Temat: The Winter’s Tale - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: “Thou mightst have done this without thy beard and gown”: William Shakespeare and the Language of Disguise
Autorzy:: Dale, James
Powiązania:: https://bibliotekanauki.pl/articles/888949.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: William Shakespeare
King Lear
The Winter’s Tale
Twelfth Night
theatrical disguise
Opis:: William Shakespeare’s use of theatrical disguise can be assessed through the discourses his disguised characters employ, having signiﬁcant ramiﬁcations at a socio-political, linguistic and metatheatrical level. In illustrating this view, I will explore the role(s) of Edgar in King Lear, drawing on the views of Stephen Greenblatt, Mikhail Bahktin and Ludwig Wittgenstein. I will then examine my conclusions and align them to Autolycus in The Winter’s Tale and Feste in Twelfth Night, while determining whether any recurring socio-political, linguistic and metatheatrical patterns emerge. Finally, I will determine whether it is possible to formulate a strategy of a language of disguise as Shakespeare saw it.
Źródło:: Anglica. An International Journal of English Studies; 2016, 25/3; 81-95
0860-5734
Pojawia się w:: Anglica. An International Journal of English Studies
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Seeing the Spider: The Jealous Rage of Exchange in The Winter’s Tale and Othello
Autorzy:: Innes, Paul
Powiązania:: https://bibliotekanauki.pl/articles/888736.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: William Shakespeare
The Winter’s Tale
Othello
social encoding of behaviour
gender roles
Opis:: A venerable critical tradition has long ﬂavoured the reception of Shakespeare’s plays with psychology. Characters are read as real people, and as a consequence, the plays are analysed from the starting point of an individual character’s inward personality. However, this literary reading of the plays fails to take into account not only the performance of character on the Renaissance stage but also the theatrical culture that predetermines forms of characterisation for that audience. The playing of roles within this drama needs to be continually re-investigated, and in the case of The Winter’s Tale and Othello, fully reimagined. The conventional ascription of the plot development entirely to the jealousy of both Leontes and Othello can accordingly be reworked. The modern obsession with psychology obscures a ﬁeld of semantic forces that goes well beyond the purview of any individual to a social encoding of possible behaviours. This restores multiple potentialities to the plays in performance, freeing them from a narrow insistence that meaning is rooted entirely in the individual. This in turn provides a context for deeper analysis of gender roles and how they intersect with the impetus generated by patriarchal modes of inheritance.
Źródło:: Anglica. An International Journal of English Studies; 2016, 25/3; 69-80
0860-5734
Pojawia się w:: Anglica. An International Journal of English Studies
Dostawca treści:: Biblioteka Nauki

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