Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Wyszukujesz frazę "Rabindranath Tagore" wg kryterium: Temat


Wyświetlanie 1-8 z 8
Tytuł:
Modernism and Modernity in Rabindranath Tagore
Autorzy:
COQUEREAU, ELISE
Powiązania:
https://bibliotekanauki.pl/articles/466126.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Warszawski. Wydział Artes Liberales
Tematy:
Rabindranath Tagore
modernity
Indian modernism
anti-colonialism
Opis:
This paper is a short attempt at examining Tagore’s concept of modernity, by trying to understand what modernism and its relation to modernity means in this poet’s work. Considering the large range of his writings, essays and novels are selected according to what I consider to be the most relevant to the present investigation, favoring the more systematic writings among Tagore’’s novels and essays. Gora, however, another complex criticism of Nationalism, has not been included here, since its analysis would deserve a complete paper. It also does not focus on the introduction of European modernisms and European modernist expressions in India from a historical or aesthetic perspective. Rather, it underline a conceptual understanding through Tagore’s work of his own ideas, and the experience of modernism in India through his Indian writings. In so doing, I try to present the important differences of these concepts in an Indian colonial context, as well as the singularity of Tagore himself in his own context, hoping to contribute to an exploration of the poet’s talent and richness of expression and thinking.
Źródło:
Planeta Literatur. Journal of Global Literary Studies; 2014, 3. Global Modernism(s) Approaches to trans-local / trans-cultural / trans-civilizational dimension of Modernist movements; 83-100
2392-0696
Pojawia się w:
Planeta Literatur. Journal of Global Literary Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Obraz Rosji w indyjskiej literaturze podróżniczej XX wieku
The image of Russia in Indian travel writing of the 20th Century
Образ России в литаратурных путешествиях ХХ века в Индии
Autorzy:
Rokicka, Weronika Barbara
Powiązania:
https://bibliotekanauki.pl/articles/1181933.pdf
Data publikacji:
2021-06-16
Wydawca:
Polskie Towarzystwo Rusycystyczne
Tematy:
Rosja
Związek Radziecki
Indie
Podróż
literatura podróżnicza
pisarstwo podróżnicze
Rabindranath Tagore
Opis:
Obraz Rosji w indyjskiej literaturze podróżniczej XX wieku Artykuł prezentuje przegląd indyjskiego pisarstwa podróżniczego o Rosji w XX wieku i analizuje ukazany w nim obraz tego kraju. Wraz ze wzrostem nastrojów antykolonialnych w Indiach Rosja stała się ważnym celem podróży Indusów. W 1930 roku dotarł tam noblista Rabindranath Tagore, a jego Listy z Rosji stały się klasyką literatury podróżniczej w Indiach i punktem odniesienia dla późniejszych relacji. Większość z nich skupia się na zmianach społecznych, kulturalnych i politycznych w kraju i ukazuje nowy system w dużej mierze jako przykład do naśladowania dla Indii. Niewielkie zainteresowanie innymi aspektami rosyjskiej rzeczywistości sprawia, że indyjska fascynacja kończy się wraz z upadkiem Związku Radzieckiego.
Образ России в литературе Индии в ХХ веке В статье представлен обзор индийской литературы о путешествиях по России в двадцатом веке и анализируется представленный образ этой страны. Россия стала важным пунктом назначения для индийцев в связи с ростом антиколониальных настроений в Индии. В 1930 году сюда прибыл лауреат  Нобелевской премии Рабиндранат Тагор, а его «Письма о России» стали классикой индийской литературы о путешествиях и ориентиром для дальнейших отношений. Большинство из них сосредоточены на социальных, культурных и политических изменениях после падения царизма и показывают новую систему в качестве примера для Индии. Небольшой интерес к другим аспектам российской действительности способствовал тому, что увлечение индийцев закончилось с распадом Советского Союза. В статье представлен обзор индийской литературы о путешествиях по России в двадцатом веке и анализируется представленный образ этой страны. Россия стала важным пунктом назначения для индийцев в связи с ростом антиколониальных настроений в Индии. В 1930 году сюда прибыл лауреат  Нобелевской премии Рабиндранат Тагор, а его «Письма о России» стали классикой индийской литературы о путешествиях и ориентиром для дальнейших отношений. Большинство из них сосредоточены на социальных, культурных и политических изменениях после падения царизма и показывают новую систему в качестве примера для Индии. Небольшой интерес к другим аспектам российской действительности способствовал тому, что увлечение индийцев закончилось с распадом Советского Союза.
The image of Russia in Indian travel writing of the 20th century The article aims at presenting the overview of Indian travel writing on Russia in the 20th century and analysing the image of Russia emerging from Indian travelogues. Although most Indian travellers headed towards England, with the growth of anticolonial sentiment Russia gradually became a significant destination since the 1930s. Rabindranath Tagore was the most prominent among Indian guests and his Letters from Russia (1931) are considered travel writing classic, a reference point for all later Indian travellers to the country. Vast majority of the Indian travel accounts focus on the political, social and cultural changes in the country and set Russia as an example for India to follow, especially in the fields of education, culture or workers’ rights. They leave little space for any other aspects of the reality and unsurprisingly the fascination easily fades away with the collapse of the USSR.
Źródło:
Przegląd Rusycystyczny; 2021, 3 (175); 26-41
0137-298X
Pojawia się w:
Przegląd Rusycystyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Od doświadczenia głodu do Nagrody Nobla
From Experience of Hunger to Nobel Prize
Autorzy:
Filek, Janina
Powiązania:
https://bibliotekanauki.pl/articles/468944.pdf
Data publikacji:
2014
Wydawca:
Polska Akademia Nauk. Instytut Filozofii i Socjologii PAN
Tematy:
Amartya Kumar Sen
Rabindranath Tagore
experience hunger
intellectual biography
Nobel Prize
Opis:
It seems that some of the facts of the rich and interesting but also very instructive bio graphy of Amarty Kumar Sen, a modern economist of Indian origin, allow to understand better not only his selection of issues from a wide range of the latest economic problems, which differs from many other economists and to which he has devoted his research works, but also to understand a system of values adopted by him. Het article is therefore an attempt to reach the source of thinking of one of the most interesting contemporary economists. Th e author tries to show the deep roots of his economic and social thoughts, mainly derived from the Hindu philosophy but fi ltered through the Western way of thinking, with many interesting references to the European philosophy. The author also attempts to outline a surprisingly rich area of his interests and to draw attention to a social rank of problems undertaken by him.
Źródło:
Prakseologia; 2014, 156; 9-23
0079-4872
Pojawia się w:
Prakseologia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tagore and the academic study of religion
Autorzy:
Khan, Abrahim H.
Powiązania:
https://bibliotekanauki.pl/articles/437479.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
rabindranath tagore
visva‑bharati
comparative study of religions
social imaginary
human
person
truth
dharmic traditions
rational inquiry
modern research university
Opis:
Rabindranath Tagore (1861–1941), at about the start of the nineteenth century, was advocat‐ ing that the study about religion has to be included in university‐level education in the East. The university he envisioned and founded (Visva‐Bharati) included in its curriculum such a study. Shortly a er India’s regaining independence in 1947 and becoming a secular state, that institution was inaugurated as a central university with an advanced institute for philosophy and the study of religion. This essay answers whether his understanding of studying religion would accommodate the approach to the academic study of religion associated with the mod‐ ern Western research university. It also inquires the extent that the curriculum for the study of religion at Visva‐Bharati evidences such an approach. The answers it advances draw primarily on his two essays, Eastern University and Hindu University, which o er his vision of univer‐ sity level education; on commissioned reports for higher level education in the new India as a secular state; on developments in the academic study of religion in the West, especially the United States; on the relatively recent revised curriculum for such a study at Visva‐Bharati University; and on ideas of social imaginary and the comparative study of religion articulated by Western scholars.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2016, 6, 1; 39-53
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Shakespeare Comes to Bengal
Autorzy:
Chaudhuri, Sukanta
Powiązania:
https://bibliotekanauki.pl/articles/39766684.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Shakespeare
Bengal
Calcutta
Bengali translations
Bengali theatre
Hindu College
Presidency College
Kalidasa
Bankimchandra Chattopadhyay
Ishwarchandra Vidyasagar
Michael Madhusudan Datta
Haraprasad Shastri
Hirendranath Datta
Rabindranath Tagore
Girishchandra Ghosh
Opis:
