Temat: Victorian femininity - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Ciało, moda i tozsamosc kobiety epoki wiktorianskiej – dyskursy piekna i przemocy
Body, Fashion and Identity of a Victorian Age Woman – Discourses of Beauty and Violence
Autorzy:: Gromkowska-Melosik, Agnieszka
Powiązania:: https://bibliotekanauki.pl/articles/644928.pdf
Data publikacji:: 2012
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: ideal of beauty
fashion
identity
symbolic violence
Victorian femininity
Opis:: The article is devoted to the analysis of the dominant ideal of beauty in the Victorian period. The author defi nes mechanisms of repression and symbolic violence over the body of the Victorian upper-class woman, connected with the phenomenon of social control over the woman’s body and identity. The author assumes that the desire to achieve physical beauty has always been a source of a biographical experience that was constitutive for a woman, a source of a separate identity for her in comparison with a man. The historical changes of the ideals of the beautiful body are expressive of the complex interactions between the social roles of women and the dominant ideology of femininity as well as scientifi c and medical knowledge.
Źródło:: Kultura-Społeczeństwo-Edukacja; 2012, 2; 17-30
2300-0422
Pojawia się w:: Kultura-Społeczeństwo-Edukacja
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Women “beyond control”? – androcentric discourses in Victorian painting (towards reconstructing meanings)
Autorzy:: Gromkowska-Melosik, Agnieszka
Powiązania:: https://bibliotekanauki.pl/articles/438021.pdf
Data publikacji:: 2015
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Victorian Painting
femininity
androcentrism
femme fatale
hysteria
Opis:: From the perspective of feminist analysis, the painting is considered to be androcentric. It is believed that artworks were created by men, for men and from their point of view. One can even say that, men spoker through the bodies and identities of heroine images in the painting. From this point of view, painting has been accused not only of the lack of women as authors of works of art, but also of the lack of representations of the female experience. Logically, from this perspective, images of women on the canvas are often not simple reflection of reality, but they crystallize dreams, anxieties and feelings of their male artists. There is no doubt that theye are also imbued with ideologies concerning gender. Three images that will be examined in this paper were created in the Victorian era (the dates of their creation are: 1887, 1890, 1896). They all reflect anxieties about womanhood in the late nineteenth century, primarily manifested in the creation of a new image of a woman - the femme fatale. On the other hand the women as objects of the painting are treated as a sexual object for male creator and viewer. Every woman in the paintings could be described as "being out of control". There is a paradox here: the woman is simultanesly out of control and controlled by men. There is a worth to add that every painting has extremely sugestive impact on the viewer and amazing articstic value.
Źródło:: Journal of Gender and Power; 2015, 3, 1; 89-101
2391-8187
Pojawia się w:: Journal of Gender and Power
Dostawca treści:: Biblioteka Nauki

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