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Wyświetlanie 1-15 z 53
Tytuł:
Poeci emigracji rosyjskiej i ich zainteresowanie literaturą polską (rekonesans)
The poets of Russian emigration and their interests in Polish literature
Autorzy:
Zienkiewicz, Tadeusz
Powiązania:
https://bibliotekanauki.pl/articles/482523.pdf
Data publikacji:
2008-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian emigration
Russian poetry
Polish literature
Opis:
The analysis of writing by Russian poets-emigrants used to live in Poland in mid-war period shows, that part of their pieces were inspired by Polish literature. In Russian newspapers and collections of poetry can be found poems, which are translations from Polish literaturę and contain themes from poems by Polish poets. Writers like: D. Bochan, I. Kulisz, K. Olenin. L. Sienicka, G. Sorgonin, J. Wadimow, L. Gomolicki, P. Kolski, S. Koncewicz and others, often reach to Polish poets writings - both old pieces and contemporary. Their interests were often focus on romantic poetry (A. Mickiewicz, J. Słowacki, Z. Krasiński and their poems written during the emigration). The main reason of this particular interests was the resemblance of Polish and Russian emigrants fate.
Źródło:
Acta Polono-Ruthenica; 2008, 1, XIII; 265-276
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Концепт «свобода» в современной русской лирике
The Concept of ‘Freedom’ in Contemporary Russian Poetry
Autorzy:
Graf, Alexander
Powiązania:
https://bibliotekanauki.pl/articles/968742.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
concept
freedom
contemporary Russian poetry
Opis:
The article surveys the concepts of ‘freedom’ (“svoboda”) in contemporary Russian poetry and points out that there is no single understanding of it but a whole complex of approaches. While the concept of “svoboda” seems to have been absorbed by the bigger and therefore less concrete one, “volya”, a certain evolution of the former notion can be observed as well. At the beginning of the 20th century ‘freedom’ was associated with a heroic attitude, during the Thaw it became a term for a collective domestic separation, after perestroika and glasnost the poets started to look for freedom as individuals, having nothing or very little in common with the society. Over the last years a new kind of inner emigration has been evolving, combined with a tendency towards ostentatious indifference to ‘traditional’ values.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2014, 07; 193-200
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W woskowym wianku a Flagi Borysa Popławskiego - statystyka i interpretacja
„From a Garland of Wax" and „Flags" of Boris Poplavsky. Statistics and interpretation
Autorzy:
Tabaka, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/482065.pdf
Data publikacji:
2009-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Boris Poplavsky
Russian poetry
poetics
Opis:
The present article is a result of a research on the poetics of Boris Poplavsky and the observation accomplished in the subsequent poetic work of Boris Poplavsky.of the development of his poetics in time. The subjects of this research were two volumes of verse: From a Garland of Wax, containing the earliest poems of the poet written in the years 1922-1930 and Flags containing poems written in the years 1923-1930. During the research on both volumes of verse a quantitative-qualitative method of analysis was used, thanks to which we defined the parameters of Boris Poplavsky’s poetics „in its pure form”, i.e. without taking into account his biography. Furthermore, we showed similarities between both texts and marked out the way of the evolution accomplished in the subsequent poetic work of Boris Poplavsky.
Źródło:
Acta Polono-Ruthenica; 2009, 1, XIV; 275-284
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Świat poezji Ełły Krylowej
Ella Krylova’s poetry world
Autorzy:
Nikadem-Malinowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/482173.pdf
Data publikacji:
2006-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Ella Krylova
Russian poetry
literature
Opis:
Ella Krylova belongs to the generation of Russian poets whose creative path started almost simultaneously with the birth of new Russia. Today she is the author of over ten poetry collections, she regularly publishes her poems on the Internet, she is well-known abroad. She is searching for her own form of expression, adequate to the thought which can be ironic or philosophical, but always present in the words. Her oversensitive lyrical ego, listening carefully to the world problems, fights with adversities with the help of irony. The world of her poetry is deeply humane, it is the world of universal values and spiritual rebirth of man.
Źródło:
Acta Polono-Ruthenica; 2006, 1, XI; 239-248
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Między Wschodem a Zachodem. Polska Josifa Brodskiego
Between East and Wet: The Poland of Iosip Brodsky
Autorzy:
Tarkowska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/482428.pdf
Data publikacji:
2006-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Brodsky
Polish-Russian cultural associations
Russian poetry
Opis:
The article aims at a discussion of Iosip Brodsky’s literary, artistic as well as personal connections with Poland and Poles. The poet’s admiration for Polish language and especially his fascination with the literature of the Renaissance period (Kochanowski, Sęp-Szarzyński, Rej and others) and modern poetry (Miłosz, Herbert, Szymborska and others) have been one of the main focuses of the article. The author highlights that fact that thanks to the presence of Polish motifs the poetry of Iosip Brodsky, in the times of important events in the history of Poland, had a special appeal for Polish readers. Brodsky’s eminent friends associated with the Solidarity movement, such as Barańczak, Drawicz and Woroszylski, pointed to its intertextual and, at times, documentary character. The article offers also an insight into Brodsky’s friendship with Miłosz, the friendship which greatly contributed to the Russian poet’s fascination with Polish culture.
Źródło:
Acta Polono-Ruthenica; 2006, 1, XI; 229-238
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Apollona Korinfskiego wiersze wojenne o Polsce
Apollon Korinfsky’s war poems on Poland
Autorzy:
Orłowski, Jan
Powiązania:
https://bibliotekanauki.pl/articles/481961.pdf
Data publikacji:
2006-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian poetry
Apollon Korinfsky
World War One
Opis:
Almost totally forgotten these days Russian poet Apollon Korinfsky (1868-1973) had published main collections of his poems in early XXth century (In the Beams o f a Dream, Under the Burden o f the Cross, Late Flames). He continued epigon tradition of the XIXth century poetry while at the same time in his ballads and poems dealt with heroic past of Russia and other Slavonic nations. Korinfsky can be described as a polonophile. Polish themes and motifs appeared in a series of poems On the Banks o f the Vistula (1908) and in several poems he wrote during WorldWar One (Raise Arms!, Reąuiescant In Pace..., It Shall not Be so, The Battle o f Tannenberg and other).Korinfsky was the champion of the idea of Slav’s brotherhood resulting from fighting by Russia and other Slavonic nations against Germany and Austria. The idea of Polish and Russian reunion was especially appealing to him, because he held it necessary to gain victory in the 1914-1918 war and to establish future relations between Russia and other Slavs. After Russia’s military defeat in 1917, Korinfsky’s idea of Slavonic alliance led by Russia turned out an illusion. Perhaps that is the reason why his poetic work, full of Slavonic motifs, virtually ceased after 1917.
Źródło:
Acta Polono-Ruthenica; 2006, 1, XI; 105-115
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Metafora lustra w poezji Inny Lisnianskiej (na podstawie cyklu wierszy Старое зеркало)
Metaphor of a Mirror in the Inna Lisnianskaya poetry (On the basis of the cycle of poems ,,Старое зеркало”)
Autorzy:
Nikadem-Malinowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/481971.pdf
Data publikacji:
2009-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian poetry
Inna Lisnianskaya
Inna Lisnyanskaya
metaphor
Opis:
Metaphor, as a basic tool of our mind, allows us to tap the potential of a language grounding on the knowledge and imagination of its user; ascertain the new through the old and unknown through the known. Poetic metaphor, which is a carrier of information and tool of communication, is the object of this study. Poetry of Inna Lisnianskaya could be holistically treated as a metaphor of a mirror. The subject of this analysis is the cycle of poems Старое зеркало. Inna Lisnianskaya, by identifying living with being a living mirror extends the meaning of this metaphor to: I AM A MIRROR.
Źródło:
Acta Polono-Ruthenica; 2009, 1, XIV; 159-166
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Мотив воды в творчестве Марины Цветаевой
Autorzy:
Янчук, Елена
Powiązania:
https://bibliotekanauki.pl/articles/2057472.pdf
Data publikacji:
2021-09-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
russian poetry
water
motif
Marina Tsvetaeva
metaphorization
Opis:
В настоящей статье представлен системный анализ мотива водыв творчестве Марины Цветаевой. Исследовательской задачей является попытка проследить, каким образом конкретная и простая лексема «вода» участвует в смыслопорождающем поэтическом процессе, доказать особое значение этого мотива какважного признака творческого мышления, миросозерцания и творческой индивиду альности в целом. В статье на обширном материале (около 630 примеров), взятом из поэтических и прозаических текстов, рассматриваются основные значения мотива воды и их функциональные особенности в индивидуально-авторской картине мира М. Цветаевой. Вода, не утрачивая природной конкретности, становится одним из важных инструментов метафоризации процессов и явлений не только физического, но и духовного мира поэта.
This article is devoted to the analysis of the motif of water in the works of Marina Tsvetaeva. The main goal is to trace how the concrete and simple lexeme “water” participates in the meaning-generating poetic process, and to prove the specialsignificance of this motif as an important sign of her creative thinking, worldview and creative personality in general. The article uses extensive material (about 630 examples) taken from poetic and prose texts to consider the main meanings of the motif of water and its functional features in the individual author’s viewpoint. Water, without losing itsnatural concreteness, becomes one of the important tools for metaphorizing the processes and phenomena of not only the physical, but also the spiritual world of the poet.
Źródło:
Acta Polono-Ruthenica; 2021, 3, XXVI; 41-57
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Metafora snu w cyklu wierszy Inny Lisnianskiej Sny starej Ewy
The Metaphor of a Dream in the Series of Poems „Dreams of Old Eve” by Inna Lisnianskaya
Autorzy:
Nikadem-Malinowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/481367.pdf
Data publikacji:
2008-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Inna Lisnyanskaya
Inna Lisnianskaya
Russian poetess
Russian poetry
metaphor
dream
Opis:
Inna Lisnianskaya’s writings, very private and intimate, often motivated with autobiographical reasons is saturated with universal truth about life. Lisnianskaya has created her poetic world on the basis of very strict and clear hierarchy of values. All of the problems of the mankind the poetess throw on her character who, with a great conscientiousness, carries her burden. The global responsibility she feels makes the linear world stop existing.In consisting of eighteen poems threnody series Inna Lisnianskaya experiences past and future in the presence by impersonating her character - ageing biblical Eve. The presence constitutes of her dreams. Dream is metaphorical by its nature. We do not treat pictures from our dreams literally. We analyze and interpret them no matter how real they are. A specific picture transferred from reality to a dream loses its connections with its context and become a polysemantic sign of another specific picture. In this way a dream manifests its metaphorical character.Metaphorical picture of a dream dreamt by lyrical I, created by Inna Lisnianskaya in the series of poems Сны старой Евы (Dreams of Old Eve), let the poetess for unique consolidation of emotions and reflections on life and death.
Źródło:
Acta Polono-Ruthenica; 2008, 1, XIII; 307-318
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Barwy w liryce Fiodora Glinki
Colours in Fiodor Glinka’s poetry
Autorzy:
Lis-Czapiga, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1592272.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:
Fiodor Glinka
Russian poetry
colours
poezja rosyjska
barwa
Opis:
The article discusses functions of colours in the poetry of Fiodor Glinka – 19th century Russian poet. The colour range of his poetry is fi lled with chromatic and achromatic colours mainly. Not only clear colours but also their shades have been analysed in the present survey. Red and blue appear most frequently in Glinka’s poetry, yellow, white and black coming next, and green as the least frequent. High tones predominate in the poetry, the colours are usually intense, rich and vivid. Their symbolic function is usually to link with the culture and archetypes. Rich colours help to create vividness, build atmosphere, display informative, expressive and evaluative functions. With the help of linguistic means of expression the author imitates the techniques characteristic for painting, what confi rms his high poetic artistry.
Źródło:
Studia Językoznawcze; 2014, 13; 115-126
1730-4180
2353-3161
Pojawia się w:
Studia Językoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Горизонты интерпретации литературного текста в фольклорных вариантах: Умирающий В. И. Немировича-Данченко
Autorzy:
Трубицына, Виктория
Powiązania:
https://bibliotekanauki.pl/articles/650989.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Russian poetry
poems about imprisonment
folklore
folk gaol song
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2012, 05
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Горизонты интерпретации литературного текста в фольклорных вариантах: Умирающий В. И. Немировича-Данченко
Horizons of a literary text interpretation in the folklore versions: Dying of Nemirovich-Danchenko
Autorzy:
Трубицына, Виктория
Powiązania:
https://bibliotekanauki.pl/articles/22596816.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Russian poetry
poems about imprisonment
folklore
folk gaol song
Opis:
This article defines the originality of the poem by Nemirovich-Danchenko Dying (1882) in the context of literary traditions of Russian gaol songs and poems about imprisonment. The directions of the reception and variation have been analyzed. The focus is also on the aesthetic principles and techniques of reproduction of a literary source in folk song culture in the Kemerovo region and its folklore.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2012, 5; 48-54
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ирония в поэзии Владлена Гаврильчика
Irony in Vladlen Gavrilchik’s poetry
Autorzy:
Osiewicz, Bartosz
Powiązania:
https://bibliotekanauki.pl/articles/1022199.pdf
Data publikacji:
2020-06-29
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Vladlen Gavrilchik
irony
double meaning
modern Russian poetry
neo-primitive
Opis:
This article is devoted to the analysis of irony in Vladlen Gavrilchik’s lyrics, which belong to two directions in modern Russian poetry – “neo-primitive”, and “ironic, caricature-grotesque poetry”. Irony is one of the main literary techniques used by the Russian primitive poet. In the speech of Gavrilchik’s characters there is a hidden living author’s word, saturated with a hidden meaning. The recipient’s ignorance of the irony will certainly lead to interpretative failures. Therefore, Gavrilchik the ironist addresses his poetry to a reader who understands his poetic jokes and ironic games. The article also shows that Gavrilchik depicts Soviet reality in an ironic manner; he ironically reinterprets also socialist-realist images, simultaneously mocking the founders of socialist-realist poetics.
Źródło:
Studia Rossica Posnaniensia; 2020, 45, 1; 47-55
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Интерпретации образа Дон Кихота в русской поэзии 1960–1980-х годов
The Interpretations of Don Quixote in the Russian Poetry of 1960s–1970s
Autorzy:
Szymańska, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/968714.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Don Quixote
Sancho Panza
modern Russian poetry
New Age myth
Opis:
The aim of the article is to interpret poems concerning Don Quixote written by contemporary Russian poets, like Iosif Brodsky, Alexander Kushner, Vsevolod Rozhdestvensky, Robert Rozhdestvensky, David Samoilov and many others, with the view to showing how the Spanish literary figure transforms in the receiving culture into an (indigenized) philosophical category. The author sets out to identify the main semantic constants of the Russian Don Quixote, to show an evolution of the hero in the oeuvre of particular poets (Pavel Antokolsky and Zinovy Valshonok) and to indicate the relationship between the image of Don Quixote and the lyrical subject. She also examines the relationship between Don Quixote and Sancho Panza and, finally, explains political connotations of the figure of Don Quixote in the poems by Margarita Aliger and Yevgeny Dolmatovsky.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2014, 07; 221-230
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Гражданские мотивы в творчестве русских "аполитичных" поэтов 70-80-х годов
Autorzy:
Бараш, Ольга
Powiązania:
https://bibliotekanauki.pl/articles/1826636.pdf
Data publikacji:
2018-10-08
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
Russian poetry
civic lyrics
censorship
group “Moscow Time”
critical sentimentalism
Opis:
The article tackles upon the work of Russian poets of the group “Moskovskoyevremya” (“Moscow Time”). These poets positioned themselves as unengaged inpolitics, they were neither official nor dissident authors, nevertheless, they tookcivic issues close to heart. The article discusses their attitude towards the countryand the society ans means of their depiction.
Źródło:
Conversatoria Litteraria; 2018, 12; 127-133
1897-1423
Pojawia się w:
Conversatoria Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 53

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