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Tytuł:
Енциклопедія “Наукове товариство імені Шевченка” та її внесок у висвітлення історії української медицини
The Shevchenko Scientific Society Encyclopedia in view of describing the history of Ukrainian medicine
Autorzy:
Mateshuk-Vatseba, Lesya
Powiązania:
https://bibliotekanauki.pl/articles/32062583.pdf
Data publikacji:
2023
Wydawca:
National Academy of Sciences of Ukraine. Institute of Encyclopedic Research
Tematy:
Shevchenko Scientific Society
medicine
Shevchenko Scientific Society Encyclopedia
Opis:
This communication presents a brief overview of the first five volumes of the Shevchenko Scientific Society Encyclopedia (2012–2022). The author, a professor in Medicine, naturally focuses on highlighting the medical themes within the encyclopedia in a retrospective dimension, emphasizing the significant importance of each published volume for the history of Ukrainian science.
Źródło:
Енциклопедичний вісник України; 2023, 15; 105-109
2706-9990
2707-000X
Pojawia się w:
Енциклопедичний вісник України
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Образ автора у щоденнику та повістях Тараса Шевченка: еволюція розуміння
The Image of the Author in Taras Shevchenko’s Diary and Stories: The Evolution of Understanding
Autorzy:
Pakharenko, Vasyl
Powiązania:
https://bibliotekanauki.pl/articles/2154653.pdf
Data publikacji:
2020-08-26
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Taras Shevchenko
Taras Shevchenko’s prose
Shevchenko studies
author’s image
author’s mask
colonialism
carnival worldview
romanticism
classicism
Opis:
In his article, Vasyl Pakharenko explores the logic of deepening literary interpretations of Taras Shevchenko’s image in the prose of the artist and discovers the differences of this image in poetry and prose. If the lyrical hero of the poetic texts demonstrates a determined, uncompromising nationalism, then the narrator in the diary and short stories is rather a territorial patriot. And yet, he thinks of himself as located in the socio-cultural space of the Russian Empire, expresses critical views on the Koliivshchina, resorts to the Russian language, emphasises Enlightenment values, and demonstrates the masculine type of writing. All this testifies to the deviation from the romantic to the previous, classicist, tradition. That type of prose refinement is caused by the forced compromise of the artist with the empire in the conditions of brutal terror during the exile. There are several interpretations of such a position of an author in literary studies: Shevchenko’s diplomatic attempt to re-educate liberal Russian and Ukrainian intelligentsia (P. Zaitsev), psychological dualism of the “adapted” and “unadapted” personalities of the writer (G. Grabovich), distinctive forms of expression of the holistic image of the author (V. Smilyancka). Each of these positions has its own logic, but is characterised by a certain one-sidedness. The nature of Shevchenko’s compromise becomes clear if we take into account the peculiarities of carnival tactics of the spiritual survival of the artist in the conditions of the world. This is a creation of a kind of author’s mask, a game with stereotypes of the dominant culture and public consciousness.
Źródło:
Studia Polsko-Ukraińskie; 2020, 7; 38-58
2353-5644
2451-2958
Pojawia się w:
Studia Polsko-Ukraińskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Transcending Linguistic and Cultural Boundaries: A Story of Friendship Between Ira Aldridge (1807–1867) and Taras Shevchenko (1814–1861)
Autorzy:
Kujawińska-Courtney, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/888677.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Ira Aldridge
Taras Shevchenko
friendship
Opis:
The text presents the unique friendship between Ira Aldridge (1807–1867), the first Africa–American tragedian and Taras Shevchenko (1814–1861), Ukrainian artist, poet and painter. They met for a short time in 1858, when Aldridge came to St Petersburg to play Shakespeare with a German troupe. Since their lives’ experiences were similar – Aldridge suffered from racial discrimination, while Shevchenko was born as a serf – their friendship was instantaneous. Shevchenko appreciated Aldridge’s theatrical skills and Aldridge highly valued Shevchenko’s art. Aldridge’s portrait painted by Shevchenko is a memento of their meetings and friendship and is exhibited in the Moscow Tretiakov Gallery.
