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Tytuł:
All the power in the hands of readers? The negotiation of author and reader roles based on examples in the blogsphere
Autorzy:
Więckiewicz - Archacka, Marta
Powiązania:
https://bibliotekanauki.pl/articles/546403.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
author
reader
blogosphere
Roland Barthes
Opis:
This paper concerns the process of negotiating author and reader roles in the blogosphere. The starting point of this article is the theory of Roland Barthes that the death of the author is necessary for the birth of the reader. This idea notably responds to changing relations between the author and the reader in the new nedia era. The exemple of the blogosphere allows us to see that the roles of the author and the reader are not pre-defined and the filed of their "laws" is negotiated (two models of negotiations are described in this paper). In the blogosphere, wkich is an exemple of participatory culture, knocking the author off his pedestal does not result in the reader replacing the author, as R. Barthes would like. On the empty pedestal, after dumping the author, the reader does not appear - but communication does.
Źródło:
Civitas et Lex; 2016, 3(11); 15 - 26
2392-0300
Pojawia się w:
Civitas et Lex
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dramaturgia fotografii. Między teorią a osobistym doświadczeniem (przypadek Rolanda Barthes’a)
The dramaturgy of photography. Between theory and personal experience (the case of Roland Barthes)
Autorzy:
Górska, Irena
Powiązania:
https://bibliotekanauki.pl/articles/2036493.pdf
Data publikacji:
2021-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Roland Barthes
photography
experience
dramaturgy
Opis:
The article discusses Roland Barthes’ experience of photography and presents its distinctive dramaturgy, which emerges from the reflections of the author of The Light of Image. It is played out between attempts at a theoretical grasp of the essence of photography and a personal, intimate experience of being photographed, but also of being a spectator looking at various photographs. Barthes places this experience in two basic perspectives. The first is connected with the process of taking photographs and the second with the experience of the spectator. This also includes the experience of photography with one’s own image, which according to the author, is always an experience of oneself as someone else, and the experience of searching for “the truth of photography”, especially important in the context of the photographs of his deceased mother. It is significant in Barthes’s concept that he is talking about traditional photography which had a completely different character and performed different functions to digital images do today. Moreover, as the author notes, Barthes’s theoretical findings would be untenable in relation to digital photography.
Źródło:
Przestrzenie Teorii; 2021, 36; 93-107
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le corps de Roland Barthes
Roland Barthes Body
Autorzy:
Loba, Mirosław
Powiązania:
https://bibliotekanauki.pl/articles/1051635.pdf
Data publikacji:
2010-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Roland Barthes
semiotics
selfconstruction
alienation
Opis:
The aim of this paper is to present the relationship between body and linguistic and literary signs in the work of Roland Barthes. The main problem is Roland Barthes thinking on semiotic representation of the body as an ambivalent process of selfconstruction and alienation
Źródło:
Studia Romanica Posnaniensia; 2010, 37, 1; 3-11
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Transgresje i transpozycje myśli Brechta w sztukach Rolanda Schimmelpfenniga
Transgressions and Transpositions of Brecht’s ideas in the Plays by Roland Schimmelpfennig
Autorzy:
Feliszewski, Zbigniew Mieczysław
Powiązania:
https://bibliotekanauki.pl/articles/467528.pdf
Data publikacji:
2019
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Roland Schimmelpfennig, Bertolt Brecht, transgresje, sztuka dydaktyczna, techniki wyobcowania
Roland Schummelpfennig
Bertolt Brecht
transgresje
sztuka dydaktyczna
techniki wyobcowania
Roland Schimmelpfennig, Bertolt Brecht, trangression, Lehrstück, alienation effect
Roland Schimmelpfennig
transgression
Lehrstück
alienation effect
Opis:
The author of this article attempts to assess the influences of Brecht’s theory on the literary production by contemporary German playwright Roland Schimmelpfennig. The author follows their transgressions and transpositions based on selected examples of his plays. Referring to the definition of transgression given by Grzegorz Petrek, he attempts to analyse such issues as acting, alienation, the meaning of text and image in Brecht’s drama, as well as its didactic and political potential. With regard to drama and theatre in German, Schimmelpfennig has been under an immense influence of Brecht’s ideas and practices.
Autor niniejszej pracy bada wpływy myśli Bertolta Brechta na twórczość dramatyczną współcześnie tworzącego Rolanda Schimmelpfenniga, śledząc ich przesunięcia, transgresje i transpozycje na wybranych przykładach oraz odwołując się do wywiadów i wykładów autora. W oparciu o definicję transgresji zaproponowaną przez Grzegorza Petrka podejmuje próbę usytuowania zagadnień gry aktorskiej, wyobcowania, roli tekstu i obrazu w dramacie, jego dydaktycznego i politycznego potencjału. Wobec tradycji niemieckojęzycznego dramatu i teatru, Schimmelpfennig po dziś dzień znajduje się pod niemałym wpływem idei i praktyki stworzonej przez Brechta.
Źródło:
ER(R)GO: Teoria – Literatura – Kultura; 2019, 39; 87-98
1508-6305
2544-3186
Pojawia się w:
ER(R)GO: Teoria – Literatura – Kultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Autobiografia ≠ autoanaliza – „Wstęp do autoanalizy” Rolanda Barthes’a
Autobiography ≠ autoanalysis. Introduction to autoanalysis by Roland Barthes
Autorzy:
Urbańczyk, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/1376050.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:
autobiography
autoanalysis
Roland Barthes
autoanaliza
autobiografia
Opis:
W artykule autorka wysuwa teoretyczną propozycję, by z autobiografii wyodrębnić autoanalizę. Na skrzyżowaniu myślenia postsrtukturalistycznego, psychoanalizy i teorii afektów, autoanaliza ma polegać na pogłębionej relacji z samym sobą, wobec której klasyczna autobiografia pozostaje tylko na powierzchni poznania. Intymna teoria literatury Rolanda Barthes'a jest tu swoistym otwarciem na tego rodzaju przestrzeń rozróżnień. Autorka skupia się na analizie afektu miłosnego, która pomaga jej zaprezentować przygodny charakter bodźca do samopoznania. Jest to afekt, który zostaje tu wpisany w przedmiot zainteresowań literaturoznawców chcących zmierzyć się z zagadnieniem autoanalizy.
The author comes up with a theoretical proposal to extract autoanalysis from autobiography. At the crossroads of psychoanalysis, poststructualism and the affect theory concepts, autoanalysis shall be based on deepened relation with oneself, in opposition to the classical autobiography, which stays only on the surface level of cognition. Intimate theory of literature by Roland Barthes opens up to this type of area of distinction. The author focuses on the affect of love, which helps her present unexpected stimulus of getting to know one self and simultaneously define the auto-analytic perspective of literature research.
Źródło:
Autobiografia Literatura Kultura Media; 2015, 4, 1; 39-59
2353-8694
2719-4361
Pojawia się w:
Autobiografia Literatura Kultura Media
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fragments d’un discours iconographique : Poétique de l’image dans L’Empire des signes de Roland Barthes
Fragments of an iconographic discourse: the poetics of image in Roland Barthes’ L’Empire des signes
Autorzy:
Lyamlahy, Khalid
Powiązania:
https://bibliotekanauki.pl/articles/483723.pdf
Data publikacji:
2015
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
Roland Barthes
Japan
image
iconology
sign
Opis:
Roland Barthes was not only a literary theorist, a critic or a semiotician. Above all, he was concerned with signs, symbols and representations which shape the everyday life and nourish both identities of the individual subject and the social group. As the world celebrates in 2015 the centenary of his birth, the question of his intellectual and literary legacies has never been more relevant. In the large scope of his works, L’Empire des signes, published in 1970 following several trips to Japan, is rather a particular piece which hinges on a specific combination of text and images. By looking at the structure of Barthes’s work and the relationship between the author’s discourse and the meanings released through the images, this paper aims to highlight the poetics of the image as a founding element in L’Empire des signes. The study of three categories of images used in the volume and their confrontation with the author’s developments shed new light on the contribution of the iconographic element towards a valuable understanding of signs and significations.
Źródło:
Quêtes littéraires; 2015, 5; 149-160
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The End of the Myth of the Cuban Exile? Current Trends in Cuban Emigration
Autorzy:
Dembicz, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1023034.pdf
Data publikacji:
2020-06-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Cuba
exile
Cuban diaspora
myth
Roland Barthes
Opis:
Cuban migrants are considered as and referred to as exiles. However, in the face of the economic transformations in Cuba, as well as the rapprochement between the U.S. and Cuba, it has become necessary to revise the epistemological and semiotic foundations of this phenomenon. The current migratory trends among the Cubans do not meet the definition of exiles. Thus, the title of this article reflects the research assumption and the principal aim that the current circumstances in Cuba, as well as the migratory flows of Cubans mark the decline of the myth of the Cuban exile; a myth built by the media.
