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Wyszukujesz frazę "St. Anthony of Padua" wg kryterium: Temat

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    Wyświetlanie 1-4 z 4
    Tytuł:
    Wizerunki świętego Antoniego z Padwy w kościołach Diecezji Grodzieńskiej. Zarys problematyki
    Images of Saint Antony of Padua in the Churches of the Grodno diocese. Outline of the problems
    Autorzy:
    Skomoroszko, Andrej
    Powiązania:
    https://bibliotekanauki.pl/articles/2147408.pdf
    Data publikacji:
    2020-12
    Wydawca:
    Wyższe Seminarium Duchowne Diecezji Elbląskiej w Elblągu
    Tematy:
    diecezja grodzieńska
    Grodno
    św. Antoni z Padwy
    sztuka kościelna
    Grodno diocese
    St. Anthony of Padua
    church art
    Opis:
    Przedłożony artykuł przybliża w zarysie miejsca związane z kultem św. Antoniego z Padwy na terenie diecezji grodzieńskiej. Chodzi tu o kościoły dedykowane temu Świętemu (Mała Brzostowica, Kamionka), a także o jego wizerunki w kościelnych ołtarzach (Odelsk, Lida, Grodno: kościół Matki Bożej Anielskiej oraz kościół Znalezienia Krzyża Świętego). W większości z nich wprowadzenie kultu św. Antoniego Padewskiego wiąże się z przybyciem do tych miejsc franciszkanów konwentualnych, czy też bernardynów. Nabożeństwo do św. Antoniego przetrwał tu mimo dramatu wojen, pożarów, czy działań władzy komunistycznej.
    The submitted article outlines the places associated with the cult of St. Anthony of Padua in the diocese of Grodno. These are churches dedicated to this saint (Mała Brzostowica, Kamionka), as well as his images in church altars (Odelsk, Lida, Grodno: the Church ofOur Lady of the Angels and the Church of the Discovery of the Holy Cross). Most of them introduce the cult of St. Antoni Padewski is associated with the arrival of the Conventual Franciscans or Bernardines to these places. Devotion to St. Antoni of Padua survived here despite the drama of Wars, fires or the actions of the communist authorities.
    Źródło:
    Studia Elbląskie; 2020, 21; 387-404
    1507-9058
    Pojawia się w:
    Studia Elbląskie
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    O pracach rzeźbiarskich Antoniego Popiela dla jasielskich franciszkanów
    Antoni Popiel’s sculptures for the Franciscans from Jasło
    Autorzy:
    Laskowski, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/1023083.pdf
    Data publikacji:
    2015-06-26
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Tematy:
    Franciszkanie
    św. Antoni Padewski
    JasłoLwów
    rzeźba
    sztuka sakralna
    Antoni Popiel
    Michał Łużecki
    the Franciscans
    St. Anthony of Padua
    Jasło
    Lviv
    sculpture
    religious art
    Opis:
    The article discusses several elements of decoration and equipment of the Franciscan church in Jasło, destroyed during the Second World War, which was designed by Michał Łużecki, an architect from Lviv. These elements were created by a known Lviv sculptor Antoni Popiel. They are stone elements of church facade decoration (the statue of Our Lady of the Immaculate Conception and the bas-relief emblem of the Franciscan order) and wooden sculptures adorning the altar of the church, depicting such saints as: St. Anthony of Padua, Alphonsus and St. Francis de Sales. All were created in 1904-1905. These decorations evoke the names of the above mentioned sculptor’s collaborators from Lviv: Albrycht, a stonemason (the emblem creator); Michał Łużecki, an architect (the designer of the altar) and Tadeusz Sokulski, a woodcarver (the altar creator). Only one of Anthony Popiel’s works made for the Franciscans in Jasło survived to the present day- the statue of St. Anthony. It was originally placed in the central place in the structure of the main altar of the destroyed church. Today it is in the side chapel of the new Franciscan church, built after the war at a new site. This figure, miraculously saved from destruction, has long been worshiped in Jasło, which in 1996 led to the recognition of  St. Anthony of Padua as the patron saint of the town by the Town Council in Jasło. December 27, 2014 marks exactly a century since bringing the figure to Jasło. The article draws attention to the artistic values of the preserved sculpture, comparing it with other representations of this saint of that time created in the area of influence of the artistic community of Lviv. It can be concluded that the sculpture from Jasło is the work of an artistic value, the work which is an individual interpretation of the theme proposed by the sculptor. It can also be noted that Anthony Popiel’s works from Jasło, hitherto unknown to historians of art, are an interesting complement to his artistic achievements and significant contribution to the relationships between the sculptor and other artists associated with Lviv. The article is supplemented with the copy of Anthony Popiel’s letter of January 15, 1906  to the Franciscan Provincial, Father Peregrine Haczela, containing the estimate of three figures for the main altar of the former Franciscan church in Jasło. The letter is stored in the Franciscan archive in Cracow.
    Źródło:
    Archiwa, Biblioteki i Muzea Kościelne; 2015, 103; 149-177
    0518-3766
    2545-3491
    Pojawia się w:
    Archiwa, Biblioteki i Muzea Kościelne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Un messaggio per i posteri. La tomba di Stanisław Miński nella Basilica di Sant’Antonio a Padova
    A message to posterity: the tomb of Stanisław Miński in the basilica of st. Anthony in Padua
    Autorzy:
    Lenart, Mirosław
    Powiązania:
    https://bibliotekanauki.pl/articles/1929887.pdf
    Data publikacji:
    2021-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Stanisław Miński
    Padua
    natio polona
    Basilica of St. Anthony
    tomb
    Padova
    Basilica di Sant’Antonio
    tomba
    Opis:
    The article deals with the first burial in the tomb crypt built under the altar of the natio polona in the Basilica of St. Anthony in Padua. Stanisław Miński, a Polish state dignitary and diplomat who was passing through Padua on his way from Naples, was the one buried here. The tombstone, removed only in the first half of the 20th century, contained information about the laying of Miński’s body to rest in the place where church services associated with Poland and Poles were performed. For over three centuries, the tomb attracted the attention of pilgrims from Poland coming to Padua, reminding them not only of the outstanding Polish diplomat, but also of the natio polona, which, in the 16th and early-17th centuries, constituted a large and distinctive group of ultramontani, that is, those who came from beyond the mountains, most of whom had come to study at the flourishing university. In the article, little-known documents concerning the burial are gathered; these documents are kept in the Paduan archives and had been collected by the clergy and secular administration of the Basilica. Via the analysis of these documents, the cultural context in which the decision against bringing Miński’s body to Poland is reconstructed. The role of the institution, constituted by the administration of St. Anthony’s Basilica operating under the name of Veneranda Arca di Sant’Antonio, which grants permission to lay the body in the Basilica, is also established.
    L’articolo affronta la questione della prima sepoltura nella cripta funebre, realizzata sotto l’altare della natio polona nella Basilica di Sant’Antonio a Padova. Tale sepoltura riguardava Stanisław Miński, dignitario di stato polacco e diplomatico, che passò da Padova diretto a Napoli. Dell’inumazione del corpo di Miński nel luogo di celebrazione liturgica del santuario associato alla Polonia ed ai polacchi informava una lapide, rimossa solo alla metà del XX secolo. Per oltre tre secoli essa attirò l’attenzione soprattutto dei pellegrini polacchi giunti a Padova, ricordando non solo la figura del grande diplomatico polacco, ma anche la natio polona, che nel secolo XVI e agli inizi del XVII costituiva in città un gruppo numeroso e particolare di oltremontani, in gran parte legati agli studi compiuti nel periodo d’oro dell’università. Nell’articolo sono riportati documenti scarsamente noti concernenti la sepoltura, conservati negli archivi padovani, redatti dall’amministrazione religiosa e da quella della basilica. Grazie alla loro analisi, è stato ricostruito il contesto culturale nel quale fu deciso di rinunciare al trasporto della salma di Miński in Polonia. Si è altresì sottolineato il ruolo svolto dall’istituzione cerata dall’amministrazione della Basilica di Sant’Antonio, operante con il nome di Veneranda Arca di Sant’Antonio, la quale rilasciava i permessi per l’inumazione delle salme nella basilica.
    Źródło:
    Italica Wratislaviensia; 2021, 12.2; 11-27
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Padova nei periodici polacchi tra la fine del XIX sec. e il 1939
    Padua in the polish press between the last decades of the 19th century and 1939
    Autorzy:
    Miszalska, Jadwiga
    Powiązania:
    https://bibliotekanauki.pl/articles/1929897.pdf
    Data publikacji:
    2021-06-30
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Padua
    university
    Polish press
    Italian-Polish relations
    Basilica of St. Anthony
    Padova
    università
    periodici polacchi
    relazioni italo-polacche
    Basilica di
    Sant’Antonio
    Opis:
    Italy, seen as the cradle of European culture and the destination of the wanderings of Polish intellectuals and artists, often appears in the Polish press of the late-19th and early-20th centuries. Among the cities described, Padua is present, although it appears less frequently than Venice or Rome. Articles dedicated to this city, however, have a particular character, because not only is “Padova la dotta” famous for the cult of Saint Anthony, but it is most often presented in the contexts of centuriesold Italian-Polish relations linked mostly to the University and of the Paduan polonica. There are in fact two moments that find a particular resonance in the Polish press: the first, in 1922, for the seventh centenary of the University, and the second, in 1931, for the celebrations of the seventh centenary of Saint Anthony’s death. This article offers a review of the texts that have appeared in various periodicals and includes a brief presentation of the authors—scholars, artists, or journalists active in the promotion of Italian culture. From the texts published both in newspapers and in cultural magazines or even scientific periodicals, the image of the city emerges as strongly marked by the presence of Poles, who were students, university professors, or pilgrims.
    L’Italia vista come culla della cultura europea e l’obiettivo delle peregrinazioni degli intellettuali e artisti polacchi appare spesso sulla stampa polacca degli ultimi decenni del XIX e dei primi del XX secolo. Tra le città descritte Padova non costituisce un tema così frequente come Venezia o Roma. Gli articoli dedicati a questa città hanno tuttavia un carattere particolare perché “Padova la dotta”, oltre ad essere famosa per il culto di sant’Antonio, è presentata il più spesso nel contesto di multisecolari relazioni italo-polacche legate per lo più all’Università e quello dei polonica padovani. Due momenti inoltre trovano una risonanza particolare: il 1922 per il settimo centenario dell’Università e il 1931 per le celebrazioni del settimo centenario della morte del Santo. L’intervento propone la rassegna degli articoli apparsi su diversi periodici con una breve presentazione degli autori: studiosi, artisti o giornalisti attivi nella promozione della cultura italiana. Dai testi pubblicati sia nei quotidiani che sulle riviste di cultura o addirittura periodici di tipo scientifico emerge l’immagine della città fortemente segnata dalla presenza dei polacchi: studenti, professori dell’Università o pellegrini.
    Źródło:
    Italica Wratislaviensia; 2021, 12.1; 161-175
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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