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Wyszukujesz frazę "Surrealism" wg kryterium: Temat


Tytuł:
Liminal Space in J. G. Ballard’s "Concrete Island"
Autorzy:
Tereszewski, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/641449.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Ballard
surrealism
psychogeography
spatiality
Opis:
This article explores the way in which surrealist techniques and assumptions underpin spatial representations in Ballard’s Concrete Island. With much of Ballard’s fiction using spatiality as an ideologically charged instrument to articulate a critique that underpins postcapitalist culture, it seems important to focus on exactly the kind of spaces that he creates. This paper will investigate the means by which spatiality is conceptualized in Ballard’s fiction, with special emphasis on places situated on the borders between realism and fantasy. Ballard’s spaces, often positioned on the edgelands of cities or centers of civilization, can be aligned with the surrealist project as presented not only by the Situationalist International, but of psychogeographical discourse in general. What the various Ballardian spaces-motorways, airports, high-rises, deserts, shopping malls, suburbs-have in common is a sense of existing outside stable definitions or what, following Marc Augé, we would call non-places, which by their definition are disconnected from a globalized image society, thus generating a revolutionary idea of freedom. As these places exist outside the cognitive map we impose on our environment, they present a potentially liberating force that resonates in Ballard’s fiction.
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2019, 9
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
WPŁYW MALARSTWA SURREALISTYCZNEGO NA REKLAMĘ WSPÓŁCZESNĄ
Autorzy:
Bednarska, Sonia
Powiązania:
https://bibliotekanauki.pl/articles/646685.pdf
Data publikacji:
2012
Wydawca:
Akademia Górniczo-Hutnicza im. Stanisława Staszica w Krakowie
Tematy:
advertisement
surrealism
postmodernism
intertextuality
Opis:
The purpose of this article is to examine the influence of surrealistic painting on contemporary advertising, taking into consideration the differences in use of surrealistic references on three levels of literalness: advertisement citing specific, surrealistic images, advertisement made of mosaic of various borrowings from surrealistic painting, finally advertisement created in a surrealistic manner, considered as a type of post-surrealistic masterpiece. To begin with theoretical issues connected with postmodern culture of image, the phenomena of contemporary advertisement and its intertextual relations with art, author tries to find answers on following questions: Why surrealism became so attractive material for advertisement? Is it possible, to acknowledge advertisement profiting from surrealistic painting, as an example of postmodern statement? Is it valid, basing on its example, to treat about the type of transgression in contemporary advertisement? The conclusions of this analysis include: purpose and function of use of surrealism in advertisement, the role of visual layer, disappearance of persuasive function to the benefit of strengthening the esthetic function and inscribing advertisement into postmodern paradigm of culture.
Źródło:
Studia Humanistyczne AGH; 2012, 11, 1
2084-3364
Pojawia się w:
Studia Humanistyczne AGH
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Les anthologies surréalistes : l’élaboration collective d’un genre littéraire hybride
Surrealist anthologies: the collective elaboration of an hybrid literary genre
Autorzy:
Mannu, Roberto
Powiązania:
https://bibliotekanauki.pl/articles/483640.pdf
Data publikacji:
2016
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
anthology
surrealism
literature
hybrid
Opis:
Published for the first time in 1940 the André Breton’s Anthology of black humor inaugurates the great season of surrealist anthologies, which will last until late 60s. The use of the traditional form of the modern anthology by the Surrealists, does not involve into a complete acceptance of its rules, already codified since the end of the 19th century, but rather a deformation of its textual structure and of its objectives, producing a literary genre with particular characteristics. The surrealist anthology, such as those realized by André Breton, Paul Éluard, Louis Aragon and Benjamin Péret, represent an hybrid literary object with structural elements in common with the dictionary, the glossary, the anthology and the catalogue. The surrealist literary collections represent both a different approach to the history of literature and an expression of surrealist poetics.
