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Tytuł:
Эмотивно-оценочная лексика как средство выражения дихотомии „прекрасное / безобразное” в романе Генрика Сенкевича Quo vadis (оригинал - русский перевод)
Emotive and estimated vocabulary as a means of impression of dichotomy „beautiful / / ugly " in HenrykSienkiewicz’s novel „Quo vadis" (original-Russian translation)
Autorzy:
Alimpijewa, Roza
Powiązania:
https://bibliotekanauki.pl/articles/481488.pdf
Data publikacji:
2006-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Quo vadis?
Sienkiewicz
emotive vocabulary
estimated vocabulary
beatiful/ugly
Opis:
The paper presents the study of the original and Russian translation of H. Senkevich’s novel Quo vadis? The postulates of early Christianity as opposed to moral postulates of the Neron Rome, the essence of „the beautiful // the ugly” dichotomy, which is one of the criteria of the veritable values are revealed, as well as the role of this aesthetic category in the author’s ideostyle and the ways of its language presentations, where the lexis with emotive charge plays dominating role, the nominators of the light as morals reforming outset among them.
Źródło:
Acta Polono-Ruthenica; 2006, 1, XI; 257-266
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rola wypowiedzi metajęzykowych w kreowaniu świata przedstawionego w Krzyżakach Henryka Sienkiewicza
The role of metalinguistic expression in creating the world presented in The Knights of the Cross (Krzyżacy) by Henryk Sienkiewicz
Autorzy:
Bieńkowska, Danuta
Umińska-Tytoń, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/684299.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Krzyżacy H. Sienkiewicza
kreacja postaci
język artystyczny
The Knights of the Cross by H. Sienkiewicz
character’s creation
artistic language
Opis:
The authors have recognized that to create the novel’s characters, both individual and collective, Henryk Sienkiewicz willingly uses the metalinguistic statements. The analysis included nearly 50 metalinguistic statements present both in the narrative part and in the dialogs. In the center of those statements there are lexemes speech, word, language. The authors searched for the answers to two fundamental questions in what way the metalinguistic remarks:1) create the reliable, medieval reality presented in the The Knights of the Cross?2) remarks update the novel’s problems?Using the metalinguistic notes to create the historical reality of the novel was the deliberate and effective action. Thanks to it Sienkiewicz illustrates the ethnic diversity of medieval Poland inhabitants, he also shows the difficulty in communication between representatives of different nations. Thanks to metalinguistic remarks the author of a novel indicates the role of the Latin language in the former custom; he also shows the language specificity of the different society layers. Metalinguistic comments reveal the parallels between the fictional reality of the novel and the reality of the times in which Henryk Sienkiewicz lived and worked. In metalinguistic notes the clearly negative evaluation of the German language and its users is shown. The linguistic situation in the State of the Teutonic Knights, which is shown in the novel, indicates similarities to situation under Prussian rule in the nineteenth century.
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Źródło:
Acta Universitatis Lodziensis. Folia Linguistica; 2016, 50; 51-59
0208-6077
2450-0119
Pojawia się w:
Acta Universitatis Lodziensis. Folia Linguistica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Quo vadis di Henryk Sienkiewicz nell’offerta delle case editrici italiane per l’infanzia e l’adolescenza
Italian editions of henryk sienkiewicz’s quo vadis for children and young adults
Autorzy:
Biernacka-Licznar, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1929878.pdf
Data publikacji:
2021-12-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Henryk Sienkiewicz
Italian publishing market
Quo Vadis
translation for children and
young adults
quantitative analysis
mercato editoriale italiano
Quo vadis
traduzione per l’infanzia
e l’adolescenza
analisi quantitativa
Opis:
The paper outlines the publishing history of Henryk Sienkiewicz’s Quo Vadis in Italian editions for children and young adults in the 20th century. The research conducted so far has shown that Sienkiewicz’s novel was part of Italian publications for a young readership as early as at the beginning of the 20th century, and that the book was frequently republished and reedited by numerous publishing houses over the following decades. The paper aims to present the strategies applied by Italian publishers as they recast Sienkiewicz’s work into versions specifically targeting young readers. Sienkiewicz’s Roman narrative proved a source of easy revenue for many publishing houses. Discreditable translatory practices were, at least at the beginning of the 20th century, mainly the domain of Milanese publishers whose efforts also focused on reworkings of Quo Vadis for children and young adults after the Second World War. The paper discusses examples that vividly illustrate the commercialisation of literature and publishers’ responses to the changes of the Italian publishing market in the second half of the 20th century. The findings of a study that used quantitative methods to analyse the corpus of 18 Italian editions of Quo Vadis are presented as well.
