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Tytuł:
Czy specyficzne słownictwo dawnych polskich utworów fantastycznonaukowych może być przedmiotem zainteresowania leksykografa?
Can the specific vocabulary of old Polish science-fiction works be of interest to a lexicographer?
Autorzy:
Kajtoch, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/20439403.pdf
Data publikacji:
2023-03-13
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
SF
leksykografia
Juliusz Braun
literatura polska XX w.
lexicography
Polish literature of 20th century
Opis:
The article poses the problem of the sense of including words characteristic of science fiction in Polish language dictionaries. It characterizes the vocabulary (based on Juliusz Braun’s novel „When the Moon Dies”), and finally considers the possibility of creating a separate dictionary collecting lexis of this kind.
Źródło:
Colloquia Litteraria; 2022, 32, 1; 7-44
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Jeszcze tutaj jesteś, Jeszcze z tobą mówię”. O wierszach żałobnych Marii Kureckiej“
You are still here, I am still talking to you”: Poems of grief and mourning by Maria Kurecka
Autorzy:
Strzeżek, Mariusz
Powiązania:
https://bibliotekanauki.pl/articles/2172231.pdf
Data publikacji:
2022
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
poetry of grief and mourning
the elegiac tradition
Witold Wirpsza (1918–1985)
Maria Kurecka (1920–1989)
Maria Kurecka
poezja żałobna
trauma
tradycja literacka
archiwum
Opis:
This article examines a cycle of poems by Maria Kurecka, the acclaimed writer and translator, in which she mourns the loss of her husband, Witold Wirpsza, who died in 1985. Held by the archives of the Pomeranian Library in Szczecin, these unpublished poems were written in the final years of her life. In this article they are positioned and read against the background of Polish funerary poetry and its traditions. Apart from having single poems published in literary magazines, Maria Kurecka produced just one volume of poetry, Trzydzieści wierszy (Thirty Poems, 1987). In fact, though, there may be quite a lot of poems that she chose to keep private. Remembered as an outstanding translator of German literature, Maria Kurecka the poet is virtually unknown. It is hoped that by drawing attention to her poetic work this article will contribute to a better appreciation of her achievement.
Źródło:
Ruch Literacki; 2022, 1; 95-114
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Więc były w tych schodach zarazem i strach, i chęć ucieczki” – los podmiotu uwikłanego w dwuznaczność świata ( Schodami w górę, schodami w dół Michała Choromańskiego)“
And these stairs stirred up fear, but also a desire to escape”: The fate of a subject embroiled in the world's ambiguities in Michał Choromański's Schodami w górę, schodami w dół ( Upstairs, Downstairs)
Autorzy:
Natkaniec, Daniel
Powiązania:
https://bibliotekanauki.pl/articles/2172221.pdf
Data publikacji:
2022
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
psychological thrillers
psychoanalytic character study
Michał Choromański (1904–1972)
Michał Choromański
psychoanaliza
psychologizm
proza XX wieku
awangarda
Opis:
This interpretation of Michał Choromański's novel Schodami w górę, schodami w dół (Upstairs, Downstairs) focuses primarily on issues related to the inner life of the characters and the representation of the outside world in the context of classical psychoanalysis. The appropriateness of the psychoanalytical approach is justified by numerous references to Freud's theory in the text of the novel. The study reaches out to Choromański's other novels and short stories, but embarks on a more systematic comparison of Schodami w górę, schodami w dół with only one of them, Zazdrość i medycyna (Jealousy and Medicine), his most popular novel published in 1936.
Źródło:
Ruch Literacki; 2022, 1; 73-93
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Emancypacje Heleny Rumiszewskiej w powieści Kazimiery Alberti Ci, którzy przyjdą a fenomen Nowej Kobiety
The emancipation of Helena Rumiszewska from Kazimiera Albertis novel Ci, którzy przyjdą ( Those Who Will Come) and the figure of the New Woman
Autorzy:
Banot, Aleksandra E.
Powiązania:
https://bibliotekanauki.pl/articles/2172228.pdf
Data publikacji:
2022
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
the interwar period
women's literature
emancipation
the bourgeois
the New Woman
Kazimiera Alberti (1898–1962)
Polish literature of the 20 th century
Kazimiera Alberti
literatura polska dwudziestolecia międzywojennego
mieszczaństwo
emancypacja
Nowa Kobieta
Opis:
Current research into the life and work of Kazimiera Alberti, a poet and writer popular in the interwar period, connected from 1930 with Biała Krakowska, owes a great deal to Jacek Proszyk, who in 2009 staged a spectacle based on her biography at the Teatr Polski in Bielsko Biała called The Literary Salon of Kazimiera Alberti. It was followed by a spate of publications which, at this point, form a body of work ready for reassessment. This article deals with one of them, written by Karolina Pospiszil, where it is claimed that the heroine of Ci, którzy przyjdą (Those Who Will Come, 1934), Helena Rumiszewska, is both a stereotyped, idealized female character. Focusing on the episodes which belie that description and show a character of considerable complexity driven by an emancipatory desire. She is not free from doubt when faced with various dilemmas, yet does she represent the ideal of the New Woman? This article addresses this question and discusses the issue of emancipation in the broader context of bourgeois culture and class, i.e. the social milieu o which Helena belongs.
Źródło:
Ruch Literacki; 2022, 1; 33-55
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Literatura jako wehikuł tajemnicy. O pisarstwie Jerzego Grotowskiego
Literature as Vehicle. On Jerzy Grotowski’s Writing
Autorzy:
Kosiński, Dariusz
Powiązania:
https://bibliotekanauki.pl/articles/32054989.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Jerzy Grotowski
Polish theatre of 20th century
Polish literature of 20th century
teatr polski XX wieku
literatura polska XX wieku
Opis:
Jerzy Grotowski (1933–1999), considered to be one of the greatest theatre artists of the 20th century, frequently expressed his ambivalent relation to words, repeating that any true knowledge has to be obtained by practice. However, all his life he had been creating and publishing text. The volume collecting them all in print has 1131 pages. Researchers interpreting his art (e.g. Krzysztof Rutkowski, Zbigniew Osiński) and his close collaborators like Ludwik Flaszen many times underlined the importance of Grotowski’s writings, stressing a special function the literature played in the artist’s research. Following their recognitions, partly polemizing with them, one can formulate some basic assumptions concerning the character and functions of Grotowski’s writing and its relation to the main aspects of contemporary literature. This was the man of theatre appears to be also an aware creator of a literature paradoxically close related and working for a mystery beyond the words.
Źródło:
Przestrzenie Teorii; 2022, 38; 59-74
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Między byciem a nicością. Poezja Józefa Czechowicza a ontologia fundamentalna
Between Being and Nothingness: The poetry of Józef Czechowicz and fundamental ontology
Autorzy:
Całbecki, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/2172223.pdf
Data publikacji:
2022
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
poetry of the Interwar period
Poland's Second Avant-garde
fundamental ontology
Martin Heidegger (1889–1976)
Józef Czechowicz (1903–1939)
poezja Józefa Czechowicza
ontologia fundamentalna
dwudziestolecie międzywojenne
filozofia Martina Heideggera
Druga Awangarda
Opis:
This article is an attempt to present a comprehensive view of the poetry of Józef Czechowicz in the context of Martin Heidegger's fundamental ontology. Czechowicz's poetic work, the article argues, is an exploration of mutual relations of the basic ontological categories of being and nothingness (das Sein and das Nichts). They constitute the philosophical foundations of the purely literary tensions that can be detected in all comprehensive accounts of his work, such as the opposition of Arcadia and Catastrophy (Tadeusz Kłak) or the discussion of the ‘bright’ and the ‘dark’ strain in the poetry of the Second Avant-garde (Jerzy Kwiatkowski).
Źródło:
Ruch Literacki; 2022, 1; 57-71
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“I am going to paint your picture, nobody but you, always you”: Portrait paintings of women in the literature of the Young Poland period
„Będę malował ciebie, tylko ciebie, zawsze ciebie. O kobietach na obrazach w literaturze Młodej Polski
Autorzy:
Kamińska, Lidia
Powiązania:
https://bibliotekanauki.pl/articles/2087609.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the late 19th and early 20th century
the Young Poland period
literature and art
ekphrasis
portrait paintings of women
Stanisław Przybyszewski (1868–1927)
Kazimierz Przerwa-Tetmajer (1865–1940)
Jan August Kisielewski (1876– 1918)
Karol Irzykowski (1873–1944)
Wacław Berent (1873–1940)
Stanisław Grudziński (1852–1884)
Młoda Polska
kobieta
obraz
sztuka
artysta
malarstwo
ekfraza
Nauki Humanistyczne i Społeczne
Opis:
Ekphrases are fairly common in the literature of the Young Poland movement, with descriptions of paintings of women making up a notable portion of such visual representations. This article examines the functioning of the motif of a woman’s portrait in the work of writers of the late 19th and early 20th century, including Stanisław Przybyszewski, Kazimierz Przerwa-Tetmajer, Jan August Kisielewski, Karol Irzykowski, Wacław Berent and Stanisław Grudziński. The analyses, guided by feminist literary theory, focus on the implied artist's control over the painted figure (man over woman, but also the woman artist over the male recipient), the ways in which the work of art can becomes a vehicle of subconscious truths, the correspondences between emotions and colours.
Źródło:
Ruch Literacki; 2021, 4; 513-532
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Quiet and serene I saw you in my dream...”: The oneiric presence of phantom women in the poetry of Kazimierz Przerwa-Tetmajer and Bolesław Leśmian
„Śniłem cię cichą i pogodną…”. O onirycznej obecności nieobecnych kobiet w poezji Kazimierza Przerwy-Tetmajera i Bolesława Leśmiana
Autorzy:
Kamińska, Lidia
Powiązania:
https://bibliotekanauki.pl/articles/2087793.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the late 19th and early 20th century
Young Poland poetry
oneirism
ontological status of characters
female characters
Kazimierz Przerwa-Tetmajer (1865–1940)
Bolesław Leśmian (1877–1937)
Kazimierz Przerwa-Tetmajer
Bolesław Leśmian
kobieta
sen
oniryzm
nieobecność
nieistnienie
Opis:
The aim of this analysis of the oneiric representations of phantom women in the poetry of Kazimierz Przerwa-Tetmajer and Bolesław Leśmian is to compare and characterize the workings of the poetic imagination of a pair of poets who represent the first and the second generation of the Young Poland movement. Their poems are read and interpreted within the framework of Young Poland's conceptualization of dreams and its use of the dream motif so as to explain the functioning and the ontological status of the oneiric female characters. The analysis shows that both Przerwa-Tetmajer's and Leśmian's apparitions belong to more than one category. While some are wholly imaginary, others are known to have existed as real persons and have merely been transposed into an image of a man's mind.
Źródło:
Ruch Literacki; 2020, 3; 265-281
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Between a critical review and biographical writing: Jarosław Iwaszkiewicz reads Zbigniew Herbert (with Czesław Miłosz behind the scenes)
Między tekstem krytycznym a życiopisaniem Iwaszkiewicz czyta Herberta (z Miłoszem w tle)
Autorzy:
Gębicz, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/2087663.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
literary review
biography
personal relations with fellow writers
Jarosław Iwaszkiewicz (1894–1980)
Zbigniew Herbert (1924–1998)
Czesław Miłosz (1911–2004)
Jarosław Iwaszkiewicz
Czesław Miłosz
Zbigniew Herbert
krytyka autorska
życiopisanie
literatura polska XX wieku
Opis:
This is a critical reading of a review essay of Zbigniew Herbert's “Study of the Object” by Jarosław Iwaszkiewicz. It was originally published in Życie Warszawy and reprinted in 2010 in a collection of his essays Rozmowy o książkach [Conversations about Books]. The review was included in the book, as we are told by the editor, to illustrate Iwaszkiewicz's authorial criticism and his inexplicit dialogue with Czesław Miłosz. This article claims that the review essay can also be read as another episode in the history of complex relations between Iwaszkiewicz and Miłosz (and, indirectly, Miłosz and Herbert). Furthermore, the history of either pair of relations can be seen as an expression of the same conflict.
Źródło:
Ruch Literacki; 2021, 4; 533-549
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Constructing Japan: Strategies of the creation of the ‘Japan effect’ in the fiction of Wacław Sieroszewski and Ferdynand Ossendowski
Konstruowanie Japonii. Strategie tworzenia „efektu japońskości” w utworach Wacława Sieroszewskiego i Ferdynanda Ossendowskiego
Autorzy:
Deja, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/2087596.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the early 20th century
popular literature
Japan
orientalism
exoticism
strategies of representation
the reality effect
Roland Barthes (1915–1980)
Wacław Sieroszewski (1858–1945)
Ferdynand Ossendowski (1876–1945)
japoniznm
Japonia
orientalizm
egzotyzm
efekt rzeczywistości
literatura popularna
Młoda Polska
dwudziestolecie międzywojenne
Nauki Humanistyczne i Społeczne
Opis:
This is an analysis of the strategies used to create a perception of Japan, or the ‘Japan effect’ – a term inspired by Roland Barthes ‘reality effect’ (effet de reel) – in the fiction of Wacław Sieroszewski and Ferdynand Ossendowski, two Polish writers who were first to introduce Japan to the Polish general public. Both visited Japan, Sieroszewski in 1903 and Ossendowski in 1921; both were authors of popular fiction set in exotic locations. However, each of them chose a different strategy of presenting the Japanese setting of their stories. While Ossendowski's construction of the ‘Japan effect’ can be described as ‘encyclopedic realism’ (his narrative is stitched up with multiple notes and explanations), Sieroszewski takes a more direct, dramatic approach. Sieroszewski prefers to confront the reader with various exotic ‘props’ and to take him on a journey of discovery of the peculiarities of Japanese behavior, aesthetic values and ways of thinking.
Źródło:
Ruch Literacki; 2021, 4; 461-
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jalu Kureks S.O.S. as an apocalyptic novel
S.O.S. Jalu Kurka jako powieść katastroficzna
Autorzy:
Boruszkowska, Iwona
Powiązania:
https://bibliotekanauki.pl/articles/2087697.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
interwar avant-garde
modernization
catastrophism
apocalyptic novel
Jalu Kurek (1904–1983)
Jalu Kurek
S.O.S.
powieść katastroficzna
mit modernizacji
proza awangardy
Opis:
Jalu Kurek, a prominent member of the Cracow avant-garde, is the author of several novels. This article discusses the undeservedly neglected S.O.S., published in 1927, and suggests that its weird plotting and literary mockery is in fact an apocalyptic narrative. It has a place, it is argued, in the 'catastrophist' trends which were on the rise in the Polish literature of the late 1920s and 1930s. It should be read in the context of a growing sense of decline and crisis of European society, which, on the one hand, drew on the cultural pessimism of the turn of the 19th century, and, on the other hand, was a reaction against the wave of modernization that was sweeping the world. As this analysis shows, Jalu Kurek's S.O.S. is deeply ambivalent about the onslaught of modernity.
Źródło:
Ruch Literacki; 2021, 5; 703-720
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Life after the end of the world: Post-apocalypse in Marek Baraniecki's “Cassandra's Head” and Jacek Dukaj's “The Old Axolotl”
Życie po śmierci świata. Postapokalipsa w „Głowie Kasandry” Marka Baranieckiego i „Starości aksolotla” Jacka Dukaja
Autorzy:
Błaszkowska, Marta
Powiązania:
https://bibliotekanauki.pl/articles/2087807.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the late 20th century
science fiction and fantasy
dystopia
post-Apocalypse
Lacanian orders of perception
Jacques Lacan (1901–1981)
Jacek Dukaj (b. 1974)
Marek Baraniecki (b. 1954)
Jacek Dukaj
Marek Baraniecki
science fiction
katastrofizm
fantastyka
apokalipsa
Opis:
This is a critical reading of two Polish science-fiction novels of the post-Apocalypse subgenre, Cassandra’s Head by Marek Baraniecki and The Old Axolotl by Jacek Dukaj, with the help of concepts borrowed from the philosophical toolkit of Jacques Lacan. Each of the two books envisages an apocalyptic catastrophe and its consequences as well as the subsequent attempts to rebuild human civilization. The action in either novel is shaped by tensions between the Symbolic and the Real. The latter, though suppressed and shut out, keeps resurfacing, usually when it is least expected, leaving an indelible marks in the life of the survivors. An analysis of the handling of this conflict in the two novels offers a number of insights into the way these two fundamental modes (or, Lacanian orders) of human perception are integrated into the worlds of post-Apocalyptic fiction.
Źródło:
Ruch Literacki; 2020, 2; 149-163
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The memory of Intermarium culture in Jerzy Stempowskis ‘Rubis d’Orient’
Pamięć kultury i historia Międzymorza w eseju Jerzego Stempowskiego Rubis d’Orient
Autorzy:
Zemła, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/2087226.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
essays
cultural decline
the Appolonian and the Dionysian
remembrance
catastrophism
Jerzy Stempowski (1893–1969)
Jerzy Stempowski
Rubis d’Orient
sztuka apollińska i dionizyjska
pamięć kultury
gnoza
katastrofizm
koncept w eseju
E.M. Cioran
Opis:
This reading of Jerzy Stempowski’s essay ‘Rubis d’Orient’ (published in 1954 under the pseudonym Paweł Hostowiec) is based on the assumption that his work can be divided into two phases, the Appolonian and the Dionysian. While the essay ‘In the Dniester river valley’, with its idealized world of a timeless idyll, seems to be the most salient manifestation of the Appolonian phase, ‘Rubis d’Orient’ marks Stempowski’s turn towards temporality and historical time. The intrusion of tragedy and Dionysian motifs is accompanied by a change of style and structure, increasingly complex and metaphoric. This transition, the article argues, is nowhere clearer than in ‘Rubis d’Orient’, which, moreover, reads like an art manifesto. This, in turn, puts Stempowski's subsequent essays and his catastrophist views in a new perspective.
Źródło:
Ruch Literacki; 2021, 1; 61-87
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“I will never be a Polish writer, yet I'm sure that's what I am”: Leopold Tyrmand's wrangling with his Polish identity
„Ja już nigdy nie będę pisarzem polskim, którym przecież jestem” – Leopolda Tyrmanda zmagania z polskością
Autorzy:
Jaszczak, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/2087808.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
Polish writers with Jewish roots
national identity
Polish identity
Polish literature in exile
the Polish-American community
Leopold Tyrmand (1920–1985)
polskość
tożsamość
narodowość
emigracja
Polonia
Opis:
The article examines Leopold Tyrmand's attitude towards the Poles and Polishness on the basis of, primarily, his journalism, interviews and correspondence. It picks up a broad range of themes, among them, the reasons of Tyrmand's leaving Poland in 1965, his relations with other exiles and expatriates, in particular the Polish community in the United States, his opinions on the virtues and vices of the Polish national character, his attitude towards the Polish language, his decision to write in English and his search for national identity. The article argues that Tyrmand's views on Poland and things Polish kept changing and this evolution was closely connected with various phases of his life. While acknowledging the heterogeneity of Tyrmand's sense of identity, the conclusion notes that the dominant element of his self-awareness was a sense of belonging to the Polish nation.
Źródło:
Ruch Literacki; 2020, 2; 129-147
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Brunon Schulz’s ‘Spring’: History and myth
„Wiosna” Brunona Schulza: historia i mit
Autorzy:
Bill, Stanley
Powiązania:
https://bibliotekanauki.pl/articles/2087211.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
literature, history and myth
the Austro-Hungarian Empire
Bruno Schulz (1892–1942)
Joseph Roth (1894–1939)
Bruno Schulz
historia
polityka
imperium Habsburgów
mit
Joseph Roth
Nauki Humanistyczne i Społeczne
Opis:
The most prevalent popular and critical images of Bruno Schulz present a Polish-Jewish writer and artist who turned away from politics and history in his creative work only to be devoured by the most violent political and historical forces in his life. This article attempts to reinsert Schulz’s writings into the social and political history of his day and age, focusing on an interpretation of his novella Spring (Wiosna). It argues that Schulz viewed the meaning and progression of history and politics in mythical terms. Accordingly, his stories contain ironic mythologizations of social, political and historical events. In Spring, Schulz captures, or rather constructs, the mythological essence of the disintegration of the Habsburg Empire, producing his own imaginative and contradictory commentary on the history of his native region during his own lifetime.
Źródło:
Ruch Literacki; 2020, 6; 619-633
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 50

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