Źródło:
Quêtes littéraires; 2016, 6; 74-80
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Body Artist. An Experience of the Sur-Real in the Context of the Embodied and Aesthetic Abnormality
Autorzy:
Kozin, Alexander
Powiązania:
https://bibliotekanauki.pl/articles/2138898.pdf
Data publikacji:
2006-08-17
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
body
abnormality
phenomenology
surrealism
Opis:
In this essay I explore a possibility of experiential synthesis of an abnormal body of a Contergan person with an aesthetic image of the visual body. For a method, the essay uses phenomenology; I therefore lean in on the studies of embodiment conducted by Edmund Husserl and Maurice Merleau-Ponty. In turn, Max Ernst introduces an aesthetic modality of the artistic body. A personal narrative about meeting sur-real bodies serves as a frame for theorizing abnormality. The study reveals how the encounter with the abnormal ways of constitution suspends normality toward producing sur-real effects.
Źródło:
Qualitative Sociology Review; 2006, 2, 2; 123-137
1733-8077
Pojawia się w:
Qualitative Sociology Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Depoetize the Universe. Manifestoes of Romanian Surrealism
Autorzy:
Kornhauser, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/638313.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Surrealism, manifesto, avant-garde, modernism
Opis:
The main aim of my article is to investigate, or simply to highlight the evolution of the twofold character of Surrealism-influenced, and later Surrealist, manifestos in three consecutive stages of the avant-garde movement in Romania. I apply the notion of the avant-garde manifesto developped by Benedikt Hjartarson in his essay “Myths of Rupture. The Manifesto and the Concept of Avant-Garde”, with the aim of taking a closer look at the anti-Surrealist Romanian manifestos of the mid-twenties, pre-Surrealist texts of the thirties, and the proper phase of the newly-established Romanian Surrealist Group’s discoveries in the forties.
Źródło:
Romanica Cracoviensia; 2015, 15, 4
2084-3917
Pojawia się w:
Romanica Cracoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Xavier Forneret odczytany przez surrealistów i czytany Norwidem
Autorzy:
Magdalena, Kowalska,
Powiązania:
https://bibliotekanauki.pl/articles/897190.pdf
Data publikacji:
2018-05-29
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Xavier Forneret
Cyprian Norwid
romanticism
surrealism
Opis:
The author discusses the history of Xavier Forneret’s (1809–1884) reception focusing on the trend which portrayed the Romantic as a surrealist and a precursor of vers libre. At the heart of the considerations there is the volume Vapeurs, ni vers, ni prose (1838) regarded as exceptional in both the publishing format and the content. The author, however, argues that the poet’s innovation can also be seen in his presentation of typically romantic themes: love, death, poetic vocation, as well as oneiric poetics. The last part of the article is a comparative analysis of the Forneret’s poem “Elle” and Cyprian Norwid’s poem “Polka” [Polish Woman], which allows showing both romantic anticipations and traditional forms of poetic description of a woman.
Źródło:
Przegląd Humanistyczny; 2017, 61(4 (459)); 173-184
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dzieje grzechu, czyli kontrowersje wokół polskiej recepcji twórczości filmowej Waleriana Borowczyka
A story of sin: the controversy surrounding polish reception of Walerian Borowczyk’s cinematic works
Autorzy:
Kwas, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/520726.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
Walerian Borowczyk
film
surrealism
press
reception
Opis:
Worldwide Walerian Borowczyk is known as a vanguard artist. In Poland, however, his works have been always divided into two categories: the “real art”, eg. his animated films made with Jan Lenica and “all the rest”, usually called “controversial” or demoralizing”, made abroad. Borowczyk’s late works (such as Immoral Tales, 1974, The Beast, 1975, or Emmanuelle V, 1987) confirmed his image of a pornographer, an iconoclast and controversial yet repetitive creator constantly shocking with (cheap) erotica. In that context, an insight on the reception of Borowczyk’s cinematic works in his homeland seems particularly interesting. An analysis of the aforementioned problem is followed by an attempt to find all the possible sources of such particular reception of the works of Walerian Borowczyk. He was a director viewed either as a pornographer or an uncompromising icon of bold film productions – the first real surrealist of Polish cinema.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura; 2012, 4; 105-112
2083-7275
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Surrealist Image of Hell in Vasyl Stus’s Poetry based on "Merry Cemetery"
Surrealistyczny obraz piekła w poezji Wasyla Stusana podstawie zbioru "Wesoły cmentarz"
Autorzy:
Mościszko, Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/2032359.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Vasyl Stus
surrealism
hell
Ukrainian poetry
Źródło:
Slavia Orientalis; 2019, LXVIII, 1; 89-99
0037-6744
Pojawia się w:
Slavia Orientalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Stylistic features of the surrealistic experimental prose of Věra Linhartová
Autorzy:
Kotova, Marina
Lakomova, Daria
Powiązania:
https://bibliotekanauki.pl/articles/2197204.pdf
Data publikacji:
2019
Wydawca:
Akademia Humanistyczno-Ekonomiczna w Łodzi
Tematy:
Czech surrealism
syntax
multilingualism
intertextualiy
Linhartová
Opis:
The article illustrates specific stylistic features of Věra Linhartová’s late prose, written in the Czech language during the period of her cooperation with the Prague surrealist group from 1962 to 1965. We focus our attention on the style-forming potential of different syntactic structures, code-switching and intertext, explaining their relation to the author’s poetics and the surrealist tradition.
