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Tytuł:
"Morbus hermeneuticus" – wyzwanie współczesnej humanistyki
Autorzy:
Budzowska, Malgorzata
Powiązania:
https://bibliotekanauki.pl/articles/52229625.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
hermeneutics
Girard
Schnadelbach
Simmel
Baudrillard
Derrida
Opis:
The issue that is taken in the article concerns the problem of the essence of hermeneutics. Taking into consideration the Herbert Schnädelbach’s conception of “morbus hermeneuticus”, the author develops the reflection on the status of hermeneutics in philosophy. In the discussion about ideas of freedom of cognitive process the views of M. Polanyi, O. Marquard, R. Girard, G. Simmel, J. Baudrillard, M. Foucault, J. Derrida are presented. In addition, the author introduces the concepts of chaos theory and theory of contingency. Based on the indicated culture’s texts author tries to find a positive evaluation of hermeneutic method, which should be understood in a more extended sense and thus not seen as a state of disease (morbus hermeneuticus).
Źródło:
Collectanea Philologica; 2011, 14; 91-103
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ruins: Between Past and Present, Between Culture and Nature
Autorzy:
Frydryczak, Beata
Powiązania:
https://bibliotekanauki.pl/articles/19322609.pdf
Data publikacji:
2023-09-30
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
ruins
ruination
nature
culture
Simmel
hope
ontological significance
Opis:
The main question of the essay is: do ruins need a new definition? Ruins are not only destroyed architecture, but also everything that has been associated with it in the process of life. From the perspective of the question, the concept of ruins should be understood much broader than just architecturally, and they should be assigned not to the past but to the present, or rather between past and present. If we consider ruins from the standpoint which situates them between culture and nature, there opens up another opportunity: here ruins are found on the juncture of nature and culture, becoming a natureculture hybrid. Here, degradation encompasses the cultural sense in the first place and the expectations it involves, but not from the perspective of nature. The order of nature translates into a new “life” of the ruin, which is attributed a new functionality, subordinated to other – non-anthropocentric – goals and values. Concluding, ruins require a new approach and a new definition that does not condemn them to degradation, but sees hope in the revitalizing forces of nature that ensure for them a new status and a different ontological significance.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2023, 7, 2; 9-16
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Georg Simmel’s The Philosophy of Money and the Modernization Paradigm
Autorzy:
Karalus, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/1790692.pdf
Data publikacji:
2018-12-19
Wydawca:
Polskie Towarzystwo Socjologiczne
Tematy:
money
monetary economy
modernity
Georg Simmel
modernization paradigm
desubstantialization
Opis:
This article examines Georg Simmel’s contribution to the understanding of how money functions in modern society, mainly scrutinizing his most important work on that topic,The Philosophy of Money, in the con-text of modernization theories. Modernization theories, as developed (most notably) by Marx, Weber, Durkheim,and Elias, attempted to explain the transition from feudalism and a closed agrarian economy to capitalism andindustrial society, as well as to understand and predict the avenues, consequences, and dangers of that transfor-mation. The author argues that Simmel’s work and his theoretical framework fit neatly into the “modernizationparadigm” template and, in fact, constitute one of its finest articulations. The conclusion points at those aspectsof Simmel’s sociology that transcend the boundaries of modernization discourse and make him a forerunner ofthe postmodernist structure of “feeling.”
Źródło:
Polish Sociological Review; 2018, 204, 4; 429-445
1231-1413
2657-4276
Pojawia się w:
Polish Sociological Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
In Vino Veritas/Communitas/Civilitas? O Cywilizującej Towarzyskości Konsumpcji Wina
In Vino Veritas/Communitas/Civilitas? On the Civilising Sociability of Wine Consumption
Autorzy:
Wyborski, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/973861.pdf
Data publikacji:
2012-12-01
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Georg Simmel
sociability / towarzyskość
wine consumption / konsumpcja wina
civilizing / cywilizowanie
Opis:
The article refers to selected elements of the sociology of Georg Simmel. It accords in general with his theory in regards to the structure of social relations, and deals in particular with the idea of sociability and the meal. The author assumes that a collective embibing of wine is a specific form of culinary consumption constituting an area for manifesting sociability. Basing himself on interviews with wine consumers, the author’s aim is to reveal the manifestations of sociability during the common consumption of this drink and to indicate the elements determining the shape and order of the social interaction: for instance, common standards of taste. As the character of such an interaction is determined by the consumption of wine, which not only imposes a certain thematic framework, but also requires the participants’ mutual adaptation, the social value of drinking can be treated as one aspect of the possible civilising effects of wine.
Źródło:
Kultura i Społeczeństwo; 2012, 56, 4; 121-147
2300-195X
Pojawia się w:
Kultura i Społeczeństwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Georg Simmel`s Concept of Religion and Religiosity
Autorzy:
Motak, Dominika
Powiązania:
https://bibliotekanauki.pl/articles/640989.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Georg Simmel
religion
religiosity
classical theory of religion
genetic explanation of religion
Opis:
Religion was a recurrent theme in Georg Simmel’s thought. Despite this fact, and despite the current rediscovery of Simmel’s ideas, his insights into religion remain relatively neglected. The task of integrating Simmel’s legacy into the current study of religion remains a continuing challenge. This paper, based on an on-going study of Simmel’s work (involving a close reading of his writings in the original version), reflects on his conceptualisation of the relationship between religion understood as an objective, social and historical phenomenon and subjective religiosity. In Simmel’s view, the religious perspective – a “particular spiritual quality” or “attitude of the soul”, a way of looking at the world as a whole – constitutes a kind of pre-stage of religion. This particular perspective of a religion-like (religioid) character makes up an individual foundation for religion, but it can also express itself in other cultural pursuits, like science or art. It only becomes religion after it assumes a specific form in human interaction. Simmel claims that many human relations have a religious character; faith, which is regarded as the substance of religion, is first a relationship between individuals. Out of the subjective faith-process there develops an object for that faith: the idea of God, who is “the absolute object of human faith”. For Simmel, the idea of God (conceived of as the unity of existence, the coincidentia oppositorum) is constitutive for religion.
Źródło:
Studia Religiologica; 2012, 45, 2; 109-115
0137-2432
2084-4077
Pojawia się w:
Studia Religiologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Simmlowska koncepcja mody a ubiór współczesnych seniorek i seniorów. Podejście badawcze
Simmel’s Concept of Fashion and the Clothing of Contemporary Seniors: A Research Approach
Autorzy:
Kramkowska, Emilia
Powiązania:
https://bibliotekanauki.pl/articles/1372753.pdf
Data publikacji:
2020-12-29
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
clothing
fashion
gender
senior citizens
Georg Simmel
ubiór
moda
płeć
osoby starsze
Opis:
The purpose of this article is to draw attention to the undiscussed and yet very interesting issue of fashion and the clothing of senior citizens. The issue is analyzed here in relation to Georg Simmel’s concept of fashion and specifically his idea of imitation and distinctiveness inscribed in the fashion system. Simmel seems to indicate that the social order determined by fashion is more often respected by women than by men. Therefore, the issue of fashion and clothing is discussed in relation to the gender of the individual. Age is also important. In her own research among people aged 60 and over (a diagnostic survey and interviews), the author of the article sought answers to the following questions: what do seniors think about the clothing of today’s older people? Do they think they dress fashionably – in the sense of following the spirit of modern times, which promotes youth? What determines the way seniors dress in contemporary Poland? The respondents were aware of a change in how seniors dress today and view the change positively. The fashion behavior of seniors is more often approved by women than by men and by younger seniors rather than older ones.
