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Wyszukujesz frazę "Unheimlich" wg kryterium: Temat


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Tytuł:
Unheimlich: Struktury Pustki w berlińskim muzeum Libeskinda
Autorzy:
Kamczycki, Artur
Powiązania:
https://bibliotekanauki.pl/articles/630863.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Libeskind’s Jewish Museum in Berlin
theory of architecture
Unheimlich
Holocaust.
Opis:
The Museum of 2000 years of German-Jewish History in Berlin, designed in 1989 by Daniela Libeskind, an architect of Polish origins, was to make a powerful reference to the Holocaust as well. Using an underground passage, the architect connected the existing Baroque edifice of the Kollegienhaus in Kreuzberg’s Lindenstrasse, with the building created to his design (the so-called Abteilung). The external form of the buildings is a steel, flat-topped structure, composed of cubical blocks, irregular and marked by incisive edges. Inside, this zig-zagging building was intersected by a straight structure, 4.5 m wide, 27 m high and 150 long, which runs interruptedly along the main axis. The resulting empty spaces, extending from the ground floor to the roof, are tightly isolated from the remaining sections of the edifice. The analysis conducted by the author targets the comparison of that structure of the Void with the Freudian notion of the Unheimlich (uncanny). The comparison was made in a conversation with Libeskind by the originator of the theory of deconstruction, Jacques Derrida. Unheimlich is a psychological notion, which in this case denotes “secret”, “hidden” Jewishness, which instead of remaining an “internally closed” aspect is manifested as a characteristic, “negative” reflection. The term, entangled in the context of architectural theory as well as in the notion of anti-monument, represents a starting point in considering the contemporary condition of German culture, where that Void /unheimlich is a constant, “burdensome” echo of the Holocaust.
Źródło:
Studia Europaea Gnesnensia; 2014, 10; 333-357
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Katastrofa, czyli na ruinach zadomowienia
A disaster. When your being settled is turned into ruins
Autorzy:
Kunce, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/1857134.pdf
Data publikacji:
2020
Wydawca:
Narodowe Centrum Kultury
Tematy:
katastrofa
unheimlich
ruiny zadomowienia
zapomnienie
disaster
being settled turned into ruins
oblivion
Opis:
Focusing on the concept of disaster, the author asks questions about a space for thinking and experiencing which emerges in the face of a catastrophe that either strikes directly, is heard of, seen or talked about, recurring in everyday life, through cultural texts and their transformations. The unfolding research leads to even more fundamental questions: Is a disaster an anticipation of something? Doesn’t it merely reveal what we are so eager to forget, having settled into our culture? The author refers to Freud’s concept of the uncanny (in German: Unheimliche). By putting it in the specific context of disaster, she studies it at its most radical, wondering what happens when this feeling of ‘being settled’ is turned into ruins. Can art penetrate the severity of disaster in the radical context of the post-catastrophic quality of Unheimliche? According to the article, culture must create a space offering a more relaxed approach to all that is human and to human community. This is for example the case of catastrophic texts. A story, a film or any other artistic production that visualises a disaster, even if only in the diminishing space of the familiar, the heimlich, provides some insight into the world of radical anxiety.
Źródło:
Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2020, 109, 2; 146-166
1230-4808
Pojawia się w:
Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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