India has the longest engagement with Shakespeare of any non-Western country. In the eastern Indian region of Bengal, contact with Shakespeare began in the eighteenth century. His plays were read and acted in newly established English schools, and performed professionally in new English theatres. A paradigm shift came with the foundation of the Hindu College in Calcutta in 1817. Shakespeare featured largely in this new ‘English education’, taught first by Englishmen and, from the start of the twentieth century, by a distinguished line of Indian scholars. Simultaneously, the Shakespearean model melded with traditional Bengali popular drama to create a new professional urban Bengali theatre. The close interaction between page and stage also evinced a certain tension. The highly indigenized theatre assimilated Shakespeare in a varied synthesis, while academic interest focused increasingly on Shakespeare’s own text. Beyond the theatre and the classroom, Shakespeare reached out to a wider public, largely as a read rather than performed text. He was widely read in translation, most often in prose versions and loose adaptations. His readership extended to women, and to people outside the city who could not visit the theatre. Thus Shakespeare became part of the shared heritage of the entire educated middle class. Bengali literature since the late nineteenth century testifies strongly to this trend, often inducing a comparison with the Sanskrit dramatist Kalidasa. Most importantly, Shakespeare became part of the common currency of cultural and intellectual exchange.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2023, 27, 42; 31-46
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dharma and religion in Tagore’s views
Autorzy:
Milewska, Iwona
Powiązania:
https://bibliotekanauki.pl/articles/437129.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
Rabindranath Tagore
religia
dharma
Religia człowieka
wiedza a wolność
badania porównawcze religii
komparatystyka
metodologia porównawcza
religioznawstwo
filozofia religii
universal religion
The religion of Man
Indian thought
freedom
comparative methodology
religious studies
philosophy of religion
Opis:
Rabindranath Tagore (1861–1941), one of the greatest contemporary Indian thinkers, discussed the problem of religion and faith on the ground of global pluralism and religious diversity. He presented his views in numerous poetical works (including Gitanjali, a collection of Song offerings translated into English, for which he was awarded with the Noble Prize in literature in 1913), but he also delivered many speeches, mostly addressed to the Western audience (e.g. The religion of Man). In his writing, Tagore often uses the terms “religion” and dharma interchangeably. This article focuses on both key terms and on the question whether they may be seen as equivalent according to him. Does he really equalize both terms? or, How was his understanding of “religion” and dharma influenced by his cultural background? The article opens with the analyse of the dictionary definitions of both key terms. Next, at the basis of dictionary explanation the main question is raised: whether “religion” and dharma could be treated as equivalents in their whole range of meanings or should their understanding be limited to a chosen definition or definitions? In the following section, Tagore’s concept of the so called “Man the Eternal” and “Divinity in Man” is briefly described. Final comments include some remarks on both terms explained in the light of Tagore’s view on comparative methodology. He claims that “religion” and dharma are close in meaning, since they both stand for the rational description of the individual experience of divinity. Therefore, they may ultimately lead to the common end, regardless their different cultural roots and various circumstances in which both concepts developed. Tagore argues for freedom as the preliminary condition for understanding of the phenomenon of transcendence of human nature towards the experience of divinity. He understands freedom as perfect harmony realized in this world but not merely through our response to it in knowing but in being. Only when such an approach is accepted the experience of “Man the Eternal” can be achieved. In this respect all human beings may meet, regardless they come from Western or Eastern culture. Such an exposition of the core of religious experience allows us to use the terms of “religion” and dharma interchangeably, and thus contribute to the comparative methodology in religious studies.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2014, 4, 1; 81-88
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rabindranath Tagore on a comparative study of religions
Autorzy:
Mukherjee, Asha
Powiązania:
https://bibliotekanauki.pl/articles/437551.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
Rabindranath Tagore
religia człowieka
badania nad religiami
religioznawstwo
pluralizm religijny
filozofia religii
badania porównawcze
komparatystyka
hinduizm
filozofia indyjska
religia uniwersalna
uniwersalizm religijny
boskość człowieka
The religion of Man
religious studies
religious pluralism
philosophy of religion
comparative studies
Hinduism
Universal religion
Divinity of Man
Opis:
