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Wyszukujesz frazę "Piasecki" wg kryterium: Temat


Tytuł:
Moje wspomnienia
Autorzy:
Zabokrzecki, Tadeusz.
Powiązania:
Zeszyty Historyczne (Paryż) 1997, z. 122, s. 207-222
Data publikacji:
1997
Tematy:
Piasecki, Julian M. (1896-1944)
Amerykańska Komisja Pomocy Polakom na Węgrzech 1939-1941 r. pamiętniki
Obóz Polski Walczącej 1941 r. pamiętniki
Internowanie Polaków Węgry 1939-1941 r. pamiętniki
Opis:
Dot. internowania na Węgrzech i pracy w Amerykańskiej Komisji Pomocy Polakom na Węgrzech. Także o współpracy z Julianem Piaseckim i działalności w Obozie Polski Walczącej.
Dostawca treści:
Bibliografia CBW
Artykuł
Tytuł:
Mit Kaczyńskiego
Autorzy:
Wołodźko, Krzysztof.
Powiązania:
Trybuna 2005, nr 175. Dod. "Impuls", s. 12
Data publikacji:
2005
Tematy:
Dobraczyński, Jan
Piasecki Bolesław.
Bratny, Roman
Auderska, Halina
Żukrowski, Wojciech
Ciborowski, Adolf
Munk, Andrzej
Stawiński, Jerzy S.
Cękalski, Eugeniusz
Bohdziewicz, Antoni
Powstanie warszawskie (1944)
Jeńcy wojenni polscy Niemcy 1944-1945 r.
II wojna światowa (1939-1945)
Konspiracja
Opis:
Na marginesie wojennych, powstańczych i jenieckich losów pisarzy polskich -- żołnierzy AK i ich powojennych dziejów, włączenia się do życia kraju.
Dostawca treści:
Bibliografia CBW
Artykuł
Tytuł:
Obraz przestępcy w prozie Sergiusza Piaseckiego
The Image of the Criminal in the Prose of Sergiusz Piasecki
Autorzy:
Szuba-Boroń, Anna
Powiązania:
https://bibliotekanauki.pl/articles/698756.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Instytut Nauk Prawnych PAN
Tematy:
kryminologia
Sergiusz Piasecki
przestępca w literaturze
przestępstwo w literaturze
wartość poznawcza prozy autobiograficznej
criminology
offender in literature
crime in literature
cognitive values of autobiographical prose
Opis:
Twenty years of personal experience in crime-related field that furthermore inspiredreflection on the reasons of crime made a Polish writer, Sergiusz Piasecki, interestingfor forensic sciences. His life started with a turbulent and difficult childhood, hematured among the turmoil of the Soviet Revolution and joined the guerrillas fightingBolsheviks, finally to graduate from the School of Infantry Cadets in Warsaw and beassigned to the Lithuanian-Belarusian Division in Vilnius. After the Bolshevik War,being a decommissioned soldier, Piasecki painfully experienced life in poverty. Thiswas when he began to earn his sustenance by smuggling. He later entered a few-yearlongcooperation with the 2nd Division of the High Command of the Polish Army andbecame an intelligence agent. In 1926, being unemployed again, he robbed a suburbantrain. In accordance with the law in force, the summary court sentenced him to death.However, the President of the Republic Ignacy Mościcki pardoned Pia secki, exchangingthe penalty to 15 years in prison. Piasecki served 11 years of his sentence in the prisonsof Lida, Nowogódek, Rawicz, Mokotów, Koronowo, and finally in the toughest prisonof the Second Republic – at Święty Krzyż (the Holy Cross) near Kielce. The 20 yearsfrom 1917 to 1937 were the period decisive for the writing realism and thoroughnessof descriptions of the criminal world and presented protagonists, as well as analysesof psychological and social circumstances that lead individuals to the path of crime.Beginning with Piasecki’s first published book Kochanek Wielkiej Niedźwiedzicy (Lover of the Greater Bear, aka Lover of the Ursa Major) whose author enjoyed a quite uniquestatus of criminal prisoner, and which presented the facts of life of smugglers onthe Polish-Soviet fringe in 1922–1924, the precious study of the criminal world wascontinued in the trilogy Jabłuszko, Spojrzę ja w okno, and Nikt nie da nam zbawienia(Apple, Shall I Look into the Window, and No One is to Redeem us). In Żywot człowiekarozbrojonego (Life of the Human Disarmed), the protagonist moves through all the levelsof conflict with the law, and the reader follows the process of his reflections to becomefamiliar with the impact of the external world on the dramatic choices made.The work of Piasecki follows the current of prose keen on social environmentof the 1930s, based on authenticity and autobiographic experience, and whose cog -nitive values result among others from the personal involvement of the author, whocorroborates knowledge based on experience and direct contact. It is a specific typeof participatory observation: a method of researching criminal phenomena wherethe observer is part of the criminal world.The goal of the writer, which he actually frequently emphasised, was the eagernessto share the knowledge on criminals with the society, with the provision thatthe criminal world he portrayed was multidimensional rather than just a separate,specific social group, standing out from among the “normal” people. He also paidspecial attention to the life’s circumstances that can “make” anyone a criminal. It is alsocharacteristic of Piasecki to juxtapose criminals against people who are “mechanically”honest. In examining the writer’s views on crime, such a ploy demolishes the positivistdivision of the society into criminals and decent people. Honest by default, manya decent citizen proves to be a bad man. On the other hand, many derailed outcastsfrom the society are in fact good and truly honest. Some stories presented by Piaseckiare quite precise illustrations of theories in the crime sciences. In his descriptionsof the demimonde of the Minsk thieves, Piasecki described them in terms very closeto those presented by Edward Sutherland in The Professional Thief, a book writtenby a professional thief with Sutherland’s sociological commentary.The history of literature knows many writers whose works were based on the introspectionof their respective authors, and whose content allows delving into the socialreality of a given time and an insightful analysis of criminal personalities, as well as anattempt at defining the factors that influence criminal behaviours. Such a knowledgeof the human/the criminal is especially well articulated in realistic prose (Balzac,Zola, Faulkner, Steinbeck, Marquez, Remarque, Piasecki, Nachalnik, Wiskowski, Mironowicz).Certainly, the belles-lettres play a special role in this context, providinga source of knowledge, especially if by the virtue of the vicissitudes of his or her life andthoughts the author can convey information helpful in explaining and understanding the assessment of the phenomena investigated by criminal sciences.
Źródło:
Archiwum Kryminologii; 2018, XL; 535-560
0066-6890
2719-4280
Pojawia się w:
Archiwum Kryminologii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bibliografia niepublikowanych listów z Indii (1922–1957) ks. Leona Piaseckiego (1889–1957)
Fr Leon Piaseckis (1889-1957) Bibliography of non Published Letters from India (1922-1957)
Autorzy:
Szmidt, Stanisław
Powiązania:
https://bibliotekanauki.pl/articles/495858.pdf
Data publikacji:
2007-06-30
Wydawca:
Towarzystwo Naukowe Franciszka Salezego
Tematy:
Leon Piasecki SDB
praca salezjanów w Indiach
Opis:
L’articolo e intitolato La bibliografia delle lettere non pubblicate di don Leon Piasecki (1889– 1957) dal India (1922–1957) e comprende: 1 – documenti; 2 – le lettere scritte ai salesiani. Le copie delle lettre ho ricevuto dall’Archivio Generale di Roma, dall’Archivio Ispetoriale di Cracovia e Varsavia, dalla biblioteca di Lad (Acta Hlondiana), come anche da don Archimide Pianazzi dell’Archivio Arcivescovile di Shillog. Nel successivo articolo viene pubblicata la bibliografia delle lettere ancora non pubblicate alla famiglia, le lettere stampate nelle riveste cattoliche, come anche diverse testimonianze prese dai differenti fonti stampati su don Leon Piasecki. A tutti che mi hanno aiutato nella raccolta del materiale rivolgo un grazie sentito.
Źródło:
Seminare. Poszukiwania naukowe; 2007, 24; 541-558
1232-8766
Pojawia się w:
Seminare. Poszukiwania naukowe
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kult św. Andrzeja Boboli, Kapłana i Męczennika w twórczości pieśniowej ks. Zbigniewa Piaseckiego (1916–2011)
The cult of Saint Andrew Bobola – the priest and martyr in the songs of priest Zbigniew Piasecki (1916-2011)
Autorzy:
Szczeblewski, Łukasz
Powiązania:
https://bibliotekanauki.pl/articles/1395189.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
religious songs,
priest Zbigniew Piasecki,
Saint Andrew Bobola,
the cult of saints
Opis:
Priest Zbigniew Piasecki (1916-2011) is one of the most distinguished authors of religious songs in Poland after the Second Vatican Council. His rich composer oeuvre includes songs devoted to Saint Andrew Bobola, the patron of Poland. These works exist in manuscripts form only. They have never been published. Not only is the Composer himself mentioned in this article, but also the profile of Saint Andrew’s and his cult. The presentation of songs in honour of St. Andrew Bobola constitutes the essential part of the study. In the first part the melody aspect was analysed where the kinds of melodies and intervallic scale are covered. Then the rhythmicity is discussed and sources for melody are pointed out. Finally the lyrics of particular works are analysed. The repertoire of songs in honour of Saint Andrew Bobola presented in this work proves the cult of Saint Martyr still exists in Poland. Priest Piasecki’s work significantly enriched a number of songs devoted to the Saint patron of Poland. What is more, these songs can be used during the celebration of Eucharistic Liturgy on the Day of St. Andrew Bobola as well as during other services in honour of the Saint Patron of Poland. The author hopes that this work will contribute to their popularization in Polish church repertoire.
