- Tytuł:
-
Filmowe reprezentacje ostatniej wieczerzy jako locus theologicus (trzy wizje biblijnej sceny)
Film representations of the Last Supper as locus theologicus (three visions of the biblical scene) - Autorzy:
- Kolasińska-Pasterczyk, Iwona
- Powiązania:
- https://bibliotekanauki.pl/articles/2135410.pdf
- Data publikacji:
- 2021-12-15
- Wydawca:
- Uniwersytet im. Adama Mickiewicza w Poznaniu
- Tematy:
-
Last Supper
locus theologicus
visual theology
classical theology
cinematic scenes of the Last Supper
the gospels
The King of Kings
The Passion of the Christ
The Torn of God
Nicholas Ray
Mel Gibson
Óscar Parra de Carrizosa - Opis:
- The cinematic scenes of the Last Supper were treated as a challenge to visual theology. As the Last Supper, which in the films about Jesus of Nazareth (and, of course, the gospels) is the culmination (and also a turning point as an event ending Jesus` earthly activity), it is possible to see the essence of the theological message of films referring to the gospel in its presentation. The scenes of the Last Supper from three films were subjected to a comparative analysis, each of which is an individual director`s vision. These are The King of Kings (1961) by Nicholas Ray, The Passion of the Christ (2004) by Mel Gibson and The Thorn of God (2015) by Óscar Parra de Carrizosa. The selection criterion was the importance given in the films to the scenes of the Last Supper and their mutually diverse representations. It has been shown how the established new transmission of visual theology modifies the meanings determined by classical theology, basically not deviating from the framework set by it.
- Źródło:
-
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2021, 30, 39; 27-45
1731-450X - Pojawia się w:
- Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
- Dostawca treści:
- Biblioteka Nauki
Artykuł