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Wyświetlanie 1-8 z 8
Tytuł:
С верой вокруг мира (язык и личность старовера Орегона)
With Faith around the World (an Oregon Old Believer’s Dialect and Personality)
Autorzy:
Morris, Tamara
Powiązania:
https://bibliotekanauki.pl/articles/1070547.pdf
Data publikacji:
2020-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Oregon Old Believer
dialect
personality
Opis:
This article describes the main features of the dialect at different language levels of Alexei Ivanovich Afonin, a respected North American Old Believer belonging to the Bespopovtsy group of Chasovennye denomination and the Sintsyantsy group. Most of his life Afonin lived in Oregon, the USA, and in 2016 he went to the Siberian Dubchessky Monastery. His personality is also depicted in the article as being an au-thoritative old man, a good builder, a traveller, a talented storyteller, and a decent man.
Źródło:
Acta Neophilologica; 2020, XXII/2; 209-220
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Na peryferiach Stanów Zjednoczonych. Obrazy stanu Oregon w wybranych filmach Kelly Reichardt
On the Peripheries of the United States: Images of Oregon in Selected Films by Kelly Reichardt
Autorzy:
Biliński, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/24881690.pdf
Data publikacji:
2023
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
Kelly Reichardt
krajobraz
Oregon
western
nomadyzm
landscape
nomadism
Opis:
Artykuł dotyczy twórczości Kelly Reichardt – reżyserki, która od połowy lat 90. pozostaje jedną z kluczowych postaci amerykańskiego kina niezależnego. Wychodząc od założeń badaczy skoncentrowanych na zagadnieniu krajobrazu, autor przygląda się podejściu Reichardt do pejzażu jako takiego oraz charakteryzuje wizję stanu Oregon obecną w jej produkcjach. Przywoływane w tekście wypowiedzi Reichardt potwierdzają, jak istotne było dla niej poznanie Jonathana Raymonda – pisarza i przyszłego scenarzysty opisywanych w artykule dzieł. W kolejnych filmach – zwłaszcza tych, którym w tekście poświęcono najwięcej uwagi (Old Joy /2006/, Meek’s Cutoff /2010/, Pierwsza krowa /First Cow, 2019/) – oboje nie tylko przyglądali się stanowi z północno-zachodniego wybrzeża USA, ale też wykorzystali tamtejsze lokacje do nakreślenia portretu współczesnej amerykańskiej prowincji. Opowiedzieli o niej, operując poetyką slow cinema i odnosząc się do gatunku westernu.
The article concerns the work of Kelly Reichardt – a film director who since 1995 is regarded as one of the most prominent representatives of American independent cinema. Starting with the observations of researchers theorizing landscape, the author analyses Reichardt’s approach to landscape as such and describes the vision of Oregon present in her work. The director’s statements cited in the article confirm the importance of meeting the writer Jonathan Raymond – the future screenwriter of the discussed productions. In their subsequent films – especially those that are at the centre of author’s interest (Old Joy /2006/, Meek’s Cutoff /2010/, First Cow /2019/) – not only did they look at Oregon, but also used the Pacific Northwest state’s locations to portray contemporary American country. In doing so, they used the poetics of slow cinema and conventions of the western genre.
Źródło:
Kwartalnik Filmowy; 2023, 122; 107-129
0452-9502
2719-2725
Pojawia się w:
Kwartalnik Filmowy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Несущий факел веры и родного языка (стезями судьбы одного старовера Орегона)
Autorzy:
Morris, Tamara
Powiązania:
https://bibliotekanauki.pl/articles/2131281.pdf
Data publikacji:
2022-05-15
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Old Believer
Oregon
personality
church schism
Dubchessky Monastery
dialect
Opis:
This article is devoted to the extraordinary personality of Makar Afanas’evich Zeniukhin (1938-2020) a Bespopovets Old Believer belonging to Chasovennye Denominationfrom Xinjiang, and to his lifelong ordeals while migrating from China through Argentina toWoodburn, Oregon, and ending up in the Siberian Dubchessky Monastery, Russia. The accountof his life reflects the consequences of the twenty-first century split in the Old Believerscommunities among the Oregonian Bespopovets Old Believers. It also describes MakarZeniukhin’s dialect, including the characteristic features of his language variation on differentlevels. The research is based on the method of scientific description and discourse analysis thatstudies his language recorded during our conversations between 2004 and 2014. The article alsodescribes his written language based on letters sent to us from the Siberian Dubchessky Monastery. Makar Zeniukhin’s oral narrations, coherent stories, and written letters are of particular value as historical and ethnographic resources depicting the events and life of Old Believers in Oregon, USA.
Źródło:
Acta Neophilologica; 2022, 1, XXIV; 253-266
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Comparative Investigation of River Water Quality by OWQI, NSFWQI and Wilcox Indexes (Case study: the Talar River – IRAN)
Autorzy:
Darvishi, G.
Kootenaei, F. G.
Ramezani, M.
Lotfi, E.
Asgharnia, H.
Powiązania:
https://bibliotekanauki.pl/articles/205410.pdf
Data publikacji:
2016
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Talar River
water quality
Oregon water quality index
OWQI
national sanitation foundation water quality index
NSFWQI
Wilcox
Opis:
Rivers are considered as one of the main resources of water supply for various applications such as agricultural, drinking and industrial purposes. Also, these resources are used as a place for discharge of sewages, industrial wastewater and agricultural drainage. Regarding the fact that each river has a certain capacity for acceptance of pollutants, nowadays qualitative and environmental investigations of these resources are proposed. In this study, qualitative investigation of the Talar river was done according to Oregon Water Quality Index (OWQI), National Sanitation Foundation Water Quality Index (NSFWQI) and Wilcox indicators during 2011–2012 years at upstream, midstream and downstream of the river in two periods of wet and dry seasons. According to the results of OWQI, all of the values at 3 stations and both periods are placed at very bad quality category and the water is not acceptable for drinking purposes. According to NSFWQI, the best condition was related to the upstream station at wet season period (58, medium quality) and the worst condition was related to the downstream in wet season period (46, very bad quality). Also the results of Wilcox showed that in both periods of wet season and dry season, the water quality is getting better from upstream station to the downstream station, and according to the index classification, the downstream water quality has shown good quality and it is suitable for agriculture.
Źródło:
Archives of Environmental Protection; 2016, 42, 1; 41-48
2083-4772
2083-4810
Pojawia się w:
Archives of Environmental Protection
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Intelligibility of Referendum Issues and the Opportunities to Inform Voters. Comparative Observations with Special Regard to Hungary
Autorzy:
Komáromi, László
Antalicz, Gabriella
Powiązania:
https://bibliotekanauki.pl/articles/647804.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
direct democracy, referendum, popular initiative, voters’ competence, intelligibility of referendum issues, ballot pamphlet, Hungary, Switzerland, Oregon, California
Opis:
The intelligibility of initiative proposals is of utmost importance in case of direct democratic decisions. This study sums up the tools by means of which voters are informed about referendum issues in countries or states with well developed direct democratic traditions, like Switzerland, Oregon and California. A special attention is paid to ballot pamphlets and requirements regarding the wording of the proposal. The second part of the study focuses on Hungary. Ballot pamphlets are not in use here, the practice of the authorities is centred on the “requirement of the unambiguity of the question”. Based on an analysis of the resolutions of the National Election Committee, the decisions of the Constitutional Court and the Curia (Supreme Court) of Hungary, the authors demonstrate that the requirement of unambiguity has become an obligation of initiators which is very difficult to comply with. The study finally recommends possible solutions in order to make the tool of bottom-up initiative a more practicable instrument of direct democracy in Hungary.
Źródło:
Annales Universitatis Mariae Curie-Skłodowska, sectio K – Politologia; 2019, 26, 2
1428-9512
2300-7567
Pojawia się w:
Annales Universitatis Mariae Curie-Skłodowska, sectio K – Politologia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Nor doth this wood lack worlds of company:” the American Performance of Shakespeare and the White-Washing of Political Geography
Autorzy:
Meyer, John M.
Powiązania:
https://bibliotekanauki.pl/articles/39763541.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Shakespeare in performance
utopia
race
slavery
Early Modern history
Black
African American
Public Theatre
American Shakespeare Center
Oregon Shakespeare Festival
Texas
Opis:
The paper examines the spatial overlap between the disenfranchisement of African Americans and the performance of William Shakespeare’s plays in the United States. In America, William Shakespeare seems to function as a prelapsarian poet, one who wrote before the institutionalization of colonial slavery, and he is therefore a poet able to symbolically function as a ‘public good’ that trumps America’s past associations with slavery. Instead, the modern American performance of Shakespeare emphasizes an idealized strain of human nature: especially when Americans perform Shakespeare outdoors, we tend to imagine ourselves in a primeval woodland, a setting without a history. Therefore, his plays are often performed without controversy—and (bizarrely) on or near sites specifically tied to the enslavement or disenfranchisement of people with African ancestry. New York City’s popular outdoor Shakespeare theater, the Delacorte, is situated just south of the site of Seneca Village, an African American community displaced for the construction of Central Park; Alabama Shakespeare Festival takes place on a former plantation; the American Shakespeare Center in Staunton, Virginia makes frequent use of a hotel dedicated to a Confederate general; the University of Texas’ Shakespeare at Winedale festival is performed in a barn built with supports carved by slave labor; the Oregon Shakespeare Festival takes place within a state unique for its founding laws dedicated to white supremacy. A historiographical examination of the Texas site reveals how the process of erasure can occur within a ‘progressive’ context, while a survey of Shakespearean performance sites in New York, Alabama, Virginia, and Oregon shows the strength of the unexpected connection between the performance of Shakespeare in America and the subjugation of Black persons, and it raises questions about the unique and utopian assumptions of Shakespearean performance in the United States.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2022, 26, 41; 119-146
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-8 z 8

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