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Tytuł:
Changing Countries: Exile and Classical Influences in Joseph Brodsky
Zmieniając kraje. Wygnanie i wpływy klasyczne u Josifa Brodskiego
Autorzy:
Bajoni, Maria Grazia
Powiązania:
https://bibliotekanauki.pl/articles/1954295.pdf
Data publikacji:
2003
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
exile
change of country
Joseph Brodsky
classical influences
Ovid
Seneca
Virgil
wygnanie
zmiana kraju
Josif Brodski
wpływy klasyczne
Owidiusz
Seneka
Wergiliusz
Opis:
Celem artykułu jest zbadanie niektórych wpływów klasycznych w twórczoÑci Josifa Brodskiego, zaczynając od topiki wygnania u Owidiusza i Seneki. Istotnie, wygnanie jest nie tylko bolesną zmianą kraju, pełnym napięcia doświadczeniem życia, lecz także szansą, by wygnany człowiek mógł jeszcze raz popatrzeć na swoje życie i umocnić swoją duszę. Istnieje bardzo silna więź między wygnaniem i językiem, ponieważ język ojczysty jest środkiem do zachowania tożsamości poety: samotność i smutek Owidiusza zasadniczo określa jego językowa izolacja (por. np. Trist. 3.14.45-50; 5.7.55-56; 5.12.57-58; ex Pont. 4.13. 17-20). Brodski zaznacza, óe w warunkach wygnania język sprawuje kontrolę tak nad literaturą, jak i myÑl, percepcją i uczuciem. Zainteresowanie Owidiuszem u Brodskiego wychodzi ponadto poza sprawę wygnania: Owidiusz jest przede wszystkim poetą metamorfozy, a List do Horacego Brodskiego, pomimo swego adresata, stanowi właściwie pochwałę Owidiusza, ponieważ metamorfoza i wygnanie ściśle się ze sobą łączą. Brodski woli Owidiusza od Wergiliusza. Owidiusz, jako poeta zmieniającej się rzeczywistości, zostaje przeciwstawiony Wergiliuszowi, poecie augustowskiej propagandy.
Źródło:
Roczniki Humanistyczne; 2003, 51, 3; 131-138
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ovid's 'Art of Love' I 41-134 in Three Translations
Autorzy:
Zagorski, M.
Wrotkowski, W.
Skwara, E.
Powiązania:
https://bibliotekanauki.pl/articles/702553.pdf
Data publikacji:
2005
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
OVID ('ART OF LOVE') - POLISH TRANSLATION
Opis:
The same passage of Ovid's manual for lovers is given here in three Polish translations: by Mariusz Zagorski (who supplied his translation with notes), Wojciech Wrotkowski and Ewa Skwara.
Źródło:
Meander; 2005, 60, 4; 428-436
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
EXILE IN OVID'S AND PHILIPPUS CALLIMACHUS' POETRY: BETWEEN POETICAL AUTOBIOGRAPHY AND LITERARY CREATION (Tulaczka i wygnanie w poezji Owidiusza i Filipa Kallimacha - miedzy poetycka autobiografia a kreacja literacka)
Autorzy:
Awianowicz, Bartosz
Powiązania:
https://bibliotekanauki.pl/articles/702877.pdf
Data publikacji:
2007
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
EXILE
NEO-LATIN POETRY
OVID
PHILIPPUS CALLIMACHUS
ROMAN ELEGY
Opis:
A comparison of the life and poetry of Ovid and of Philippus Callimachus (Filippo Buonaccorsi, 1437-1496) during their exile from Italy. Although there are some undeniable analogies between their fates on the whole, Callimachus' state of mind in exile, his relations with his new neighbours and the tone of his poetry are all quite different than Ovid's. All this is due especially to the fact that he found his new love and a new, quite well-educated audience in Poland.
Źródło:
Meander; 2007, 62, 3-4; 270-282
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
OLD POLISH TRANSLATIONS OF THE 'METAMORPHOSES' (Staropolskie przeklady Metamorfoz)
Autorzy:
Starnawski, Jerzy
Powiązania:
https://bibliotekanauki.pl/articles/702539.pdf
Data publikacji:
2007
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
OLD POLISH LITERATURE
OVID
Opis:
A review of Maria Wichowa's excellent book on early modern translations of Ovid's 'Metamorphoses' by Polish poets.
Źródło:
Meander; 2007, 62, 3-4; 365-369
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
THE MYTH OF CEPHALUS AND PROCRIS IN OVID'S 'METAMORPHOSES' AND MARCIN KROMER'S 'DE ADVERSA VALETUDINE SIGISMUNDI I' (Mit o Kefalosie i Prokris u Owidiusza i Marcina Kromera)
Autorzy:
Zawadzki, Robert K.
Powiązania:
https://bibliotekanauki.pl/articles/702647.pdf
Data publikacji:
2007
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
KROMER MARCIN
NEO-LATIN POETRY
OVID
ROMAN POETRY
Opis:
In his 1534 Latin poem on the illness of the Polish King Sigismundus I that was a consequence of his hunting expedition, Marcin Kromer introduces the myth of Cephalus and Procris. Borrowing the subject from Ovid (Met. VII 690-862), Kromer presents only the last part of the history of this unhappy couple and does not dwell on the husband's and wife's emotions as much as his predecessor. This passage seems important as we see here the first use of this myth by a Polish author.
Źródło:
Meander; 2007, 62, 3-4; 283-293
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Oparte na mitologii adynata w wygnańczych elegiach Owidiusza
MYTHOLOGICAL ADYNATA IN OVID’S ELEGIES WRITTEN IN EXILE
Autorzy:
Puk, Marlena
Powiązania:
https://bibliotekanauki.pl/articles/702741.pdf
Data publikacji:
2008
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Ovid
adynata
Latin poetry
Opis:
The article discusses Ovid’s use of adynata based on mythological themes in his last collections of elegies: Tristia and Ex Ponto.
Źródło:
Meander; 2008, 63, 1-4; 142-150
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Owidiusz: Metamorfozy I 5-363
OVID'S METAMORPHOSES I 5-363 IN WŁADYSŁAW MĄCZKA'S TRANSLATION
Autorzy:
Mączka, Władysław
Powiązania:
https://bibliotekanauki.pl/articles/702745.pdf
Data publikacji:
2008
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Ovid
Metamorphoses
Latin poetry
Opis:
A Polish translation of a well-known passage of Ovid’s masterpiece by an army offi cer who died in 1950. In his short introduction Juliusz Domański tries to establish some facts pertaining to the life of this forgotten personage, his wife’s uncle.
Źródło:
Meander; 2008, 63, 1-4; 129-141
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Artysta na obrzeżach świata, czyli wszyscy jesteśmy Odyseuszami. Kilka refl eksji ogólnych w nawiązaniu do Cycerona, Owidiusza i Seneki
Autorzy:
Wesołowska, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/631198.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Odysseus
Cicero
Ovid
Seneca
exile
centre
periphery
Opis:
Th e paper discusses three grand personalities of antiquity: Cicero, Ovid and Seneca in the circumstances of their exile, Th eir attitudes to the punishment received (whose severity varied) were diverse. Nevertheless, all they left a trace in the shape of literary works and letters. Upon reading, one discovers ambiguous attitudes towards their per-sonal misfortunes. Finally, the situation of the exiles and their return may be compared with the archetypal fi gure of Odysseus.
Źródło:
Studia Europaea Gnesnensia; 2010, 1-2; 141-147
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Owidiusz u Dantego na tle średniowiecznej tradycji literackiej
Autorzy:
Maślanka-Soro, Maria
Powiązania:
https://bibliotekanauki.pl/articles/638751.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Dante, Ovid, Ovidian literary tradition, medieval Romanic literature, intertextuality
Opis:
The aim of this paper is to present the position and role of the poetry of Ovid, primarily the Metamorphoses, the product of a great poetic talent (ingenium) and an equally great poetic art (ars), in the work of Dante. The author’s point of departure in an analytical and interpretative approach is a synthetic overview of the Ovidian literary tradition in the medieval Romanic culture. The original and creative allusions Dante makes to Ovid in The Divine Comedy, which is the main focus of this paper’s intertextual analysis, stand out more clearly against this background. A distinct evolution may be observed in the way Dante assimilated the work of Ovid. In his early work, the Rime and Vita Nuova, Dante treated Ovid as an authority and referred to him to corroborate his own ideas, or tended to imitate the Ovidian style in his erotic lyrics. In the spirit of his times Dante resorted to the allegorical potential of the Metamorphoses in his prose treatises such as the Convivio. But it was not until the Divina Commedia that he embarked on an intertextual dialogue with his mentor, occasionally adopting a polemical stance and endeavouring to stress the superiority of his own ideas. The paper employs the motif of metamorphosis to illustrate the aspect of aemulatio which superseded Dante’s earlier imitatio approach to Ovid.
Źródło:
Studia Litteraria Universitatis Iagellonicae Cracoviensis; 2011, 6, 1
2084-3933
Pojawia się w:
Studia Litteraria Universitatis Iagellonicae Cracoviensis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Niechaj w was moje dary nie giną do szczęta” − motyw metamorfozy w „Wierzbach” Szymona Szymonowica
“Let not my bounties all die in you” − the theme of metamorphosis in “Willows” by Szymon Szymonowic
Autorzy:
Rot-Buga, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/2012471.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Szymon Szymonowic
Sannazaro
Owidiusz
sielanka
wierzba
metamorfoza ciała
Ovid
bucolic tale
willow
metamorphosis of the body
Opis:
In Willows Szymon Szymonowic used a popular in Polish Renaissance and Baroque literature theme of the metamorphosis of the body, making a reference to Ovid’s Metamorphoses and other literary sources. In his bucolic tale he connected metamorphic theme with meta-poetic reflection on fame and immortality of the poet. The key motif of nymphs losing their purity and the punishment of turning them into willows is accompanied by a warning against losing the spirit of poetry, which may result from writing for unworthy crowds. Willows is also an attempt to demonstrate the mythical provenance of Polish bucolic tales. The author included in the conventional world of pastoral scenery his very own, local space by the river of Pur and by doing so he introduced the motif of Polish folk culture into European literary tradition. The relation between the metamorphic motifs and the essence of the bucolic tale genre is therefore disclosed.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2013, 3(6) cz.2; 177-190
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Exempla z „Metamorfoz” Owidiusza w „Okręcie błaznów” Sebastiana Branta
Exempla from Ovid’s “Metamorphoses” and Sebastian Brant’s “The Ship of Fools”
Autorzy:
Lam, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/2012475.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Owidiusz
Sebastian Brant
intertekstualność
Ovid
intertextuality
Opis:
From among around four hundred examples taken from the Bible, mythology and history, which in Sebastian Brant’s The Ship of Fools are designed to instruct and caution, more than twenty come from Ovid’s Metamorphoses. Brant does not make references to Ovid’s work and he mentions the poet only once, as the author of Ars amatoria (buler kunst), which brought Ovid nothing but misfortune.Most of them appear in Chapter XIII On Seduction (Von buolschaft) and single ones in Chapters: XXVI, LIII, LX, LXIV and LXVII. The references are allusive and abridged, they concern pathetic consequences of wicked or rash love, jealousy and hatred as well as self-loving and foolhardy imprudence. They stand as codes, which can not be deciphered without knowing the source and it implies that Brant either assumes the reader has the required knowledge or appeals to gain it. It is also possible that he refers to common at that time didactic modifications of Metamorphoses. Problematic and often tragic illustration of human fortunes in Ovid’s work is reduced in Brant’s satire to parenetic formula, which intrigues and is expressed with vivid and crude language. The most explicit example of dissonance between Brant’s and Ovid’s intention is a truly clown like character − Marsyas, who with obstinacy plays bagpipes, a clownish instrument, whereas in Metamorphoses he enraptured people playing his aulos and his death as martyr is mourned by not only nymphs and shepherds, but also by nature. The rights of the genre, in this case of moral satire, proved to be stronger than philosophical meaning of mythological message.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2013, 3(6) cz.2; 165-176
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Furiosa libido. Ovid on love and madness
Autorzy:
Bielecka, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/1046801.pdf
Data publikacji:
2013-12-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
madness
love
Ovid
women
Ars amatoria
Opis:
This paper presents Ovid’s views on the concept of love madness. Taking Ars amatoria, in particular the distich (1.281–282) in which the poet blames woman’s love fury on her lust as its research material, the paper investigates how the notion in question has been realized in this “textbook for lovers.” There, Ovid uses the mythological figures of women who committed crimes against social rules to illustrate the said concept; the paper, in turn, juxtaposes it with the narratives in Metamorphoses (the stories of Byblis and Myrrha). Additionally, it makes use of the tale of Iphis, a story not included in Ars amatoria which can nevertheless be also treated as illustrative of how madness can overcome enamored women. The paper both contrasts the above mentioned stories with the narratives showing men’s inclinations to insanity caused by passion and examines the notion of love madness in the context and with regard to the style of Ovid’s works.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2013, 23, 2; 141-151
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Love, Despair, and Resiliency: Ovid’s Contributions to an Interactionist Analysis of Intimate Relations
Autorzy:
Prus, Robert
Powiązania:
https://bibliotekanauki.pl/articles/2106937.pdf
Data publikacji:
2013-07-31
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Ovid
Ovidius
Love
Relationships
Sexuality
Intimacy
Romantic
Symbolic Interaction
Influence
Ethno-historical
Opis:
Ovid (Ovidius – Publius Ovidius Naso; 43 BCE-18 CE) is well known in classical studies and poetic circles for his insightful portrayals of heterosexual relations. However, his The Art of Love and related texts have received scant attention from those in the social sciences. Ovid’s writings on love may be best known for their advisory and entertainment motifs, but this same set of texts also provides an extended and comparatively detailed set of observations on heterosexual interchanges, as well as some remarkably astute analysis of interpersonal relations more generally. Developed within a symbolic interactionist frame (Mead 1934; Blumer 1969; Strauss 1993; Prus 1996; 1997; 1999), this paper gives particular attention to the processes by which people engage others in romantic contexts, make sense of their experiences with one another, deal with an assortment of third-parties, and manage wide ranges of related emotional sensations as they work their ways through aspects of the broader relationship process (from preliminary anticipations and initial encounters to terminations and re-involvements of relationships). It is in these respects that this paper considers the more distinctive ethnographic potential of Ovid’s depictions of love in the Roman classical era. As an instance of ethno-history, Ovid’s considerations of people’s involvements with love, sex, and romance, as well as the varying emotional states that people experience along the way, add some highly instructive cross-cultural and trans-historical dimensions to more contemporary, generic examinations of affective relationships. Using Ovid’s materials as an ethno-historical database with which to assess contemporary interactionist notions of “developing relationships,” this paper concludes with a consideration of the implications of Ovid’s works and contemporary interactionist studies for research on intimate relationships, emotionality, and influence work.
Źródło:
Qualitative Sociology Review; 2013, 9, 3; 124-151
1733-8077
Pojawia się w:
Qualitative Sociology Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mit o Orfeuszu i Eurydyce w powieści Frenzy Percivala Everetta
The Myth of Orpheus and Eurydice in the Novel Frenzy by Percival Everett
Autorzy:
Wesołowska, Monika
Powiązania:
https://bibliotekanauki.pl/articles/1892217.pdf
Data publikacji:
2013
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Orfeusz i Eurydyka
recepcja
mit
Owidiusz
Wergiliusz
Percival Everett
Orpheus and Eurydice
reception
myth
Ovid
Virgil
Opis:
This paper deals with one of the most popular ancient myths among the writers of the twentieth century—namely the myth of Orpheus and Eurydice. Percival Everett, a professor of the University of California, has brought forward a new interpretation of that myth in his novel Frenzy. The main subject-matter is the story of Dionysus based on Euripides’ Bacchae, and narrated by the god’s assistant Vlepo. The myth of Orpheus and Eurydice constitutes an interlude within that story. References to Ovid and Virgil can also be found, as Everett has added fragments of Metamorphoses and Georgica to his version of the myth. His interpretation is focused on psychological aspects of the story. Orpheus in Frenzy is a man overpowered by grief and longing. His behaviour seems to be caused by madness. This becomes especially visible when he learns of the loss of Eurydice. At the other hand, Eurydice seems to be confident of herself. She is an active person, not a passive one unlike the ancient authors have depicted her. The novel Frenzy of Percival Everett deserves attention from scholars who study the reception of antiquity.
Źródło:
Roczniki Humanistyczne; 2013, 61, 3; 93-100
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Darkling I Listen”: Melancholia, Self and Creativity in Romantic Nightingale Poems
Autorzy:
Łuczyńska-Hołdys, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/888800.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
poetry
John Milton
Charlotte Smith
John Clare
John Keats
nightingale poems
Romanticism
Ovid
Sappho
Opis:
The present article is an attempt to look at selected Romantic poems which concentrate on the image of the nightingale. Starting from Charlotte Smith’s sonnets and continuing with poems by other writers of the period, I will try to trace the link between nature and poetic convention in English Romanticism. While some of the nightingales which sing in Romantic poetry seem deeply symbolic, other forsake poetic tradition and stubbornly persist in their birdy nature, resisting descriptions in terms of melancholia or woe. Nevertheless, the fate of Philomela, whose sad story of violation identifies the nightingale with loss, suffering and poetic creation, still remains an important context for Romantic nightingale poems.
Źródło:
Anglica. An International Journal of English Studies; 2014, 23/1; 105-114
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
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