Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "Semiotics of Culture" wg kryterium: Temat

  Lista filtrów
Wyrównaj
Wyświetlanie 1-15 z 16
Tytuł:
O semiotycznej i intersemiotycznej roli tematu głównego. Od syntezy dziejów narodu polskiego do malarstwa realistycznego i nowoczesnego
Autorzy:
Czerwiński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/1203382.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Opolski
Tematy:
semiotics
semiotics of culture
historical text
painting
image
verbal codes
visual codes
Opis:
In the article the problem of semiosis of the global topie in verbal and visual texts is taken into consideration. In the first section a theoretical framework is introduced, in the second verbal text (i.e. the genre of the synthesis of Polish national history) is elaborated, in the third the similar discussion on visual ‘texts’ is conducted, while in the fourth section finał remarks are provided with additional suggestions concerning further investigations.The opening remarks concern the very idea of the topie in verbal texts, notably in historical texts (the operational term finał—taken from semiotic works of Boris Uspienski - is introduced). The finał - interrelated with the global topie and genre - organizes the whole historical narration and establishes its cohesion; their overwhelming presence enables grasping the very act of data interpretation. Every event or historical figurę conceptualized in a historical narration (for instance the Prussian Homage in 1525 or Polish king Sigismund) receives its own meaning only insofar as it maintains its constant relation with the global topie expressed by the title (top-down and bottom-up mechanisms).There are some similarities that the title and global topie possess in the acts of interpretation of painting, notably realistic representations of historical events. For example a piece of Jan Matejko entitled Hołd Pruski (Prussian Homage) imposes on an observer a set of connotative features deeply rooted in the Polish imaginery encoded in language and structured by the national narration. This particular example opens up a discussion about the function of the verbal title and visual ‘text’ in pieces of Giorgione, Rene Magritte, Kazimierz Malewicz, Marek Rostworowski.The analysis is not finished; it only sketches a very generał problem of interrelation of verbal and visual codes that could be analyzed within the field of semiotics and semiotics of culture.
Źródło:
Stylistyka; 2011, 20; 213-232
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Podstawą obcowania jest pamięć”. Władysława Panasa semiotyczna wizja kultury wobec koncepcji Jurija Łotmana
„Memory as the Foundation of Coexistence”. Władysław Panas' Semiotic Conception of Culture in Debate With Yuri Lotman's conception
Autorzy:
Durkalewicz, Wiktoria
Powiązania:
https://bibliotekanauki.pl/articles/1902508.pdf
Data publikacji:
2012
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Władysław Panas
Jurij Łotman
pamięć
Inny
semiotyka kultury
Yuri Lotman
memory
Other
semiotics of culture
Opis:
This paper is an attempt at reconstructing and recontextualizing the semiotic understanding of culture and literature as a key aspect of the theory of interpretation by Władysław Panas. Special emphasis is put on the debate on this aspect in the context of Panas' analysis of the semiotic discourse proposed by the Moscow-Tartu school, presented in his book W kręgu metody semiotycznej [In the realm of the semiotic method]. According to Panas, the Moscow-Tartu conception has it that semiotics comes into being as a holistic, constantly developing text, as the “Other” struggling for his/her memory and for multiplicity of voices.
Źródło:
Roczniki Humanistyczne; 2012, 60, 1; 179-192
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Europa jako znak w nowomowie jugosłowiańskich komunistów na przykładzie wystąpień Josipa Broza Tity
Autorzy:
Czerwiński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/677816.pdf
Data publikacji:
2012
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
semiotics of culture
language Communists of Yugoslavia
Josip Broz Tito language
Europe
Opis:
Europe as a sign in the Yugoslav Communist newspeak basing on the Tito’s addresses Although the Yugoslav Communist newspeak resembled the Polish one on the formal level, it significantly different conceptualized and evaluated the extra‑linguistic reality, including primarily notions referring to main subjects of the international politics. It resulted from a diverse place the Communist Yugoslavia had in the Cold War order and its role within the non‑allied countries. As a result semantic relations were different in this discourse. The aim of this article is a reconstruction of the content of one of the most important signs in this language – the sign of Europe basing on the Yugoslav dictator’s (Josip Broz Tito) addresses. The research demonstrates that the cultural and social‑political context imposed other connotative features on the notion of Europe. As the result it has completely different functions that its Polish equivalent. This in turn leads to different types semiosis of this sign in both cultures and other signs coming from the same semantic field.