Źródło:
Saeculum Christianum. Pismo Historyczne; 2014, 21; 265-278
1232-1575
Pojawia się w:
Saeculum Christianum. Pismo Historyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kult św. Cecylii, Dziewicy i Męczennicy w polskiej pieśni religijnej na przykładzie pieśni J. Łuciuka, M. Świerzyńskiego, A. Chlondowskiego i Z. Piaseckiego
The Cult of Saint Cecile, a Virgin and Martyr in Polish Religious Songs Exemplified by Songs of J. Łuciuk, M. Świerzyński, A. Chlondowski and Z. Piasecki
Autorzy:
Szczeblewski, Łukasz
Powiązania:
https://bibliotekanauki.pl/articles/494996.pdf
Data publikacji:
2015-05-31
Wydawca:
Towarzystwo Naukowe Franciszka Salezego
Tematy:
Św
Cecylia
pieśń religijna
kult świętych
Łuciuk
Świerzyński
Chlondowski
Piasecki
St
Cecile
religious song
the cult of saints
Opis:
The contemporary religious songs in honour of Saint Cecile presented in this work prove that the cult of the Saint Virgin and Martyr is still prevailing in the Catholic Church. The article describes the life of Saint Cecile and provides a brief history of her cult. Presentation of songs in honour of this Patron of music constitutes an essential part of the study. The author begins with an analysis of their melodic aspects focusing, among others, on the kinds of melodies and intervallic scales. The article discusses also rhythmicity and the lyrics of the presented works . It is worth emphasizing that these songs might be used during celebration of Eucharistic Liturgy on the Day of Saint Cecile as well as during other services held in honour of the Roman Martyr.
Źródło:
Seminare. Poszukiwania naukowe; 2015, 36, 2; 197-213
1232-8766
Pojawia się w:
Seminare. Poszukiwania naukowe
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Różnorodność form muzycznych w zbiorze „Panu memu śpiewać chcę” ks. Zbigniewa Piaseckiego (1916-2011)
The variety of musical forms in Rev. Zbigniew Piaseckis (1916-2011) collection «I want to sing for my Lord»
Autorzy:
Szczeblewski, Łukasz
Powiązania:
https://bibliotekanauki.pl/articles/2056765.pdf
Data publikacji:
2014-12-07
Wydawca:
Wyższe Seminarium Duchowne im. św. Jana Pawła II Diecezji Siedleckiej
Tematy:
Piasecki
formy muzyki religijnej
pieśń religijna
psalm
hymn
msza
forms of religious music
religious song
mass
Opis:
According to the music, religious folk songs are not a homogeneous material. The repertoire of religious songs disseminated in many editions is characterized by stylistic and formal diversity. The example of such a set is Rev. Zbigniew Piasecki’s collection “I want to sing for my Lord”. This article is a presentation of the musical forms included in the collec-tion. At the beginning, the forms of verses and choruses were discussed. Afterwards, differen-tiation of the verse forms was shown by the presentation of one-, two- and three-part compo-sition. The next step was the presentation of the hymns that are a special kind of the verse songs. Then, the psalms that belong to a group of refrain songs were discussed. The following part of the article presented the liturgical masses. The final part discussed the wide range of religious songs, that can be found in Rev. Piasecki’s edition. The variety of the music forms shows the diverse nature of songs included in this edition. However, the further study of the detailed aesthetic and liturgical assessment of the repertoire contained in the collection are required.
Źródło:
Teologiczne Studia Siedleckie; 2014, XI/11; 169-182
1733-7496
Pojawia się w:
Teologiczne Studia Siedleckie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Źródła melodii, metrorytmika oraz kontrafaktury w kompozycjach zawartych w zbiorze ks. Z. Piaseckiego (1916-2011) „Panu memu śpiewać chcę”
Sources of melodies, metrorhythmics and contrafacta in the compositions included in the collection of Fr. Z. Piasecki’s (1916-2011) „Panu memu śpiewać chcę” [„I want to sing to my Lord”]
Autorzy:
Szczeblewski, Łukasz
Powiązania:
https://bibliotekanauki.pl/articles/2084269.pdf
Data publikacji:
2021-12-21
Wydawca:
Wyższe Seminarium Duchowne im. św. Jana Pawła II Diecezji Siedleckiej
Tematy:
śpiewnik
Ks. Zbigniew Piasecki
pieśń religijna
źródła melodii
metrorytmika
kontrafaktura
songbook
Fr. Zbigniew Piasecki
religious song
sources of melody
metrorhythmics
contrafactum
Opis:
Dopuszczenie języka narodowego w liturgii przez reformę liturgiczną Soboru Watykańskiego II stało się ważnym impulsem nowej twórczości religijnej. Na gruncie polskim można zaobserwować swoistą eksplozję nowych kompozycji religijnych, które były upowszechniane w różnych edycjach. W tę działalność wpisuje się twórczość ks. Z. Piaseckiego. Zwieńczeniem jego pracy twórczej i redakcyjnej jest zbiór Panu memu śpiewać chcę. Kompozytor zamieścił w nim utwory znanych twórców muzyki religijnej, jak również wiele własnych kompozycje. Wśród nich są także utwory z tekstem Kompozytora. Niniejszy artykuł stanowi prezentację zbioru ze szczególnym zwróceniem uwagi na pochodzenie melodii, metrorytmikę oraz zapożyczenia melodii (kontrafaktury).
The admission of the national language in the liturgy by the liturgical reform of the Second Vatican Council became an important impulse for new religious creativity. In Poland, one can observe a kind of explosion of new religious compositions that were disseminated in various editions. The works of Fr Z. Piasecki are part of this activity. The culmination of his creative and editorial work is the collection “I want to sing to my Lord”. The composer included works of well-known composers of religious music, as well as many of his own compositions. Among them there are also pieces with the composer's own text. This article presents the collection with particular emphasis on the origin of the melody, metrorhythmics and borrowings of the melody (contrafacta).
Źródło:
Teologiczne Studia Siedleckie; 2021, Teologiczne Studia Siedleckie XVIII (2021) 18; 217-236
1733-7496
Pojawia się w:
Teologiczne Studia Siedleckie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Chadecja w PRL? Czy politycy katoliccy byli chrześcijańskimi demokratami?
Christian democrats in Polish People’s Republic? Were Catholic politicians the Christian Democrats?
Autorzy:
Skibiński, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/477565.pdf
Data publikacji:
2017
Wydawca:
Instytut Pamięci Narodowej, Komisja Ścigania Zbrodni przeciwko Narodowi Polskiemu
Tematy:
chrześcijańska demokracja w Polsce po 1945
Kościół katolicki a polityka w Polsce po 1945
Stronnictwo Pracy
Stowarzyszenie PAX
ruch „Znaku”
Bolesław Piasecki
Janusz Zabłocki
kard. Stefan Wyszyński
Christian democracy in Poland after 1945
Catholic Church and politics in Poland after 1945
the Labour Party
the PAX Association
the Znak movement
cardinal Stefan Wyszyński
Opis:
In the period of 1945–1989, in Communist Poland, after the subjection of the Labour Party by the Communists in 1945, and their assimilation in 1950 by the Democratic Party, there was no independent Christian Democratic party; despite this, Poland was a country of the Soviet Block, in which the Catholic Church had relatively large freedom, while Christian democratic parties officially existed in GDR and the Czechoslovakian Republic. This issue is strictly related with several other matters: with Christian Democratic and non-Christian democratic efforts of the Catholics aimed at the establishment of the Catholic Party inside the PRL political system (among others, on the basis of Bolesław Piasecki’s PAX Association); with the activities of the groups relating to the Christian democracy outside the party structures (here it necessary to mention Janusz Zabłocki, the ODiSS group and Polish Catholic Social Association); with activities of all other groups of “lawful” Catholics functioning within Communism; finally with the issue of intellectual research aimed at the rationalisation of the existence of Christian democracy outside the democratic system, in the necessary cooperation with an atheistic totalitarian regime (here a special role was played by inspiration with Christian socialism of Emmanuel Mounier). To provide the final statement concerning the scale of the Christian democratic inspiration in both social and political life it is necessary to deepen the present research concerning almost every political groups of Catholics in PRL – both legal and illegal – maybe aside from the well-known group of “Znak”. It is necessary to verify the findings of the present historiography, which mainly belonged to the identity stream, that is the stream giving priority for the justification of the political attitudes of Catholics during PRL over comprehensive and reliable information analysis. The matters crucial for understanding the existence context of the Christian democratic inspirations in the period of PRL include the issues of various forms of political Catholic realisms in PRL (including specific differentiation of the realism of resistance, collaboration and capitulation – using terms applied by Rafał Matyja), as well as an explanation as to why Catholic groups in PRL – in contrast to the Christian Democrats during the inter-war period – tried to build their identity on the critique of the largest Catholic political formation in Poland – namely the national movement, and often even broader – on the critique of the entire relation between Catholicism and Polish national identity.
Źródło:
Pamięć i Sprawiedliwość; 2017, 30; 154-178
1427-7476
Pojawia się w:
Pamięć i Sprawiedliwość
Dostawca treści:
Biblioteka Nauki
Artykuł

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