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Wyświetlanie 1-15 z 59
Tytuł:
PRAISE OF FREEDOM
Autorzy:
Maciejewska, A.
Powiązania:
https://bibliotekanauki.pl/articles/702677.pdf
Data publikacji:
2005
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
POETRY (LATIN)
Opis:
In her Latin poem 'Laudes Libertatis' (Praise of Freedom), being a parody of 'Carmen Buranum 191' (Aestuans intrinsecus ira vehementi), the authoress emphasizes advantages of unmarried life.
Źródło:
Meander; 2005, 60, 1; 127
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
SEA TALES - CONTINUATION
Autorzy:
Maciejewska, A.
Powiązania:
https://bibliotekanauki.pl/articles/702709.pdf
Data publikacji:
2005
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
POETRY (LATIN)
Opis:
Two more Maciejewska's Latin stanzas 'Fabula marina II', published here, are added to the Polish sea shanty 'Morskie Opowiesci' (Sea tales), sung to the melody of 'What shall we do with a drunken sailor?'
Źródło:
Meander; 2005, 60, 1; 128
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Judgement of Paris
Autorzy:
Maciejewska, A.
Powiązania:
https://bibliotekanauki.pl/articles/702663.pdf
Data publikacji:
2006
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
LATIN POETRY
Opis:
A short comedy in two versions - Latin and Polish - based on the well known Greek myth.
Źródło:
Meander; 2006, 61, 1-2; 175-179
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
HELEN IN EGYPT (Helena w Egipcie)
Autorzy:
Maciejewska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/702549.pdf
Data publikacji:
2007
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
NEO-LATIN POETRY
Opis:
A short comedy in two versions, Latin and Polish, developing the myth, popularised by Euripides' Helen. Its relations to that tragedy and to other ancient sources are discussed in the introduction.
Źródło:
Meander; 2007, 62, 3-4; 370-375
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Oparte na mitologii adynata w wygnańczych elegiach Owidiusza
MYTHOLOGICAL ADYNATA IN OVID’S ELEGIES WRITTEN IN EXILE
Autorzy:
Puk, Marlena
Powiązania:
https://bibliotekanauki.pl/articles/702741.pdf
Data publikacji:
2008
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Ovid
adynata
Latin poetry
Opis:
The article discusses Ovid’s use of adynata based on mythological themes in his last collections of elegies: Tristia and Ex Ponto.
Źródło:
Meander; 2008, 63, 1-4; 142-150
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Owidiusz: Metamorfozy I 5-363
OVID'S METAMORPHOSES I 5-363 IN WŁADYSŁAW MĄCZKA'S TRANSLATION
Autorzy:
Mączka, Władysław
Powiązania:
https://bibliotekanauki.pl/articles/702745.pdf
Data publikacji:
2008
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Ovid
Metamorphoses
Latin poetry
Opis:
A Polish translation of a well-known passage of Ovid’s masterpiece by an army offi cer who died in 1950. In his short introduction Juliusz Domański tries to establish some facts pertaining to the life of this forgotten personage, his wife’s uncle.
Źródło:
Meander; 2008, 63, 1-4; 129-141
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Apuleius Love Poems
Autorzy:
Zuchowska, D.
Powiązania:
https://bibliotekanauki.pl/articles/702559.pdf
Data publikacji:
2005
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
APULEIUS
LATIN LOVE POETRY
Opis:
The article discusses Apuleius' amatory poems as quoted by Apuleius himself in his 'Apology' and by Gellius in the 'Attic Nights', as well as his verses preserved in a medieval manuscript according to which they are a translation of a monologue by Menander.
Źródło:
Meander; 2005, 60, 4; 437-444
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
THE MYTH OF CEPHALUS AND PROCRIS IN OVID'S 'METAMORPHOSES' AND MARCIN KROMER'S 'DE ADVERSA VALETUDINE SIGISMUNDI I' (Mit o Kefalosie i Prokris u Owidiusza i Marcina Kromera)
Autorzy:
Zawadzki, Robert K.
Powiązania:
https://bibliotekanauki.pl/articles/702647.pdf
Data publikacji:
2007
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
KROMER MARCIN
NEO-LATIN POETRY
OVID
ROMAN POETRY
Opis:
In his 1534 Latin poem on the illness of the Polish King Sigismundus I that was a consequence of his hunting expedition, Marcin Kromer introduces the myth of Cephalus and Procris. Borrowing the subject from Ovid (Met. VII 690-862), Kromer presents only the last part of the history of this unhappy couple and does not dwell on the husband's and wife's emotions as much as his predecessor. This passage seems important as we see here the first use of this myth by a Polish author.
Źródło:
Meander; 2007, 62, 3-4; 283-293
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ad fontem Sonam (Ep 2) Macieja Kazimierza Sarbiewskiego. Opowieść o źródłach
Maciej Kazimierz Sarbiewski’s Ad Fontem Sonam (Ep 2). Reflexion on the Sources
Autorzy:
Buszewicz, Elwira
Powiązania:
https://bibliotekanauki.pl/articles/28409073.pdf
Data publikacji:
2015
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Metapoetic poetry
Intertextuality in Neo-Latin Poetry
Sarbiewski's poetry
Opis:
The aim of this study is to discuss the rhetorical strategies and literary sources in Epode 2, Ad fontem Sonam. In patrio fundo, dum Roma rediisset by Maciej Kazimierz Sarbiewski (Casimir). It opens the possibility of an intertextual reading of the text (Catullus 31, Horace III 13, Ovid Metamorphoses III (407-417). My thesis is that the text, like the Horatian ode, demands a metapoetic reading. The “source Sona” and its waters, wherever located in fact, stand for an allegory of poetic inspiration, to be identified, again as in Horace, with both the poet and his poetry, but probably also with God’s grace. Thus the image of the poet’s motherland takes on a symbolic dimension and may be understood as an expression of the poetic identity of his own, a hallmark of the poet and of his individuality. In this way the poem becomes a kind of prayer and a performative act of speech.
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2015, 6; 39-55
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Imitacja horacjańska w łacińskiej twórczości Jana Kochanowskiego
Autorzy:
Buszewicz, Elwira
Powiązania:
https://bibliotekanauki.pl/articles/636433.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Neo-Latin poetry, Horatian imitation, Jan Kochanowski’s poetry
Opis:
Horatian Imitation in Jan Kochanowski’s Latin PoetryThe aim of this study is to show how Kochanowski imitated Horace in various ways and at different levels of his poetry. As to this moment, the matter has been discussed, mainly in regard to the Lyricorum libellus, by Zofia Głombiowska and Józef Budzyński. In this paper, the author briefly summarises their statements and comments upon them expressing her own view. She also mentions some other publications dealing with the Horatianism of the Polish poet to a lesser degree. The text is divided into four sections. In the first one, the author makes a brief comparison between Kochanowski and Petrarca in the context of their mental kinship with Horace that resulted in poetry which is “Horatian” not only in terms of the verba but also some ideas. The second section is devoted to the Horatianism of Kochanowski’s collection of odes (Lyricorum libellus). The author begins with a brief summary of the previously mentioned scholars’ views. She also demonstrates that some of these views may oversimplify the question of Horatian imitation in case of at least several of Kochanowski’s poems. To illustrate this, she presents an analysis of ode XI (In equum) in the context of its Horatian models; the conclusion is that in this poem, as well as in the entire collection, Kochanowski imitates Horace in a sophisticated and polyphonic way. The third part of the text, after a brief mention of the “loci Horatiani” in Kochanowski’s elegies, shows the interplay of ideas between Horatian poetry and Kochanowski’s Elegy III 1. The author puts emphasis on the fact that Kochanowski adapted some of the elegiac themes to the Horatian rhetoric. Concluding her disquisition, the author argues that Kochanowski’s Horatian imitation is neither superficial nor confined to the imitation verborum, but reaches deep in the structures of Horace’s poetry.