Źródło:
Slavia Meridionalis; 2012, 12
1233-6173
2392-2400
Pojawia się w:
Slavia Meridionalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Określanie pola subdyscypliny – socjologia kultury Antoniny Kłoskowskiej
Defining Sub-disciplinary Fields – “Sociology and Culture,” by Antonina Kłoskowska
Autorzy:
Kowalewicz, Kazimierz
Powiązania:
https://bibliotekanauki.pl/articles/413529.pdf
Data publikacji:
2012
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
kultura masowa
kultura narodowa
semioetyka
semiotyka
socjologia kultury
mass culture
national culture
semioethics
semiotics
sociology of culture
Opis:
Antonina Kłoskowska publikując w 1964 roku „Kulturę masową” nie tylko zaprezentowała swój stosunek do tej postaci manifestacji kultury, ale także wypracowała podstawowe instrumentarium jej analizy. W precyzowaniu przez autorkę pojęcia kultury jako obszaru badań ważne miejsce zajęły inspiracje zaczerpnięte z semiotyki. Z czasem kwestie semiotyczne znalazły się w centrum rozważań A. Kłoskowskiej dotyczących określenia pola zainteresowań socjologii kultury. Ich podsumowaniem była „Socjologia kultury” z 1981 roku. Zawarte w niej ustalenia były później punktem odniesienia dla tekstów drukowanych w latach dziewięćdziesiątych minionego stulecia. To prawda, że wówczas już same kwestie semiotyczne nie zajmowały pierwszoplanowego miejsca w tych studiach, ale w zadziwiający sposób współbrzmią te teksty z propozycjami rozwijanymi w obszarze semiotyki, w podejściu wyodrębniającym się jako semioetyka. Nie tylko są więc one odpowiedzią autorki na wyzwania współczesności, ale mogą być źródłem inspiracji dla nowych pokoleń czytelników.
Antonina Kłoskowska, publishing in “Mass Culture” in 1964, not only presented her approach to those types of cultural manifestations, but also elaborated the basic set of instruments for their analysis. In the author’s specification of the concept of culture as a specific area of scientific research, she took special inspiration from the field of semiotics. Over time, semiotic issues and questions became the focus of her considerations as she defined her own field of interest in the sociology of culture. She encapsulated her research interests in “The Sociology of Culture” in 1981. Her postulates from this article later became the focal point for her work in the 1990s. While it’s true that questions concerning semiotics per se were not the main focus of these studies, her texts resonate in a surprisingly way with propositions rooted in the field of semiotics, resulting in the development of her unique approach based on semioethics. Thus not only do the author’s postulates represent a contemporary challenge, but they also constitute a source of inspiration for a new generation of readers.
Źródło:
Przegląd Socjologiczny; 2012, 61, 3; 58-65
0033-2356
Pojawia się w:
Przegląd Socjologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Testament naukowy Jurija Łotmana
Yuri Lotman’s Scientific Testament
Autorzy:
Żyłko, Bogusław
Powiązania:
https://bibliotekanauki.pl/articles/444758.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Yuri Lotman
semiotics
structuralism
theory of culture
Opis:
Yuri Lotman started his research activity in the field of literary theory (widely: theory of culture) as orthodox structuralist at the beginning of the 1970s. The concept of structure has been based on the structural linguistic theories and adopted to develop research on literary works as well as “cultural texts”. The last ones concern the perception of structure not only in terms of the “level of expression”, but also the “level of content” that can be analysed with the use of peculiar procedures. The strict procedures rely on distinguishing the set of “binary oppositions” in the “structure of content” to illustrate the author’s perception of reality and his “model of the world”. Lotman was convinced that ideological and artistic structures are immersed in history. They have a dynamic nature (likewise the culture which was seen as the complicated “semiosphere” with its processes, predictable or unpredictable as well as the innovative “explosion” mechanisms). Therefore, Lotman in his later years moves away from cultural self-models based on “binary oppositions” to “ternary” system. In spite of the evident evolution of his concepts Lotman was always devoted to the doctrine of knowledge and never left the humanistic ideals using them for research purposes. The scientific models and sources of inspiration could be changeable, but pathos and scientific rationality never left him. His structuralism was at its peak with possibility of evolution, infinitely flexible, individual, accidental, unpredictable or even “explosive”, but never was the betrayal of previous ideals.
Źródło:
Acta Neophilologica; 2012, XIV/2; 259-273
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O Stefanie Żółkiewskim
On Stefan Żółkiewski
Autorzy:
Hopfinger, Maryla
Powiązania:
https://bibliotekanauki.pl/articles/1373504.pdf
Data publikacji:
2015-08-11
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Stefan Żółkiewski
categories of the type and style of culture
interdisciplinary research
semiotics
knowledge of literary culture
kategorie typu i stylu kultury
badania interdyscyplinarne
semiotyka
wiedza o kulturze literackiej
Opis:
The author writes about Professor Stefan Żółkiewski’s theoretical concepts and three decades of scholarship, beginning with the 1960s and including lectures at the University of Warsaw’s Department of Polish Philology, directing work in the Department of Social Sciences of the Polish Academy of Sciences, initiating interdisciplinary studies of contemporary culture, editing journal ‘Kultura i Społeczeństwo’, and popularizing semiotics. The author writes about Professor Żółkiewski’s connection with the Institute of Literary Research, of which he was the founder and first director, and about the establishment of the Workshop on Research into Literary Culture and the creation of a new discipline—knowledge of literary culture. The author remembers Professor Żółkiewski as her mentor and friend.
Źródło:
Kultura i Społeczeństwo; 2015, 59, 3; 139-163
2300-195X
Pojawia się w:
Kultura i Społeczeństwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rhetoric constructions. From metaphor to metaphoric order
Autorzy:
Barei, Silvia
Molina, Pablo
Powiązania:
https://bibliotekanauki.pl/articles/679018.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warszawski. Katedra Italianistyki. Polskie Towarzystwo Retoryczne
Tematy:
rhetoric
metaphor
cognition
ideology
Semiotics of Culture
Argentina
Latin America
Opis:
The article is framed within the Semiotics of Culture and theorizes rhetoric as a mechanism underlying all forms of communication. Metaphor is central to this approach; thus the authors refl ect on what they call the metaphorical order, a cognitive and ideological device for structuring thought processes. Examples to illustrate this approach are taken from both contemporary Latin American public discourse and Argentine literature.
Źródło:
Res Rhetorica; 2015, 2, 1; 34-42
2392-3113
Pojawia się w:
Res Rhetorica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ZUR INTEGRATION EINIGER INTERDISZIPLINÄRER DIMENSIONEN DER PHRASEOLOGIE: ETYMOLOGIE, SPRACHGESCHICHTE, KULTURSEMIOTIK
ON THE INTEGRATION OF SOME INTERDISCIPLINARY DIMENSIONS OF PHRASEOLOGY: ETYMOLOGY, LANGUAGE HISTORY AND THE SEMIOTICS OF CULTURE
Autorzy:
Komenda-Earle, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/1597131.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:
phraseologische Methodologie
Etymologie
Sprachgeschichte
Kultursemiotik
semiotics of culture
language history
etymology
phraseological methodology
metodologia frazeologiczna
etymologia
historia języka
semiotyka kultury
Opis:
Der Beitrag enthält einen theoretischen und methodologischen Umriss der interdisziplinären Untersuchungen der Phraseologie, in dem wissenschaftliche Erkenntnisse der Etymologie und Kultursemiotik integriert werden. Das angebotene Modell platziert Phraseologismen in den Kontext der sprachhistorischen Recherche, die eins der größten Defizite der aktuellen Phraseologieforschung bildet. Die dargestellte Methodologie umfasst auch komparative interlinguale Forschungsaspekte.
The paper contains a theoretical and methodological outline of research into phraseology which integrates evaluations of etymology and the semiotics of culture. The research model presented places the phraseological units in the context of the historical research of language which is one of the most remarkable deficits in the contemporary research into phraseology. The methodology presented covers also some comparative interlingual aspects.
Artykuł zawiera zarys teoretyczny i metodologiczny badań interdyscyplinarnych nad frazeologią, integrujący rozpoznania naukowe etymologii i semiotyki kultury. Opisywany model plasuje frazeologizmy w kontekście badań historycznojęzykowych, które stanowią jeden z najdotkliwszych deficytów współczesnej frazeologii. Przedstawiona metodologia obejmuje także komparatywne aspekty interlingualne.
Źródło:
Colloquia Germanica Stetinensia; 2015, 24; 149-170
2450-8543
2353-317X
Pojawia się w:
Colloquia Germanica Stetinensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Alienacja z kultury — dylematy interpretacyjne. Na przykładzie starego obrzędu
Alienation from culture — dilemmas of interpretation on the example of old rites
Отчуждение от культуры — интерпретационные дилеммы. На примере старообрядчества
Autorzy:
Kowalska-Stus, Hanna
Powiązania:
https://bibliotekanauki.pl/articles/50392956.pdf
Data publikacji:
2016-08-21
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Old Believers
Russian Orthodox Christianity
methodology of cultural studies
medieval studies
semiotics of culture
Opis:
After G.W.F. Hegel’s The Phenomenology of Spirit and Ludwig Feuerbach’s The Essence of Christianity, the issue of alienation is considered to be a significant object of study. Sociology — which attempts to dominate studies on this concept — is a discipline which rather single-mindedly interprets the phenomena rooted in the religious reality, and one should not rely solely on its analyses. By the same token, semiotics should be treated with similar distrust, even though the impact of Old Believers on the development of Russian culture is widely emphasised in the works of Russian semioticians. The reason for that stems from the claim for being a universal method — which hence is forced to refer to a universal object — that semiotics has shared; the mentioned object has been culture. The idea of subsuming phenomena of different categories under a common denominator in the course of interpretation has led to a situation in which the semiotic means have turned to be but metaphors, even though semioticians have argued for their ontological statues. Precisely this aspect should be noted, as it proves that semiotics — with its universalist claims — appears to blur the boundaries between sociological stratum, and the one oriented towards philosophy and theology. From the point of view expressed by Orthodox Christianity, the true tragic alienation relies not on the distance separating one from culture and society, but rather on the one which detaches one from God — the creator of being. The case of Old Believers exemplifies a convoluted situation, as the bone of contention has been provided by liturgy, which is, in other words, the space in which a human being encounters God. If, therefore, this issue is related to culture, then it is so precisely through its metaphysical aspect. Neither sociology nor philosophy — and even not semiotics, recently withdrawing from cultural studies, which it used to dominate — has been capable of interpreting the phenomenon of Old Believers as thoroughly as theology and history of Church. Relying on the scientist methodology, the former group of disciplines has not included such significant aspects of the culture of Orthodox Christianity as anthropology, dogmatics, state theology, or liturgics. Without those aspects, any attempt which aims at explaining the issue of Old Believers happens to be inaccurate.
Źródło:
Rusycystyczne Studia Literaturoznawcze; 2016, 26; 11-24
0208-5038
2353-9674
Pojawia się w:
Rusycystyczne Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nazwy własne jako symptomy kultury (na przykładzie tytułów poradników autoterapeutycznych)
Proper Names as Symptoms of Culture (based on The Example of Auto-Therapeutic Guide Books Titles )
Autorzy:
Skowronek, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/971879.pdf
Data publikacji:
2016-12-01
Wydawca:
Polska Akademia Nauk. Instytut Języka Polskiego PAN
Tematy:
semiotyka
psychoanaliza
symptomy kultury
tytuły
poradniki psychologiczne
semiotics
psychoanalysis
symptoms of culture
titles
psychological guidebooks
Opis:
The article discusses the issue of proper names defined as symptoms of culture. The first part is of a theoretical character and develops the theory of symptomatology of culture in the context of semiotics (Ch. Peirce), psychology and psychoanalysis (S. Freud and J. Lacan), and onomastics. Symptomatology of culture is a practice of interpreting a certain group of texts of culture and extracting common qualitative traits within them. This is especially in the case of those traits specific to them and often encountered, which could testify to particular serious and deeply-rooted social phenomena leading to their appearance. In the empirical part the author presents a way of using (onymic) symptomatology in practice to research modern culture. She uses the examples of popular psychological and auto-therapeutic guidebooks and treats them as linguistic symptomatic forms of the most significant linguistic and cultural phenomena along with their social causes and functions which are often dysfunctional or abnormal in character. The analysis comprises the most typical conceptual and syntactic constructions encountered in the group.
Źródło:
Onomastica; 2016, 60; 47-67
0078-4648
Pojawia się w:
Onomastica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Koncepcja semiotycznej pamięci kultury Jurija Łotmana jako zasada generatywna w badaniach nad pamięcią społeczną
Yuri Lotman’s Concept of the Semiotic Memory of Culture as a Generative Principle in the Study of Social Memory
Autorzy:
Winiarski, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/1373007.pdf
Data publikacji:
2017-10-10
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
culture
social memory
semiotics of culture
semiosphere
language
social structure
sociology of culture
Yuri Lotman
kultura
pamięć społeczna
semiotyka kultury
semiosfera
język
struktura społeczna
socjologia kultury
Jurij Łotman
Opis:
For sociologically oriented research into memory, the finding of connections between cultural mechanisms of constructing the past and their socio-structural effects is important. In this context, a principle linking phenomena of memory, culture, and social structure should be of use. This article is devoted to Yuri Lotman’s concept of the semiotic memory of culture, which the author believes could serve as a generative rule for this type of research in the sociology of culture. In the case of studies on social memory, Lotman’s concept constitutes a methodological bridge between phenomena of social memory and the transmission of culture, enabling the question of how the memory of the individual participates in collective memory to be answered.
Źródło:
Kultura i Społeczeństwo; 2017, 61, 4; 147-167
2300-195X
Pojawia się w:
Kultura i Społeczeństwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Konceptualna mapa wizualności
A Conceptual Map of Visuality
Autorzy:
Kucner, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/16019445.pdf
Data publikacji:
2019-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
ontology of visuality
semiotics of the picture
visual culture
philosophy of interpretation
photography
photo society
visual technology
Opis:
The analysis conducted in this paper focuses on the issue of visuality, seeking to determine its fundamental ontological and semiotic aspects. The map of visuality referred to in the title denotes the intention to systematize the condi-tions underlying a visual image and its significance as a product of technology and culture as well as a medium of communication.
Źródło:
Studia Europaea Gnesnensia; 2019, 19; 153-168
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
(Не)Пересекая рубежи: читатель на пограничье смыслов
(Not) Crossing Borders: Reader on the Borderland of Meanings
Autorzy:
Legeza, Sergej
Powiązania:
https://bibliotekanauki.pl/articles/1376041.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Zielonogórski. Wydział Humanistyczny
Tematy:
popular culture
borderland
the “Other” figure
post-soviet fantastic literature
reader-text
interaction
semiotics of text
Opis:
The article discusses the transformation of the Other’s concept in Post-Soviet popular culture, as well as the transformation of perception of “Self” and “Other” due to the emergence of real (state) and cultural borders and demarcations, which appear during the reader-text interaction. The paper explores such novels as M. Galina’s “Autochthony” and “The Little Glusha”, and V. Arenev’s “Gunpowder of the Dragon Bones”, to identify the types of the reader’s comprehension. The readers, in their turn, are divided into groups, which identify “Self” and “Other” in accordance with the division, represented in the novels. The author of the paper explores the version of the time gap (the comprehension of M. Galina’s “The Little Glusha”), as well as the different comprehension of the above-mentioned concepts by Russian and Ukrainian readers, regarding the social and cultural distances between these countries. The presented study explains the awareness of the Other’s concept, as well as recognition of Self, which is represented from the outside of the actual cultural tradition.
Źródło:
International Journal of Slavic Studies Transgressive, Pragmatic and Speculative Horizons of Popular Literature and Culture; 2019, 1, 1; 109-121
2658-154X
Pojawia się w:
International Journal of Slavic Studies Transgressive, Pragmatic and Speculative Horizons of Popular Literature and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Semiotyka gestów rytualnych – kilka uwag o metodzie badawczej
Semiotics of Ritual Gestures: Some Observations on the Research Method
Autorzy:
Kraczoń, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1807353.pdf
Data publikacji:
2020-01-02
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
gest rytualny
kultura
obrzęd
semiotyka
tekst kultury
ritual gesture
culture
ritual
semiotics
text of culture
Opis:
The present paper proposes a semiotic description, analysis and interpretation of the (extra-liturgical) ritual gestures, attested in the traditional Polish family and year-cycle rituals. Basing on the principles outlined by the Tartu-Moscow school of semiotics, the author builds a framework for the description of a ritual gesture. The structure of such gestures is defined on three levels of semiotic description: syntactic, semantic and pragmatic. The research method applied in the study allows for building a comprehensive explication of individual gestures by extracting meaningful aspects of their structure, indicating relationships between them and putting them against the symbolic, cultural context.
Źródło:
Roczniki Kulturoznawcze; 2013, 4, 4; 89-103
2082-8578
Pojawia się w:
Roczniki Kulturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Między tekstami. Interferencje sztuk jako przykład relacji intertekstualnej
Between texts. Interference of the arts as an example of an intertextual relationship
Autorzy:
Palion-Musioł, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/29520338.pdf
Data publikacji:
2023-12-18
Wydawca:
Uniwersytet Bielsko-Bialski
Tematy:
transpozycja sztuk
semiotyka
intertekstualny dialog
tekst kultury
interferencje sztuk
transposition of arts
Semiotics
intertextual dialogue
texts of culture
interference of arts
Opis:
The article focuses on intertextual relationships observed between literature and painting. The visual and linguistic systems comprising these art forms belong to different semiotic codes, which materialise through secondary modelling systems. The modelling systems, in turn, consist of relational signs and are governed by rules allowing for alternative modes of combination. The relational signs are ontologically discrete and, as a result, have a greater connotative than denotative potential. The rules of combination are restricted by literary genres, composition, and a painting perspective that constitute the macrostructure of a text. The aim of the article is to present how languages and visual signs express the same mental operations and establish an intertextual dialogue in a literary and visual text. The premise of the study is the assumption that a word and a picture are equivalent and translatable. Therefore, the grounds for their description should be the composition of signs and its relationship with other texts of culture, not the form that constitutes them
Źródło:
Świat i Słowo; 2023, 41, 2; 179-195
1731-3317
Pojawia się w:
Świat i Słowo
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 16

Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies