Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "Polona" wg kryterium: Temat

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-6 z 6
    Tytuł:
    DZIEDZICTWO SZTUKI WITRAŻOWEJ W POLSCE STAN BADAŃ, STAN ZABYTKÓW, KONSERWACJA, NOWE WITRAŻE W ZABYTKOWYCH BUDOWLACH
    THE HERITAGE OF THE ART OF STAINED GLASS IN POLAND STATE OF MONUMENTS, CONSERVATION, NEW STAINED GLASS IN HISTORICAL BUILDINGS
    Autorzy:
    Pawłowska, Krystyna
    Powiązania:
    https://bibliotekanauki.pl/articles/538735.pdf
    Data publikacji:
    2005
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    witraże
    sztuka witrażowa
    ARS VITREA POLONA
    witraże średniowieczne
    Lech Kalinowski
    Helena Małkiewicz
    witraże nowożytne
    Stanisław Wyspiański
    konserwacja witraży
    Opis:
    The interesting question of the stained glass heritage in Poland remains little known. Neither the state of the registration of the monuments nor pertinent knowledge correspond to the actual dimension and value of the resources, with scarce examples of mediaeval stained glass being the best examined. Consecutive generations have been studied only in several centres which, on the one hand, concentrate numerous valuable works and, on the other hand, involve researchers particularly interested in stained glass (Cracow, Wrocław, Toruń, Łodź, Poznań). The sole institution conducting more systematic work on the subject is the ARS VITREA POLONA Association of Lovers of Stained Glass. The article considers briefly consecutive generations of monuments of this category of art: rare and precious mediaeval relics, modern study stained glass, the historicising and eclectic stained glass of the nineteenth century, windows maintained in the Art Nouveau spirit, and the particularly relevant – and stylistically distinct – Young Poland monuments. Finally, the author focused on the protection and conservation of stained glass, indicating the errors frequently committed due to an insufficient appreciation of the technical-artistic uniqueness of this domain of the arts, and expressing her opinion about the sense of embarking upon stained glass projects according to historical cartoons never before executed in glass. The article ends with a discussion of new stained glass in historical objects.
    Źródło:
    Ochrona Zabytków; 2005, 1; 41-54
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „WITRAŻE SECESYJNE. TENDENCJE I MOTYWY” Konferencja naukowa, Łódź, 13-15 maja 2009 r.
    ”ART NOUVEAU STAINED GLASS. TENDENCIES AND MOTIFS” Scientific Conference, Łódź, 13-15 May 2009
    Autorzy:
    Laskowski, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/538396.pdf
    Data publikacji:
    2008
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    witraże secesyjne
    Ars Vitrea Polona
    konserwacja witraży
    inwentaryzacja witraży w Polsce
    Opis:
    An international scientific conference on ”Art Nouveau Stained Glass. Tendencies and Motifs” was held on 13-15 May 2009 by the Association of Lovers of Stained Glass ”Ars Vitrea Polona” and the Historical Museum of Łódź. The event gathered experts and lovers of stained glass from many parts of Poland, representing assorted institutions, as well as Ukrainian researchers. The majority of the papers dealt with stained glass found or executed in leading centres of the Polish Art Nouveau, including Kraków, Lviv, Łódź and Silesia. A presentation of factographic findings was accompanied by essential reflections about conservation. The programme of the meeting was enhanced by a tour along the trails of Łódź stained glass and a suitable exhibition featured at the Historical Museum of Łódź. A publication of the post-conference material would be an important summary of the achievements of these remarkable debates.
    Źródło:
    Ochrona Zabytków; 2008, 2; 11-13
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dostęp do polskiej literatury dla dzieci w bibliotekach cyfrowych i agregatorach zbiorów cyfrowych
    Access to the Polish Literature for Children in Digital Libraries and Aggregators of Electronic Collections
    Autorzy:
    Motylińska, Paulina
    Powiązania:
    https://bibliotekanauki.pl/articles/474205.pdf
    Data publikacji:
    2016
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Biblioteka cyfrowa
    Europeana
    Federacja Bibliotek Cyfrowych
    Literatura dla dzieci – polska
    Międzynarodowa Biblioteka Cyfrowa dla Dzieci
    Polona
    Wolne Lektury
    Digital Libraries Federation
    Digital library
    International
    Children’s Digital Library
    Polish literature for children
    Opis:
    W ostatnich latach podejmowane są liczne inicjatywy digitalizacji i udostępniania zasobów materialnego dziedzictwa kulturowego. Procesem digitalizacji zostały objęte także zbiory literatury dla młodego czytelnika. W artykule przedstawiono możliwości dostępu do literatury dla dzieci w dwóch polskich bibliotekach cyfrowych: Cyfrowej Bibliotece Narodowej Polona oraz w serwisie Wolne Lektury, a także w dwóch agregatorach zasobów bibliotek cyfrowych: Europejskiej Bibliotece Cyfrowej Europeana i Federacji Bibliotek Cyfrowych. Zwrócono uwagę na kolekcje zdigitalizowanej literatury dla dzieci, dostępne w Polonie oraz w serwisie Wolne Lektury. Dla porównania na początku artykułu opisano Międzynarodową Bibliotekę Cyfrową dla Dzieci, której zbiory i interfejs w całości przeznaczony jest dla dzieci. Odnaleziona literatura dla dzieci dostępna w bibliotekach cyfrowych pochodzi głównie z XIX i XX w.
    Nowadays, numerous digitalization initiatives are undertaken to make physical artifacts of cultural heritage more accessible. Collections of literature for children have been also digitalized. Article presents possibilities of searching for literature for children available at two Polish digital libraries: National Digital Library Polona and Wolne Lektury and two aggregators of electronic collections: European Digital Library Europeana and Polish Digital Library Federation. As an example of making literature for children more accessible the International Children’s Digital Library was presented. Most of found resources for children in digital libraries is dated on XIX and XX century.
    Źródło:
    Nowa Biblioteka. Usługi, Technologie Informacyjne i Media; 2016, 3(22); 25-40
    1505-4195
    2451-2575
    Pojawia się w:
    Nowa Biblioteka. Usługi, Technologie Informacyjne i Media
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Un messaggio per i posteri. La tomba di Stanisław Miński nella Basilica di Sant’Antonio a Padova
    A message to posterity: the tomb of Stanisław Miński in the basilica of st. Anthony in Padua
    Autorzy:
    Lenart, Mirosław
    Powiązania:
    https://bibliotekanauki.pl/articles/1929887.pdf
    Data publikacji:
    2021-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Stanisław Miński
    Padua
    natio polona
    Basilica of St. Anthony
    tomb
    Padova
    Basilica di Sant’Antonio
    tomba
    Opis:
    The article deals with the first burial in the tomb crypt built under the altar of the natio polona in the Basilica of St. Anthony in Padua. Stanisław Miński, a Polish state dignitary and diplomat who was passing through Padua on his way from Naples, was the one buried here. The tombstone, removed only in the first half of the 20th century, contained information about the laying of Miński’s body to rest in the place where church services associated with Poland and Poles were performed. For over three centuries, the tomb attracted the attention of pilgrims from Poland coming to Padua, reminding them not only of the outstanding Polish diplomat, but also of the natio polona, which, in the 16th and early-17th centuries, constituted a large and distinctive group of ultramontani, that is, those who came from beyond the mountains, most of whom had come to study at the flourishing university. In the article, little-known documents concerning the burial are gathered; these documents are kept in the Paduan archives and had been collected by the clergy and secular administration of the Basilica. Via the analysis of these documents, the cultural context in which the decision against bringing Miński’s body to Poland is reconstructed. The role of the institution, constituted by the administration of St. Anthony’s Basilica operating under the name of Veneranda Arca di Sant’Antonio, which grants permission to lay the body in the Basilica, is also established.
    L’articolo affronta la questione della prima sepoltura nella cripta funebre, realizzata sotto l’altare della natio polona nella Basilica di Sant’Antonio a Padova. Tale sepoltura riguardava Stanisław Miński, dignitario di stato polacco e diplomatico, che passò da Padova diretto a Napoli. Dell’inumazione del corpo di Miński nel luogo di celebrazione liturgica del santuario associato alla Polonia ed ai polacchi informava una lapide, rimossa solo alla metà del XX secolo. Per oltre tre secoli essa attirò l’attenzione soprattutto dei pellegrini polacchi giunti a Padova, ricordando non solo la figura del grande diplomatico polacco, ma anche la natio polona, che nel secolo XVI e agli inizi del XVII costituiva in città un gruppo numeroso e particolare di oltremontani, in gran parte legati agli studi compiuti nel periodo d’oro dell’università. Nell’articolo sono riportati documenti scarsamente noti concernenti la sepoltura, conservati negli archivi padovani, redatti dall’amministrazione religiosa e da quella della basilica. Grazie alla loro analisi, è stato ricostruito il contesto culturale nel quale fu deciso di rinunciare al trasporto della salma di Miński in Polonia. Si è altresì sottolineato il ruolo svolto dall’istituzione cerata dall’amministrazione della Basilica di Sant’Antonio, operante con il nome di Veneranda Arca di Sant’Antonio, la quale rilasciava i permessi per l’inumazione delle salme nella basilica.
    Źródło:
    Italica Wratislaviensia; 2021, 12.2; 11-27
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Le virtù dei ‘tenenti’ polonici, tra classicità e cristianità
    The Virtues of the Polish ‘supporters’ – between the Classical Antiquity and Christianity
    Autorzy:
    Benucci, Franco
    Powiązania:
    https://bibliotekanauki.pl/articles/37509172.pdf
    Data publikacji:
    2023
    Wydawca:
    Akademia Ignatianum w Krakowie
    Tematy:
    Natio Polona
    Natio Germanica
    Natio Ultramarina
    heraldic supporters
    virtus
    Opis:
    L’articolo esamina il corpus di araldica studentesca riguardante la Natio Polona allo Studium di Padova, in particolar modo gli stemmi miniati nel volume del registro della Nazione (1592 [ma 1605] – 1745) – dal punto di vista della struttura di queste rappresentazioni, delle insegne ufficiali e dei sostegni o tenenti che vi compaiono (per la maggior parti allegorie di virtù o figure tratte dalla mitologia greco-romana) e del significato che essi, insieme alle massime e ai motti che incorniciano le singole miniature, trasmettono, confrontando tutto ciò con la documentazione prodotta dalle due Nationes Germanicae dei Giuristi (1545–1609, 1650–1709) e degli artisti (1553–1769) e dalla Natio Ultramarina (ovvero greca: 1656–1737). Si potrà quindi osservare che, nella dialettica tra afflato religioso e ispirazione classica che ne emerge, la vera dimensione in cui il primo è messo in pratica è la difesa culturale e militare del cristianesimo, sussunta dal tema della virtus pervasivamente illustrato dai motti e dalle figure che rinviano al secondo.
    The paper examines the corpus of student heraldry relating to the Natio Polona at the Studium of Padua – in particular the illuminated coats of arms in the volumes of the National register (1592 (but 1605)–1745) – from the point of view of the structure of these representations, of the official insignia and the supporters or attendants that appear there (mostly allegories of virtues or figures taken from Greco-Roman mythology) and of the meanings that they, together with the maxims and watchwords that frame the individual miniatures, convey, comparing it with the analogous documentation produced by the two Nationes Germanicae of Jurists (1545–1609, 1650–1709) and Artists (1553–1769) and by the Natio Ultramarina (i.e. Greek: 1656–1737). It will thus be observed that, in the dialectic between religious afflatus and classical inspiration that emerges from it, the true dimension in which the former is implemented is the cultural and military defense of Christianity, subsumed by the theme of virtus pervasively illustrated by the mottos and figures that refer to the second.
