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    Wyświetlanie 1-3 z 3
    Tytuł:
    Facebookowy wizerunek świętego
    Autorzy:
    Parzych-Blakiewicz, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/2134377.pdf
    Data publikacji:
    2020-10-09
    Wydawca:
    Polskie Towarzystwo Religioznawcze
    Tematy:
    Facebook
    hagiology
    hagiography
    holiness
    Judah Thaddaeus
    Vianney
    Kateri Tekakwitha
    Opis:
    “The facebook image of a saint” is an elaboration of a hagiological issue – that is, regarding holiness. The reflection focuses on the question about the transformation of knowledge about the person and ethos of a Christian canonized in the Catholic Church, from the level of systematically developed data (objective image – classic, in theological sources) to the version adopted by the faithful and encoded in social statements (subjective image, on a social website “Facebook”). Three pages dedicated to the saints: Judah Thaddaeus, John Maria Vianney and Catherine-Kateri Tekakwitha were subjected to substantive analysis. On this basis, the hagiological image of the saint was described in the following types: apostle, authority, helper. A subjective element dominates in social statements, focused on satisfying individual spiritual and religious needs. The Facebook image of a saint is expressed in the form of prayers to saints, requests for intercession, their wisdom sentences and their photographic material referring to graphics, art and places associated with the saint. The biographical element is minimized. The Facebook images of saints promote the axiological and spiritual plane of the person and life of the saint. The transformation of religious knowledge takes place in the perspective of caring for the formation of Christian spirituality of the faithful. The leading theme, chosen for the Facebook image, is conversion, faithfulness to Jesus Christ, submission to the Holy Spirit, Christian love, forgiveness. This process shows that spiritual needs are not met by historical but axiological messages.
    Źródło:
    Przegląd Religioznawczy; 2020, 1/275; 35-48
    1230-4379
    Pojawia się w:
    Przegląd Religioznawczy
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Świętość życia kapłańskiego w XIX wieku we Francji, w oparciu o przykład św. Jana Vianneya, na podstawie nauczania Sługi Bożego księdza Jana Berthier
    The Sanctity of Priestly Life in France in the 19th Century, Following the Example of St. John Vianney, Based on the Teaching of the Servant of God, Father John Berthier
    La Santità della vita del sacerdote nella Francia di XIX secolo, secondo l'esempio di san J. M. Vianney, nell'insegnamento di servo di Dio Jaen Berthier
    Autorzy:
    Sobczyk, Adam J.
    Powiązania:
    https://bibliotekanauki.pl/articles/31340066.pdf
    Data publikacji:
    2009
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    kapłaństwo
    świętość
    Rok Kapłański
    Francja − XIX wiek
    J.M.Vianney
    J. Berthier
    priesthood
    holiness
    sacerdotal year
    XIX-century France
    J. M. Vianney
    J.Berthier
    sacerdozio
    santità
    l'anno di sacerdozio
    XIX secolo in Francia
    Opis:
    Il 19 giugno 2009 papa Benedetto XVI ha anunziato l'anno di sacerdozio. Nel giorno preciso il 19 giugno, nella solennità di Sacro Cuore di Gesù, papa ha messo tutti sacerdoti sotto la protezione di santo parroccho di Ars. Per questo motive vale la pena di riscoprire l'insegnamento della Chiesa sul sacerdozio in Francia nel XIX secolo. L'ha fatto precisamente Jaen Berthier, il quale ha scritto nel 1894 un grande libro: „Le sacerdoce, son excellence, ses obligations, ses droits, ses privilèges”. Libro conta più di 800 pagine ed e composto da tre parti. Prima riguarda la dignità del sacerdozio, seconda da I sugerimenti il servizio sacerdotale. La terza aiuta a realizare l'insegnamento di P. Berthier si base sulla persone e testimonianza di santo Giovanni Maria Vianney, la quale appare nella vita dei sacerdoti nella Congregazione Missionari della Sacra Famiglia.
    Źródło:
    Roczniki Teologii Duchowości; 2009, 1; 7-21
    2081-6146
    Pojawia się w:
    Roczniki Teologii Duchowości
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Neoklasycystyczne kościoły i kaplice Poznania : projekty, realizacje i konserwacja wybranych obiektów
    Neoclassical Churches and Chapels in Poznań. Projects, Realisation and Conservation of Select Objects
    Autorzy:
    Hałas, Hanna
    Powiązania:
    https://bibliotekanauki.pl/articles/535724.pdf
    Data publikacji:
    2001
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    neoklasycystyczne kościoły i kaplice Poznania
    architektura sakralna Poznania
    kościół Zmartwychwstania Pańskiego na Wildzie
    kościół św. Jana Vianney na Sołaczu
    kościół św. Stanisława Kostki na Winiarach
    umiarkowany modernizm
    neoklasycyzm
    kaplica św. Łazarza w Poznaniu
    kaplica Niepokalanego Serca Maryi
    Opis:
    The sacral architecture of Poznań during the inter-war period was dominated by Classical churches and chapels. The parish churches of the Lord’s Resurrection in Wilda and St. John Vianney in Sołacz constitute essential vista accents, both as regards their architectural quality created by celebrated Poznań-based architects and associated with the landscape of monumental spatial disposition. The first church to realise the premises of Classicism was the commemorative church of the Resurrectionists, built in 1923 according to a project by Aleksander Kapuściński in a traditional scheme of a classical temple embellished with a three-column Ionian portico crowned with an armorial cartouche in a triangular tympanon. In 1925 the eastern part of the church became blended into the monastic house designed by the architect in an analogous style. The whole complex was supplemented by a campanilla erected in 1937 according to a project by Tadeusz Hornung. The picturesque location of the complex on the edge and slopes of the escarpment over the Warta made it possible to create a two-level terrace garden, whose upper part, in the shape of a courtyard closed with a bannister, was combined with the lower part with a slope fortified by means of three-lane stairs. A different form within the doctrine of Classicism was granted to the church of St. John Vianney, built in 1930 according to a project by Stanisław Mieczkowski in the form of a dome rotunda encircled with an area including a presbytery closed on three sides, covered with a dome and flanked with a pair of sacristies whose facade was shaped by means of a six-column Corinthian portico. The church obtained a key localisation in the garden district of Sołacz on a considerable hillock, thus crowning the prolongation of the diagonal axis of the park stretching at its foot. Despite the rather small scale, its solid, upthrust with a terraced arrangement of stairs, appears to be imposing, surrounded by the loose villa development. The Classical style is also represented by the chapel of St. Lazarus (today: the Immaculate Heart of the Virgin Mary), built in 1924 according to a project by Adam Ballensteadt with a cohesive, elongated solid covered with a ridge roof with an ave-bell. The characteristic feature of the front elevation is an axial two-column arcade while the back elevation is preceded by an Ionian columnade. To the west the chapel was blended with the buildings of the hospice of the Mercy of St. Vincent à Paolo, thus creating the frontage of Sielska Street in Górczyn. Serious wartime damage was rapidly eliminated thanks to the initiative of the parish priests. During the last two decades of the twentieth century the church of the Lord’s Resurrection regained its former brilliance due to conducted conservation, while the interior of the church of St. John Vianney partially lost its original appearance owing to a new painted decoration of the dome and the modernisation of the presbytery. From the conservation viewpoint protection is due not only to the architecture of the discussed objects, but also to the asserts of their spatial planning, which the Poznań churches have preserved up to this day, thus comprising prominent accents within their districts and, at the same time, within the far perspectives of the widely comprehended town landscape.
    Źródło:
    Ochrona Zabytków; 2001, 3; 317-329
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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