Źródło:
Kultura i Społeczeństwo; 2020, 64, 4; 153-180
2300-195X
Pojawia się w:
Kultura i Społeczeństwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
On Ernst Bloch’s Moral Theory
O filozofii moralnej Ernsta Blocha
Autorzy:
Pelletier, Lucien
Powiązania:
https://bibliotekanauki.pl/articles/1009530.pdf
Data publikacji:
2020-03-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Ernst Bloch
Moral theory
Expressivism
Georg Simmel
Max Scheler
filozofia moralna
ekspresywizm
Opis:
This article describes the origin of Bloch’s moral theory, which was formulated partly as a response to Simmel’s moral relativism. It also shows that Bloch’s theory is a coherent example of what Charles Taylor calls “expressivism,” a contemporary philosophical attitude which emphasizes the creation of values, with its transgressive character. Finally, the article addresses some shortcomings of Bloch’s expressivist moral theory, and emphasizes the necessity this author felt to complete it with norms ensuring human dignity.
Artykuł ten omawia źródła filozofii moralnej Ernsta Blocha, sformułowanej częściowo jako odpowiedź na relatywizm moralny Simmela. Przedstawia on również teorię Blocha jako spójny przykład tego, co Charles Taylor nazwał „ekspresywizmem”: stanowiska filozoficznego kładącego nacisk na transgresywny charakter tworzenia wartości. W końcu, artykuł wskazuje na niedostatki ekspresywizmu Blocha, podkreślając konieczność uzupełnienia go normami zabezpieczającymi ludzką godność (której był świadomy sam Bloch).
Źródło:
Praktyka Teoretyczna; 2020, 35, 1; 35-50
2081-8130
Pojawia się w:
Praktyka Teoretyczna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Is Money a Linguistic Form? Integrating Simmel’s Construction of Monetary Value into the Framework of the Philosophy of Language
Autorzy:
Leder, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/1790687.pdf
Data publikacji:
2018-12-19
Wydawca:
Polskie Towarzystwo Socjologiczne
Tematy:
economics imperialism
monetary value
linguistic value
linguistic form
Simmel
de Saussure
Wittgenstein
Opis:
In his study, the author discusses his hypothesis of money as a linguistic form, one understood sensu stricto, as Ferdinand de Saussure would. This approach seems to be the key to explaining some important phenomena: the so-called ‘economics imperialism’ in the social sciences and the specific character of economic language, as seen from the perspective of the humanities. Both the ‘uncanny character’ of economic terms and ‘economics imperialism’ appear in this text as symptoms, or ways in which economic signs, especially money understood as a sign, specifically manifest themselves. The logical analysis of the construction of these signs-analysis based on Saussure’s and Simmel’s propositions-is the main topic of this article. First, the author revisits a well-known parallel between formal structures of linguistic and monetary signs developed in Saussure’s Course in General Linguistics. Second, a crucial difference in these structures is presented and theoretically explained using tools developed by Georg Simmel. The author goes on to consider whether this difference locates the monetary sign outside the realm of language per se. Finally, by applying certain claims made by Ludwig Wittgenstein on the limits of language, the author develops his hypothesis that money is a linguistic sign, but a specific one; it is a kind of a ‘border phenomenon.’ In this text, the author proposes the term ‘linguistic form’ to distinguish this kind of sign. Some theoretical and social consequences of this state of affairs are proposed; inter alia the immanent social antagonism between the symbolic articulation of the social sphere and the economic one.
Źródło:
Polish Sociological Review; 2018, 204, 4; 515-526
1231-1413
2657-4276
Pojawia się w:
Polish Sociological Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Simmel and the Posthuman: Money as the God of Bad Infinity
Autorzy:
Kuźniarz, Bartosz
Powiązania:
https://bibliotekanauki.pl/articles/1790690.pdf
Data publikacji:
2018-12-30
Wydawca:
Polskie Towarzystwo Socjologiczne
Tematy:
money
infinity
bad infinity
God
Simmel
count to infinity
philosophy of life
posthuman
capitalism
Opis:
Contrary to a longstanding tradition of associating the attractive force of the modern economy with it sunbridled materialism, I claim in my paper that the power of capitalism lies in the transfer of human desire into the realm of the abstract. Our passionate attachment to the capitalist system stems from its money-mediated capabilityto organize the infinite: money is a special form of structuring infinity, which I term the “count to infinity.” Thepaper develops this concept, drawing on three in-depth analyses offered by Georg Simmel in his The Philosophy of Money: first, the infinite structure of value, or, money as bad infinity; second, money as the pure vehicle of life;and third, money as the “absolute means.” It is my main contention that by moving human desire into the realm ofthe abstract, money has provided life with a vessel to elevate itself to a higher plane of energy, thus transcending the bounds of the human species.