Źródło:
Anglica. An International Journal of English Studies; 2015, 24/1; 7-18
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Християнський кордоцентризм Тараса Шевченка
Taras Shevchenko’s Сhristian cordocentrism
Autorzy:
Bigun, Olga
Powiązania:
https://bibliotekanauki.pl/articles/1374318.pdf
Data publikacji:
2020-06-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
cordocentrism
Christian tradition
apophaticism
Taras Shevchenko
Opis:
The article deals with adoption of Christian tradition in poetry of Taras Shevchenko. Theoretical basis includes methodological principles of hermeneutics, the philosophicoaesthetic approach to art, cross-cultural methods. On the one hand, the sources of the creative components by Shevchenko’s ethics and aesthetics are related in Christian tradition. On the other hand, as a result of cordocentrist intention of the Ukrainian ethnos, Christian canon was deprived of the big part of rigorism in Old-Kyiv period. Shevchenko’s aesthetic theology is insufficiently investigated but it characterizes the absence of stark categories, dogmas and rituals. It gives an opportunity to speak about the apophatic approach in Shevchenko’s dialectic of God-seeking which appears in the apophatic approach of individual style which also you can find in Old Kyivan authors’ works. The outcome of our investigation proves that the Shevchenko’s adoption of Christian tradition shows the priority of aesthetic and cultural landmarks of Kyiv Christianity.
Źródło:
Przegląd Wschodnioeuropejski; 2020, XI, 1; 241-250
2081-1128
Pojawia się w:
Przegląd Wschodnioeuropejski
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Symbolic and Allegorical Parallel “Kiev – Jerusalem” in Taras Shevchenko’s Writing
Autorzy:
Bigun, Ol′ga
Powiązania:
https://bibliotekanauki.pl/articles/440942.pdf
Data publikacji:
2013
Wydawca:
Fundacja Naukowa Katolików Eschaton
Tematy:
mythology
the Bible
Jerusalem
Kiev
Taras Shevchenko
Opis:
This article is a part of the bigger work entitled The Ambivalence of Byzantism in Taras Shevchenko’s Writings. The aim of the article is studying the problem of perception and interpretation of the mytheme of Jerusalem in the works by Taras Shevchenko. The crosscultural, semiotic, hermeneutic and comparative analyses allow for discovering deep semantic levels of the “Jerusalem” loci in the works by T. Shevchenko, for clearing out its subtexts and for defining its poetic structure and the levels of the artistic interpretation. In the result of the analyses it has been found that the association “Kiev–Jerusalem” in the works by Shevchenko has its loci of various meanings, which have been formed in the course of a long trajectory within the historic space. The mytheme “Jerusalem” is realized primarily in its Biblical and genetic aspect. The contents of the “Jerusalem idea” proves Shevchenko’s solid knowledge of the Old Testament dogmas in the field of the Judaic history and culture. The resemblance of/between Kiev and Jerusalem is formed on the basis of [the] allegories, the poetical means aiming at the context reading with regard to the urgent social and historic reality. Introducing the mytheme “Jerusalem” into a discourse of fiction, T. Shevchenko accounts for actualization/transposition of its Biblical semantic field/range unto the social, political, cultural and spiritual needs of the epoch. The image of Kiev in Shevchenko’s works has strong sacred characteristics/connotations which indirectly correlate with Christian viewpoints. The importance of Kiev as the spiritual habitable globe is underlined by frequent recollections about numeruous temples, monasteries, saints, monks, icons, pilgrimage traditions, etc. The results of the research can be used for courses in the Ukrainian History of Literature and Theory, for text-books and training aids, for further comparative studies of Shevchenko’s works. The results of the study are addressed to philologists and researchers of the Ukrainian literature. The academic novelty of this article lies in the fact that the mytheme “Jerusalem” in Shevchenko’s works has for the first time become the object of individual research and that theoretic aspects and comparative typological levels of this problem have been elaborated.
