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    Wyświetlanie 1-12 z 12
    Tytuł:
    O naruszaniu podstawowych zasad postępowania naukowego. “Wzgórze przeznaczenia archeologii” górą skandalu
    Autorzy:
    Kolb, Frank
    Mrozewicz, Leszek
    Powiązania:
    https://bibliotekanauki.pl/articles/630847.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    TROY
    ARCHAEOLOGY
    HOMER
    ILIAD
    TROJAN WAR
    MYTH OF TROY
    MEDIA
    POLITICS
    ECONOMY
    MANIPULATION
    Opis:
    The article discusses ethical aspects and thoroughness of scientific research on the example of German excavations in Troy, conducted in 1988 by a team from Tübingen University. The author demonstrates how archaeologists became entangled in various relationships with polictical and economic circles, which subsequently yielded an interpretation of findings which ensured financial and media support. The text is an emphatic call for independence and objectivity of scientific investigations that should remain free of any pressure. Although the paper relies on an example from the milieu of archaeologists. historians and classical philologists, the appeal of the authors is a universal one. 
    Źródło:
    Studia Europaea Gnesnensia; 2014, 9; 219-243
    2082-5951
    Pojawia się w:
    Studia Europaea Gnesnensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Pandarus Quotes Ovid in Geoffrey Chaucer’s Book One of Troilus and Criseyde
    Pandarus cytuje Owidiusza w pierwszej księdze „Troilusa i Criseydy” Geoffreya Chaucera
    Autorzy:
    Bobrowski, Antoni
    Powiązania:
    https://bibliotekanauki.pl/articles/1045743.pdf
    Data publikacji:
    2019-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Ovid
    Heroides
    Geoffrey Chaucer
    Troilus
    Troy
    Opis:
    The medieval epic poem Troilus and Criseyde by Chaucer describes the history of unhappy love with the Trojan War in the background. The story is constructed in the convention of courtly love, and the author draws abundantly from a range of plot motifs preserved in the ancient literary tradition. The article discusses the way of intertextual use of Ovid’s Heroides 5 in the course of events told in Book One of the poem.
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2019, 29, 2; 71-83
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    'The Holy City of Troy', or On the Utility of Investigating Matters that Seem Well Known
    Autorzy:
    Sucharski, R. A.
    Powiązania:
    https://bibliotekanauki.pl/articles/702751.pdf
    Data publikacji:
    2005
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    SCHLIEMANN H. (HOMERIC ARCHAEOLOGY)
    TROY - ILIAD
    Opis:
    The archeological exhibition 'Troy - Heinrich Schliemann's Dream', now on tour in Poland gives an occasion to reflect on the relevance of findings at the site of Troy to our understanding of the 'Iliad' and to try to separate certain knowledge from hypotheses.
    Źródło:
    Meander; 2005, 60, 4; 452-459
    0025-6285
    Pojawia się w:
    Meander
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Concept and Purpose of Death in the Aeneid, Book 2
    Autorzy:
    Mianowski, Jacek
    Zarzycki, Łukasz
    Powiązania:
    https://bibliotekanauki.pl/articles/504762.pdf
    Data publikacji:
    2013
    Wydawca:
    Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
    Tematy:
    Troy
    Rome
    epic
    death
    founding
    heroism
    Aeneid
    Vergil
    Opis:
    The article aims at analyzing the concept and purpose of death in the Aeneid, Book 2. In its premise, the concept of death presented within the poem reveals its ethnic, social and cultural tone. The deaths which close eight books of the Aeneid indicate the progress of a main theme: abdicate the past to defend the future. Initially, towards the closing of Book 2 Creusa dies: a loyal, affectionate wife and mother who is nevertheless to be replaced by a young bride chosen for political benefits. The modes and circumstances of the deaths elicit some immediate investigations: first, it seems meaningful that some die in the bloom of youth and others in old age; second, some must die as sacrifices to the gods; third, some are destined to die because they demonstrate furious difficulties to the completion of Aeneas’ duty. Before discussing the concept of death in Book 2 it is essential to introduce the reader into some considerations representing the structure and purpose of Book 2. The authors would like to thank professor Jakub Pigoń (Institute of Classical, Mediterranean and Oriental Studies, University of Wroclaw) for his guidance and insightful remarks throughout the process of writing of this article.
