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Tytuł:
Czy miesięcznice smoleńskie były uroczystościami religijnymi? Prawo a polska kultura religijna
Were the monthly Smoleńsk commemorations religious celebrations? Law and Polish religious culture
Autorzy:
Pasek, Zbigniew
Powiązania:
https://bibliotekanauki.pl/articles/1887378.pdf
Data publikacji:
2021-12-18
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
obraza uczuć religijnych
kultura prawna
obrona przez kulturę
polska kultura religijna
offending religious feelings
legal culture
cultural defense
Polish religious culture
Opis:
Na przykładzie konfliktów wokół Miesięcznic Smoleńskich z 2017 r. Autor omawia problem uwzględniania w sprawach toczonych z art. 196 Kodeksu karnego (dot. obrazy uczuć religijnych) tradycji polskiej kultury religijnej. Stosując jako analogię zasadę „obrony z kultury” (cultural defense) Autor przywołuje historyczne korzenie polskiej tradycyjnej religijności, której główne cechy ukształtowały się w dobie baroku (sarmatyzmu). Jedną z najważniejszych cech tej religijności jest ścisłe połączenie sfery religii i polityki. Brak państwowości w okresie zaborów i PRL wzmocnił, podobnie jak w kulturze diasporalnego judaizmu, związek między religią i pozareligijnymi dziedzinami życia. Autor sugeruje rozważenie czynnika kulturowego podczas analizowania spraw o obrazę uczuć religijnych, które współcześnie rodzą się z powodu kurczenia się dominującego charakteru tego typu kultury. Zderzenie się jej z liberalnym i lewicowym dziedzictwem oświecenia (które determinuje współczesną kulturę prawną Polski) doprowadza do licznych konfliktów, które polegają na narastaniu różnic w zakresie wrażliwości symbolicznej i postrzegania fundamentów aksjologicznych Państwa. Różnice te ilustruje Preambuła do obecnej Konstytucji.
Drawing on the example of the conflicts around the monthly Smolensk commemorations in 2017, the article discusses the issue of taking into account the tradition of Polish religious culture in cases pursued under article 196 of the Penal Code. Using the rule of cultural defense as an analogy, the Author recalls the historical roots of traditional Polish religiosity whose main features crystallized in the baroque (Sarmatism) era. One of the most important features of this religiosity is the close connection between religion and politics. The lack of statehood in the period of partitions and during the communist times enhanced, in a similar way to the diasporic culture of Judaism, the interconnections between religion and secular spheres of life. The Author suggests taking into account the cultural factor when analyzing cases pertaining to offending religious feelings that arise nowadays as the dominant character of traditional religious culture is being undermined. The clash between traditional culture and the liberal and leftist heritage of the Enlightenment (which determines contemporary Polish legal culture) has led to growing divergences in the symbolic sensitivity and perception of the axiological foundations of the State. The preamble to the 1997 Constitution illustrates these divergences well.
Źródło:
Studia z Prawa Wyznaniowego; 2021, 24; 67-85
2081-8882
2544-3003
Pojawia się w:
Studia z Prawa Wyznaniowego
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Druk ulotny na temat objawień Maryjnych w Dzierzgowie w roku 1664
Autorzy:
Kwaśniewski, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/686381.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:
The diocese of Cracow
King Jan Kazimierz
the parish of Dzierzgów
Jerzy Lubomirski
the Battle of Beresteczko (1651)
the Marian cult
Polish religious culture
Diecezja krakowska
król Jan Kazimierz
parafia Dzierzgów
bitwa pod Beresteczkiem (1651)
kult Maryjny
polska kultura religijna
Opis:
Jan Myszkowski received the icon of the Byzantine Mother of God during the Battle of Beresteczko (1651). The icon was made at the turn of the 16th and 17th centuries. The painting was placed in the parish church in Dzierzgów in the diocese of Cracow. In 1664, tears appeared in the painting, which was considered as a wonderful phenomenon. The Cracow Bishop Andrzej Trzebicki delegated the commission to Dzierzgów whose aim was to examine the circumstances of the event. In addition, an anonymous story about these events was printed. The story of the apparitions in Dzierzgów was published in the form of a two-card print, which is currently known only from one copy. The work devoted to this source consists of a discussion and critical edition. Wespazjan Kochowski, while working on the history of Poland, made his own interpretation of the wonderful event. In his opinion, tears appeared in the painting due to the unjust treatment of a Polish magnate Jerzy Lubomirski by the royal court. In this interpretation, Our Lady cried in Dzierzgów when King Jan Kazimierz and Queen Ludwika Maria Gonzaga unfairly accused Jerzy Lubomirski of betrayal.
Jan Myszkowski w czasie bitwy pod Beresteczkiem (1651) otrzymał bizantyjską ikonę Matki Bożej. Ikona była wykonana na przełomie XVI i XVII wieku. Obraz ten trafił do kościoła parafialnego w Dzierzgowie na terenie diecezji krakowskiej. W roku 1664 na obrazie pojawiły się łzy, które uznano za zjawisko cudowne. Biskup krakowski Andrzej Trzebicki wydelegował do Dzierzgowa komisję, która badała okoliczności wydarzenia. W związku z objawieniami wydrukowano anonimowe opowiadanie o tych wydarzeniach. Opowieść o objawieniach w Dzierzgowie została wydana w postaci druku złożonego z dwóch kart. Druk obecnie znany jest tylko z jednego egzemplarza. Praca poświęcona temu źródłu złożona jest z omówienia i edycji krytycznej. Wespazjan Kochowski, opracowując dzieje Polski, dokonał własnej interpretacji cudownego wydarzenia. Jego zdaniem łzy pojawiły się na obrazie z powodu niesprawiedliwego traktowana polskiego magnata Jerzego Lubomirskiego przez dwór królewski. W tej interpretacji Matka Boża płakała w Dzierzgowie, gdy król Jan Kazimierz i królowa Ludwika Maria Gonzaga przygotowywali skierowane pod adresem Jerzego Lubomirskiego niesprawiedliwe oskarżenie o zdradę. 
Źródło:
Orientalia Christiana Cracoviensia; 2018, 10
2450-2936
2081-1330
Pojawia się w:
Orientalia Christiana Cracoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
[Rev.:] Evropská dimenze česke a polské literatury. Europejski wymiar literatury czeskiej i polskiej. Sborník příspěvků z literárněvědné konference konané v Opavé ve dnech 10.-11.11.2010, edtor Libor Martinek, Slezská Univerzita v Opavé, Filozoficko-Přírodovědecká Fakulta, Ústav Bohemistiky a Knihovnictví, Kabinet Literárněvědné Komparatistiky, Opava 2011, 336, [2] s.
The European Dimension of Czech and Polish Literature. Proceedings of the Literary Conference held in Opava on 10-11.11.2010
Autorzy:
Tytko, Marek Mariusz
Powiązania:
https://bibliotekanauki.pl/articles/440951.pdf
Data publikacji:
2013
Wydawca:
Fundacja Naukowa Katolików Eschaton
Tematy:
Polish literature
Czech literature
the Bible
religion
Religious and sacred poetry
religious literary culture
European literature
Opis:
The review contains a short descriptions of the content of a book entitled European dimension of Czech and Polish literature, edited by Libor Martinek from the Silesian University in Opava (Czech Republic). A reviewer shows problems (problematique) of this international book, that concern olad and contemporary literatures of these two nations.There are twenty eights papers written by different authors from Poland and Czech Republic. Some of them involve motifs of old Czech and Polish religious poetry or old religious literary culture, eg. Maciej Kazimierz Sarbiewski), Tomaš Halik and the Bible of Brześć.
Źródło:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2013, 1(1); 133-136
2299-9922
Pojawia się w:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pieśni nabożne… z krakowskiej oficyny Antoniego Wosińskiego (1627)
“Pieśni nabożne…” from the Cracow-based printing office of Antoni Wosiński (1627)
Autorzy:
Wydra, Wiesław
Powiązania:
https://bibliotekanauki.pl/articles/1534189.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Polish culture
printing in Poland
history of Polish literature
history of the book
Old-Polish religious song
Opis:
The article analyses the unique copy of the old Polish catholic hymn book Pieśni nabożne na święta uroczyste według porządku Kościoła ś. katolickiego na cały rok z wielką pilnością zebrane [Songs of piety and devotion...] published in Cracow in 1627 and found at the library at Escorial in Spain. The book, apparently the first known printed Polish catholic extensive hymn book, contained over 140 songs, in Polish and Latin, including works written by Jan Kochanowski and Mikołaj Rej. The article also describes later editions of the hymn book. This is a particularly important book in the history of Polish culture because it was repeatedly republished in different printing offices, not only Catholic, under the same or slightly changed title as late as until the nineteenth century. Numerous editions of the hymn book constitute a valuable source for the study of Polish Catholic hymns as they make it possible to follow and trace the chronology of works, their textual variations and the popularity of particular songs or hymns within a particular time frame, as well as their range of influence and regional occurrence.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 19; 329-345
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Oprawa artystyczna Świąt i uroczystości Arcybractwa Różańcowego w Kościele Dominikanów w Krakowie
Artistic setting of festivals and celebrations in the Archconfraternity of the Holy Rosary of the Dominican Church in Cracow
Autorzy:
Czyżewski, Krzysztof J.