Źródło:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2013, 2(2); 85-96
2299-9922
Pojawia się w:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Between the past and the future: Mass Rallies as the staging of the Ukrainian National Project (1911–1914)
Autorzy:
Dudko, Oksana
Powiązania:
https://bibliotekanauki.pl/articles/603249.pdf
Data publikacji:
2013
Wydawca:
Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
Tematy:
Galicia
Ukrainian Rallies
Taras Shevchenko
paramilitary movement
commemorations
Opis:
Between the past and the future: Mass Rallies as the staging of the Ukrainian National Project (1911–1914) (Summary)In this paper the internal interactions between the Ukrainian political groups are analyzed. Two rallies, commemorating the great Ukrainian poet, Taras Shevchenko, serve as a lens through which to observe the complex nature of the “Ukrainian national project.” When looking at the Ukrainian rallies of 1911 and 1914, specific focus is paid to the internal and external factors which led to the restructuring of the Ukrainian national project. In particular, the paper focuses on the organization, structure, and contexts of these commemorative events, as well as the organizers and people attending them. The analysis is centered of their political views, socio-economic background, age, gender, and education, thus allowing the author to trace the appearance of new symbols, new ways of using public spaces in the city, the dissemination of rituals and, finally, to comment on how these new approaches shaped the commemorative landscape in general. The author argues that to understand the polical interraction and transition of the Ukrainian narrative from cultural nationalism to military nationalism, three interwoven elements should be taken into consideration: the revision of the Taras Shevchenko cult; the creation of a new historical narrative and the new approach to public space, used as a stage for national ideas.
Źródło:
Roczniki Dziejów Społecznych i Gospodarczych; 2013, 73
0080-3634
Pojawia się w:
Roczniki Dziejów Społecznych i Gospodarczych
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Символика снов и сновидений в контексте интимной психодрамы Тараса Шевченко (попытка архетипического анализа)
Autorzy:
Betko, Iryna
Powiązania:
https://bibliotekanauki.pl/articles/2131265.pdf
Data publikacji:
2022-05-15
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Taras Shevchenko
symbols of dreams
intimate psychodrama
archetypal analysis
Opis:
The motifs of dreams appear in all literary works written by Taras Shevchenko. They are present, for example, in several lyric poems and fragments of Journal, reflecting important moments in the poet’s intimate psychodrama. The archetypal analysis of their psycho-symbolic content allows one to reveal the specificities of the poet’s inner life, as well as to trace the patterns of animatic projections of his individual unconscious into external reality.
Źródło:
Acta Neophilologica; 2022, 1, XXIV; 149-162
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Ксьондзи-єзуїти” в унійному проєкті та романтичному міті
“Jesuit Priests” in a union project and a romantic myth
Autorzy:
Isichenko, Ihor
Powiązania:
https://bibliotekanauki.pl/articles/2157667.pdf
Data publikacji:
2022-07-28
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
romanticism
myth
Taras Shevchenko
polemics
Benedict Herbest
Piotr Skarga
Union of Brest
Opis:
The reception of relations between the Orthodox and Catholic Churches by the Ukrainian national consciousness was largely formed by a romantic myth. It appeared in the works by Taras Shevchenko, in the documents of the the Brotherhood of Saints Cyril and Methodius. According to this myth, the Church Union of Brest (1596) was the result of the colonial policy of the Polish government and the intrigues of the Jesuit priests. In fact, the influence of the royal administration on the religious life of the inhabitants of the Polish-Lithuanian state was extremely limited. „Henrician Articles” of 1573 forced the king to adhere to religious tolerance and to recognize the nobility’s right to free choice of religion. The Roman Catholic clergy, for the most part, did not want to grant Christians the Eastern rite of parity. The Society of Jesus, which formed a separate province in the Polish-Lithuanian Commonwealth in 1574, was guided not by political but by religious motives. Benedict Herbest (1531–1598) already in his work „Wypisanie drogi” („The Desribing of The Way”, 1566) discusses the prospect of restoring unity with the Orthodox Ruthenians. In the book „Wiary Kościołu Rzymskiego wywody” („The Arguments of the Roman Church’ Belief”) he explains Ruthenia’s departure from unity with Rome by lack of education and low religious consciousness. Piotr Skarga (1536–1612) wrote the book „O jedności Kościoła Bożego” („About the God’s Church’s Unity”, 1577), when he had not great authority in the Church and when he was little known in society. At the Brest synod in 1596 Skarga was not a participant and organizer, but only an observer and chronicler. Both Herbest and Skarga were only inflammatory polemicists who responded to the challenge of the Reform by calling for the consolidation of the Church in a single organism. The romantic myth is refuted by a closer acquaintance with their works and life experience.
Źródło:
Studia Polsko-Ukraińskie; 2022, 9; 39-53
2353-5644
2451-2958
Pojawia się w:
Studia Polsko-Ukraińskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Діарист як творець документальної медіації
Diarist as a creator of documentary mediation
Autorzy:
Bovsunivska, Tetiana
Powiązania:
https://bibliotekanauki.pl/articles/2156679.pdf
Data publikacji:
2021-09-27
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
non-fiction
self-documentary prose
diary
Taras Shevchenko
diarist
transcendent
mediator
mediation
Opis:
The paper is devoted to the study of mediation and mediators in ego-documentary prose. The are nine possibilities of mediation formation in the diary (Taras Shevchenko’s “Diary” is taken as a sample): 1) by means of memories, 2) as dictated by heart, 3) by means of emotional temporitum, 4) through the actualization of personalities, 5) as an imitation of the previous genre form, 6) as revision of the past, 7) in dreams, 8) by means of language expression, 9) by using the Bible. Shevchenko’s journal is characterized by the movement of everyday life to the realm of the transcendent. If in the literature of Romanticism the mediators are usually located in the transcendent, then in Shevchenko to this classical landmark of the Romantics is added everyday life as dreamed and transcendent.
Źródło:
Studia Polsko-Ukraińskie; 2021, 8; 61-68
2353-5644
2451-2958
Pojawia się w:
Studia Polsko-Ukraińskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ukrainian model of thinking in Taras Shevchenko’s story “Naimychka”
Autorzy:
Fan, Rui
Powiązania:
https://bibliotekanauki.pl/articles/2157671.pdf
Data publikacji:
2022-07-28
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Taras Shevchenko
Russian-language works
story
“Naimychka”
model of thinking
travel notes
Opis:
The article is devoted to the analysis of the thinking model in the story “Naimyсhka”. It is emphasized on the strong Ukrainian national features of this model and their representation in the ideological and thematic spectrum, the system of images, numerous Ukrainianisms in the Russian language of the work, the description of folk customs, traditions, rites, travel notes introduced into the text. Each factor is analyzed in this paper. It is highlighted the Ukrainian perception of life by the heroes of the story, their expressed national mentality.
Źródło:
Studia Polsko-Ukraińskie; 2022, 9; 79-87
2353-5644
2451-2958
Pojawia się w:
Studia Polsko-Ukraińskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Псалмодія Тараса Шевченка у компаративних студіях
The Psalmody of Taras Shevchenko: Comparative Analyses
Autorzy:
Bihun, Olha
Powiązania:
https://bibliotekanauki.pl/articles/1844610.pdf
Data publikacji:
2015-07-26
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
psalms
patristics
translation studies
poetic adaptation
reception
typology
comparative studies
Bible
Taras Shevchenko
Opis:
The contemporary phase of the investigation of the religious sources of Taras Shevchenko’s art is not a well analysed aspect of literature studies, even though Biblical motifs in the works of this Ukrainian poet are still an inexhaustible source for literary research. The works of Taras Shevchenko contributed to the artistic embodiment of the Christian topography and inspired the artistic interpretation of the basics of patristics. Nowadays the topic of the Bible and Shevchenko is analysed in its interconnected aspects: general cultural, hermeneutic, linguistic, discourse and sociological, identification and descriptive, comparative, intersemiotic, religious, etc. On the basis of the reception strategies of translation studies as part of comparative studies and cultural approaches, embracing the wide circle of social codes, conventions and representations, the article focuses on the typology of Shevchenko’s poetic adaptations of psalms in the context of Ukrainian literature, and religious, ceremonial and spiritual traditions.
Źródło:
Studia Ucrainica Varsoviensia; 2015, 3; 237-249
2299-7237
Pojawia się w:
Studia Ucrainica Varsoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Парадигмы жизни и творчества Тараса Шевченко и Михаила Лермонтова: попытка конфронтативного психобиографического анализа (в 205-ую годовщину со дня рождения поэтов)
The Paradigms of Life and Work of Taras Shevchenko and Mikhail Lermontov: An Attempt at a Comparative Psychological-Biographical Analysis (in Cmmemo-ration of the 205th Anniversary of the Poets’ Birth)
Autorzy:
Betko, Irena
Powiązania:
https://bibliotekanauki.pl/articles/444662.pdf
Data publikacji:
2019-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
comparative psychological-biographical analysis the paradigms of life and work Mikhail Lermontov
Taras Shevchenko
Opis:
Comparative studies devoted to the work of Taras Shevchenko and Mikhail Lermontov began in the 1920s. However, there are still many unresolved problems in this area. An attempt at a comparative psychological-biographical analysis makes it possible to identify the exclusive spiritual kinship of the two poets.