    Źródło:
    Academic Journal of Modern Philology; 2013, 2; 67-73
    2299-7164
    2353-3218
    Pojawia się w:
    Academic Journal of Modern Philology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Old Tales for a New Gens. Alberic of Trois-Fontaines’ Grafting of History
    Autorzy:
    Grabowski, Antoni
    Powiązania:
    https://bibliotekanauki.pl/articles/1953993.pdf
    Data publikacji:
    2022-01-12
    Wydawca:
    Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
    Tematy:
    Cistercians
    Semigallia
    origo gentis
    grafting
    Geoffrey of Monmouth
    Troy
    Opis:
    Throughout the Middle Ages, waves of people came to the lands once been a part of the Roman Empire. At the same time, lands yet unknown encountered the successors of the Empire. These gentes sometimes preserved a long history of their paths to their new homelands. The Longobards, the Saxons, and many others had an origo gentis, where gods played an important role. These narrations were incorporated into a historiography that was almost entirely Christian. This article is concerned with the methods used to find harmony between the past and present by Alberic of Trois-Fontaines when writing about the Semigallians. The narrative of their origins used established motifs and themes that made it possible to include the invented history of the gens into the then-established universal history. This was done through the etymology of names or the erudite use of the writings of other authors. These new gentes were grafted onto the trees of old tales.
    Źródło:
    Acta Poloniae Historica; 2022, 124; 149-179
    0001-6829
    Pojawia się w:
    Acta Poloniae Historica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Faces of Aeneas. Representations on Roman Coins and Medallions
    Autorzy:
    Kluczek, Agata A.
    Powiązania:
    https://bibliotekanauki.pl/articles/682435.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Aeneas
    Troy
    Rome
    Roman coins
    Roman medallions
    iconography of Roman coin types
    Opis:
    On the basis of numismatic material I present aspects of the figure of Aeneas as they appear in ancient tradition. I have concentrated on the iconographic details and the arrangement of the reverse scenes which allow one to isolate the elements of Aeneas’s portrait in the coinage that are closely associated with his role as the one who, by carrying over the sacra to Italy, made way for the foundation and continuation of Rome.
    Źródło:
    Studia Ceranea; 2016, 6; 295-321
    2084-140X
    2449-8378
    Pojawia się w:
    Studia Ceranea
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Charakter i funkcje snu Agamemnona w II księdze Iliady
    The Character and Functions of Agamemnon’s Dream in Book II of The Iliad
    Autorzy:
    Gomułka, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/1953791.pdf
    Data publikacji:
    2005
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Agamemnon
    sen
    marzenie senne
    Onejros
    Zeus
    Troja
    Homer
    Iliada
    epika
    epos
    poemat
    dream
    Oneiros
    Troy
    The Iliad
    epic
    poem
    Opis:
    In Book II of The Iliad Zeus sends Oneiros, the god of dreams, to the sleeping Agamemnon, to give the Achaean leader a god’s command. He wants to cheat him in this way and to carry out Thetis’ request – to honor her insulted son. The naïve Agamemnon believes the forecast that he is going to immediately capture the Trojan town. He tries the morale of his warriors ordering them to return to their native country, and then he sends them to the deciding battle that costs the life of many of them. This is the result of the dream that Homer calls “fatal”. During the night visit the sleeping Agamemnon is completely passive; there is no dialog between him and the god sent to him, that is Oneiros. The dream is factual, objective, and it does not require interpretation. It has a divine character, and Olympic Zeus is its author – it is he that the visit of the apparition depends on. It is the only deceptive dream in The Iliad and The Odyssey, sent in order to deceive the dreaming one, to bring him to ruin. This is its basic function.
    Źródło:
    Roczniki Humanistyczne; 2005, 53, 3; 73-88
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Hektor na Islandii. Historia Trojańska w źródłach staroislandzkich czyli o tym, jak Snorri Sturluson włączył Skandynawów do antycznego dziedzictwa
    Autorzy:
    Słupecki, Leszek
    Powiązania:
    https://bibliotekanauki.pl/articles/631377.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    THE MYTH OF TROY
    ICEALND
    SNNORI STURUSON
    SNORRA EDDA
    EUHEMERISM
    THE AESIR
    OLD ANGLO-SAXON AND OLD NORSE GENEALOGIES
    Opis:
    The paper acquaints Polish readers with how Snorri Sturluson used the Trojan myth in his Edda; developing his version of it in the Prologue and using it as a frame story of Gylfaginning. The paper shows the medieval reception of the Trojan myth (Dictys, Dares), the background of Trojan myth inIceland(Trojumanna saga, Bretta sogur), and medieval strategies of using theTroymyth to demonstrate ancient origins of own nations, which, in emulation of the Romans was done by the Franks and the Britons. Snorri employs this myth for the sake of Scandinavians, developing euhemeristic story about the Æsir showing them as clever people fromTroy. To him it was rather a tool to underline the ancient descent of Scandinavian elites, a trick giving him the reason to write a long text about Old Norse paganism in Christian setting. For the author of the paper Snorri is undoubtedly the author of the Prologue. Some Frankish influence is suspected to be among the sources for his tale ofTroy.