Walczak, Marek
Powiązania:
https://bibliotekanauki.pl/articles/2082094.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Early Modern religious confraternities
Early Modern iconography
Dominican Order in Poland
The Holy Rosary iconography
Early Modern religious celebrations
Early Modern Polish culture
Opis:
In the early modern period, there were around 40 religious confraternities in the agglomeration of Cracow, one of the oldest and most important being the Confraternity of the Holy Rosary at the Dominican Church of the Holy Trinity. It is not known when it was founded, but it was probably already operating in the late Middle Ages. In 1600, this confraternity, existing “ab immemorabilis tempore”, was reformed by Fr. Abraham Bzowski, who on this occasion prepared and published an extensive dissertation, having the character of its “statutes”. From 4 February 1601 the seat of the renewed confraternity was in the Chapel of the Three Kings, at the far end of the northern nave of the church. It contained the Brotherhood’s altar which was transferred, probably after 1688, to the church of St. Giles and placed on the altar’s stone in the apse of the presbytery. The altar contained the holy picture of the Virgin Mary of the Salus Populi Romani type, connected by tradition established in the first half of the 17th century with Pope Clement VIII, who was to grant it indulgences. Bernard Maciejowski, then Bishop of Łuck, later Bishop of Cracow and finally Primate, is considered as the donor of the painting. Every first Sunday in October, the Cracow copy of the Roman image was carried out by the brothers out of the chapel and in a solemn procession around the Main Square. This custom was linked to the victory of the Christian fleet over the Turkish one near Lepanto in 1571, after which Pope Pius V established its liturgical memory (7 October). In Poland, this tradition gained a new dimension after to the successful defence of the Chocim fortress against the Turks in 1621. The devotion to the Rosary was cultivated not only in the Brotherhood’s chapel, but also in the Conventual Church, where the altar of the Holy Rosary stood to the left of the choir entrance. Symmetrically to it, on the right side of the rainbow arcade stood the altar of the Confraternity of the Holy Name of Jesus, founded in 1585 by Fr. Bartłomiej of Przemyśl. Its aim was to eradicate the sinful custom of swearing oaths, and because of the connections with the Confraternity of the Holy Rosary it was called the Archconfraternity of the Rosary of the Most Holy Name of Jesus. The spreading of the rosary prayer by the Order went beyond the Conventual Church. A special role in this work was played by the Gothic Church of St. Giles, which the Dominicans took under their protection in 1588. An important caesura in the history of the Archconfraternity of the Holy Rosary was the move to a new spacious oratory, which was erected on the site of the medieval Chapel of the Annunciation of the Blessed Virgin Mary, at the far end of the southern nave of the church. One of the reasons for undertaking this new work is considered to be the desire to commemorate the victory of John III Sobieski over the Turks at Vienna on 12 September 1683. The opulent decor and interesting ideological programme have only partially survived, but they can be reconstructed on the basis of preserved written sources, as can be the character of the Brotherhood’s celebrations. Particularly interesting monuments include those connected with the so-called Century of the Rosary, established with the consent of Pope Innocent XII (1694). It was a congregation of 100 brothers and 100 sisters, whose task was to pray continuously for the souls suffering in Purgatory. Among other things, a book of this association has been preserved, which contains illuminations showing the salutary effects of the prayer of the Rosary.
Źródło:
Rocznik Historii Sztuki; 2020, 45; 59-84
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
BOBOLANA 1938 – oprawa uroczystości związanych ze sprowadzeniem do Warszawy relikwii św. Andrzeja Boboli
BOBOLANA 1938 – the ceremonial settings of the return of St. Andrzej Bobola’s relics to Warsaw
Autorzy:
Kolendo-Korczak, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/2082099.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
canonization ceremonies
20th Century religious ceremonies
20th Century occasional decorations
state ceremony
20th Century Polish culture
Opis:
Although he was only recognized as the patron saint of Poland by the Vatican in 2002, St. Andrzej Bobola was accorded a cult follow- ing much earlier than this, and venerated as the saint protector of the Polish-Lithuanian Commonwealth. He was seen as a special defender against the threat from first Tsarist Russia, then Orthodox Russia, then the Soviet Union – the Blessed’s intercession was associated with the victory of the Battle of Warsaw in 1920. For this reason, his beatification and canonization were part of political discourse. Andrzej Bobola’s relics were originally stored in the Jesuit church in Pińsk, moved to Połock after its closure, and were taken to the Hygienic Exhibition in Moscow in 1922. Recovered thanks to the Pope’s intervention in 1924, they were taken to the Il Gesù Church in Rome. By the 1920s, Polish church authorities were already making efforts to canonize Andrzej Bobola and return his relics to Poland. Several Polish cities tried to obtain the saint’s remains, including Vilnius, Warsaw, Pińsk and even Janów Poleski. The canonization, which took place on 17 April 1938, in particular the ceremonial return of the relics of St. Andrzej Bobola to Warsaw in June 1938, took the form of a great religious and patriotic demonstration. It was accompanied by numerous ceremonies in which the highest church and state authorities participated, with extensive paratheatrical scripts, as well as specially designed decorations and music composed for the occasion. The press reported these in great detail, constituting a fascinating case of an event of both great religious significance and broad political context.