Źródło:
Językoznawstwo; 2019, 13; 15-26
1897-0389
2391-5137
Pojawia się w:
Językoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gherasim Luca: Pragnienia pragnienia
Gherasim Luca: The Desired Desire
Autorzy:
Kornhauser, Jakub
Luca, Gherasim
Powiązania:
https://bibliotekanauki.pl/articles/1912999.pdf
Data publikacji:
2020
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Gherasim Luca
surrealizm
prozy
surrealism
prose
Opis:
Krótka proza Gherasima Luki, jednego z czołowych przedstawieli rumuńskiego surrealizmu lat czterdziestych XX wieku, która świadczy o zainteresowaniu autora okultyzmem i psychoanalizą z jednej strony, teorią obiektu surrealistycznego z drugiej. Utwór jest świadectwem zestawienia poetyki „doktrynalnego” surrealizmu ze ściśle autobiograficznym, opartym na osobistym doświadczeniu, zapisem.
A short prose by Gherasim Luka, one of the leading representatives of Romanian surrealism of the 1940s, reflecting the author’s interests in occultism and psychoanalysis on the one hand and the theory of a surreal object on the other. This work documents a combination of the poetics of “orthodox” surrealism with strictly autobiographical narration based on personal experience. 
Źródło:
Śląskie Studia Polonistyczne; 2021, 17, 1; 1-4
2084-0772
2353-0928
Pojawia się w:
Śląskie Studia Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gherasim Luca: Czerwone echo
Gherasim Luca: The Echo Painted Red
Autorzy:
Kornhauser, Jakub
Luca, Gherasim
Powiązania:
https://bibliotekanauki.pl/articles/2194847.pdf
Data publikacji:
2021-03-01
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Gherasim Luca
surrealizm
prozy
surrealism
prose
Opis:
Krótka proza Gherasima Luki, jednego z czołowych przedstawieli rumuńskiego surrealizmu lat czterdziestych XX wieku, która świadczy o zainteresowaniu autora okultyzmem i psychoanalizą z jednej strony, teorią obiektu surrealistycznego z drugiej. Utwór jest świadectwem zestawienia poetyki „doktrynalnego” surrealizmu ze ściśle autobiograficznym, opartym na osobistym doświadczeniu, zapisem.
A short prose by Gherasim Luka, one of the leading representatives of Romanian surrealism of the 1940s, reflecting the author’s interests in occultism and psychoanalysis on the one hand and the theory of a surreal object on the other. This work documents a combination of the poetics of “orthodox” surrealism with strictly autobiographical narration based on personal experience. 
Źródło:
Śląskie Studia Polonistyczne; 2021, 17, 1; 1-4
2084-0772
2353-0928
Pojawia się w:
Śląskie Studia Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Poet of Decay and Psychic Entropy: The Intersection of Surrealism and Science in J. G. Ballard’s Fiction
Autorzy:
Tereszewski, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/2013227.pdf
Data publikacji:
2021
Wydawca:
Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:
J
G
Ballard
surrealism
entropy
decay
Opis:
Images of decay, both psychological and physical, permeate much of J.G. Ballard’s fiction, creating in effect a unique aesthetic that has acquired the eponymous description “ballardian.” This imagery, stemming from the surrealist tradition, is more than aesthetic affectation; it is, as this article argues, the manifestation of an eschatological theme underlying much of New Wave science fiction. This article also addresses how scientific discourse, especially references to entropy, and surrealist aesthetics intersect in his novels (High-Rise and The Drowned World) to provide a metaphor for Ballard’s frequent use of decay imagery. Though the surrealist component of his imagination has been well documented, what still invites closer scrutiny are the ideological assumptions linking Ballard’s incorporation of surrealism with the work of other surrealists and the way Ballard develops this theme for his own purposes.
Źródło:
Academic Journal of Modern Philology; 2021, 14; 337-346
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Postawa surrealistyczna, czyli w stronę "nowej, krytycznej hermeneutyki"
Surrealist Attitude, or Towards “New Critical Hermeneutics
Autorzy:
Kornhauser, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/1389818.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
modernism
avant-garde
surrealism
objects
experimental poetry
Opis:
The aim of this article is to discuss the crucial difference between the notions of ‘avant-garde’ (from Lyotard’s or Danto’s essays) and Perloff’s or Bolecki’s ‘modernism’ and to suggest a new, exclusive rather than inclusive, approach to literary studies, based on the experimental theory and poetics of Surrealism. This so-called “surrealist attitude” could be applied in the literary and cultural studies as a twofold paradigm: on the one hand, it focuses on the verbal or textual aspect of the avant-garde experiments (utilizing Bürger’s or Barthes’ theories), on the other hand, it gives an opportunity to acknowledge their anthropological or sociological character marked by Baudrillard, Danto, Foster, or Krajewski. In this perspective, the substantial process of abandonment of reality (Lyotard), which stands for the dominant element of the avant-garde aesthetics, could be connected with the crisis of represetation and with the binary nature of the objects (simultaneously, the textual/internal and contextual/exteral forms).
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 24; 55-69
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nieustające powroty. O literackim i artystycznym odkrywaniu Mallarmégo
Autorzy:
Anna, Opiela-Mrozik,
Powiązania:
https://bibliotekanauki.pl/articles/897213.pdf
Data publikacji:
2018-05-28
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Mallarmé
Verlaine
Huysmans
Surrealism Manifesto
André Breton
Opis:
The article discusses selected literary and artistic discoveries of Mallarmé’s aesthetics from the end of the 19th to the beginning of the 21st century. Mallarmé, whom Verlaine included in the circle of “poètes maudit” and who was considered a master of decadence thanks to Huysmans’s novel Against Nature, was announced a surrealist in Surrealism Manifesto by André Breton and his name appeared in the writing of Valéry and other 20th-century poets and writers. The Cubists were delighted with “spatialization” of poetry in A Roll of the Dice. In addition, constant discovering of the poet by the composers – from Debussy and Ravel, through Boulez, to the contemporary artists such as Marc-André Dalbavie or Jean-Luc Hervé cannot be overlooked.
Źródło:
Przegląd Humanistyczny; 2017, 61(4 (459)); 163-171
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Matoš i postmoderna, A.G.M. kao matrix hrvatske književnosti
Antun Gustav Matoš and Croatian Postmodernism
Autorzy:
Rem, Goran
Powiązania:
https://bibliotekanauki.pl/articles/635782.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
postmodernism
expressionism
dadaism
surrealism
futurism
constructivism
existentialism
Opis:
The article Matoš and Croatian Postmodernism shows that it was Boro Pavlović (1921–2001), the anticipator and „the father” of Croatian postmodernism, the author of fifty collections of poems and numerous media creations of Walter Benjaminʼs provenance in the 50ʼs (exhibition of poems We in 1942, collection News in 1954, the project-exhibition Encyclopedia poetica in 1957/1958, and computer poem MOrpheus in 1978), who figuratively, impressively, but accurately summed up the importance of the impressionist, symbolist and Art Nouveau author A.G.M. for the overall Croatian literature.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł

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