L’articolo abbozza la storia delle edizioni italiane per ragazzi e adolescenti di Quo vadis di Henryk Sienkiewicz nel XX secolo. Sulla base delle ricerche finora svolte, è stato accertato che l’opera di Sienkiewicz comparve nell’offerta editoriale italiana rivolta ai giovani lettori già dall’inizio del Novecento, e poi per molti decenni fu volentieri riproposta da numerose case editrici. L’obiettivo dell’articolo è quello di indicare le strategie degli editori italiani che, pensando ai giovani lettori, portarono alla realizzazione di nuove versioni dell’opera di Sienkiewicz. La trama romana del romanzo di Sienkiewicz si rivelò una fonte di facile guadagno per molte case editrici e in ambito di pratiche traduttive ingloriose si distinsero, almeno all’inizio del Novecento, gli editori milanesi, offrendo, soprattutto dopo la Seconda guerra mondiale, anche rifacimenti e riadattamenti di Quo vadis per il giovane pubblico. Gli esempi riportati nel testo illustrano anche il processo di commercializzazione della letteratura e le risposte degli editori all’evoluzione del mercato editoriale italiano nella seconda metà del XX secolo. L’articolo presenta anche i risultati della ricerca sul corpus di 18 edizioni italiane di Quo vadis con l’applicazione dei metodi quantitativi selezionati. Parole chiave: Henryk Sienkiewicz, mercato editoriale italiano, Quo vadis, traduzione per l’infanzia e l’adolescenza, analisi quantitativa
Źródło:
Italica Wratislaviensia; 2021, 12.2; 189-208
2084-4514
Pojawia się w:
Italica Wratislaviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kolory Afryki w powieści Henryka Sienkiewicza W pustyni i w puszczy. Część I: świat przyrody
Colours of Africa in the Novel by Henryk Sienkiewicz W pustyni i w puszczy (“In Desert and Wilderness”). Part I: Natural World
Autorzy:
Borejszo, Maria
Powiązania:
https://bibliotekanauki.pl/articles/1045337.pdf
Data publikacji:
2015-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Henryk Sienkiewicz
19th-century Polish novel
Africa
colours
natural world
flora
fauna
sky
semantic and lexical fields
names of colours
Opis:
The object of studies presented in the article are the designations of colours documented in the novel by Henryk Sienkiewicz entitled In Desert and Wilderness. Against all appearances, it is not the issue treated only marginally by the writer, which may be a little surprising if we take into account the character of the book (an adventure novel for youth, focused basically on the lively, attracting attention plot and not on extensive author’s narration). The author of the article distinguishes more than a dozen of groups of realities especially often characterised from the point of view of their colours.Primarily, these are the descriptions concerning the world of African flora and fauna – exotic for the Polish reader. As it results from the conducted studies, the attention of Sienkiewicz is mainly drawn to the colours of animals, especially birds. It is likely that the writer’s  predilection for hunting played here a decisive role. African flora is basically presented in the form of colourful spots against the background of greenery, and not by detailed descriptions of the appearance of individual representatives of a given species. Additionally, the writer’s interest is aroused by changes of colours of the sky and the whole surrounding world depending on the time of day, atmospheric conditions, light intensity (mainly sunrises and sunsets).
