- Tytuł:
- Eradication of the National Element in Ukrainian Cinema in the 1960s–1970s
- Autorzy:
- Kindrachuk, Nadia
- Powiązania:
- https://bibliotekanauki.pl/articles/519441.pdf
- Data publikacji:
- 2018
- Wydawca:
- Uniwersytet Mikołaja Kopernika w Toruniu. Wydawnictwo UMK
- Tematy:
-
Ukrainian cinematography
creative intellectuals
national motives
national idea
national self-awareness
ideological censorship
persecution
totalitarian regime
Ukrainian ethnic environment
language policy
russification - Opis:
- In this article the author studies the elimination of the national element in the Ukrainian cinema of the 1960s and 1970s. The author explores the role and place of national-patriotic issues in Ukrainian cinematography, shows the ideological enslavement of filmmakers, studies the conditions of creative self-realization in the Ukrainian SSR, and analyses the influence of social and political factors on the cultural sphere of Ukrainian people in the outlined period. The representatives of Ukrainian cinema has always tried to popularize national features of their own people, but in the specified period, for censorship reasons, Ukrainian cinema began to be prohibited. The main reason is the struggle with the so-called “Ukrainian bourgeois nationalism”. For such an accusation it was enough to voice any film in Ukrainian and to fill its content with Ukrainian subjects. The characteristic features of Ukrainian cinematography of the 1960s – the early 1970s are as follows: subordination to the Soviet centralized command-administrative system, total control of the CPSU – CPU, russification, denationalization, persecution of all Ukrainian values under the pretext of forming a united Soviet nation.
- Źródło:
-
Historia i Polityka; 2018, 24 (31); 113-121
1899-5160
2391-7652 - Pojawia się w:
- Historia i Polityka
- Dostawca treści:
- Biblioteka Nauki
Artykuł