Temat: Oresteia - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Didaskalia w Orestei Ajschylosa jako projekt inscenizacji tłumacza (na przykładzie Agamemnona)
Stage directions in the Aeschylus’ Oresteia as the translator’s designed prospective theatre staging (on the example of the Aeschylus’ Agamemnon
Autorzy:: Bibik, Barbara
Powiązania:: https://bibliotekanauki.pl/articles/1046630.pdf
Data publikacji:: 2016-10-27
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Aeschylus
Oresteia
Agamemnon
Węclewski
Kasprowicz
Srebrny
Sandauer.
Opis:: We all know that in the ancient tragedies there are no written stage directions. But it does not mean that there areno stage instructions. Without no doubts the fifth century BC tragedies were theatre productions. Of course theywere influencedby the Athenian theater of the day, but in every age the drama is influenced by the theatre of itsdays. And translation of a drama requires to be imagined by the translator who is never free from any influencesor references to the stages and theatres of authors’ time. That is why in this paper I would like to examine whatkind of staging the translators suggest in their translations and stage directions they insert in the texts.
Źródło:: Symbolae Philologorum Posnaniensium Graecae et Latinae; 2016, 26, 1; 53-75
0302-7384
Pojawia się w:: Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: „Dom, dom, niby robak, toczy klątwy moc niezwalczona” (o „skażonej” rodzinie na przykładzie Orestei Ajschylosa, Ifigenii w Aulidzie Eurypidesa oraz (A)pollonii K. Warlikowskiego i Ifigenii A. Grzegorzewskiej)
“Dom, dom, niby robak, toczy klątwy moc niezwalczona” (Home, Home, Like a Worm, Curses Shaped by Unbeatable Power ) (About “flawed” family on the example of Oresteia by Aeschylus, Iphigenia in Aulis by Euripides and (A)pollonia by K. Werlikowski and Iphigenia by A. Grzegorzewska)
Autorzy:: Bibik, Barbara
Powiązania:: https://bibliotekanauki.pl/articles/527381.pdf
Data publikacji:: 2013
Wydawca:: Krakowska Akademia im. Andrzeja Frycza Modrzewskiego
Tematy:: Aeschylus
Oresteia
Warlikowski
Grzegorzewska, (A)pollonia
Iphigenia
theatre
Opis:: The Greek tragedies very often deal with the problem of family, blood ties and or versus marriage ties. The issue of the value and the respect for the family is as important for the Greek playwrights as for the modern theatre producers, for whom the Greek tragedies are very often an important source for their productions. One of those productions, and undoubtedly very controversial one, is the spectacle of Warlikowski titled „(A)pollonia” which is the combination of ancient and modern texts, like tragedies of Aeschylus and Euripides and the prose of Coetzee, Krall and Littell. Among many issues raised by this spectacle there is also one concerning the problem of family ties. To present this issue Warlikowski uses the Aeschylus’ „Oresteia”, one of the most important European tragic drama. Another staging I would like to deal with in this paper is „Iphigenia” by Grzegorzewska. I am interested in it because of the similar issue raised by this staging. The turbulent and cruel history of the accursed Pelopidai associates both of those stagings and texts they are based on. In this paper I would like to examine the use of ancient tragedies in the mentioned stagings as well as the image of the modern (?) family that is presented in those theatre productions.
Źródło:: Państwo i Społeczeństwo; 2013, 3; 163-178
1643-8299
2451-0858
Pojawia się w:: Państwo i Społeczeństwo
Dostawca treści:: Biblioteka Nauki

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