    Źródło:
    Studia Europaea Gnesnensia; 2012, 6; 361-388
    2082-5951
    Pojawia się w:
    Studia Europaea Gnesnensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Carpathian Troy Archaeological Open-Air Museum in Trzcinica as a Proposal of Using an Archaeological Site for Tourism and Protection of Cultural Heritage
    Autorzy:
    Gancarski, Jan
    Madej, Paweł
    Powiązania:
    https://bibliotekanauki.pl/articles/960097.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Rzeszowski. Instytut Archeologii Uniwersytetu Rzeszowskiego. Muzeum Okręgowe w Rzeszowie
    Tematy:
    The Carpathian Troy Archaeological Open-Air Museum
    Trzcinica
    Bronze Age
    Otomani-Füzesabony Culture
    Early Medieval Period
    Hillfort
    Opis:
    The Royal Earthworks hillfort in Trzcinica is one of the most important archaeological sites in Poland, where strongly fortified settlements of the Pleszów group of the Mierzanowice culture and the Otomani-Füzesabony culture, as well as an early medieval stronghold, were discovered. Interdisciplinary research has brought excellent results and numerous prehistoric artefacts have been discovered there. The fortification, chronology and stratigraphy were well recognised. The idea to build an Archaeological Open-Air Museum named the Carpathian Troy appeared in 1998, owing to amazing research results, mass tourism and further, the desire to provide archaeological discoveries to the public. Therefore, a scientific concept was prepared and after numerous consultations, the area for the construction of the archaeological open-air museum was bought and an architectural design was planned, which was to include the area of the hillfort and the terrain located at its foot. The Carpathian Troy Archaeological Open-Air Museum in Trzcinica is a branch of the Subcarpathian Museum in Krosno. The funds from the Norwegian EEA Financial Mechanism and from the local governments were obtained for the building, which was carried out in 2008–2011, and the opening took place in June 2011. The archaeological open-air museum occupies an area of over 8 ha. On the hillfort, nine sections of defensive ramparts, a fragment of the road and the gate, as well as two Otomani- Füzesabony culture cottages, an early medieval gate and four early medieval cottages were reconstructed. Paths for visitors were also built. At the foot of the hillfort, an Archaeological Park and exhibition pavilion were created. In the Archaeological Park, Otomani-Füzesabony culture and early medieval settlements were reconstructed. The Exhibition Pavilion contains an archaeological exhibition, rooms for an educational shelter, an office, a warehouse and a room For technical purposes. As part of subsequent undertakings implemented with EU funds and as a part of cross-border Polish-Slovakian projects, a viewing tower, an educational shelter, a livestock sector, and experimental plots were created and a section of an early medieval rampart was reconstructed. The Carpathian Troy Archaeological Open-air Museum in Trzcinica is a centre of tourism, education and experimental archaeology as well as a research centre.
    Źródło:
    Analecta Archaeologica Ressoviensia; 2018, 13; 377-400
    2084-4409
    Pojawia się w:
    Analecta Archaeologica Ressoviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kritobulos z Imbros. Historyk ginącego świata
    Critobulus of Imbros: the historian of perished world
    Autorzy:
    Kotłowska, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/32317483.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Eusebius of Caesarea
    Critobulus of Imbros
    Halosis
    Troy
    Byzantine historiography
    Euzebiusz z Cezarei
    Kritobulos z Imbros
    Troja
    historiografia bizantyjska
    Opis:
    Celem tekstu jest przedstawienie twórczości Kritobulosa z Imbros wraz z komentarzem ze szczególnym uwzględnieniem aspektu historiozoficznego. Dla niego bowiem podstawową kwestią było wytłumaczenie halosis w kategoriach tradycyjnej bizantyjskiej historiozofii.
    The aim of paper is to present wrtitings composed by Critobulus of Imbros, together which some remarks, especially from historiosophical point of view. For him the most important thing was to explain halosis in terms of traditional Byzantine historiosophy.
    Źródło:
    Balcanica Posnaniensia Acta et studia; 2022, 29; 43-53
    0239-4278
    2450-3177
    Pojawia się w:
    Balcanica Posnaniensia Acta et studia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kwestie peloponeskie. Demokracja przeciw prawu. Hybris radykałów
    Peloponnesian issues. Democracy against the law. Hybris of radicals
    Autorzy:
    Oniszczuk, Jerzy
    Powiązania:
    https://bibliotekanauki.pl/articles/630163.pdf
    Data publikacji:
    2018
    Wydawca:
    Szkoła Główna Handlowa w Warszawie
    Tematy:
    Troy
    Peloponnesian war
    polis
    democracy
    Athens
    hubris
    rule of force
    Alcibiades
    natural justice
    tragedy of Melos
    demos
    rule of moderation
    Troja
    wojna peloponeska
    demokracja
    Sparta
    Ateny
    hybris
    zasada siły
    Alkibiades
    tragedia Melos
    sprawiedliwość naturalna
    zasada umiaru
    Opis:
    The defeat of the Hellenes in the Peloponnesian war in the 5th century B. C. happened a number of centuries after a deathly silence following the Trojan War and so called dark ages (lasting three centuries) as well as after popular stories on heroes of Mycenae and after poetic (Homer) times of storytelling. Those stories created an idea organizing a new world of archaic Greeks. The Peloponnesian events closed – in a way again – the certain order; this time it was the order of democrats characterized by the hubris of aristocracy (Athens) and the order of oligarchs characterized by the arrogance of democrats (Sparta). While the Trojan war prepared the fall of king Agamemnon, the Athens’ war prepared the king’s come back, this time the Macedonian one, who – craving for the fame of an Achaean hero -followed the path of a Mycenae ruler. Finally, the Peloponnesian war did not bring success of some Greek poleis or the whole Greece. Results of this war are expressed by a conclusion on the common Peloponnesian failure. It was a clash of interests of oligarchic order with democracy. What is important, a serious conflict arose: populist (majority) democracy against law and justice. This conflict was possible due to the lack of any institution of a public arbiter or moral authority, which could prevent a fall of moderation as an essential (sine qua non) feature of democracy (Solon). There is no democracy without moderation and self-resistance.
    Klęska Hellenów w wojnie peloponeskiej V w. p.n.e nastąpiła po wielu wiekach od zaistnienia martwej ciszy po wojnie trojańskiej i po trwających później trzy stulecia tzw. wiekach ciemnych oraz opowieściach ludowych o mykeńskich herosach, po poetyckich (Homer) czasach opowieści, które zbudowały ideę organizującą nowy świat Hellenów. Wydarzenia peloponeskie zamknęły – niejako ponownie – pewien ład; tym razem był to porządek demokratów cechujących się pychą arystokratów (Ateny) i porządek oligarchów o bucie demokratów (Sparta). Ale też, o ile wojna pod Troją przygotowała upadek króla (Agamemnon), to wojna pod Atenami przygotowała powrót króla, tym razem Macedońskiego, który złakniony pysznej sławy bohatera achajskiego, podążył drogą mykeńskiego władcy. Wojna peloponeska ostatecznie nie skończyła się sukcesem jakichś sprawiedliwych poleis greckich czy całej Grecji. Rezultaty owej wojny wyraża myśl mówiąca o powszechnej klęsce peloponeskiej. Walczyły między sobą interesy ustroju oligarchicznego i demokratycznego. Co jednak niezwykle ważne, pojawił się poważny konflikt: demokracja populistyczna (większościowa) przeciw prawu i sprawiedliwości. Ów konflikt okazał się możliwy z powodu braku jakiejś instytucji publicznego arbitra czy moralnego autorytetu, które zapobiegłyby upadkowi umiarkowania, będącego konstytutywną (sine qua non) cechą demokracji (Solon). Bez umiarkowania nie ma demokracji.
    Źródło:
    Kwartalnik Kolegium Ekonomiczno-Społecznego Studia i Prace; 2018, 4 (36); 29-63
    2082-0976
    Pojawia się w:
    Kwartalnik Kolegium Ekonomiczno-Społecznego Studia i Prace
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-12 z 12

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