or if they dealt with Soviet political interference in Central Europe. Valcini was to be replaced by another journalist as correspondent from Warsaw because of his own pro-Polish views and scarce enthusiasm for the aggressive stances of Nazi Germany towards Czechoslovakia and Poland, but he nevertheless managed to witness Hitler’s aggression against Poland. His stories were the first accounts of German persecution of the Polish Jews and Warsaw’s civil population, although they had no chance of publication on the pages of the increasingly pro-Nazi “Corriere della Sera”. Valcini took notice of everything that happened in Poland between the outbreak of the war and the end of July 1944. In 1945, Valcini collected his memoirs in a publication entitled The Calvary of Warsaw, in which he gave a graphic account of life in the city under German occupation. Valcini witnessed to the uprising in the Jewish Ghetto and to the activities of the Polish Secret State. His book was translated into Polish in 1970, after having undergone heavy editing, possibly as a result of intervention by the Communist censors. In any event, Valcini turned out to be one of the very few Italian journalists who – in writing about World War II and the Nazi occupation of Poland – did not fall prey to Goebbel’s Propagandaministerium, unlike the much more celebrated reporter Indro Montanelli.
Źródło:: pl.it / rassegna italiana di argomenti polacchi; 2019, 10; 47-63
2384-9266
Pojawia się w:: pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: “All Hell Let Loose” on the Post-war Homefront: Postmemorial Engagement of Returning Combatants of World War II
Autorzy:: Howes, Christina
Powiązania:: https://bibliotekanauki.pl/articles/30147289.pdf
Data publikacji:: 2023
Wydawca:: Uniwersytet Gdański. Wydział Filologiczny
Tematy:: postmemory
postmemoir
World War Two
veterans
homecoming
Opis:: This article examines a sub-genre of postmemoirs which have been published since the mid1980s, written by children and grandchildren of veteran combatants of the Allied Forces. These British and American generational texts both preserve and unveil hidden historical memory of these men’s participation in what is often referred to as the deadliest war in human history. The silent suffering of these veterans and their families had not been widely disclosed until Stephen Spielberg’s film Saving Private Ryan opened a Pandora’s box. And yet, it remains an enigmatic memory in the collective consciousness of the post-war period. These writers recount the experiences not only of their fathers’ wars, but of homecoming and the subsequent psychological impact of the war on family life, whilst also attempting to understand and come to terms with their own traumatic resonances rooted in these veterans’ Post-Traumatic Stress Disorder. I discuss some examples of these texts, which include writers such as Germaine Greer, Lucinda Franks, Leila Levinson, Cole Moreton, or Carol Schultz Vento, who have written within this postmemoir sub-genre. I discuss some common approaches to these postmemorial narratives, which interweave tropes of archival romance, confessional literature, and historiographic metafiction. These family postmemoirs challenge the oft mythologized cultural memory of the ‘Good War’, question the meaning of heroism, and reveal the unspoken traumas of post-war familial life, and ultimately contribute not only to disclosing an unknown history but to broadening the thematic horizons of postmemory to the post-generations of Allied ex-servicemen.
Źródło:: Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2023, 16; 59-71
2353-4699
Pojawia się w:: Jednak Książki. Gdańskie Czasopismo Humanistyczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Raconter pour témoigner: la guerre et l’Occupation dans le champ littéraire belge au sortir du second conflit mondial
To narrate in order to give evidence: the war and the occupation in the Belgian literature of a direct Post-War period
Autorzy:: Teklik, Joanna
Powiązania:: https://bibliotekanauki.pl/articles/1051522.pdf
Data publikacji:: 2012-01-01
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Belgium
World War Two
Concentration camp
Literary testimonies
Arthur Haulot
Opis:: Over the period directly following the Second World War, continuity and discontinuity were closely interwoven in the Walloon literature. From one hand, esthetic models from Interwar period were still present and no novel concepts appeared in the writings of Walloon authors. From the other, however, a large number of new State-run institutions were inaugurated. The hardships suffered during the war, seen mainly as an instance of disruption, are abundantly described in literary works, especially in testimonies. It is in this context that Arthur Haulot, Belgian poet and novelist, made prisoner and taken to Dachau, created his literary poignant output. His writings are marked by harsh experiences undergone in camps.