Źródło:
Terminus; 2014, 16, 2(31)
2084-3844
Pojawia się w:
Terminus
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Aeneis Jana Lucienbergiusa. Wizja typograficzna i teatralna
„Aeneis” by Johann Lucienberger(gius): Theatrical and Typographic Vision
Autorzy:
Bogumił, Izabela
Powiązania:
https://bibliotekanauki.pl/articles/1046682.pdf
Data publikacji:
2015-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
tragicomedy
Neo-Latin poetry
epic motifs
typographic solutions
Opis:
This paper deals with the dramatization of Virgil’s Aeneid created in Frankfurt am Meinz in the second half of the 16th century by Ioannes Lucienbergius. It discusses the text as a scenic adaptation of Roman epic and as typographic work.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2015, 25, 1; 91-107
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Antonio Querenghi, Carmen ad Urbem Romam in adventu Serenissimi Vladislai Poloniae Principis (1625)
Autorzy:
Franczak, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/636303.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Antonio Querenghi, Vladislaus Vasa, panegyric, Neo-Latin poetry
Opis:
The subject of this edition is a forgotten 17th-century Polonicum: a Latin panegyric in hexameter by Antonio Querenghi entitled Ad urbem Romam in adventu Serenissimi Vladislai, Poloniae Principis (To the city of Rome on the occasion of the arrival of His Most Serene Highness Vladislaus, the Prince of Poland). The work, published in 1625 in Rome, was noted in bibliographies of S. Ciampi and K. Estreicher as anonymous. This is because the only copy known of the first edition until recently, preserved in the holdings of Biblioteca Ambrosiana in Milan, was deprived of the title page. The discovery of a second, complete copy in the collection of Biblioteca Casanatense in Rome allowed us to identify the author, namely the Padovan humanist Antonio Querenghi (1546-1633), who from 1605 served as the pope’s personal secretary (cubicularius), prelate and referendary of both signatures. The closest relation Querengi developed with Maffeo Barberini (Urban VIII), the “pope-Cicero” and patron of poets and artists, at whose side he stayed until his own death. On 19 January 1625 he graced with his panegyric the Roman visit of Prince Vladislaus Vasa, the later King of Poland and Grand Duke of Lithuania Vladislaus IV. The prince arrived in Rome on 20 December 1624, after an eight-month journey around Europe. Vladislaus, who tried to travel incognito, was received with all the honour due to the successor to the Swedish throne with the title of electi Magni Ducis Moschoviae (the elected Grand Duke of Muscovy). In the minds of the inhabitants of Europe, his person was also inextricably associated with the double triumph over the “schismatic” Muscovy, and above all with fending off Turks at the battle of Chocim (2 September–9 October 1621). Vladislaus spent the fortnight from 20 December 1624 to 2 January 1625 in the papal capital and took part in the celebration of the Jubilee. On 17 January he arrived there again after a short trip to Naples and left the city after only three days. Yet it was the latter short stay in Rome that the grandest reception in honour of the Polish Prince was held. On Sunday, 19 January, after a private audience with Pope Urban, at which only the closest curial dignitaries (with Querenghi probably among them) and officials from Vladislaus’ retinue were present, a sumptuous dinner was given with a concert afterwards. In the panegyric written for this occasion, Querenghi praises Vladislaus’ triumphs over “Muscovy twice defeated” (he meant armed attempts of the prince to the tsarist throne in the years 1610-1619) and over “the Thracian (i.e. Turkish) enemy”, the army of sultan Osman II. The ideological pivot of the poem is the pope’s planned general military expedition against Turkey: Urban VIII anoints the Polish Prince as the commander in chief of the upcoming crusade and a defender of Christianity. Vladislaus appears to be a new Hercules choosing the difficult path of Virtue, filled with renunciations and leading to eternal fame. In the panegyric apostrophe, the poet appeals to the Christian prince to follow the example of the mythical hero by taming the “godless monsters” (monstra impia) and taking upon his shoulders the weight of the world resting theretofore on the shoulders of the Italian Atlas – Pope Urban. Ad urbem Romam constitutes an excellent example of Querenghi’s stylistic manner shaped in the neo-Platonist spirit of hermetism, which made the poet create labyrinthine and enigmatic texts for the exclusive use of a narrow circle of exegetes. This manner resulted in a discrepancy, starkly visible through the refined hexameters, between two irreconcilable textual (and thus essentially linguistic) facts, one arising from historic discourse and the other generated within conventionally antiquisating, petrified, panegyric hyperbole. Namely, between Vladislaus who, abashed, retreated from Muscow and spent the battle of Chocim sick in his own tent, and the new Hercules who puts to rout the schismatic-pagan monsters threatening the Western civilisation.
Źródło:
Terminus; 2013, 15, 2(27)
2084-3844
Pojawia się w:
Terminus
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Maciej Kazimierz Sarbiewski and English Dissenting Poets of the Early 18th Century: A Study in Reception of Neo-Latin Poetry in Great Britain
Autorzy:
Fordoński, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/636332.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Maciej Kazimierz Sarbiewski
Neo-Latin Poetry
Isaac Watts
Opis:
The article presents historical, literary, religious and political context in which interest in the poetry of the Baroque Neo-Latin poet Maciej Kazimierz Sarbiewski (1595–1640) appeared in the first half of the 18th century among English dissenters and non-conformists. The article concentrates on the best known and most prolific of the six dissenting translators of Sarbiewski Isaac Watts (1674–1748) and his pupil and biographer Thomas Gibbons (1720–1785). The article includes a brief presentation of the translated poems of Sarbiewski and their translators.
Artykuł przedstawia historyczny, literacki, religijny i polityczny kontekst zainteresowania, jakim cieszyła siętwórczość Macieja Kazimierza Sarbiewskiego (1595–1640) wśród dysydentów i nonkonformistów w Anglii w I poł. XVIII w. Autor skupia się na najbardziej znanych i płodnych spośród sześciu dysydenckich tłumaczy Sarbiewskiego: Isaaku Wattsie (1674–1748) oraz jego wychowanku i biografiście Thomasie Gibbonsie (1720–1785). Artykuł zawiera krótkie omówienie przekładów wierszy Sarbiewskiego oraz sylwetek tłumaczy
Źródło:
Terminus; 2011, 13, 24; 71-85
2084-3844
Pojawia się w:
Terminus
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Obraz miłości małżeńskiej w eklodze Acon Giovanniego Pontana
The image of conjugal love in Giovanni Pontano’s eclogue Acon
Autorzy:
Raczyńska, Alicja
Powiązania:
https://bibliotekanauki.pl/articles/967146.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Pontano
Neo-latin poetry
eclogues
conjugal love
intertextuality
Opis:
Acon is one of the six eclogues written by Giovanni Pontano, one of the most remarkable humanists of the Italian Quattrocento. In this work, the author presents an image of conjugal love by the usage of a bucolic context, a model of shepherd love and some myths from Ovid’s Meta- morphoses. He also refers to some facts from his own biography (marriage with Adriana Sassone). The pastoral figures who speak in the eclogue Acon are Petasillus and Saliuncus. They reminisce their master Meliseus (Pontano’s alter ego) who used to sing beautiful songs for his beloved wife Ariadna. The topics of those songs were the period of engagement, the first days of marriage and the pain caused by the separation of the spouses.
Źródło:
Collectanea Philologica; 2014, 17
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
EXILE IN OVID'S AND PHILIPPUS CALLIMACHUS' POETRY: BETWEEN POETICAL AUTOBIOGRAPHY AND LITERARY CREATION (Tulaczka i wygnanie w poezji Owidiusza i Filipa Kallimacha - miedzy poetycka autobiografia a kreacja literacka)
Autorzy:
Awianowicz, Bartosz
Powiązania:
https://bibliotekanauki.pl/articles/702877.pdf
Data publikacji:
2007
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
EXILE
NEO-LATIN POETRY
OVID
PHILIPPUS CALLIMACHUS
ROMAN ELEGY
Opis:
A comparison of the life and poetry of Ovid and of Philippus Callimachus (Filippo Buonaccorsi, 1437-1496) during their exile from Italy. Although there are some undeniable analogies between their fates on the whole, Callimachus' state of mind in exile, his relations with his new neighbours and the tone of his poetry are all quite different than Ovid's. All this is due especially to the fact that he found his new love and a new, quite well-educated audience in Poland.
Źródło:
Meander; 2007, 62, 3-4; 270-282
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 59

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