Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "Wilhelm Mach" wg kryterium: Temat

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-3 z 3
    Tytuł:
    Афективното естество на реализма – за не-човешките субекти в прозата на Вилхелм Мах
    The Affective Nature of Realism – on Non-Human Subjects in Wilhelm Mach’s Prose
    Autorzy:
    Kovacheva, Adriana
    Powiązania:
    https://bibliotekanauki.pl/articles/2046618.pdf
    Data publikacji:
    2021-11-27
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    realism
    affect
    ecocriticism
    Blaga Dimitrova
    Wilhelm Mach
    реализъм
    афект
    Блага Димитрова
    Вилхелм Мах
    Opis:
    Статията разглежда мястото на творчеството на Вилхелм Мах през 60-те години на ХХ век в полската проза, когато се смята, че романът има основно познавателни цели. Мах не се противопоставя пряко на тази тенденция, но основният проблем, който го интересува, е какво превръща литературата в преживяване. Статията проследява развитието на този въпрос в творчеството на писателя, съсредоточавайки се върху епизоди и фрагменти от неговата проза, в които са описани мъчения и убийства на домашни животни. Тези сцени показват основните механизми за предаване на афекти в прозата на Мах. Техният анализ показва, че според писателя литературата работи тогава, когато е в състояние да предаде афекта и да създаде условия за неговото пълно изразяване. Поставена е хипотезата, че афективният реализъм, който търси Мах, може да бъде четен като контекст и контрапункт за прозата на Блага Димитрова.
    The article examines the problem of the special place occupied by the prose writer Wilhelm Mach in the Polish literary field in the 1960s, when it was suggested that the novel had mainly cognitive functions. Mach does not openly oppose this tendency, but his work is concerned with the question what makes literature an experience. The article traces the development of this problem in Mach’s work, focusing on novel scenes and episodes of killing or torturing domestic animals in which the writer’s mechanism for depicting affects plays a key role. Their analysis shows that, according to Mach, a literary work works when it transmits affects and demonstrates the ultimate possibilities for their expression. The article tests the hypothesis that Wilhelm Mach’s search for affective realism can be seen as a counterpoint and context to Blaga Dimitrova’s fiction.
    Źródło:
    Poznańskie Studia Slawistyczne; 2021, 21; 127-139
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Zbliżenie na biedronkę. Konwicki, Mach i ujęcie z niebyłej adaptacji
    Close-up on the Ladybug. Konwicki, Mach and a Shot from an Unrealized Adaptation
    Autorzy:
    Kaniecki, Przemysław
    Powiązania:
    https://bibliotekanauki.pl/articles/26850812.pdf
    Data publikacji:
    2022
    Wydawca:
    Polska Akademia Nauk. Instytut Sztuki PAN
    Tematy:
    Tadeusz Konwicki
    Wilhelm Mach
    scenariusz
    filmy niezrealizowane
    aluzja literacka
    screenplay
    unrealised films
    literary allusion
    Opis:
    Przedmiotem artykułu jest podobieństwo motywu biedronki w scenariuszu (autorstwa Tadeusza Konwickiego, Jerzego Kawalerowicza i Wilhelma Macha) niezrealizowanego filmu o wyprawach kosmicznych Witaj, Ziemio (1959) oraz bliźniaczego motywu w powieści Wniebowstąpienie (1967) Konwickiego. Autor wykazuje, że motyw ten nie stanowi jedynie nieświadomej reminiscencji, ale został wprowadzony przez pisarza do tekstu powieści z rozmysłem i w konkretnych celach, które zostają tu zrekonstruowane. Omawia znaczenia figury biedronki w maszynopisie scenariusza oraz sensy, które nawiązanie to wnosi do Wniebowstąpienia. Przedstawia również komplikacje z zakresu teorii literatury ujawniające się przy opisie tego nawiązania. Wynikają one z tego, że tekst, do którego Konwicki się odwołał, nie funkcjonuje w obiegu (zatem trudno mówić o aluzji literackiej, skoro odbiorcy nie mogli wiedzieć, że motyw jest aluzją). Problemy te spiętrza jeszcze milczenie pisarza na temat scenariusza – nie opowiadał o nim ani nawet nie sugerował jego związków z Wniebowstąpieniem. Autor próbuje więc dociec, jakie mogły być intencje Konwickiego i jak podobieństwa obu motywów można wpisać w kategorie teoretycznoliterackie.
    The article discusses the similarity between the motif of the ladybug in the screenplay (by Tadeusz Konwicki, Jerzy Kawalerowicz, and Wilhelm Mach) of an unrealized film about space expeditions, Witaj, Ziemio (Welcome, Earth) (1959), and the twin motif from Kowicki’s novel Wniebowstąpienie (Ascension) (1967). The author shows that the appearance of the ladybug is not just an unconscious reminiscence, but the motif was deliberately introduced by Konwicki into the text of the novel, for specific purposes that are reconstructed here. He discusses the meanings of the motif in the screenplay’s typescript, and the contribution of this reference to the meanings of Ascension. He also presents the literary-theoretical complications that arise in describing the reference, which result from the fact that the text evoked by Konwicki is not in circulation; it is difficult to speak of a literary allusion if the readers did not understand that the motif is an allusion. These complications are compounded by the writer’s silence about the script – he did not talk about it or even hint at its connection to Ascension. The author tries to find out what Konwicki’s intentions might have been and how the similarities between the two motifs can be put into literary-theoretical categories.
    Źródło:
    Kwartalnik Filmowy; 2022, 118; 42-57
    0452-9502
    2719-2725
    Pojawia się w:
    Kwartalnik Filmowy
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Przyjaźń (nie)doskonała w polsko- -bułgarskiej korespondencji Wilhelma Macha i Dymitra Dobrewa
    (Im)perfect friendship in the Polish-Bulgarian correspondence of Wilhelm Mach and Dimitar Dobrev
    Autorzy:
    Kovacheva, Adriana
    Powiązania:
    https://bibliotekanauki.pl/articles/1040992.pdf
    Data publikacji:
    2019-11-05
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Polish-Bulgarian literary contacts
    Wilhelm Mach
    biography
    Dimitar Dobrev
    communist-era literature
    studies of epistolography
    Opis:
    The article presents Dimitar Dobrev’s perspectives on the literary work of Wilhelm Mach and his understanding of his friendship with the Polish author. The arguments are mainly based on forgotten materials documenting the relationship between Dobrev and Mach. The most interesting aspects of the friendship between the writers are those causing conflicts and misunderstandings. The authors disagree over the definition of realism and the role of literature in the contemporary world, and those differences are intensified by Dobrev’s and Mach’s opposite comprehension of the ideals of a socialist society. The paper’s main topic is how the discrepancies between Mach and Dobrev influence their style and – particularly in Mach’s case – how they affect his experimental prose. The disagreements between the writers are both frustrating and inspiring for them as authors and they also distort the perception of Mach’s work as presented for his Bulgarian readers in Dobrev’s essays.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2019, 35; 343-368
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies