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Wyszukujesz frazę "Russian existentialism" wg kryterium: Temat


Wyświetlanie 1-3 z 3
Tytuł:
Jerzy Stempowski i Lew Szestow – egzystencjalizm spowity wschodnią melancholią. Krótka historia przyjaźni
Autorzy:
Zimnowoda, Adriana
Powiązania:
https://bibliotekanauki.pl/articles/944691.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
Russian existentialism
French existentialism
Mihajlo Mihajlov
Albert Camus
Fiodor Dostoevsky
reason
irrationality
absurd
the tragic
pessimism
Opis:
Jerzy Stempowski and Lev Shestov - existentialism imbued with eastern melancholy. A short history of a friendship: The main objective of this article is to present the friendship between Jerzy Stempowski - Polish writer, essayist and Lev Shestov - Russian writer and philosopher. The article consist of three parts an and short conclusion. In the first part I focus on Stempowski’s predilections for Eastern Europe, and I also explore Stempowski’s complicated, though clearly evident, relation with existentialism. It is in this context that I show both Stempowski’s close affinity with Shestov philosophy, and his evident antipathy to French existentialism. In the second part I attempt to answer the following question: why did Stempowski have such a strong aversion to Albert Camus’ work. In this part of my essay I briefly refer to a Serbian writer and dissident - Mihajlo Mihajlov. In the third part I explore Stempowski’s friendship with Shestov and I also sketch the ideological horizon they both shared. Moreover, I mention Shestov’s presentations at the philosophical conferences in Kraków and Berlin as well as his meeting with Edmund Husserl in Amsterdam. In the short conclusion to my article I suggest that Stempowski’s existentialism is an individual, original project even if his existentialism draws upon most of the major themes in philosophical treatises and literature of existentialism. His “existential project” is based on: 1. reason which rationally orders reality, 2. sympathy towards antirational and prophetic philosophy of Russian thinkers which he analyses from the positions of a professed atheist and 3. deeply-rooted humanistic values.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2018, 8, 2
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Berdyaev: Freedom Against the Objectified World
Autorzy:
Marek, Styczyński,
Powiązania:
https://bibliotekanauki.pl/articles/897462.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Russian philosophy
Nicolas Berdy aev
existentialism
- mystical personalism
Gnosticism
Opis:
This paper is a contribution to the constantly increasing Polish interest in Russian thought, especially in Nicolas Berdyaev’s philosophy. It starts with a short synthesis of his philosophy. The differences between the Western way of thinking and Russian religious thinking are mentioned in passing. Berdyaev’s existential personalism, which from the sociological point of view can be described as freedom from the world, is dealt with. The thinker contrasts persons and their activities with the objectified world and emphasizes the existential strangeness of the person in the world of culture bound by different determining factors.
Źródło:
Przegląd Humanistyczny; 2016, 60(2 (453)); 41-47
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
(Nie) Chcieć być wszystkim. Stawrogin i najgłębsza otchłań Dostojewskiego
(Not) to want to be everything. Stavrogin and Dostoevsky’s final abyss
Autorzy:
Kruszelnicki, Michał
Powiązania:
https://bibliotekanauki.pl/articles/1391847.pdf
Data publikacji:
2015-12-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Dostoevsky
Stavrogin
classic Russian interpretations
existentialism
omnitude
despair
suffering
freedom
Dostojewski
Stawrogin
klasyczne interpretacje rosyjskie
egzystencjalizm
pełnia
rozpacz
cierpienie
wolność
Opis:
This paper proposes a new interpretation of Niyevsky’s novel The Devils. This reading opposes the very influential line of interpretation employed in wkolai Vsevolodowich Stavrogin – a relentlessly intriguing character in Fyodor Dostoorks of thinkers working within the current of Russian symbolism and “cultural renaissance” from the beginning of the 20th century. The author argues that this “religious” interpretive tradition contributes to one of the greatest misunderstand-ings concerning Dostoyevsky’s work in that it oversimplifies its ambivalence and obscures one of Dostoyevsky’s darkest insights into the human soul, initially revealed in Notes From the Under-ground and from that time on recurring in each of his major novels. In the first part of the article, several classic Russian interpretations of Stavrogin are examined in order to show their common tendency to morally judge Stavrogin from the Orthodox point of view, recognize his greatest sin in the lack of faith in God and for that reason see before him only the perspective of self-disintegration and inevitable death. The author argues that “religious” interpretations do not explain the mystery of Stavrogin. What is more, they homogenize the complexity of his character and offer an all-to-easy solution to the vital philosophical problem which reiterates in Dostoyevsky’s entire mature fiction and which finds its greatest artistic representation in Stavrogin himself.
Źródło:
Przestrzenie Teorii; 2015, 24; 195-218
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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