Źródło:
Polish Sociological Review; 2018, 204, 4; 447-462
1231-1413
2657-4276
Pojawia się w:
Polish Sociological Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Homo Libidinous and the Economy of Desire: Rereading Simmel’s The Philosophy of Money after Freud
Autorzy:
Markowska, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/1790685.pdf
Data publikacji:
2018
Wydawca:
Polskie Towarzystwo Socjologiczne
Tematy:
economy of desire
homo libidinous
libidinal economy
dialectic of money
reality principle
pleasureprinciple
Simmel
Freud
Opis:
Georg Simmel’sThe Philosophy of Money([1900],2004) contains one of the most pertinent and sub-tle diagnoses of modernity-a critique of economic reason moved by desire. This article shows that Simmel’sdialectic of desire has a significant affinity with Freud’s economic point of view in terms of the psychic appa-ratus being ruled by the pleasure principle. Considering these two libidinal economies I will focus on how thefigure ofhomo oeconomicustransforms intohomo libidinousand why money has become the symbol and formof modern life. The assumption is that money is not solely the fundamental principle of social reality-what wecall hyper-modernity or late capitalism-but the reality principle as such.
Źródło:
Polish Sociological Review; 2018, 204, 4; 485-498
1231-1413
2657-4276
Pojawia się w:
Polish Sociological Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Dyad and the Third Party: The Traces of Simmel’s Distinction in Phenomenology and Family Studies
Autorzy:
Kostrova, Elizaveta
Powiązania:
https://bibliotekanauki.pl/articles/2158920.pdf
Data publikacji:
2018
Wydawca:
Projekt Avant
Tematy:
community
family studies
intimacy
Lévinas
Marion
phenomenology
reciprocity
Simmel
the other
the third party
Waldenfels
Opis:
The paper confronts Georg Simmel’s distinction between the dyad and the triad with the phenomenological analysis of analogous structures undertaken by E. Lévinas, B. Waldenfels, and J.-L. Marion. Simmel insists on keeping the dyad and the triad apart while only the triad is considered worthy of sociological research. On the contrary, phenomenologists reveal deep interrelation between the relationship with the other and the third party where the latter is actually co-present in the dyad. The presupposed link between the two and the three implies a different understanding of sociality that would respect its members in their uniqueness, unlike the world of interchangeable individualities common for social science. The third party can appear as the dimension of law and the ordinary (in Waldenfels), as the other of the other and the figure of humanity (in Lévinas), or as the child in the case of erotic relationship (in Marion). The last aspect of the third party provides a link to family studies. A brief outline of the situation illustrates oscillation between the triadic and dyadic interpretations of the family with the apparent prevalence of the dyad in recent decades.
Źródło:
Avant; 2018, 9, 2; 187-202
2082-6710
Pojawia się w:
Avant
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“A work of art is an object that necessitates contemplation”. Latency of visual studies within the Vienna School of Art History?
Autorzy:
Murár, Tomáš
Powiązania:
https://bibliotekanauki.pl/articles/1788544.pdf
Data publikacji:
2021-05-26
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Max Dvořák
Vienna School of Art History
Georg Simmel
Visual Studies
Charles de Tolnay
Hans Sedlmayr
Opis:
This article investigates a research method of the so-called Vienna School of Art History, mainly its transformation by Max Dvořák around the First World War. The article suggests the possible influence of Georg Simmel’s philosophy on Dvořák in this time, evident mainly in Dvořák’s interpretation of Pieter Bruegel the Elder’s art, written by Dvořák in 1920 and published posthumously in 1921. This another view on the Vienna School of Art History is then researched in writings on Pieter Bruegel the Elder by Dvořák’s students Hans Sedlmayr and Charles de Tolnay when Tolnay extended Dvořák’s thinking and Sedlmayr challenged its premises – both Tolnay and Sedlmayr thus in the same time interpreted Bruegel’s art differently, even though they were both Dvořák’s students. The article then suggests a possible interpretative relationship of the Vienna School of Art History after its transformation by Max Dvořák with today’s approaches to art (history), mainly with the so-called visual studies.
Źródło:
Ikonotheka; 2020, 30; 9-29
0860-5769
Pojawia się w:
Ikonotheka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Do czego może się przydać historykowi sztuki Filozofia mody Georga Simmla?
How can Georg Simmel’s Philosophy of Fashion be useful to an art historian?
Autorzy:
Kazimierska-Jerzyk, Wioletta
Powiązania:
https://bibliotekanauki.pl/articles/2142128.pdf
Data publikacji:
2021-06-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
moda XX wieku
Georg Simmel
filozofia kultury
Hubert de Givenchy
Cristóbal Balenciaga
Philosophy of culture
20th century fashion
Opis:
Filozofia mody (1905) Georga Simmla w opracowaniach historyczno-artystycznych jest wprawdzie często odnotowywana, ale nie poświęca się jej wiele uwagi. Nie jest to bowiem esej o artefaktach mody, a w istocie sprofilowana pod kątem zjawiska mody krytyka społeczeństwa nowoczesnego. Celem tego artykułu jest rekonstrukcja dualizmów, na których ufundowane jest społeczne zjawisko mody, a następnie zwrócenie uwagi na pojęcia mogące jednak zainteresować historyka sztuki. Są nimi przede wszystkim silnie zakorzenione w tradycji elementarne terminy „sztuka”, „mimesis” i „styl”, swoiście przez Simmla rozumiane, jak też inne pojęcia, nieoczywiste z punktu widzenia historii sztuki czy nawet estetyki, a przydatne z perspektywy estetyki filozoficznej i performatyki, np. tragedia, energia, tajemnica, zazdrość, wstyd, rzecz, ozdoba. Wydaje się, że Simmel czuje nie tylko społeczną, ale i artystyczno-estetyczną (zwłaszcza sensualną) złożoność mody, ale brak zainteresowania modą jako rodzajem sztuki nie pozwala mu tego w pełni wyeksplikować i wykorzystać.
Philosophy of Fashion (1905) by Georg Simmel, while often noted in historical and artistic studies, was not paid much attention. It is not an essay on fashion artifacts, but in fact a critique of modern society profiled in terms of the phenomenon of fashion. The aim of this article is to reconstruct the dualisms on which the social phenomenon of fashion is founded, and then to draw attention to concepts that may, however, be of interest to an art historian. They are primarily the elementary terms “art”, “mimesis” and “style”, strongly rooted in tradition, which Simmel understood specifically, as well as other concepts, not obvious from the point of view of art history or even aesthetics, and useful from the perspective of philosophical aesthetics and performance e.g. tragedy, energy, mystery, jealousy, shame, thing, ornament. It seems that Simmel feels not only the social, but also the artistic and aesthetic (especially sensual) complexity of fashion, but his lack of interest in understanding fashion as art prevents him from fully exploring and using it.
Źródło:
TECHNE. Seria Nowa; 2021, 7; 173-200
2084-851X
Pojawia się w:
TECHNE. Seria Nowa
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rodin, czyli świat. Dwie kosmogonie – Rainera Marii Rilkego i Georga Simmla
Rodin, or the world. Two cosmogonies – Rainer Maria Rilke and Georg Simmel
Autorzy:
Popiel, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1039750.pdf
Data publikacji:
2019-01-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
the aesthetics of creation
creative process
Rainer Maria Rilke
Georg Simmel
August Rodin
aesthetic experience
aesthetic world-view
Opis:
The article is a comparative analysis of the modernist aesthetics of creation. It describes how Rilke and Georg Simmel discovered August Rodin’s rules of modern perception, sensitivity and creative imagination. In the work of both writers we see them striving to interpret works of art as a creative process that is the effect of their astute diagnosis of contemporary culture. A new approach to aisthesis restores value to aesthetic experience and opens up broader learning opportunities.
Źródło:
Przestrzenie Teorii; 2018, 29; 15-29
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
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