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Wyświetlanie 1-15 z 54
Tytuł:
Historyczne i artystyczne znaczenie krucyfiksu Unii Lubelskiej
Historical and artistic significance of the Crucifix of the Union of Lublin
Autorzy:
Głodzik, Gabriela
Powiązania:
https://bibliotekanauki.pl/articles/1954048.pdf
Data publikacji:
2004
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Krucyfiks Unii Lubelskiej
krucyfiks ołtarzowy z kości słoniowej
rzeźba z kości słoniowej w Polsce
Unia lubelska Jana Matejki
Crucifix of the Union of Lublin
ivory altar crucifix
ivory sculpture in Poland
Jan Matejko's Union of Lublin
Opis:
It is not known for how long the Crucifix of the Union of Lublin has belonged to the furnishing of the Dominican Fathers monastery in Lublin. Dispersed, and to a large extent destroyed archival records of the monastery do not allow reconstruction of history of that object that is linked by the Dominican tradition with the swearing-in ceremony of the Union of Lublin in 1569 and with Jan Matejko's painting. The first part of the present article is an attempt at explaining the old tradition and comparing it to Matejko's artistic vision of Unia Lubelska (Union of Lublin). This required putting the Lublin crucifix in the context of the swearing-in on the basis of the diary of the Union of 1569. The records do not mention the crucifix. Its place is taken by the New Testament. The painter faced a similar problem; as a result he weaved the Dominican tradition in the source description of the event. Today it is hard to tell if the tradition of the Crucifix of the Union of Lublin is credible. It must have been generally known in the 19th century since Matejko learned about it. The Dominican cross made of ivory became inspiration for his painting. The artist willingly used a language full of allusions to painting and meanings hidden in objects. The symbol of the snake on the base made it possible to give a new direction to the interpretation of the cross: an enslaved nation, like Christ, will soon defeat the enemy power. The legend hidden in the reliquary for St. Stanisław's head, the gospel about resurrection, the cross as a sign of triumph, together form a pictorial vision of the fall and resurrection of the homeland. The Crucifix of the Union of Lublin represents a group of small altar crucifixes made of ivory, often found in churches and monasteries all over Poland. They were especially popular in the baroque period. They were mass-produced in the Catholic countries of Europe, especially in France and Italy. Their distinguishing features are the rare and costly material – ivory – of which the figure was sculptured, and the wooden cross covered with black enamel. Two variations of presentations of Christ on the cross can be distinguished: that of Christ as an alive person, and as a dead one. The Lublin crucifix is an example of modern sculpture in ivory, with a new iconographical interpretation, presenting the alive Christ, raising his head to God the Father and uttering his last words at the moment of his death. The problem of the ivory sculpture in Poland has not yet been undertaken by Polish researchers.
Źródło:
Roczniki Humanistyczne; 2004, 52, 4; 263-300
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ku „jednej nieróżnej Rzeczypospolitej”. Król Zygmunt August wobec idei unii polsko-litewskiej
Towards “One Not-Different Republic” King Augustus’ Attitude to the Idea of the Polish-Lithuanian Union
Autorzy:
Januszek-Sieradzka, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1929359.pdf
Data publikacji:
2011
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
unia polsko-litewska
unia lubelska (1569)
Zygmunt II August (1520-1572)
Radziwiłłowie
korespondencja
Polish-Lithuanian Union
Union of Lublin (1569)
Sigismund II Augustus (1520-1572)
the Radziwiłłs
correspondence
Opis:
The issue of the Polish-Lithuanian Union that became one of the main executionist postulates put forward by the nobility at the sessions of the Sejm from the beginning of King Sigismund II Augustus' reign in Poland (1548-1572); it was also one of the main subjects of the monarch's correspondence with his most important Lithuanian political partners – Mikołaj Radziwiłł “Rudy” (the Red) (about 1515-1584) and Mikołaj Radziwiłł “Czarny” (the Black) (1515-1565). In the King's letters it is easy to observe the tactic that for nearly 20 years allowed to efficiently stop the plan of forming a Polish-Lithuanian real union that threatened the dynastic interests of the Jagiellons – a prohibition of pro-union propaganda and forming an anti-union Lithuanian party around the Radziwiłłs, obstruction, apparent concessions, winning deputies and senators against other ones, skilful temporization. Letters unambiguously show that the change in the attitude towards the question of the Union that took place at the beginning of the 1560s was for Sigismund II Augustus a derivative of the accepted solution to the issue of Livonia; the King took the position that it is only by way of forming a union of Poland and Lithuania that military security and territorial integrity of the Grand Duchy of Lithuania can be ensured. However, passing from a radically anti-union position to one of its main advocate and animator Sigismund Augustus did not change his basic postulate, namely, that Poland and Lithuania should remain separate countries and the union between them should be based on the principle of equality of both partners. It was exactly the last of the Jagiellons who decided about federation as the form of the union of the Crown (Poland) and Lithuania.
Źródło:
Roczniki Humanistyczne; 2011, 59, 2; 81-98
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Mowa ojców potrzebna od zaraz” „Iż Rusi słuszna rzecz dla nabożeństwa po grecku i po słowieńsku uczyć się” (Lithos, Kijów 1644)
Autorzy:
Chynczewska-Hennel, Teresa
Powiązania:
https://bibliotekanauki.pl/articles/2167728.pdf
Data publikacji:
2012
Wydawca:
Akademia Supraska
Tematy:
unia lubelska
Wielkie Księstwo Litewskie
Melecjusz Smotrycki
prawosławie
język ruski
Piotr Skarga
Piotr Mohyła
Akademia Kijowska
Union of Lublin
Grand Duchy of Lithuania
Meletius Smotritsky
Ortho-
doxy
Russian Language
Peter Skarga
Peter Mohyla
Academy of Kiev
Opis:
After the Union of Lublin in 1569 the Polish Kingdom and the Grand Duchy of Lithuania formed one state. The Russian remained the official language of the Grand Duchy and it was guaranteed that the inhabitants of the Duchy could remain orthodox. It was feared that the nobles would convert to the Roman Catholicism and at multiple occasions the deputies from Grand Duchy as well as Cossacks had to defend their rights for their own language and faith. In the polemical literature of the end of the XVI and the first half of the XVII century concerning the Union of Brest much concern was expressed for or against the use of the Church Slavonic – particularly by Peter Skarga and Ivan Vishensky. Peter Mohyla in the orthodox Academy of Kiev, founded by himself, particularly insisted on teaching, among other subjects, Latin and Polish as he thought that an educated orthodox Russian should feel a rightful citizen of the Polish state and participate in the religious and political life of the country.
Źródło:
Latopisy Akademii Supraskiej; 2012, Język naszej modlitwy- dawniej i dziś, 3; 41-47
2082-9299
Pojawia się w:
Latopisy Akademii Supraskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nieznana pieczęć odnaleziona przy dokumencie Unii lubelskiej
Unknown seal in The Union of Lublin Act
Autorzy:
Król-Próba, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/1065333.pdf
Data publikacji:
2016
Wydawca:
Archiwum Główne Akt Dawnych
Tematy:
Unia Lubelska
dokument pergaminowy
pieczęć
sfragistyka
The Union of Lublin
parchment
seal
sphragistics
sigillography
Opis:
The act of the Polish-Lithuanian Union of 1569, so-called The Union of Lublin, is preserved in the holdings of the Central Archives of Historical Records in Warsaw in the collection of parchment records (ref. No. 5627). This is the 16th c. parchment document with a large group of pendant wax seals. Until now it was thought that 77 seals were attached to the document. However, during the restoration work carried out in the Central Laboratory for Conservation of Archive Materials in Warsaw was revealed another previously unknown seal. This article describes this seal as well as the attempts to identify its owner.
Źródło:
Miscellanea Historico-Archivistica; 2016, 23; 255-258
0860-1054
Pojawia się w:
Miscellanea Historico-Archivistica
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 54

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