Źródło:
Acta Neophilologica; 2019, XXI/2; 217-228
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Весь вік працюючи для України: Роксолана Зорівчак (1934–2018)
Lifelong working for Ukraine: Roksolana Zorivchak (1934–2018)
Autorzy:
Шмігер, Тарас
Powiązania:
https://bibliotekanauki.pl/articles/1196171.pdf
Data publikacji:
2019
Wydawca:
National Academy of Sciences of Ukraine. Institute of Encyclopedic Research
Tematy:
Роксолана Зорівчак
перекладознавство, енциклопедистика
Львівський університет
Наукове товариство імені Шевченка
Roksolana Zorivchak
translation studies
encyclopaedias
Lviv University
Shevchenko Scientific Society
Opis:
The article is dedicated to 85th Anniversary of Professor Roksolana Zorivchak. The focus is her life as well as public and academic activities.
Cтаттю присвячено 85-річчю від дня народження професора Роксолани Зорівчак. Представлено основні віхи життя і творчості відомої української дослідниці.
Źródło:
Енциклопедичний вісник України; 2019, 11
2706-9990
2707-000X
Pojawia się w:
Енциклопедичний вісник України
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Іван Раковський – енциклопедист європейського рівня
Ivan Rakovsky as en European encyclopediographer
Autorzy:
Черниш, Наталія
Powiązania:
https://bibliotekanauki.pl/articles/1196674.pdf
Data publikacji:
2020
Wydawca:
National Academy of Sciences of Ukraine. Institute of Encyclopedic Research
Tematy:
Іван Раковський
«Українська загальна енциклопедія»
НТШ
енциклопедистика, антропологія
Ivan Rakovsky
The Ukrainian General Encyclopedia
Shevchenko Scietific Society
encyclopedia studies anthropology
Opis:
The article offers an overview of the life of anthropologist Ivan Rakovsky who is an editor in chief of the Ukrainian General Encyclopedia (1930–1935) as the first Ukrainian universal reference work. The biographical information of the scientist is described through the vision of his formation as an encyclopediographer, the creation of UGE, its compiling, as well as activities in the Shevchenko Scientific Society.
У статті запропоновано огляд життєвого шляху антрополога Івана Раковського – головного редактора першої української універсальної енциклопедії – «Української загальної енциклопедії» (1930–1935). Описано біографічні відомості науковця крізь призму становлення його як енциклопедиста, створення УЗЕ, її підготовки та діяльності в Науковому товаристві імені Шевченка.
Źródło:
Енциклопедичний вісник України; 2020, 12
2706-9990
2707-000X
Pojawia się w:
Енциклопедичний вісник України
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Films that Gave Us Boldness: East European Documentaries Screened in Poland (1987-1993) as Refl ected in the Film Press of the Time
Autorzy:
Hučková, Jadwiga
Powiązania:
https://bibliotekanauki.pl/articles/918035.pdf
Data publikacji:
2014-06-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Murat Mamedov
Marina Goldovskaya
Eastern European documentaries
fi lm press
censorship
Juris Podnieks
Tatiana Skabard
Victor Kripchenko
Volodymyr Taranchenko
Volodymyr Shevchenko
Opis:
“Films from East” signalling the political breakdown in the middle of the 1980s (the Gorbachev era) were welcom ed in the offi cial circulation system. Th e fi lms were screened not only in festival cinemas, but on TV as well, and were discussed in newspapers and magazines. Soviet fi lms were especially important because they were able to carry new information about the changes taking place in Eastern Europe. If independent ideas appeared in a Polish fi lm, it could be banned from screening, as censorship was sensitive to works “threatening socialism” and “disturbing the alliance”. Th e only country in our part of Europe which did not need to be afraid of “disturbing the alliance” was the Soviet Union. We can distinguish three groups of such documentaries: analyses of social life (for example: Is It Easy to be Young? by Yuris Podnieks, Borderline by Tatiana Skabard), fi lms about contemporary threats, provoked by the Chernobyl disaster (An Unpublished Album by Victor Kripchenko and Volodymyr Taranchenko, Chernobyl the Chronicle of Diffi cult Weeks by Volodymyr Shevchenko) and documentaries “squaring accounts” with history, fi lling in so-called “blank spots” (Termination of an Agreement by Murat Mamedov, Solovki Power by Marina Goldovskaya).  
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 15, 24; 270-276
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
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