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    Wyświetlanie 1-4 z 4
    Tytuł:
    The memory of Intermarium culture in Jerzy Stempowskis ‘Rubis d’Orient’
    Pamięć kultury i historia Międzymorza w eseju Jerzego Stempowskiego Rubis d’Orient
    Autorzy:
    Zemła, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/2087226.pdf
    Data publikacji:
    2021
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the 20th century
    essays
    cultural decline
    the Appolonian and the Dionysian
    remembrance
    catastrophism
    Jerzy Stempowski (1893–1969)
    Jerzy Stempowski
    Rubis d’Orient
    sztuka apollińska i dionizyjska
    pamięć kultury
    gnoza
    katastrofizm
    koncept w eseju
    E.M. Cioran
    Opis:
    This reading of Jerzy Stempowski’s essay ‘Rubis d’Orient’ (published in 1954 under the pseudonym Paweł Hostowiec) is based on the assumption that his work can be divided into two phases, the Appolonian and the Dionysian. While the essay ‘In the Dniester river valley’, with its idealized world of a timeless idyll, seems to be the most salient manifestation of the Appolonian phase, ‘Rubis d’Orient’ marks Stempowski’s turn towards temporality and historical time. The intrusion of tragedy and Dionysian motifs is accompanied by a change of style and structure, increasingly complex and metaphoric. This transition, the article argues, is nowhere clearer than in ‘Rubis d’Orient’, which, moreover, reads like an art manifesto. This, in turn, puts Stempowski's subsequent essays and his catastrophist views in a new perspective.
    Źródło:
    Ruch Literacki; 2021, 1; 61-87
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Listy Ananiasza Zajączkowskiego do Jego Ekscelencji Hadży Seraji Chana Szapszała
    Autorzy:
    Zajączkowska-Łopatto, Maria Emilia
    Powiązania:
    https://bibliotekanauki.pl/articles/440388.pdf
    Data publikacji:
    2013
    Wydawca:
    Związek Karaimów Polskich. Karaimska Oficyna Wydawnicza Bitik
    Tematy:
    Seraja Szapszał
    Ananiasz Zajączkowski
    Hachan
    Wilno
    Myśl Karaimska
    Polish Orient
    Серая Шапшал
    Ананий Зайончковский
    Гахан
    Вильно
    Караимская мысль
    Opis:
    The collection of letters written by Professor Ananiasz Zajączkowski (1903–1970), an eminent Turcologist and Iranist, to Hajji Seraya Khan Shapshal (1873–1961) is stored in the Archive of the Lithuanian Academy of Sciences (in the so called Biblioteka Wróblewskich) in Vilnius and is of great value for both history of Oriental studies (Turcology in articular) and for the members of the Karaim communities in Lithuania and Poland. The letters were written in the years 1928–1948. Unfortunately, the letters addressed by Shapshal (also a recognized Orientalist) to Zajączkowski burned down in the latter’s apartment destroyed during the Warsaw Uprising in 1944. On the base of facts described by Ananiasz Zajączkowski in his letters, one can follow his scientific biography, e.g. his efforts in organizing the Chair in Turcology and the Institute for Oriental Studies at the University of Warsaw and his editorial activities concerning the journal “Myśl Karaimska”. One learns a lot about Karaims living in Warsaw at that time and their social and political position in the Republic of Poland. Some echoes of Zajączkowski’s family life are also present in these letters.
    Źródło:
    Almanach Karaimski; 2013, 2; 5-17
    2300-8164
    Pojawia się w:
    Almanach Karaimski
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Orient w twórczości „polskich poetów kaukaskich” (na przykładzie twórczości Tadeusza Łady-Zabłockiego, Władysława Strzelnickiego, Michała Butowta-Andrzejkowicza)
    Autorzy:
    Sattarov, Samir
    Powiązania:
    https://bibliotekanauki.pl/articles/2031024.pdf
    Data publikacji:
    2019-12-16
    Wydawca:
    Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
    Tematy:
    Orient
    East
    Romanticism
    Caucasus
    Poetry
    Prose
    “Polish Caucasian Poets”
    Wschód
    Kaukaz
    romantyzm
    poezja
    proza
    „polscy poeci kaukascy”
    Opis:
    This paper deals with the theme of the Orient in the creativity of “Polish Caucasian poets” (Tadeusz Łada-Zabłocki, Władysław Strzelnicki and Michał Butowt-Andrzejkowicz), as well as the causes of their interests in The East and The Caucasus. According to the author, it is connected with the blossoming of Romanticism in Europe and Russia in the first half of the 19th century. Romantic writers very often referred in their creativity to the themes of romantic love, knighthood, fight for freedom, nature and its beauty, spiritual essence, Orient, world of fantasies and imagination, as well as mythologism or mysticism. The theme of the Orient allowed them to combine all the above-mentioned themes. For “Polish Caucasian poets”, the Caucasus was the East, and romanticism in their creation contributed to view the Caucasus as a different (than ordinary) world offering other possibilities, a different degree and quality of freedom.Therefore, the romanticism of “Polish Caucasian poets” was closely connected with Caucasian orientalism, which enriched Polish literature with new contents. Orientalism in the creativity of “Polish Caucasian poets” acquired its specificity with the dominant motives  referring to freedom, descriptions of nature and beautiful Caucasian landscapes, Eastern (Azerbaijani) mythology, etc. In this way, “Polish Caucasian poets” brought to the Polish romantic literature hitherto unknown in it a new exotic Caucasian colouration and played an important role in the development of relations between the Polish culture and the cultures of Caucasian peoples.
    Źródło:
    Tematy i Konteksty; 2019, 14, 9; 313-326
    2299-8365
    Pojawia się w:
    Tematy i Konteksty
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Janusz Makarczyk’s “Jafar of Baghdad” – an important source of information about the history and literature of the Abbasid Golden Age
    „Dżafar z Bagdadu” Janusza Makarczyka jako cenne źródło wiedzy o historii i literaturze arabskiej epoki Abbasydów
    Autorzy:
    Olkusz, Wiesław
    Powiązania:
    https://bibliotekanauki.pl/articles/2089441.pdf
    Data publikacji:
    2018
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the 20th century
    historical romance
    the Orient and Islam in popular fiction
    Abbasid Empire
    Harun al-Rashid
    Jafar ibn Yahya
    intertextuality
    Janusz Makarczyk (1901–1960)
    Opis:
    This article deals with Janusz Makarczyk’s bestselling historical romance Jafar of Baghdad, fi rst published in 1950. Makarczyk had a varied career as a journalist, travel writer of the ‘globtrotter school’, military offi cer, diplomat and academic; his deep involvement with the Middle East and Arab history began in the 1926 when he was sent to the Polish consulate in Jerusalem. The life of Jafar ibn Yahya provided him not only with enough material for a gripping story of love and romance but also a pretext for painting a broad canvas of historical events and personages. Addressed to younger readers, the book is didactic in the sense that it offers them basic information about Islam (e.g. the division between the sunni and the shia) as well as lots of facts about the Arab world at the peak of the Abbasid Age (e.g. Harun al-Rashid and the struggle for his succession; rise and fall of the powerful Barmakid family, Harun al-Rashid’s half-sister Abassa; the great Islamic jurists Malik ibn Anas, Muhammad al-Shaybani and Al-Shafi ‘i; an assortment of poets and scholars, including the translator Ibn al-Muqaffa). In addition to countless allusions to the Book of the Thousand Nights and One Night, the narrative is encrusted with explicit and covert quotes from the Qur’an, Arabic adages and proverbs (32), the poems of Abu-l-’Atahiya and Abu Nuwas. The writer is aware that the allusions and learned references need to be contextualized in a way that is functional and that their incorporation into the main text must be handled with maximum fl exibility. The great popularity of Jafar of Baghdad in its time can be taken as proof that Makarczyk did succeed in bringing the two functions of his novel, the cognitive and the aesthetic – to instruct and to please – into a harmonious whole.
    Źródło:
    Ruch Literacki; 2018, 5; 545-569
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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