- Tytuł:
-
PROBLEMATYKA IKONOGRAFICZNA I KONSERWATORSKA DREWNIANEGO KOŚCIOŁA W BOGUSZYCACH KOŁO RAWY MAZOWIECKIEJ
THE ICONOGRAPHY AND CONSERVATION OF THE WOODEN CHURCH IN BOGUSZYCE NEAR RAWA MAZOWIECKA - Autorzy:
- Lubryczyńska, Maria
- Powiązania:
- https://bibliotekanauki.pl/articles/535572.pdf
- Data publikacji:
- 2006
- Wydawca:
- Narodowy Instytut Dziedzictwa
- Tematy:
-
POLICHROME
WOOD CONSERVATION
WOODEN ARCHITECTURE
WOODEN CHURCH IN BOGUSZYCE - Opis:
- The intention of this study is to present the complex question of the painted decorations of the interior of the wooden church of St. Stanislaw the Bishop in Boguszyce near Rawa Mazowiecka. The founder of the object, built and decorated in 1558, was Wojciech Boguski of the Rawicz coat of arms, at the time the steward of the Mazovian royal estates belonging to Queen Bona. The Renaissance murals on the walls and ceiling of the discussed church are an imitation of a brick church interior with lavish architectural details, monumental murals and vast areas covered with inscriptions. The ceiling is an illusionistic image of a stucco or brick Renaissance counterpart derived from Serlian motifs. The painted ceiling decorations in the Boguszyce church demonstrate considerable formal and stylistic analogies to the solutions applied in the collegiate church in Pultusk. The Boguszyce polychromes are an outstanding and totally unique work, insufficiently recognised and deserving more extensive popularisation. Their merit is even greater considering that the authors presumably originated from a still little-recognised sixteenth-century milieu of Warsaw-based artists. At the end of the twentieth century the valuable monument was in a catastrophic condition. A leaky roof and a permanent displacement of the construction elements threatened with a collapse of the building and total damage to the paintings. Complex conservation and restoration of both the object and the celling polychrome were initiated in 1997. The work was preceded by specialist studies intent on determining the techniques of the execution of the polychrome and its state of preservation. The foremost task involved halting the damage incurred to the wooden underpainting and the painted decoration as well as the removal of secondary layers deforming the polychrome. The aim of the restoration was to recreate the lost aesthetic merits of the paintings. The causes of the damage were diagnosed, and an optimal selection of conservation methods and material was based on current knowledge.
- Źródło:
-
Ochrona Zabytków; 2006, 3; 29-54
0029-8247 - Pojawia się w:
- Ochrona Zabytków
- Dostawca treści:
- Biblioteka Nauki
Artykuł