Źródło:
Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2015, 22, 1; 7-34
1233-8672
2450-4939
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Językoznawcza
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kolory Afryki w powieści Henryka Sienkiewicza W pustyni i w puszczy. Część II: ludzie i ich wytwory
Colours of Africa in the Novel by Henryk Sienkiewicz W pustyni i w puszczy (“In Desert and Wilderness”). Part II: People and Their Creations
Autorzy:
Borejszo, Maria
Powiązania:
https://bibliotekanauki.pl/articles/1045183.pdf
Data publikacji:
2015-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Henryk Sienkiewicz
19th-century Polish novel
Africa
colours
semantic and lexical fields
names of colours
Opis:
The object of studies presented in the article are the designations of colours documented in the novel by Henryk Sienkiewicz entitled In Desert and Wilderness. Against all appearances, it is not the issue treated only marginally by the writer, which may be a little surprising if we take into account the character of the book (an adventure novel for youth, focused basically on the lively, attracting attention plot and not on extensive author’s narration). The author of the article distinguishes more than a dozen of groups of realities especially often characterised from the point of view of their colours.Primarily, these are the descriptions concerning the world of African flora and fauna – exotic for the Polish reader. As it results from the conducted studies, the attention of Sienkiewicz is mainly drawn to the colours of animals, especially birds. It is likely that the writer’s predilection for hunting played here a decisive role. African flora is basically presented in the form of colourful spots against the background of greenery, and not by detailed descriptions of the appearance of individual representatives of a given species.Additionally, the writer’s interest is aroused by changes of colours of the sky and the whole surrounding world depending on the time of day, atmospheric conditions, light intensity (mainly sunrises and sunsets).In the descriptions of people, the narrator pays attention to the differences in the skin colour of the Europeans, Blacks and Arabs. Sienkiewicz devoted less attention to the colours of clothes or ornaments worn by African residents.The lexis used in the novel, belonging to the field of colours, although semantically quite rich and formally varied, is not very original. There dominate here typical adjectival designations used in their basic meanings, instead of inventive comparisons or metaphors, e.g., biały (white), czarny (black), czerwony (red), zielony (green), żółty (yellow), niebieski (blue), różowy (pink), szary (grey), srebrny (silver), złoty (gold).In the studied novel, the field of red has been documented with most examples (e.g., czerwonoskóry (red-skinned), czerwony (red), koralowy (coral), krwawy (bloody), ognisty (fiery), purpurowy (purple), wiśniowy (cherry), zaczerwieniony (reddened); czerwono (red), pąsowo (bright red), wiśniowo (cherry); purpura (purple), rubin (ruby); czerwienić się (to become red), zaczerwienić się (to redden)), and further on: the field of white (for example: białawy (whitish), biały (white), pobladły (pale), śnieżny (snowy), wybielony (whitened), zbielały (bleached); biało (white); pobielenie (whitening); blednąć (to become pale), bielić się (to grow white), pobieleć (to become white), poblednąć (to grow pale), wybieleć (to grow white), zabielić się (to paint white), zblednąć (to turn pale)), the field of blue (for example: błękitnawy (bluish), błękitny (azure), granatowy (navy blue), jasnoniebieski (light blue), niebieski (blue), sinawy (glaucous), siny (livid), siwobłękitny (grey blue); błękitno (blue); błękit (azure); sinieć (to become livid)), the field of green (for example: ciemnozielony (dark green), jasnozielony (bright green), koloru morskiej wody (the colour of sea-water), szarozielony (grey-green), zielonawy (greenish), zielony (green); zielonawo (greeny), zielono (green); zieloność (greenness)), and also the field of black (for example: barwy węgla (the colour of coal), czarny (black), poczerniały (blackened), sczerniały (turned black); czarno (black); czernieć (to grow black), czernić się (to go black), sczernieć (to grow black)), the field of grey (for example: płowoszary (tan-grey), popielaty (ash-coloured), stalowy (steel-like), szary (grey), szyfrowy (slate), zielonoszary (green-grey); poszarzeć (to become grey)), the field of brown (for example: brunatny (tawny), kasztanowy (auburn), opalony (suntanned), rudy (ginger), smagły; opalać się (to bronze), opalić się (to get a suntan)), the field of yellow (for example: cynamonowy (cinnamon), płowożółty (buff-yellow), płowy (buff), woskowy (wax), żółty (yellow)), the field of silver (for example: srebrny (silver), srebrzysty (silvery); srebrno (silver); posrebrzeć (to silver-plate), rozsrebrzyć (to become silvery)), the field of pink (for example: różany, różowy; różowo; różowieć), the field of gold (for example: złoty (golden); złoto (gold); złocić się (to show golden)) and the field of violet (for example: lila (lilac), liliowy (lilac); ametyst (amethyst)). In the field of varied colours we can find, among others, such designations as: pręgowany (striped), pstry (spotted), siedmiobarwny (seven-coloured), różnobarwny (many-coloured), różnokolorowy (colourfull), drgać odblaskami pawich piór (tremble with reflections of peacock feathers), mienić się jak opale (to shimmer like opals), mienić się jak tęcza (to shimmer like a rainbow), mienić się i grać wszelkimi barwami jak wielkie kwiaty (to glitter and play with all colours like huge flowers), przybrać barwę muszli perłowej (to assume the colour of a pearl conch). Among the general descriptions of colours we can enumerate the adjective kolorowy (colourful) and the expression jaskrawo upierzony (brightly feathered), which can signify both mono-, as well as multi- colours of the realities being described.In the studied novel, there are quite numerous examples of words from the field signalling different intensity of light, from full brightness to absolute darkness, for instance: blady (pale), blado (pale), blask (radiance), blednąć (to grow pale), jasny (bright), rozjaśnić (to light up), światło (light), ciemny (dark), ciemno (dark), ciemność/ciemność tak gęsta, że prawie namacalna (darkness/darkness so thick as almost touchable), ćma (moth), mrok (dimness), pociemnieć (to make dark), ściemnić się (to become dark).Two adjectives designating colours manifest the greatest frequency, i.e., biały (white) (106 occurrences in the text) and czarny (black) (58 occurrences), and subsequently – according to the frequency of use – the adjectives: czerwony – red (24), różowy – pink (16), zielony – green (13), żółty – yellow (10), płowy – buff (9), szary – grey (9), srebrny – silver (7), niebieski – blue (6), złoty – gold (6), białawy – whitish (5), błękitny – blue (5), purpurowy – purple (5), popielaty – ash-coloured (4).Additionally, attention should be brought to the designations of colours in less typical forms, e.g., comparisons, metonymy, metaphor. Among the comparative expressions we can find the designations frequently used in Polish, such as: biały jak kreda/mleko/papier/śnieg (as white as chalk/milk/paper/snow), czarny jak aksamit/kir/noc (as black as velvet/pall/night ), czarno jak w piwnicy (as black as in the cellar), czerwony jak krew (as red as blood), szary jak mysz (as grey as a mouse). Among the designations of colours which are less typical than the ones mentioned above there are collocations such as: drgać odblaskami pawich piór (tremble with reflections of peacock feathers), mieć barwę czystego ametystu (to have the colour of pure amethist), przybrać barwę muszli perłowej (to assume the colour of a pearl conch), mienić się jak opale (to shimmer like opals), mienić się jak tęcza (to shimmer like a rainbow).There is definitely more information about the colours of the world depicted in the studied novel by Sienkiewicz than in The Trilogy written by the same author, especially when we take into account the differences in length of the analysed writings. In the novel In Desert and Wilderness there dominate the descriptions of colours of nature—which is exotic for Polish readers—rather than people, which results, among others, in greater frequency of designations from the colour field ascribed to African flora (green and pink) if we compare it with The Trilogy.
Źródło:
Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2015, 22, 2; 9-35
1233-8672
2450-4939
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Językoznawcza
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Epitalamium Antoniego Marcina Sienkiewicza dla Marii Zofii Sieniawskiej – chrześnicy króla Augusta II Sasa i cara Piotra I
Antoni Marcin Sienkiewicz’s epithalamium for Maria Zofia Sieniawska, the goddaughter of king August II the Strong and tsar Peter the Great
Autorzy:
Botor, Anna
Powiązania:
https://bibliotekanauki.pl/articles/2078330.pdf
Data publikacji:
2021-03-30
Wydawca:
Polska Akademia Nauk. Instytut Badań Literackich PAN
Tematy:
Antoni Marcin Sienkiewicz
edycja krytyczna
epitalamium
Maria Zofia Sieniawska
critical edition
epithalamium
Opis:
This article presents critical edition of enlightenment period’s epithalamium of Antoni Marcin Sienkiewicz (1690–1752) titled “Konstelacyja pierwszych koronnego nieba planet” (“A constellation of the most brilliant planets of the crown sky”). The epithalamium was written in 1724 on the occasion of Maria Zofia Sieniawska’s wedding with Stanislaw Ernest Denhoff. Since some references in the text might be difficult for today’s readers, this article includes the necessary clarifications on mythological characters and the overview of Sieniawski’s and Lubomirski’s families. Moreover, the article presents a short historical note about the author’s biography (he was considered as the most prolific panegyrist of Polish nobility), as well as about Maria Zofia Sieniawska, to whom the work was originally dedicated.
Źródło:
Meluzyna. Dawna Literatura i Kultura; 2020, 2, 13; 81-127
2449-7339
Pojawia się w:
Meluzyna. Dawna Literatura i Kultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Powieść historyczna według Sienkiewicza. Teoria i praktyka
The historical novel according to Sienkiewicz. Theory and practice
Autorzy:
Bujnicki, Tadeusz
Powiązania:
https://bibliotekanauki.pl/articles/682709.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
historical novel
character
stylisation
powieść historyczna
Sienkiewicz
postać
stylizacja
Opis:
Sienkiewicz had shown a keen interest in the issue of the historical novel prior to making his own first attempts at the genre. Among various reviews written by Sienkiewicz, a short analysis of Kraszewski’s Teutonic Knights 1410 (Krzyżacy 1410) is of  particular significance, since Sienkiewicz stipulates there a general outline of the genre. On the other hand, while evaluating Historical Sketches (Szkice historyczne) by Ludwik Kubala, Sienkiewicz pointed to the potential literatureness of the history itself. The practical realisation of the genre of historical novel, as exercised by the author of The Trilogy, was preceded by his Tartar Captivity (Niewola tatarska), stylised for an old-Polish diary. And the famous series of novels set in the 17th century had formed the model of historical novel which was subsequently repeated in Quo Vadis and The Teutonic Knights (Krzyżacy). Sienkiewicz generalised on his writing experience in a lecture on the historical novel, in which he listed his views regarding the purpose and the form of the genre.
Problematyka gatunkowa powieści historycznej zajmowała Sienkiewicza jeszcze przed przystąpieniem do uprawiana tego gatunku Wśród recenzji pisarza szczególnie ważna jest krótka ocena Krzyżaków 1410 Kraszewskiego, na podstawie której Sienkiewicz określił ogólne zarysy gatunku. Natomiast oceniając Szkice historyczne Ludwika Kubali, wskazał na potencjalną literackość samych dziejów. Praktykę na polu powieści historycznej autora Trylogii poprzedziła stylizowana na pamiętnik staropolski Niewola tatarska. Z kolei słynny cykl powieści o siedemnastym wieku uformował model powieści historycznej powtarzany potem w Quo vadis i Krzyżakach. Swoje doświadczenie pisarskie uogólnił Sienkiewicz w odczycie o powieści historycznej, w którym wyłożył swoje poglądy na cel i formę tego gatunku.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2016, 5; 123-137
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zmarli bibliotekarze Uniwersytetu Jagiellońskiego: Anna Sienkiewicz, Barbara Sordylowa
In memory of deceased librarians of the Jagiellonian University: Anna Sienkiewicz, Barbara Sordylowa
Autorzy:
Bułat, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/571023.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Jagielloński. Biblioteka Jagiellońska
Tematy:
Anna Sienkiewicz (1940–2015)
Barbara Sordylowa (1934–2016)
Źródło:
Biuletyn Biblioteki Jagiellońskiej; 2016, 66; 307-329
0006-3940
2450-0410
Pojawia się w:
Biuletyn Biblioteki Jagiellońskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ks. prof. dr hab. Edward Sienkiewicz naukowiec i duszpasterz
Fr. prof. dr. hab. Edward Sienkiewicz scientist and Triest
Autorzy:
Ceynowa, Tadeusz
Powiązania:
https://bibliotekanauki.pl/articles/2011198.pdf
Data publikacji:
2021
Wydawca:
Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:
Biographie
Fr. prof. dr hab. Edward Sienkiewicz
Diözese Koszalin-Kołobrzeg
biography
Koszalin-Kołobrzeg diocese
biogram
ks. prof. dr hab. Edward Sienkiewicz
diecezja koszalińsko-kołobrzeska
Źródło:
Studia Koszalińsko-Kołobrzeskie; 2021, 28; 11-30
1230-0780
2719-4337
Pojawia się w:
Studia Koszalińsko-Kołobrzeskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Biomitografie Henryka Sienkiewicza
Biomythography of Henryk Sienkiewicz
Autorzy:
Chomiuk, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/445542.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
Henryk Sienkiewicz
documentary literature
biomythography
Opis:
The article deals with the biographies of Henryk Sienkiewicz created in connection with the writer’s death and the celebration of bringing his body to Warsaw. These are texts of a more journalistic than documentary character, marked by rhetorical pathos, building the figure of the national writer – the successor of the romantic poets. For the description of their specificity the concept has been used which appears in the biographical studies written in English as “biomythography”, understood as a particular type of ideological narration with a distinct surplus of symbolic meanings.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica; 2016, 4; 66-81
2353-4583
2449-7401
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sienkiewicz w lustrze biografii
Sienkiewicz’s Reflection in the Biographical Mirror
Autorzy:
Chomiuk, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/951550.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
Henryk Sienkiewicz
post-war biographies
life writing
representation
Opis:
Relying on post-war biographies of Henryk Sienkiewicz, the article provides an insight into how his life as a writer was modelled through recurring similarities and differences of representation. Both factual and methodological portrayals seem uniform. In 1954 the biographical calendar presented by Julian Krzyżanowski became a point of reference for all following profiles of Sienkiewicz. Moreover, the biographers seem to utilize personal documents in a similar manner – they are to validate their stories. The resulting life writing appears to hold peculiar control over the protagonist’s life, suggesting that special-temporal distance allows us to see more than Sienkiewicz did himself.
Źródło:
Białostockie Studia Literaturoznawcze; 2016, 8
2082-9701
2720-0078
Pojawia się w:
Białostockie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O frazematyce religijnej w wypowiedziach dialogowych Trylogii Sienkiewicza
On religious phrasematics in dialogues in Sienkiewicz’s Trilogy
Autorzy:
Cybulski, Marek
Powiązania:
https://bibliotekanauki.pl/articles/684301.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Henryk Sienkiewicz
frazematyka
frazem
frazeologia
religia
styl prozy polskiej XIX wieku
phrasematics
phraseme
phraseology
religion
style in Polish prose in 19th century
Opis:
There has been presented a variety of religiously derived phrasemes and they have been analysed in order to determine a feature of style and a linguistic manner of creation of the world presented in the novel. In mental world of the characters of Trilogy, religion is the only worldview, and religiousness is the approach affecting all aspects of life. For instance, Swedish invaders are characterized as people wandering off religion, whereas Poles emphasise their „folk” religiousness, f.e. among gentry, soldiers, servants, etc.
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Źródło:
Acta Universitatis Lodziensis. Folia Linguistica; 2016, 50; 33-50
0208-6077
2450-0119
Pojawia się w:
Acta Universitatis Lodziensis. Folia Linguistica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Konkurs Sienkiewiczowski 2016 – refleksje po sukcesie
Henryk Sienkiewicz Competition 2016 – some reflections after the success
Autorzy:
Czarnik, Mirosław
Powiązania:
https://bibliotekanauki.pl/articles/1288744.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
Sienkiewicz
capable student
secondary school
teacher’s role
student’s essay
Opis:
The articles deals with the methods of working with a talented student during preparations for contests and competitions. This is not a guide explaining, step by step, the methodology of preparations for contests and competitions. The author concentrates on reflections based upon experience and emphasizes the importance of correlation between a student and a teacher, and a student and a school. The article also includes Agata Froń’s essay awarded in Konkurs Sienkiewiczowski in 2016. Agata Froń is a student of Liceum Ogólnokształcące w Strzyżowie.
Źródło:
Dydaktyka Polonistyczna; 2017, 3(12); 147-168
2451-0939
Pojawia się w:
Dydaktyka Polonistyczna
Dostawca treści:
Biblioteka Nauki
Artykuł
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