Study of religion describes, analyzes and compares how certain human beings do in fact express their faith in terms of particular scriptures, religious figures, sacred rituals, community solidarity, etc. — and how all these explicitly religious phenomena may relate to other aspects of people’s lives. It also aspires and addresses the questions to be even-handed, objective, based on evidence that may be checked by any competent inquirer, and non-committal on claims to divine revelation and authority. It is in principle comparative, not in a judgmental evaluative sense, but in terms of describing and analysing comparable elements or phenomena from various religious traditions, using the same criteria in each case. The paper begins with a brief report on the study of religion in the context of India and presents in detail Rabindranath Tagore’s (1861–1941) views on the need, an objective and philosophy behind the comparative study of religion. As Tagore observes, when studying religion one usually chooses among two alternative approaches: to do research on the secret text or to study the rituals. Tagore accepts fully none of them and instead suggests to rediscover how human aspiration for transcendence works in practice, how it sustains the individual — often marginalized by the power of institutionalised religion — and society, and how it generates new cultural forms. For Tagore, the essence of religion lies is the will to transcend the limit of the self-cantered being towards an ideal of perfection — which he calls divinity of Man. His understanding of the “religion of Man”, as he puts it, is discussed in the major part of the paper.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2014, 4, 1; 69-80
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kwestia emancypacji kobiet w myśli społecznej Renesansu Bengalskiego
Women’s Emancipation in the Social Thought of the Bengali Renaissance Thinkers
Проблема женской эмансипации в социальной мысли интеллектуалов эпохи Ƃенгальского Возрождения
Autorzy:
Dżugaj, Blanka Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1934157.pdf
Data publikacji:
2021-06-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
woman in India
Bengal Renaissance
woman in Indian culture
woman in Hindu traditions
journalism of Bengal Renaissance
Rabindranath Tagore
Ischwar Chandra Vidyasagar
Ram Mohan Roy
женщина в Индии
Ƃенгальское Возрождение
женщина в индийской культуре
женщина в индуизме
журналистика Бенгальского Возрождения
Рабиндранат Тагор
Ишвар Чандра Видьясагар
Рам Мохан Рой
Opis:
In the middle of 19th century, Bengal, the region of British India, witnessed an intellectual and religious awakening. It was a time of significant revival of cultural, social, and political life, manifested in arising new cultural trends, political ideologies, and social movements. According to Indian reformers, values such as social equality, women’s emancipation, and universal access to education have gained particular recognition. In the area of women’s rights, social activists such as Ram Mohan Roy, Swami Vivekananda, or Ishwar Chandra Vidyasagar, have postulated compulsory education for girls, abolition of the custom of widow’s self-immolation, right to remarry for widowed women, and prohibition of marrying children and polygamy. Moreover, the reformers of Bengal Renaissance created a model of a new Indian woman: bhadramahila. Initially, the name was used only for the female equivalent of a bhadralok, a male from the Bengali middle or upper class, who has a good education and knowledge about culture. Over time, however, the word bhadramahila has begun to function in relation to a social construct, which was a modern woman of the Bengal Renaissance. This paper explores the women’s issues in the journalism of Bengali intellectuals of that period. Journalism began to become a way of expressing social views in India, on a scale unprecedented in this region. The article aims to present the issues of women’s emancipation in the broader context of the ideas of the Bengali Renaissance and to define the perspectives of detailed research in areas which - despite the presence of this subject in the scientific discourse - still require in-depth studies.
В середине XIX века Бенгальский регион Британской Индии стал свидетелем интеллектуального и религиозного пробуждения – это было время значительного возрождения культурной, социальной и политической жизни, проявившегося в возникновении новых культурных тенденций, политических идеологий и социальных движений. В глазах индийских реформаторов особое значение получили такие ценности как социальное равенство, эмансипация женщин и всеобщий доступ к образованию. В области прав женщин такие общественные деятели, как Рам Мохан Рой, Свами Вивекананда, Ишвар Чандра Видьясагар, постулировали обязательное образование для девочек, отмену обычая самосожжения вдов, право на повторный брак для овдовевших женщин и запрет на брак с детьми. Более того, реформаторы Ƃенгальского Возрождения создали модель новой индийской женщины: бхадрамахилы. Первоначально это название использовалось только для женского эквивалента бхадралока – мужчины из среднего или высшего класса бенгальского обществa, имеющего хорошее образование и знание культуры. Однако со временем слово бхадрамахила начало функционировать в отношении социальной конструкции, которой была современная женщина Бенгальского Возрождения. В данной статье исследуются женские проблемы в журналистике бенгальских интеллектуалов того периода. Журналистика стала способом выражения социальных взглядов в Индии в беспрецедентном для этого региона масштабе. Цель статьи – представить вышеупомянутые проблемы женской эмансипации в более широком контексте идей Ƃенгальского Возрождения и определить перспективы детального исследования в областях, которые, несмотря на присутствие этой темы в научном дискурсе, по-прежнему требуют углубленных исследований.
Źródło:
Studia Orientalne; 2021, 1(19); 87-103
2299-1999
Pojawia się w:
Studia Orientalne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-8 z 8

    Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies