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Wyświetlanie 1-10 z 78
Tytuł:
Pan Tadeusz – the poem about treason
Autorzy:
Tomkowski, Jan
Powiązania:
https://bibliotekanauki.pl/articles/702964.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish romanticism
Adam Mickiewicz
Pan Tadeusz
treason
Opis:
Adam Mickiewicz’s Pan Tadeusz (in English: Sir Thaddeus, or the Last Lithuanian Foray), the national epic poem, was first published in June 1834. It was perceived as a idyllic work, full of happiness and very ideal heroes. However, one of the most problem of this poem is treason! It is very important to put a question: what is treason in the strict sense of the word? There are a lot of kinds of treason or only one? Is it possible to betray own country on account of favouriting strange fashion, customs or painting? In Pan Tadeusz Mickiewicz intended to stand up for the Polish tradition. He had a high opinion of loyalty, steadiness and the selfless sense of duty.
Źródło:
Nauka; 2017, 2
1231-8515
Pojawia się w:
Nauka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pan Tadeusz – the poem about love?
Autorzy:
Tomkowski, Jan
Powiązania:
https://bibliotekanauki.pl/articles/704538.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish romanticism
Adam Mickiewicz
Pan Tadeusz
love
Opis:
Adam Mickiewicz’s Pan Tadeusz (in English: Sir Thaddeus, or the Last Lithuanian Foray ), the national epic poem, was first published in June 1834. It was perceived as a patriotic work, full of very ideal heroes. However, one of the most problem of this poem is love! Pan Tadeusz is the poem about love. There are many kinds of love: erotic love and maritial love, also familiar love (between parents and their children), love for country and others. My article applies not just to love affairs, but the very essence of love. What is love in Mickiewicz’s poem – is it “love that moves the sun and other stars” (Dante)?
Źródło:
Nauka; 2017, 4
1231-8515
Pojawia się w:
Nauka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cyprian Norwid a Ugo Foscolo. Próba zbliżenia
Autorzy:
Kinga, Borzęcka-Wojciechewicz,
Powiązania:
https://bibliotekanauki.pl/articles/897254.pdf
Data publikacji:
2018-05-28
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Cyprian Norwid
Ugo Foscolo
Polish romanticism
Italian romanticism
biography
Opis:
The work is devoted to the comparative presentation of Ugo Foscolo and Cyprian Norwid – two outstanding representatives of the 19th-century Polish and Italian literature, respectively. Despite the obvious differences between them, such as belonging to different literary generations and the ideological and national entanglements of their lives and work, significant similarities between the artists (in the aspect of their works, biographical models and a similar individual stigma) are thought-provoking. Moreover, the ambiguity of assigning Norwid and Foscolo to one literary period still inspires polemics among literature researchers.
Źródło:
Przegląd Humanistyczny; 2017, 61(4 (459)); 151-161
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
«Wernyhora» i «ukraiński step» jako polskie „lieux de mémoire”
Autorzy:
Marta, Brzezińska,
Powiązania:
https://bibliotekanauki.pl/articles/1927187.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Wernyhora
places of memory
Polish romanticism
Polish identity
Ukrainian Steppe
Opis:
The aim of the article is to present figures of Ukrainian legendary bard Wernyhora and the Ukrainian Steppe as Polish places of memory according to the concept of French historian Pierre Nora. In this concept a place or figure can act as a transmitter of national common values or a center around which visions of the past can be formed. Places of memory (lieux de mémoire) are also special kinds of symbols because of their visual character. In the article I try to highlight this based on (mainly) literature of Polish romanticism. A visual character of both figures and its connection with Polish identity and historical discussions make them vital and important motif of Polish past and imaginary.
Źródło:
Studia Interkulturowe Europy Środkowo-Wschodniej; 2015, 8; 34-42
1898-4215
Pojawia się w:
Studia Interkulturowe Europy Środkowo-Wschodniej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sanok i Brugia – peryferyjne miasta Mariana Pankowskiego
Sanok and Brugge – the peripheral towns of Marian Pankowski
Autorzy:
Latawiec, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/445467.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
peripheral topics; urban images; subjective expression; eccentricity; Polish Romanticism
Opis:
The article presents an analysis of two urban images pictured in Marian Pankowski’s prose. His home town, Sanok, being the town of his youth, is shown in his experimental novel Matuga idzie (Here comes Matuga) dating to 1956-57, while the medieval Brugge is presented in Putto, written in 1994. The former is the place of the writer’s initiation in the nature and sexuality, while the latter, with its architecture, brings to mind the old painters’ engravings and thus shows as a product of high culture. The writer does not aim at a realistic reconstruction of space, but treats it as a pretext to argue with the fossilized forms which limit the subjective expression of an individual. In the first novel mentioned, he revises the Romantic sense of national community, while in the Belgian novel he discloses the appearances of the bourgeois world order. In both cases the writer surfaces the hidden complexes by reaching to the sphere of the Night, as he calls this subcutaneous world. He explores peripheral topics and moves beyond the ordered urban landscape towards the phenomena difficult to rationalize. He confronts the subjective ”self” with the disenchanted post-War world. He triggers a clash between the youthful idealism and the difficult knowledge elicited from the political history lesson and from the observation of contemporary social behaviours. He is inclined to adopt the subjectivist perspective and manifests individualism and eccentricity. He questions the fossilized beliefs in the name of the truth of body and senses. Owing to this, he gains distance towards the mainstream of Polish Romanticism. However, he remains a follower of the Romantic project of consciousness regarded as the expressive and creative principle. He demonstrates it when he deprives the well-known topoi of the ”family Arcadia” or the ”idyllic childhood” of their aura of familiarity. He leads his hero out of cosy places to throw him against what is alien, unbelievable, or perverse. The accompanying feeling is that of ethic and cognitive uncertainty: an integral element of the human condition. This pessimistic interpretation is not a negative conclusion with respect to this writer. If critical thinking is believed to shape individual separateness, then Pankowski’s prose is evidence of individualistic inventiveness, rooted in the Romantic spirit. In an artistic strategy designed so, the urban images are a projection of the subjective ”self”, which respects their material reality, but at the same time inscribes in them its own emotions.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica; 2015, 3; 9-22
2353-4583
2449-7401
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
EXALTATION, OR ABOUT LIFTING BORDERS
Autorzy:
Burta, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/624433.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
EXULTATION
POLISH EARLY ROMANTICISM
AESTHETIC SPLIT
Opis:
The article brings about an attempt to define exultation in the context of literary criticism from the period of the ‘aesthetic split’ (between late enlightenment and early romanticism currents) and pre-November heat of the 1830. It calls to attention the discussions in which Kazimierz Brodziński, the author of O egzaltacji i entuzjazmie [On Exultation and Enthusiasm], and his adversaries Maurycy Mochancki and Józefat Bolesław Ostrowski played crucial roles.
Źródło:
Colloquia Litteraria; 2018, 3; 145-170
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Topos of Exile. Wittlin, Gombrowicz and Miłosz – the Review of Romantic Traditions
Autorzy:
Nalewajk-Turecka, Żaneta
Powiązania:
https://bibliotekanauki.pl/articles/1834034.pdf
Data publikacji:
2018-10-10
Wydawca:
Mazowiecka Uczelnia Publiczna w Płocku
Tematy:
The Great Emigration
The Second Great Emigration
Polish Romanticism
Messianism
exile
Opis:
The Second Great Emigration, shaped in a historical context different from the one of the nineteenth century, inherited after the first one the romantic myth of exile. The main goal of the article is to present what Polish writers: Józef Wittlin, Witold Gombrowicz and Czesław Miłosz thought about exile, how they understood the concept of exile and how they defined the problem of artistic communication in the situation of exile and what were their methods for upgrading the romantic context.
Źródło:
Społeczeństwo. Edukacja. Język; 2018, 7; 17-31
2353-1266
2449-7983
Pojawia się w:
Społeczeństwo. Edukacja. Język
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cultura francese e cultura polacca in Giuseppe Mazzini
French Culture and Polish Culture in Giuseppe Mazzini
Kultura Francuska I Kultura Polska U Giuseppe Mazziniego
Autorzy:
Fournier-Finocchiaro, Laura
Powiązania:
https://bibliotekanauki.pl/articles/2076615.pdf
Data publikacji:
2016
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Giuseppe Mazzini
French literature
Polish Romanticism
Anti-French sentiment
Italy-Poland relations
Opis:
During the 19th century, Giuseppe Mazzini communicated to his contemporaries the feeling of a strong hostility against France, to defend his project of emancipation of Italy (and Europe) from French tutelage. So he decided to choose other models and other examples, in European literature, that could serve as a guide and reference point. In particular, he was influenced by Polish poets, who convinced him that poetry could animate the “Europe of the people” and guide them to achieve the major objectives of the “new epoch”. Polish literature is the origin of Mazzini’s exaltation of Risorgimento poetry and constituted a positive reference point to counter the decline and loss of influence of French culture.
Źródło:
Kwartalnik Neofilologiczny; 2016, 2; 176-186
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Oblicza Północy w Agaj-Hanie Zygmunta Krasińskiego
Shades of the North in Zygmunt Krasiński’s Agaj-Han
Autorzy:
Andruczyk, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/951636.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
Polish romanticism
vision of the North
Zygmunt Krasiński
Agaj-Han
Joachim Lelewel
Opis:
The author of the article analyses Zygmunt Krasiński’s views concerning romantic idea of the North. Additionally, he examines the poet’s polemics with Joachim Lelewel. The final conclusion demonstrates that Krasiński developed his own vision of the North, and that it contradicts the generally accepted utopian image which dominated the early stage of Polish romanticism.
Źródło:
Białostockie Studia Literaturoznawcze; 2015, 6
2082-9701
2720-0078
Pojawia się w:
Białostockie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Norwid (ponownie) odkryty. O postawie autora Rzeczy o wolności słowa wobec nowoczesności
Autorzy:
Mateusz, Grabowski,
Powiązania:
https://bibliotekanauki.pl/articles/897562.pdf
Data publikacji:
2018-05-25
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Norwid
"Rzecz o wolności słowa"
"On Freedom of Speech
Polish Romanticism
"Vade-mecum"
Opis:
Cyprian Norwid was considered by many researchers a poet of Polish Romanticism. The author of Vade-mecum was ahead of the times in which he lived, announcing and contesting the upcoming modernité at the same time. The aim of the article is not, however, to sum up research conducted so far on the modernity of Norwid’s work, but to show why late Romanticism is such an important category of description of the phenomenon of the author of Vade-mecum and what links his works created in the 1860s and 1880s with the manifestos of the birth of new poetry at the turn of the 19th and 20th centuries.
Źródło:
Przegląd Humanistyczny; 2017, 61(4 (459)); 29-38
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-10 z 78

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