Źródło:
International Studies. Interdisciplinary Political and Cultural Journal; 2020, 25, 1; 75-88
1641-4233
2300-8695
Pojawia się w:
International Studies. Interdisciplinary Political and Cultural Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Błoński i Proust
Autorzy:
Dziadek, Adam
Powiązania:
https://bibliotekanauki.pl/articles/639109.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Błoński Jan, Barthes Roland, Proust Marcel, lektura porównawcza
Opis:
Błoński and ProustThis is the comparative reading of Jan Błoński’s book Widzieć jasno w zachwyceniu and Roland Barthes’ essay entitled „Longtemps, je me suis couché de bonne heure”. Błoński’s book was first published in 1965. Barthes wrote his text in 1978 and he didn’t read Błoński. The parallels and similarities between both texts are really striking: the question of rhythm of Proust’s novel, the problem of literary genre, critical affect of the reader etc.
Źródło:
Wielogłos; 2014, 4(22)
2084-395X
Pojawia się w:
Wielogłos
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fizyzm Rolanda Omnésa - jedność świata matematyki i fizyki. Część I: kwantowe problemy abstrakcji
Physism of Roland Omnés - unity of the worlds of mathematics and physics; Part I - Quantum problems of abstraction
Autorzy:
Grygiel, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/690538.pdf
Data publikacji:
2008
Wydawca:
Copernicus Center Press
Tematy:
Roland Omnés
philosophy of mathematics
mathematical platonism
physism
Opis:
Inasmuch as mathematical platonism can be clearly matched with the radical realism, there exists a possibility to point out an approach, promoted by a French physicist, Roland Omnés, that is equivalent to the Aristotelian position of moderate realism. This standpoint denies the existence of an independent universum of mathematical entities and claims that mathematics is encoded in the laws of physics. In analogy to logicism, where mathematics is considered to be reducible to logic, Omnés' position is called by him 'physism' to stress the reducibility of mathematics to the laws of physics. The goal of Roland Omnés is to construct a common philosophy of mathematics and physics where the realities of these two disciplines converge. The first part of the analysis aims at the description and critical evaluation of physism from the point of view of the adequacy of the consistent histories interpretation of quantum mechanics to provide physical basis of the abstraction of the mathematical structures from the physical reality.
Źródło:
Zagadnienia Filozoficzne w Nauce; 2008, 43; 89-102
0867-8286
2451-0602
Pojawia się w:
Zagadnienia Filozoficzne w Nauce
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Roland Desmarests’ Aloisiae Gonzagae ad Ladislaum Poloniae Regem sponsum proficiscentis propempticum. A Contribution to the History of Polish‑French Cultural Links in the 17th Century
Autorzy:
Pawlak, Wiesław
Powiązania:
https://bibliotekanauki.pl/articles/28409318.pdf
Data publikacji:
2017
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Desmarests Roland
Neolatin poetry
Polish-French cultural links
Opis:
Roland Desmarests (1594-1653), a brother of the better-known Jean Desmarests de Saint-Sorlin, placed a Latin poem dedicated to the French princess Marie Louise Gonzaga de Nevers in his Epistolarum Philologicarum Libri Duo (Philological Letters, 1655). The princess (who was the future wife of two Polish kings, Władysław IV Vasa and John II Casimir) was about to leave France for far away and exotic Poland. The aim of the article is to analyze the poem and to publish it.
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2017, 8; 22-37
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Intertextuality of C.S. Lewis’ The Last Battle
Autorzy:
Zegarlińska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/24987871.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Narnia
intertextuality
apocalypse
Bible
beast fable
King Arthur
Roland
Opis:
The Chronicles of Narnia has an established position in the canon of children’s literature. However, what on the surface is a fairy tale involving adventures and magic; with children, kings, talking beasts, and wood spirits as main protagonists; is, in fact, a set of stories deeply rooted in Christian and chivalric traditions, containing elements of beast fable and morality tale. The story, according to Madeline L’Engle, depending on the reader's cultural knowledge and experience, may be understood on various levels, from the literal one of an adventure story for children, through the moral and allegorical levels, eventually reaching the anagogical level. While reading The Chronicles, one is able to notice various references to other written works, interwoven into the text, with the Bible, chivalric romances and beast fables being the most prominent sources of intertextual allusions. In The Last Battle Lewis attempts to answer John Donne’s question, “What if this present were the world’s last night?" (Holy Sonnet XIII) and presents a comprehensive image of Narnian apocalypse and life after death in Aslan’s country. The following paper will present the most noteworthy intertextual references in the final volume of The Narniad.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2014, 2, 1; 50-58
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Intertextuality of C.S. Lewis’ The Last Battle
Autorzy:
Zegarlińska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/653575.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Narnia
intertextuality
apocalypse
Bible
beast fable
King Arthur
Roland
Opis:
The Chronicles of Narnia has an established position in the canon of children’s literature. However, what on the surface is a fairy tale involving adventures and magic; with children, kings, talking beasts, and wood spirits as main protagonists; is, in fact, a set of stories deeply rooted in Christian and chivalric traditions, containing elements of beast fable and morality tale. The story, according to Madeline L’Engle, depending on the reader's cultural knowledge and experience, may be understood on various levels, from the literal one of an adventure story for children, through the moral and allegorical levels, eventually reaching the anagogical level. While reading The Chronicles, one is able to notice various references to other written works, interwoven into the text, with the Bible, chivalric romances and beast fables being the most prominent sources of intertextual allusions. In The Last Battle Lewis attempts to answer John Donne’s question, “What if this present were the world’s last night?" (Holy Sonnet XIII) and presents a comprehensive image of Narnian apocalypse and life after death in Aslan’s country. The following paper will present the most noteworthy intertextual references in the final volume of The Narniad.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2014, 2, 1
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
L’écriture détournée par la sérigraphie dans les poèmes-estampes de Roland Giguère
Writing subversed by serigraphy in graphic poems of Roland Giguère
Autorzy:
Pelard, Emmanuelle
Powiązania:
https://bibliotekanauki.pl/articles/483528.pdf
Data publikacji:
2016
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
Quebec surrealism
Roland Giguère
graphic poetry
poetic serigraphy
semiotic experiment
Opis:
The surrealist Quebec poet, painter and artists’ books editor Roland Giguère has based his entire work on a dialogue between poetry and visual arts (painting, serigraphy, typography) in order to experiment the iconicity of writing. He has composed a graphic poetry made of plastic and iconic signs as well as graphic signs, playing with the semiotic ambiguity to create poetic effects and sense. His polysemiotic experiment of the poem based on a specific use of serigraphy has impacted the readability, but has paradoxically shown a new kind of poeticity and the expressiveness of writing. The aim of this article is to establish how the writing subversion and the semiotic experiment allowed by an original use of serigraphy creates poetry.
Źródło:
Quêtes littéraires; 2016, 6; 108-117
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Literacki obraz strachu w Rolandslied Pfaffe Konrada w kontekście Chanson de Roland
The Literary Image of Fear in Pfaffe Konrad’s Rolandslied in the Context of Chanson de Roland
L’image littéraire de la peur dans le Rolandslied de Pfaffe Konrad dans le contexte de la Chanson de Roland
Autorzy:
Godlewicz-Adamiec, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/31339704.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Rolandslied
Chanson de Roland
transfert culturel
peur
cultural transfer
fear
Opis:
Écrite à la fin du XIIe siècle par Pfaffe Konrad, très probablement à la demande d’Henri le Lion, l’oeuvre Rolandslied est une transformation de l’histoire connue sous le nom de Chanson de Roland, composée trois quarts de siècle plus tôt. C’est un exemple intéressant d’adaptation des modèles français aux attentes des destinataires des cours allemandes. Konrad aborde le thème de la relation entre la version française et la sienne dans l’épilogue ajouté par lui-même. L’analyse comparative menée dans l’article, conforme aux nouvelles approches historiques sur les affects, tente de répondre à un certain nombre de questions. Pourquoi dans le poème épique de Konrad l’opposition des attitudes est-elle décrite précisément à l’aide de la peur. La source d’une telle approche peut-elle être trouvée dans des modèles antérieurs ? Qu’est-ce qui justifie le rôle si important de la peur dans la scène-clé de cette épopée ? Quelles sont les stratégies littéraires développées sur le thème de la peur ? Quelles sont enfin les sources de ces stratégies ?
The literary work Rolandslied, written at the end of the 12th century by Pfaffe Konrad, most probably at the behest of Henry the Lion, is a transformation of the history known from the French literary work Chanson de Roland, written three quarters of a century earlier. It is an interesting example of adjusting French patterns to the expectations of recipients at German courts. In the epilogue he added, Konrad takes up the topic of the relationship between his version and the French one. This article carries out the comparative analysis, in the line with the trend of the humanities of affects, is an attempt to answer many research questions. Why in Konrad’s work the opposition of attitudes is depicted precisely with the help of fear, and can the source for such an approach be found in earlier models? What explains the important role of fear in the key scene of this literary work? What literary strategies are developed according the theme of fear? What are the sources of these strategies?
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Romanica; 2022, 17, 2; 37-50
1505-9065
2449-8831
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
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