Źródło:: Studia Romanica Posnaniensia; 2012, 39, 1; 60-67
0137-2475
2084-4158
Pojawia się w:: Studia Romanica Posnaniensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Czasopiśmiennictwo polskie w Iranie w latach 1942–1945
Autorzy:: Szulc, Paweł
Powiązania:: https://bibliotekanauki.pl/articles/608977.pdf
Data publikacji:: 2018
Wydawca:: Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
Tematy:: Iran
uchodźcy
II wojna światowa
prasa
refugees
World War Two
the press
Opis:: W wyniku ustaleń układu Sikorski-Majski w 1942 r. do Iranu dotarły dwie wielkie fale Polaków – zesłańców ze Związku Radzieckiego. Żołnierzom armii gen. Andersa towarzyszyło również blisko 40 tys. cywilów. Zgodnie z założeniami mieli być jak najszybciej ewakuowani przez siły brytyjskie dalej, jednak sytuacja na frontach i problemy logistyczne powodowały, że realizacja tych planów przeciągała się w czasie. Dla wielu Iran stał się schronieniem na parę lat. Polacy pozostawili tam po sobie bogatą spuściznę publicystyczną. As a result of provisions of the so-called Sikorski–Majski Agreement, in 1942 two large waves of Poles exiled from the Soviet Union arrived in Iran. The soldiers of Gen. Anders’ Army were accompanied by almost forty thousand civilians. According to the accepted terms, they were to be further evacuated by the British forces as soon as possible, but the situation in the war fronts and logistic problems hampered a swift implementation of these plans. For many Iran became shelter and home for several years. The Poles who were there during World War Two left a rich journalistic heritage in Iran.
Źródło:: Dzieje Najnowsze; 2018, 50, 2
0419-8824
Pojawia się w:: Dzieje Najnowsze
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: Bezradność słów. Ante Kesicia „fikcja” o Zagładzie
Helplessness of Words. Ante Kesić’s “Fiction” on the Holocaust
Autorzy:: Czerwiński, Maciej
Powiązania:: https://bibliotekanauki.pl/articles/636132.pdf
Data publikacji:: 2017
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Ante Kesić
Croatian literature
representation of World War Two
the Holocaust literature
concentration camps
Opis:: In the article one book written by the Croatian author, Ante Kesić, is taken into consideration. The novel Black Snow, published in 1957, narrates about a Slovenian young woman, Breda, who was caught by the Germans in Ljubljana (for her contacts with communist partisans) and sent to the Dachau Concentration Camp. Although not of Jewish origins she encounters the Holocaust of the Jews in the camp and gets pregnant with a Jewish artist. The novel conceptualizes tragedy of war and the Holocaust in a very experimental way, by using a range of modernist, avant-garde or even surrealist literary techniques. The author attempts to invent a new language with a new grammar that would enable to express something that is not expressible.
Źródło:: Poznańskie Studia Slawistyczne; 2017, 12; 61-77
2084-3011
Pojawia się w:: Poznańskie Studia Slawistyczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 6.

Tytuł:: ‘Optimism against all odds’: Polish National Identity in War Films of Jerzy Passendorfer
Autorzy:: Kunicki, Mikołaj
Powiązania:: https://bibliotekanauki.pl/articles/678375.pdf
Data publikacji:: 2017
Wydawca:: Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:: Polish history
communism
Polish cinema
Jerzy Passendorfer
memory of World War Two
National Communism
popular culture
politics of history
Opis:: ‘Optimism against all odds’: Polish National Identity in War Films of Jerzy PassendorferUsing archival sources, movie reviews, secondary sources and films, this article examines the cinema of Jerzy Passendorfer, the founding father of action movies genre in People’s Poland, but also the staunch supporter of Władysław Gomułka’s ‘Polish road to Socialism’ and General Mieczysław Moczar’s ultranationalist faction of the Partisans in the Polish United Workers’ Party. It demonstrates how Passendorfer’s blend of mainstream cinema and propaganda legitimized the party state and contributed to the construction of a new ethos, identity, and politics of history that enforced historical amnesia and syncretized past and present. It also argues that Passendorfer’s promotion of nationalist and authoritarian state ideology, militaristic patriotism and Polish-Soviet alliance, commissioned by the regime, sat well with mass audiences, precisely because of the use of popular genres adopted from the West and the quench for optimistic visions of nationhood. Although Passendorfer’s patriotic actions flicks faded away with the fall of Gomułka’s regime, they constitute a model, which can be still emulated. “Trudny optymizm”: polska tożsamość narodowa w filmach wojennych Jerzego PassendorferaOpierając się na źródłach archiwalnych, publikacjach naukowych i analizie filmów, niniejszy artykuł bada twórczość filmową Jerzego Passendorfera, ojca chrzestnego filmu akcji w PRL, zwolennika ‘polskiej drogi do socjalizmu’ Władysława Gomułki oraz sympatyka nacjonalistycznej frakcji generała Mieczysława Moczara w Polskiej Zjednoczonej Partii Robotniczej. Passendorfer łączył w swoich filmach popularne kino gatunkowe z propagandową legitymizacją władzy partii. Współtworzył nowy etos i świadomość narodową oraz uprawiał politykę historyczną, która zsynchronizowała przeszłość z teraźniejszością, doprowadzając do swoistego rodzaju amnezji. Artykuł stawia tezę, że zaproponowana przez Passendorfera synteza nacjonalizmu, autorytaryzmu i militaryzmu cieszyła się sporą popularnością wśród masowego widza z powodu zapożyczeń z zachodniego kina gatunkowego oraz potrzeby optymistycznej wizji wspólnoty narodowej. Patriotyczne filmy akcji Passendorfera uległy zapomnieniu po upadku Gomułki, jednak w dalszym ciągu stanowią kulturowy model, który może być wykorzystywany na potrzeby polityki historycznej.
Źródło:: Sprawy Narodowościowe; 2017, 49
2392-2427
Pojawia się w:: Sprawy Narodowościowe
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 7.

Tytuł:: Sądownictwo radzieckie na Wołyniu i w Galicji Wschodniej w latach 1939–1941
The Soviet Judiciary in the Volhynia and in East Galicia in 1939–1941
Autorzy:: Baran, Wołodymyr
Tokarski, Wasyl
Powiązania:: https://bibliotekanauki.pl/articles/477872.pdf
Data publikacji:: 2015
Wydawca:: Instytut Pamięci Narodowej, Komisja Ścigania Zbrodni przeciwko Narodowi Polskiemu
Tematy:: II wojna światowa,
sowietyzacja,
sądownictwo,
jurysdykcja polityczna,
Wołyń,
Galicja Wschodnia
World War Two,
sovietization,
judiciary,
political justice,
Volyn,
Eastern Galicia
Opis:: The Soviet Judiciary in the Volhynia and in East Galicia in 1939–1941 The article reviews the formation and development of Soviet justice in Volyn and Eastern Galicia in 1939–1941. It reveals the notion of ‘political justice’ and significance of punitive and repressive authorities in Soviet totalitarian system. The paper shows the main trends of judicial and extrajudicial executions of Stalinist regime against the public of Volyn and Eastern Galicia, which was treated as socially alien and politically hostile. Following the Red Army entry in Polish eastern provinces, there were numerous instances where Red Army soldiers and KGB servicemen organized lynching against Polish law enforcement officers, gendarmes, officers, village policemen and other ‘counter-revolutionary elements.’ At the beginning of the Soviet rule Western Ukraine experienced systematic political repressions carried out almost exclusively by direct orders of the Interior Commissar of the USSR L. Beria and military tribunals. Later, all parts of the Soviet judiciary were formed in the territories annexed to the USSR: local prosecutors, court presidents were appointed. Department of Justice and the Bar Association were created. In this respect, a significant share of cases on counter-revolutionary crimes was conducted by regional courts who applied various penalties against defendants. The article analyzes the individual stages of the criminal process and presents typical examples of execution of Soviet justice in Volyn and Eastern Galicia. Based on the records of the Soviet Union Supreme Court, People’ s Commissariat of Justice and the Prosecuto’ s Office, the second half of 1940 was marked by substantial consolidation of punitive policy of the authorities in cases on counterrevolutionary crimes. The operating principle of Special Council of the Soviet Union People’ s Commissariat for Internal Affairs as the main instrument of extrajudicial repressions is revealed based on materials of Branch State Archive of the Security Service of Ukraine.