Źródło:
Rocznik Historii Sztuki; 2020, 45; 185-195
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Osiemnastowieczne uroczystości z udziałem cudownych obrazów na terenie województwa bełskiego. Zarys problematyki
Eighteenth-century ceremonies involving miraculous paintings occurring in the Bełsk Province – an outline of the issues
Autorzy:
Dworzak, Agata
Powiązania:
https://bibliotekanauki.pl/articles/2082103.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
18th Century religious ceremonies
Marian iconography
cult of the images
cult image
cult object
18th Century Polish culture
Opis:
The subject area of the cult of images regarded as miraculous during the Old Polish period has long enjoyed the interest of scholars, who analysed it in historical, theological, religious, artistic or social terms. This applies to both single images (usually paintings) as well as to syntheses including selected groups of cult objects. The crowned pictures are of greatest interest, of course, but relatively little space has been devoted to local Marian centres. The aim of this article is to draw attention to eighteenth-century ceremonies involving miraculous paintings in the former Bełsk Province, especially in the local sanctuaries. Three ceremonies have been analysed: the coronation of the miraculous painting of Our Lady of Sokal, and ceremonies with the participation of the miraculous paintings of Our Lady of Łopatyn and Our Lady of Tartaków. The lack in the literature of a precise description of the course of the coronation of the miraculous Our Lady of Sokal picture has so far made general conclusions difficult.
Źródło:
Rocznik Historii Sztuki; 2020, 45; 109-138
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dorobek historyczny kieleckich historyków kościelnych (XX/XXI w.)
Historiographic Achievements of the Church Historians of Kielce (20th and 21st Centuries)
Autorzy:
Kwaśniewski, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/2036783.pdf
Data publikacji:
2018
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
historiografia
diecezja kielecka
polska kultura religijna
ks. Daniel Olszewski
ks. Tomasz Wróbel
ks. Grzegorz Bujak
ks. Andrzej Kwaśniewski
ks. Tomasz Gocel
ks. Daniel Wojciechowski
ks. Henryk Piwoński
bp Andrzej Kaleta
ks. Paweł Tkaczyk
historiography
the Diocese of Kielce
the Polish religious culture
Rev. Daniel Olszewski
Rev. Tomasz Wróbel
Rev. Grzegorz Bujak
Rev. Andrzej Kwaśniewski
Rev. Tomasz Gocel
Rev. Daniel Wojciechowski
Rev. Henryk Piwoński
Bp Andrzej Kaleta
Rev. Paweł Tkaczyk
Opis:
Artykuł obejmuje dorobek historiograficzny grupy dwudziestu księży diecezji kieleckiej tworzących w ostatnim półwieczu. Przebadany materiał objął około 800 prac historycznych. Rozwinięte nurty badań związane są z przedmiotem: polska kultura religijna, synody w dwudziestoleciu międzywojennym, liturgia bożogrobców i krzyżaków, prasoznawstwo. Z regionalnej tematyki poziom rozwoju osiągnęły badania nad dziejami diecezji kieleckiej − duchowieństwo, życie religijne, seminarium duchowne, dzieje parafii i klasztorów, piśmiennictwo, duszpasterstwo z okresu II wojny światowej. Do nurtów rozwijających się należą badania nad księgozbiorami historycznymi i zasobami archiwalnymi. Naczelne miejsce w historiografii diecezjalnej zajmuje ks. Daniel Olszewski − twórca oryginalnego nurtu polskiej kultury religijnej.
The article focuses on the historiographic achievements of 20 priests from the Diocese of Kielce who have written their works in the last half century. The studied material covered about 800 historical works. The research areas which have been widely studied are related to the following subjects: the Polish religious culture, synods in the interwar period, the liturgy of the Order of the Holy Sepulchre and the Teutonic Order, press study. Local subjects under study refer to the history of the Diocese of Kielce: the clergy, religious life, the theological seminary, the history of parishes and monasteries, literature and pastoral work during World War II. The developing trends include research on historical book collections and archival fonds. In the diocesan historiography, a leading figure is Rev. Daniel Olszewski, the creator of the original trend of the Polish religious culture.
Źródło:
Roczniki Teologiczne; 2018, 65, 4; 83-95
2353-7272
Pojawia się w:
Roczniki Teologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rok 1933. Oprawa obchodów 400. rocznicy urodzin Stefana Batorego i 250-lecia Odsieczy Wiedeńskiej na Kresach Wschodnich
1933. The ceremonial setting of the 400th birthday of Stefan Batory and the 250th anniversary of the Relief of Vienna in the Borderlands
Autorzy:
Zgliński, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/2082100.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
20th Century religious ceremonies
20th Century occasional decorations
state ceremony
political iconography
historical politics
20th Century Polish culture
Opis:
The year 1933, which marked the 15th anniversary of Polish independence, also saw the celebrations of the 400th birthday of Stefan Batory and the 250th anniversary of the Relief of Vienna led by King Jan III Sobieski. Both events allowed for a wide campaign of pro- paganda for the Sanation movement’s updated political programme, clad in historical analogies, especially in the context of Eastern policy. For this reason, the ceremonies organized in the Borderlands, a particular lieux de mémoire associated with great kings, who were seen in official historical politics as natural harbingers of Józef Piłsudski, took on a special character. This provided an excellent opportunity for the propaganda of the Polish civilizing mission in the East and the promotion of the idea of Poland as a superpower. The main ceremonies com- memorating Stefan Batory were organized in Grodno, where the monarch died in the historic castle in 1586. These celebrations, broadcast by radio and widely reported by the press, were attended by President Ignacy Mościcki and many national and local dignitaries, ministers, senators, deputies, voivodes, bishops, generals etc. Lavish occasional decorations, saturated with specific symbolism, were set up as modern- ized late 16th-century architectural stylizations. The activities of the Grodno Castle reconstruction committee were officially inaugurated on the 350th anniversary of Batory’s death. Even more magnificent were the two-day festivities commemorating the Victory at Vienna organized in Olesko, which overshadowed the central celebrations in Kraków. The programme of the ceremony proclaimed that “a deed of European importance – by King Jan III and the then-superpower Poland – must be reflected by a programme of celebrations of its 250-year anniver- sary on a superpower scale”. An extensive open-air spectacle was organized with the participation of thousands of extras, including soldiers in historical costumes, several hundred fire brigades, scouts and aviation squadrons. Particularly spectacular was the especially arranged musical performance combined with night illuminations. These celebrations were enhanced by other accompanying events such as the Star Automobile and Motorcycle Rally and the sightseeing rally On the Trail of Sobieski. In other Borderland towns such as Tarnopol the jubilee was celebrated on a smaller scale, where a number of outdoor events were organized under the umbrella name Harvest Festival of King Jan III and the Arrival of the Austrian Emperor’s Legation with a Request for the Relief of Vienna.
Źródło:
Rocznik Historii Sztuki; 2020, 45; 171-183
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Koronacja obrazu Matki Boskiej Pocieszenia w kościele Jezuitów we Lwowie w 1905 roku
The 1905 coronation of the icon of Our Lady of Consolation in the Jesuit Church in Lviv
Autorzy:
Betlej, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/2082098.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
20th Century religious ceremonies
20th Century occasional decorations
Marian iconography
cult of the images
cult image
20th Century Polish culture
Opis:
The article discusses the artistic setting of the largest religious ceremony of the beginning of the 20th century, the coronation of the icon of Our Lady of Consolation in the Church of St. Peter and Paul in Lviv. The painting itself was considered to be one of the palladiums of the city, as in 1656, during the Swedish Deluge, the papal nuncio Vidoni first uttered the call to the “Queen of the Polish Crown” in front of this Marian image, in the presence of King Jan Kazimierz and the court. In 1904, on the occasion of the jubilee of the announcement of the Dogma of the Immaculate Conception of the Blessed Virgin Mary, the Mar- ian Congress took place in Lviv, and in that same year the decision was made to create new crowns for the painting of the Mother of God and Baby Jesus. A committee, composed of representatives from the aristocracy and bourgeoisie of the city, was set up to raise the appropriate funds, and the then Archbishop of Lviv, Józef Bilczewski, was asked to perform the solemn coronation. An artistic and technical committee was also established, which included the architect Teodor Talowski (chairman), Antoni Popiel, Andrzej Romaszkan, Tadeusz Czapelski and Karol Richtmann, who made the decision to transform the altar where the painting was placed and to convert the area of the church bay into a distinct chapel. The works were led by Karol Richtmann, the altar was renovated by the painter Karol Domański, and the new bronze antependium was designed by Antoni Popiel. The bolt with the depiction of Our Lady of the Immaculate Conception was made by the sculptor Piotr Wójtowicz. The icon of the Virgin Mary itself was restored by Henryk Kühn. The chapel vault was decorated with paintings by Tadeusz Popiel, and its space was separated from the rest of the church by a grid made according to a project by Alfred Zachariewicz. Antoni Popiel designed golden crowns and a new dress for the figures of the Mother of God and Baby Jesus, made by the goldsmith and jeweller Jan Wojtych. The Committee also commissioned new stained glass windows for the chapel from the Kraków workshop of Stanisław Ekielski and Antoni Tuch. The main work was completed in July 1905. On 12 February 1905, a coronation decree was issued in Rome, and Archbishop Bilczewski was appointed to perform the coronation act. On 28 April 1905, another decree was issued recognizing the antiquity and miraculousness of the painting, and the ceremony was sched- uled for 28th May. The church façade, side elevation and interior were decorated extensively, while the focal point was prepared for receiving the painting – “The Gothic golden throne with motifs from the tomb of Kazimierz the Great”. The decorations were designed by Stanisław Jasieński, a re- nowned painter and theatre decorator of the time. The streets and squares which the coronation procession went through were also adorned. The ceremony was very carefully planned and directed; it was attended by the clergy of the three Christian rites, local authorities and representatives of all social strata. When analyzing the coronation ceremonies, it is important to underline their considerable reliance on the schemes of corona- tions of Marian images which took place on Polish territory in the 18th century. The tradition of the last Marian coronation, of a painting from the Dominican Church in Lviv in 1751, was strongly referred to and accentuated in occasional prints that accompanied this solemn act. The reference to old Polish coronations can be seen in numerous occasional prints, in reporting on the course of the ceremony, as well as in the extensive de- scriptions and texts of sermons published. This ceremony had an exceptional social and national dimension, as it was the first such coronation in the former Polish lands since the loss of independence, and the most important ceremony before the outbreak of the First World War. Not without significance in this context was the underlined similarity of forms between the coronation throne and the canopy over the tombstone of Kazimierz the Great in the Kraków Cathedral, or the calling of one crown as Kazimierzowska and the other Jagiellońska. The new artistic remodeling of the Chapel of Our Lady in the Jesuit Church was a prelude to the renovation of the remaining altars in the church. The coronation ceremony and the restoration of the chapel gathered together the most important artists of the early 19th century working for the Church patronage in the capital of Galicia. The chapel designed by Teodor Talowski successfully combines an 18th -century retabulum with paintings by Tadeusz Popiel, being probably the last example of a true Baroque bel composto.
Źródło:
Rocznik Historii Sztuki; 2020, 45; 163-170
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Walory moralne a obrona i legitymizacja katolickiej Europy. Oprawa uroczystości beatyfikacyjnych i kanonizacyjnych Stanisława Kostki w Rzeczypospolitej Obojga Narodów
Moral values and the defense and legitimization of Catholic Europe. The setting of Stanisław Kostka’s beatification and canonization ceremonies in the Polish-Lithuanian Commonwealth
Autorzy:
Dzik, Janina
Powiązania:
https://bibliotekanauki.pl/articles/2082096.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Beatification ceremonies
canonization ceremonies
Early Modern religious celebrations
The Society of Jesus
Jesuits
Jesuit Order in Poland
Early Modern occasional decorations
Early Modern Polish culture
Opis:
The putting on of spectacular ceremonies finalizing the acts of beatification and canonization of Stanisław Kostka, taking place in the principal Jesuit centers of the Polish-Lithuanian Commonwealth, was an important artistic activity of modern times. The content programs of the decorations which accompanied the celebrations between 1606 and 1726, known to us from written sources, reflect the propaganda of the Kostka ceremonies. The oldest occasional decorations and outdoor shows taking place in the city of Jarosław had been organized on the initiative of his relative Anna née Kostka Ostrogska. They were organized in connection with the proclamation of Stanisław Kostka as Blessed by Pope Paul V in 1606. The theme of the decorations accentuated the importance of the moral values of this ascetic follower of the Counter-Reformation Church, while the widely used language of allegory defined his individual spiritual values and illustrated scenes from his life and miracles. However, Stanisław Kostka soon became seen as an advocate of the Polish Lithuanian-Commonwealth in its military struggles in the East, especially in the conflict with the Ottoman Porte. After the victory of Chocim (Khotyn) in 1621 he was revered as the patron saint of the Polish knighthood, and after the victory at the Battle of Chocim in 1673 he was rapidly proclaimed (in 1674) one of the main patrons of the Kingdom of Poland and the Grand Duchy of Lithuania. It was this aspect of Kostka’s promotion that was used in the decorative themes of his thanksgiving ceremonies after the closing of the beatification process and the decree of canonization by Pope Clement XI in 1714. The decorations of the Jesuit Church in Lublin, described in detail in the records of the Society of Jesus (1715), explained and glorified the new role of the young saint. His role as a guarantor of peace and stability of the Commonwealth, revealed in God’s eternal plans, was presented through astral configurations and complicated semantic systems. Kostka’s canonization, which had raised the importance of the Polish-Li- thuanian Commonwealth, as being linked to the papacy and the Catholic faith, was seen as the culmination of a great historical message and the revelation of the secret given to Poland, also recognizable through astral configuration. The military and diplomatic triumph over the Ottoman Porte was considered a breakthrough moment, opening a period of happiness achieved thanks to Kostka’s intervention and the support of Heaven. The result of a united front in the battle with a common enemy was to achieve a state of happiness that strengthened the ecclesiastical and monarchical order, an idea taken up by the decorations seen in Jarosław and Vilnius, amongst others. The ad hoc political content was moved to the sphere of the monastic political philosophy and historical theol- ogy. An allusion to the happy future that mathematicians had supposedly predicted was also included in the decorations. After the partition of Poland and the dissolution of the Jesuit order, the revival of the fading cult of Stanislaw Kostka took place in the Second Polish Republic, particularly during the jubilee celebrations of the 200th anniversary of his canonization in 1927. This was seen in the ceremony of bringing his relics from Rome to the new church in Rostków, which was attended by the President of the Republic of Poland Ignacy Mościcki. However, there was a significant change in semantics as Stanisław Kostka was now described as the patron saint of children and youth, frequent Holy Communion and felicitous vocational choices.
Źródło:
Rocznik Historii Sztuki; 2020, 45; 87-90
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wojciech Kudyba, twórca poezji religijnej
Wojciech Kudyba, the Author of Religious Poetry
Autorzy:
Kwiek-Osiowska, Janina
Powiązania:
https://bibliotekanauki.pl/articles/951921.pdf
Data publikacji:
2014
Wydawca:
Fundacja Naukowa Katolików Eschaton
Tematy:
kultura chrześcijańska
literatura chrześcijańska
polska poezja religijna
polska poezja metafizyczna
polska liryka XX wieku
polska liryka XXI wieku
Christian culture
Christian literature
Polish religious poetry
Polish metaphysical poetry
Polish lyrics of the 20th century
Polish lyrics of the 21st century
Opis:
Autorka opisuje osobę Wojciecha Kudyby, naukowca i poetę religijnego, w sposób ogólny próbując scharakteryzować jego poetycki dorobek twórczy na podstawie kilku książek. Podjęte analizy prowadzą do konkluzji na temat literackich środków stylistycznych, stosowanych przez W. Kudybę. Przykłady używanych przezeń tropów artystycznych autorka wylicza, podając w zestawieniach tytuły wierszy (utworów) z poszczególnych tomów, które zawierają dany typ chwytów literackich. Analiza ma charakter przeglądowy.
The author describes Wojciech Kudyba, a scholar and a religious poet, trying to characterize his poetic output on the basis of a few books. The analyses carried out in the book lead to the conclusions referring to the stylistic devices used by Wojciech Kudyba. The examples of the poet’s artistic tropes are enumerated by the author who in her specifications provides the titles of the poems published in particular volumes along with the information about a particular type of literary devices found in these poems.
Źródło:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2014, 3(7); 185-204
2299-9922
Pojawia się w:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Reformacka pompa funebris Benedykta Roszkowskiego
Benedykt Roszkowski’s reformed pompa funebris
Autorzy:
Ługowski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/2082102.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Order of Reformed Friars Minor
Franciscan Order in Poland
18th Century religious ceremonies
funeral ceremonies
18th Century occasional decorations
funeral iconography
pompa funebris iconography
18th Century Polish culture
Opis:
Benedykt Roszkowski, a reformed friar from the Order of Reformed Friars Minor (Reformati) in the Greater Poland province (Wielkopol- ska), became famous as a religious preacher (sermoniser). He held this position for twenty-one years, in various centres of the province, and held the ministry of guardian a number of times. He was also a member of provincial government in the form of secretary and definitor (1779–1782) as well as fulfilling the role of custodian or provincial deputy (1785–1788). The friar also helped create settings for church ceremonies. This article discusses Roszkowski’s hitherto unknown manuscript containing a description of the artistic settings of six funeral ceremo- nies that took place in the Reformati Churches during the years 1758–1762. The descriptions were illustrated with the friar’s own watercolours depicting the theatrum created during funeral ceremonies. The document, written in Latin, was made between 1762 and 1764 as Roszkowski’s gift to the Provincial Superior of Greater Poland, Father Dionizy Sydry. His descriptions include the funeral of the CrownOboźnina (wife of the Crown Great Camp Leader) Teresa Teofila Lipska née Dąbska, and the funeral rites in memory of theOboźny (Crown Great Camp Leader) Prokop Lipski in the Reformati Church in Poznań (1758); the funeral of the Master of the Hunt’s wife from Wschowa, Zofia Gorzyńska, in the Reformati Church in Miejska Górka (1761); the exequies of Zofia Puklatecka in the Reformati Church in Poznań (1762); the funeral of Brygida Czapska née Działyńska, the wife of the Malbork voivode, in the Reformed Church in Pakość, and the funeral rites in the parish church in Konarzewo (1762). For all these funerals, the friar designed both the interior of the church and the castrum doloris placed in the centre. The baldachin-type castrum doloris dominated: on a multi-step platform (sometimes taking the shape of a fortress with bastions) with a raised coffin were figures of Virtues or personifications, and on its sides were obelisks in the form of rocaille or decorative columns crowned with busts of Virtues. The whole structure was topped with a hanging fabric baldachin. In such artistic settings, the friar combined heraldic content with references to both the Bible and mythology. With the informal character of its descriptions, this manuscript differs from the occasional prints published by Roszkowski. Not only does the friar specify the material from which individual elements were made, but he also demonstrates the real context of their presentation. It is the first time we find in one document the descriptions of so many elements of thepompa funebris, along with their visual representations, made by a man who was artist, designer and preacher in one. These various aspects make Roszkowski’s work a special source for research on the funeral culture of the former Polish-Lithuanian Commonwealth, one which finds no equal.
Źródło:
Rocznik Historii Sztuki; 2020, 45; 91-108
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Motywy religijne w przyśpiewkach kibiców klubów piłkarskich
Religious motifs in the songs performed by football fans
Autorzy:
Bieszke, Łukasz
Powiązania:
https://bibliotekanauki.pl/articles/627235.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Gdański. Wydział Filologiczny
Tematy:
motywy religijne
przyśpiewki
kibice
kluby piłkarskie
istotny element
polska kultura
parafrazowanie
waga
sfera sacrum
Religious motifs
the songs
football fans
club
an important part
Polish culture
Paraphrasing
importance
sacrum zone
Opis:
Tekst ukazuje, jak kibice piłki nożnej używają religijnych motywów w swoich przyśpiewkach. Istnieje kilka przyczyn tego rodzaju działania. Pieśni religijne stanowią istotny element polskiej kultury. Parafrazowanie ich ułatwia zapamiętanie rytmu. Klub piłkarski bardzo często bywa określany „świętym”. Kibice porównują klub do Boga, co dodaje wagi i wprowadza klub w sferę sacrum. Tego rodzaju przyśpiewki pokazują również, że klub piłkarski jest uważany za święty przez kibiców tworzących tego typu przyśpiewki.
Text shows how football fans use religious motifs in their songs. There are a few reasons for that. Religious songs are an important part of Polish culture. Paraphrasing them makes it easier to remember the rhythm. Club is very often said to be “saint”. It is compared to the God. It adds importance and brings the club into sacrum zone. It also shows that club is regarded by sacrum by fans who create this kind of songs.
Źródło:
Język - Szkoła - Religia; 2014, 9, 1; 35-44
2080-3400
Pojawia się w:
Język - Szkoła - Religia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
[Rev.] Ks. Wacław Buryła, Dogonić światło, Oficyna Wydawnicza 4K, Bytom [2008], ss. 155, [5].
[Rev.] Father Wacław Buryła, To Catch the Light up, Editorial Publishing 4K, Bytom [2008], pp. 155, [5].
Autorzy:
Tytko, Marek Mariusz
Powiązania:
https://bibliotekanauki.pl/articles/440917.pdf
Data publikacji:
2014
Wydawca:
Fundacja Naukowa Katolików Eschaton
Tematy:
Wacław Buryła (1954-)
poezja polska 21 wieku
liryka religijna
poezja metafizyczna
poezja religijna
kultura chrześcijańska
Bóg i człowiek w poezji
[Waclaw Buryla (1954-)]
Polish poetry in the 21. century religious lyric
metaphysical poetry
religious poetry
Christian culture
God and man in poetry
Opis:
Recenzja krótko opisuje osobę ks. Wacława Buryły jako poetę i organizatora konkursu literackiego poezji religijnej. Autor przedstawia tomik ks. Buryły pt. Dogonić światło (Bytom [2008]) i cytuje jeden wiersz pt. zawsze blisko, który opublikowno w tej książce poetyckiej.
The review shortly describes the person of father Wacław Buryła (Waclaw Buryla) as the poet and the organizer of literary competition on religious poetry. The author presents the book by father Buryła Dogonić światło [To Catch the Light Up] (Bytom [2008]) and quotes one poetical work zawsze blisko [always near], that is published in the poetical book.
Źródło:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2014, 2(6); 245-246
2299-9922
Pojawia się w:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
Dostawca treści:
Biblioteka Nauki
Artykuł
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