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Wyświetlanie 1-4 z 4
Tytuł:
Menas i Afrodyta. „Dewocjonalia” z sanktuarium świętego Menasa
Menas and Aphrodite. “Devotional souvenirs” from Abu Mina sanctuary
Autorzy:
Kiss, Zsolt
Powiązania:
https://bibliotekanauki.pl/articles/612803.pdf
Data publikacji:
2015
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
Abu Mina
ampułki św. Menasa
koroplastyka egipska
ampullae of St. Menas
egyptian terracota figurines
Opis:
The article considers the ampullae and figurines produced in the Late Antiquity in the sanctuary of St. Menas in Abu Mina. Their forms and iconography are analised in the context of the earlier traditions of greco-roman art in Egypt, in which they are clearly rooted. Both the ampullae and the figurines can be considered as the manifestation of continuity of long established iconographical types in a new, Christian context.
Źródło:
Vox Patrum; 2015, 64; 231-248
0860-9411
2719-3586
Pojawia się w:
Vox Patrum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kategoria “sensualizmu” i “nierozróżnialności” na przykładzie kultu „cudotwórczej” ikony św. Menasa w bułgarskim monasterze w Obriadowci . Rewizja inspirowana prawosławną teologią ikony
Autorzy:
Lubańska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/644486.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
icon
‘sensualism’
indistinguishability
St Menas
Orthodox theology
Bulgaria
Opis:
This article focuses on religious healing practices in the monastery of St. Menas in Sofia, Bulgaria which involve the touching of a famous miracle-working icon of a saint. I use the practice as a springboard for discussing the relevance of two anthropological concepts known as “sensualism” (Polish: sensualizm) and “non-differentiation” (Polish: nierozróżnialność) for describing multi-sensory religious imageries of pilgrims. Th e concept of sensualism was fi rst proposed by Stefan Czarnowski and relates to religious practice centred primarily on sensory experience. Non-differentiation as an anthropological concept has been adapted from Gadamer by the Polish anthropologist Joanna Tokarska-Bakir. The two concepts have been applied to analyses of non-official practices in Catholic religiosity, a fact which poses certain methodological problems when the concepts are applied to Orthodox Christianity. This article relies on the Orthodox theological concept of the icon to propose a revision to our treatment of those two useful concepts.
Źródło:
Prace Etnograficzne; 2014, 42, 1
0083-4327
2299-9558
Pojawia się w:
Prace Etnograficzne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Banganarti and Selib in the 2013/2014 and 2014/2015 seasons with Appendix 1: Pottery from Selib. Preliminary report (2013/2014 and 2014/2015 seasons), Appendix 2: Osteoarchaeological analyses of skeletal material from Selib 1 and Banganarti (2013/2014 and 2014/2015 seasons)
Autorzy:
Żurawski, Bogdan
Cedro, Aneta
Bury, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1706358.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Nubia
Banganarti
Selib
Meroitic settlement
church architecture
St Menas
St Thecla
pottery
liturgical vessels
oil lamps
Northern Building
archaeology of the Middle Nile
conservation
anthropology
Opis:
The Polish archaeological project excavating at the Nubian sites of Banganarti and Selib concentrated on uncovering domestic architecture: the northeastern and southwestern districts at medieval Christian Banganarti and selected houses of Meroitic date at Selib 2. The conservation and restoration program put the finishing touches on the Raphaelion church in Banganarti and did substantial work on the remains of the earlier churches. The oldest church from Selib 1 was investigated and dated to the 6th–7th century based on a study of a well stratified ceramic assemblage. Pottery from the northern and southern refuse dumps ranged in date from the 9th to the 12th/13th century. A group of liturgical vessels, containing mostly small juglets and chalices, was distinguished in this assemblage. Exploration of the earlier Northern Building revealed pottery contemporaneous with the earliest phase of the church on site. Anthropological research was carried out on skeletal remains from the medieval cemeteries of Selib 1 and from individual graves at Banganarti. The results of ceramic studies and of the anthropological examination are reported in separate appendices to the main report.
Źródło:
Polish Archaeology in the Mediterranean; 2016, 25; 349-402
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Altar Casket with a Representation of St Thecla ad bestias from the Vicinity of the St Menas Church in Selib (Northern Sudan)
Autorzy:
Żurawski, Bogdan
Powiązania:
https://bibliotekanauki.pl/articles/484047.pdf
Data publikacji:
2016
Wydawca:
Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
Tematy:
St Thecla cult
altar casket
St Menas
Eastern liturgy
church architecture
Nubia
Christian altar
Holy Communion
Opis:
The excavations in Selib have brought to light a few objects used in the liturgical practices performed in the local churches. Among a dozen or so fragmentarily preserved chalices, juglets and patens, there is a terracotta roundel provided with a circular aperture in the upper side. Made of pinkish red clay, it is decorated with a repeated stamped motif of a haloed orant figure shown en face with arms held parallel to the upper body. It is accompanied by figures of animals set in profile. The masterly execution of the animal figures enables the recognition of the images of lionesses. Consequently the orant figure in between two metopes with a lioness each could only be St Thecla. The author suggests that the Selib roundel plausibly served as an altar casket placed on an altar to house a Eucharistic chalice. An alternative use would have been as a stand for a peculiar Nubian paten(?) with a depression in the bottom. Regardless of the real purpose, in the case of the Selib roundel the label of ‘altar casket’ is valid.
Źródło:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2016, 29; 203-224
2084-6762
2449-9579
Pojawia się w:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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