Źródło:: Pamięć i Sprawiedliwość; 2015, 1(25); 277-302
1427-7476
Pojawia się w:: Pamięć i Sprawiedliwość
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 8.

Tytuł:: Życie i śmierć Żydów z Zachodniego Wołynia (1921–1945)
The Life and Death of Jewry in Western Volhynia, 1921–1945
Autorzy:: Snyder, Timothy
Powiązania:: https://bibliotekanauki.pl/articles/477411.pdf
Data publikacji:: 2015
Wydawca:: Instytut Pamięci Narodowej, Komisja Ścigania Zbrodni przeciwko Narodowi Polskiemu
Tematy:: Wołyń,
Żydzi,
II Rzeczpospolita,
II wojna światowa,
getto,
komunizm
Volhynia,
Jews,
the Second Republic of Poland, World War Two,
ghetto,
communism
Opis:: The Life and Death of Western Volhynian Jewry, 1921–1945 This article presents the characteristics of the Jewish population living in Western Volhynia in the times of the Second Republic of Poland and during the Second World War. Polish interwar authorities enabled the Jewish communities to follow their traditional pattern of life. With time, however, Zionism and especially communism were becoming increasingly popular among the Volhynian Jews. In 1937, the Jewish community accounted for about 10 percent of the region’ s inhabitants and was outnumbered by the Ukrainian minority. Jews dominated in trade and skilled crafts and constituted half of the urban population. After 17 September 1939, Volhynia found itself under Soviet occupation. Initially, the Red Army was welcome, as the Soviet terror was mostly directed against the Polish population. Due to aggressive sovietisation, however, the Jews of Volhynia lost any illusions as to the possibility of achieving autonomy, realizing that they had simply become citizens of a totalitarian state. Their situation deteriorated dramatically in June 1941 following the German invasion of Russia. In accordance with Nazi ideology, the local Jews were to be exterminated in the Holocaust. In June and July 1941 alone, approximately 12 000 Jews were murdered by the Germans on the front lines of the war, in the autumn – 20 000 more. The collaborating Ukrainian police forces helped the German occupiers in inflicting terror. The Germans began to set up ghettos at the end of 1941, only to start their liquidation several months later. Jews were murdered on a massive scale in the so-called death pits near their homes. Most of the Volhynian Jews lost their lives during the war. Only a few managed to escape or found shelter among Poles or Ukrainians. Some decided to join partisan groups (mostly communist), who conducted their operations in the extremely difficult conditions of German occupation, Soviet counter-offensive and ethnic civil war in Volhynia.
Źródło:: Pamięć i Sprawiedliwość; 2015, 1(25); 243-275
1427-7476
Pojawia się w:: Pamięć i Sprawiedliwość
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 9.

Tytuł:: Żydowskie dziedzictwo religijne w koncepcji krajobrazu konfliktu Materialne świadectwa Zagłady i działań zbrojnych na przykładzie Nowego Cmentarza Żydowskiego w Łodzi
Jewish Religious Heritage in the Conception of the Landscape of Conflict: Material Testimonies of the Holocaust and Military Operations on the Example of the New Jewish Cemetery in Łódź
Autorzy:: Majewska, Anna
Powiązania:: https://bibliotekanauki.pl/articles/1367536.pdf
Data publikacji:: 2021-05-18
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Tematy:: archeologia współczesności
studia krajobrazowe
LiDAR
zwrot ku materialności
cmentarze żydowskie
druga wojna światowa
archaeology of the contemporary past
landscape studies
materiality turn
Jewish cemeteries
World War Two
Opis:: Krajobraz konfliktu to koncepcja przykuwająca obecnie uwagę w studiach krajobrazowych. Kierunkuje analizy przede wszystkim w ramach archeologii współczesności, stanowiąc jeden z kluczy odczytywania historii ze struktur otaczającego nas krajobrazu kulturowego. W artykule przedstawiono propozycję rozszerzenia koncepcji krajobrazu konfliktu w dyskursie o żydowskim materialnym dziedzictwie religijnym. Humanistyczne zwrócenie się ku materialności odsłania nowe konteksty Zagłady, w tym jej nie-ludzkie, bo krajobrazowe reprezentacje. Adaptację koncepcji w studiach nad żydowskim dziedzictwem religijnym przedstawiono na przykładzie badań przeprowadzonych w przestrzeni Nowego Cmentarza Żydowskiego w Łodzi. W pracy omówiono wyniki analiz dotyczących wybranych elementów krajobrazu konfliktu stanowiących składowe m.in. substancji nagrobkowej nekropolii. W badaniach wykorzystano metodykę nieinwazyjnej dokumentacji terenowej oraz wykonano analizę komparatystyczną danych fotogrametrycznych i teledetekcyjnych (m.in. chmury punktów z lotniczego skaningu laserowego, zdjęć lotniczych). Na tej podstawie skonstruowano przestrzenne modele zinwentaryzowanych struktur dziedzictwa materialnego, stanowiących historyczne palimpsesty, i wyodrębniono elementy krajobrazu konfliktu.
The landscape of conflict is a conception which has recently attracted a lot of attention in landscape studies. It chiefly inspires studies that represent the field of the archeology of the present, thus constituting one of the keys to reading? history from the structures of the surrounding cultural landscape. This article proposes to extend the conception of the landscape of conflict into the discourse about Jewish material religious heritage. Attention paid by the humanist to materiality reveals new contexts of the Holocaust, including its non-human, landscape representations. Here, an adaptation of the conception in the studies of Jewish religious heritage has been carried out on the example of research conducted in the vicinity of the New Jewish Cemetery in Łódź. This article presents the results of studies of chosen elements of this landscape of conflict, elements which, along with other functions, constitute the physical fact of the gravestones of the necropolis. The research drawn upon was gathered using the methods of non-invasive field documentation; the analysis involves the comparisons of photogrammetric and teledetection data, including point clouds obtained by laser scanning and aerial photographs. These were the basis for the spatial models of the structures of material heritage under consideration, which constitute historical palimpsests, and for the identification of the elements of this landscape of conflict.
Źródło:: Narracje o Zagładzie; 2021, 1(7); 95-115
2450-4424
Pojawia się w:: Narracje o Zagładzie
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 10.

Tytuł:: Polska recepcja Hansa Lipinsky’ego-Gottersdorfa
Autorzy:: Polechoński, Krzysztof
Powiązania:: https://bibliotekanauki.pl/articles/559771.pdf
Data publikacji:: 2018
Wydawca:: Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:: reception of German literature in Poland after World War Two
German writers from Silesia
Hans Lipinsky-Gottersdorf
recepcja literatury niemieckiej w Polsce
niemieccy pisarze ze Śląska po II wojnie światowej
Opis:: Polish Deception of Hans Lipinsky-Gottersdorf Hans Lipinsky-Gottersdorf (1920–1991), a wrongly forgotten writer from Silesia, never aroused major interest in the country or abroad. Also in Poland, he is not a commonly known author. The article discusses the modest Polish reception of the writer, starting from 1960s until present. At the beginning, it consisted of mere mentions in the press; it was only later that first sparse translations of his prose appeared together with separate articles devoted to the writer, as well as scientific studies. So far, the only monograph of Lipinsky-Gottersdorf has been written by a Polish Germanist in the German language, and published in Germany.
Źródło:: Orbis Linguarum; 2018, 51; 519-540
1426-7241
Pojawia się w:: Orbis Linguarum
Dostawca treści:: Biblioteka Nauki

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