    Źródło:
    Perspektywy Kultury; 2023, 41, 2/1; 15-48
    2081-1446
    2719-8014
    Pojawia się w:
    Perspektywy Kultury
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Un poeta rinascimentale polacco nella città d’Antenore. Jan Kochanowski tra Padova e Czarnolas
    A Polish Renaissance Poet in the City of Antenor. Kochanowski between Padua and Czarnolas
    Autorzy:
    Lenart, Mirosław
    Powiązania:
    https://bibliotekanauki.pl/articles/37503448.pdf
    Data publikacji:
    2023
    Wydawca:
    Akademia Ignatianum w Krakowie
    Tematy:
    Jan Kochanowski
    Natio Polona
    Poles in Padua
    Polish Renaissance
    Opis:
    L’importanza del triplice viaggio di Jan Kochanowski a Padova è un tema che è stato più volte affrontato nella letteratura scientifica. I risultati di queste ricerche godono soprattutto dell’interesse di quegli studiosi che si concentrano sull’analisi dei materiali documentari e sulla ricostruzione dell’atmosfera dominante nella città chiamata spesso la rocca di Antenore. Essa conobbe nel XVI secolo il suo massimo splendore, fatto sul quale influì la politica della Repubblica di Venezia, nell’ambito della quale si cercò tra l’altro di fare di questo centro universitario e allo stesso tempo cittadino una riconoscibile meta di viaggi educativi per i giovani provenienti da tutta Europa. Per questi ultimi il contatto con un ambiente dalle alte aspirazioni intellettuali e artistiche era spesso l’inizio di una brillante carriera, sviluppata dopo il ritorno in patria. Il ricordo delle esperienze vissute durante i soggiorni a Padova ha svolto un ruolo di primo piano anche nella formazione dell’ispirazione poetica di Jan Kochanowski, ciò di cui testimoniano molti suoi testi, come ad esempio Satyr albo dziki mąż, Odprawa Posłów greckich, e il ciclo degli epigrammi. In quest’ultimo un luogo particolare è quello del tiglio attorno al quale Kochanowski organizza lo spazio del mondo reale e poetico. L’Autore dell’articolo ricerca tra l’altro le fonti italiane di questo motivo e si sofferma su altre possibili ispirazioni, che attendono analisi più approfondite in ulteriori ricerche, aldilà delle riflessioni sull’italianismo del maestro di Czarnolas.
    The significance of Jan Kochanowski’s three trips to Padua has been discussed more than once in the scholarly literature. The results of these findings are especially of interest to those researchers who focus on source material analysis and recognizing the cultural atmosphere prevailing in the city often referred to as “Antenor’s city.” Padua flourished in the 16th century, influenced by the policies of the Republic of Venice, which sought to make this academic and urban center a recognizable educational destination for young men coming from all over Europe. For the latter, entering an environment of high intellectual and artistic aspirations was often the beginning of brilliant careers, developed after returning to their home countries. The memory of the experiences accumulated during Jan Kochanowski’s stay in Padua also played a major role in shaping his poetic imagination, as evidenced by many of his works, such as Satyr albo dziki mąż [Satyr or the Wild Man], Odprawa Posłów greckich [The Dismissal of the Greek Envoys], and a cycle of epigrams. In the latter, the image of a linden tree gained a special place, around which Kochanowski organized the space of the real and the poetic worlds. The author’s aim include a search for any Italian sources for this motif, and ponders other possible inspirations, which might be awaiting deeper analysis in future research, going beyond consideration of Italianism in the works of the master of Czarnolas. 
    Źródło:
    Perspektywy Kultury; 2023, 41, 2/1; 129-146
    2081-1446
    2719-8014
    Pojawia się w:
    Perspektywy Kultury
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies