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Wyszukujesz frazę "The Anointed" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Tragizm żywota króla Saula. Wybór, namaszczenie, odrzucenie, opętanie
The tragic life of King Saul. Choice, anointing, rejection, obsession
Autorzy:
Pieprzyca, Blandyna
Powiązania:
https://bibliotekanauki.pl/articles/19944847.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Opolski. Redakcja Wydawnictw Wydziału Teologicznego
Tematy:
anointing
king
the anointed
obsession
Saul
David
namaszczenie
król
opętanie
Dawid
pomazaniec
Opis:
The tragic life of King Saul begins with the emphasis of the people, by the last judge of Israel, Samuel to set up the king-man. Although plans for salvation of Yahweh were from the beginning directed at the monarchy, but the moment and time is dependent on the Lord of Hosts, not from the people. Saul, however, is subjected to the anointing of Samuel and later also to the people, when the fate is established by the ruler of the chosen people. Saul’s history from the beginning of his kingship appears to the reader as a winning streak of Israel on the trail of battle, and there was no indication to the fact that subsequent events and deeds of Saul change the course of his life and will lead to rejection by Yahweh. Rejection of the rulers is associated with withdrawal from Saul spirit of Yahweh, and appears in the evil spirit that tormented him. Pericope 1 Sam 16,14-23 presents also the appearance of David at the royal court, whose playing was to calm the ruler and help in removing the evil spirit tormenting. An important issue in 1 Sam 16,14-23 is the fact that the ruler was supposed to be possessed by an evil spirit, which sent Yahweh, however, would He allow this? The answer appears in ancient beliefs about the concept of good and evil and their relationship with the deity or God. So considering the issue of possession of the knowledge of ancient times, people’s views should be stated that the possession of King Saul was a mental disorder, which then read as a manifestation of the evil spirit in man.
Źródło:
Scriptura Sacra; 2013, 17; 97-106
1428-7218
Pojawia się w:
Scriptura Sacra
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tadeusza Z. Kasserna ujęcie Orientu w operze The Anointed według dramatu Koniec Mesjasza Jerzego Żuławskiego
Representations of the Orient in Tadeusz Z. Kassern’s opera The Anointed based on Jerzy Żuławski’s drama The End of the Messiah
Autorzy:
Skupin, Renata
Powiązania:
https://bibliotekanauki.pl/articles/521988.pdf
Data publikacji:
2013
Wydawca:
Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku
Tematy:
Tadeusz Z. Kassern
The Anointed
opera
Andrzej Żuławski
The End of the Messiah
orientalism
Opis:
The title character of Andrzej Żuławski’s drama The End of the Messiah (1911) is a historical fi gure of a Turkish-Jewish apostate messiah — Sabbatai Zevi (1626–1676). Żuławski exposes in his play, which contains many Polish elements, the idea of Jewish messianism in a mystical and national sense and his representation of the Islamic Orient has a pessimistic and escapist message. Tadeusz Z. Kassern in his own adaptation of the drama in his lyric opera The Anointed (1949–51) removed all Polish threads and added one oriental character: the Muezzin’s voice, imitating an adhan — muslim call for prayer, which has a key importance for musical orientalism of the opera. Although it is presented with a relatively objective ethnographic accuracy, it creates an exotic background for the action — as a modern aspect of couleur locale. Muezzin’s voice is always heard in the scenes with exclusive participation of Jewish main characters (Sabbatai and Miriam), which emphasizes the relation of antithetical worlds (inside – outside) or opposition: Jewish characters – alien (exotic) Muezzin. Opera The Anointed is an emblematic example of the hybrid referentiality of Kassern’s musical orientalism.
Źródło:
Aspekty Muzyki; 2013, 3; 83-109
2082-6044
Pojawia się w:
Aspekty Muzyki
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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