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Tytuł:
OLD POLISH TRANSLATIONS OF THE 'METAMORPHOSES' (Staropolskie przeklady Metamorfoz)
Autorzy:
Starnawski, Jerzy
Powiązania:
https://bibliotekanauki.pl/articles/702539.pdf
Data publikacji:
2007
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
OLD POLISH LITERATURE
OVID
Opis:
A review of Maria Wichowa's excellent book on early modern translations of Ovid's 'Metamorphoses' by Polish poets.
Źródło:
Meander; 2007, 62, 3-4; 365-369
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Oparte na mitologii adynata w wygnańczych elegiach Owidiusza
MYTHOLOGICAL ADYNATA IN OVID’S ELEGIES WRITTEN IN EXILE
Autorzy:
Puk, Marlena
Powiązania:
https://bibliotekanauki.pl/articles/702741.pdf
Data publikacji:
2008
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Ovid
adynata
Latin poetry
Opis:
The article discusses Ovid’s use of adynata based on mythological themes in his last collections of elegies: Tristia and Ex Ponto.
Źródło:
Meander; 2008, 63, 1-4; 142-150
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Owidiusz: Metamorfozy I 5-363
OVID'S METAMORPHOSES I 5-363 IN WŁADYSŁAW MĄCZKA'S TRANSLATION
Autorzy:
Mączka, Władysław
Powiązania:
https://bibliotekanauki.pl/articles/702745.pdf
Data publikacji:
2008
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Ovid
Metamorphoses
Latin poetry
Opis:
A Polish translation of a well-known passage of Ovid’s masterpiece by an army offi cer who died in 1950. In his short introduction Juliusz Domański tries to establish some facts pertaining to the life of this forgotten personage, his wife’s uncle.
Źródło:
Meander; 2008, 63, 1-4; 129-141
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Graphic illustrations of Ovid’s Metamorphoses : A selection of the most important executions
Autorzy:
Giełdoń-Paszek, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/2138817.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Wrocławski. Instytut Historii Sztuki
Tematy:
Ovid
graphics
illustrations
the Metamorphoses
Opis:
Ovid’s Metamorphoses has inspired artists of various disciplines almost from the very moment of its creation. The poem has been the literary canvas of many paintings. It was particularly popular in the early modern period. Its numerous editions from the Middle Ages were decorated first with miniatures, and, after the invention of printing, with illustrations, made in the technique of woodcut, copperplate engraving, and etching. The composition of scenes known from the poem was based on a simultaneous and multi-thread narration and also, later, focused on one specific moment of the selected episode. The authorship of the illustrations found in early editions remains anonymous. The graphic designers of 16th c. and later editions are known by name: Jörg Wickram, Virgilio Solis, Bernard Solomon, Hendrick Goltzius, Francis Cleyn, Salomon Savery, Godfried Maes, and in the 20th c. Pablo Picasso. Ovid’s poem continues to be interpretated, as evidenced by the works of, for example, Kiki Smith and the Polish queer artist Mikolaj Sobczak.
Źródło:
Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego; 2022, 64, 2; 64-79
1896-4133
Pojawia się w:
Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Exempla z „Metamorfoz” Owidiusza w „Okręcie błaznów” Sebastiana Branta
Exempla from Ovid’s “Metamorphoses” and Sebastian Brant’s “The Ship of Fools”
Autorzy:
Lam, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/2012475.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Owidiusz
Sebastian Brant
intertekstualność
Ovid
intertextuality
Opis:
From among around four hundred examples taken from the Bible, mythology and history, which in Sebastian Brant’s The Ship of Fools are designed to instruct and caution, more than twenty come from Ovid’s Metamorphoses. Brant does not make references to Ovid’s work and he mentions the poet only once, as the author of Ars amatoria (buler kunst), which brought Ovid nothing but misfortune.Most of them appear in Chapter XIII On Seduction (Von buolschaft) and single ones in Chapters: XXVI, LIII, LX, LXIV and LXVII. The references are allusive and abridged, they concern pathetic consequences of wicked or rash love, jealousy and hatred as well as self-loving and foolhardy imprudence. They stand as codes, which can not be deciphered without knowing the source and it implies that Brant either assumes the reader has the required knowledge or appeals to gain it. It is also possible that he refers to common at that time didactic modifications of Metamorphoses. Problematic and often tragic illustration of human fortunes in Ovid’s work is reduced in Brant’s satire to parenetic formula, which intrigues and is expressed with vivid and crude language. The most explicit example of dissonance between Brant’s and Ovid’s intention is a truly clown like character − Marsyas, who with obstinacy plays bagpipes, a clownish instrument, whereas in Metamorphoses he enraptured people playing his aulos and his death as martyr is mourned by not only nymphs and shepherds, but also by nature. The rights of the genre, in this case of moral satire, proved to be stronger than philosophical meaning of mythological message.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2013, 3(6) cz.2; 165-176
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Furiosa libido. Ovid on love and madness
Autorzy:
Bielecka, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/1046801.pdf
Data publikacji:
2013-12-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
madness
love
Ovid
women
Ars amatoria
Opis:
This paper presents Ovid’s views on the concept of love madness. Taking Ars amatoria, in particular the distich (1.281–282) in which the poet blames woman’s love fury on her lust as its research material, the paper investigates how the notion in question has been realized in this “textbook for lovers.” There, Ovid uses the mythological figures of women who committed crimes against social rules to illustrate the said concept; the paper, in turn, juxtaposes it with the narratives in Metamorphoses (the stories of Byblis and Myrrha). Additionally, it makes use of the tale of Iphis, a story not included in Ars amatoria which can nevertheless be also treated as illustrative of how madness can overcome enamored women. The paper both contrasts the above mentioned stories with the narratives showing men’s inclinations to insanity caused by passion and examines the notion of love madness in the context and with regard to the style of Ovid’s works.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2013, 23, 2; 141-151
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pandarus Quotes Ovid in Geoffrey Chaucer’s Book One of Troilus and Criseyde
Pandarus cytuje Owidiusza w pierwszej księdze „Troilusa i Criseydy” Geoffreya Chaucera
Autorzy:
Bobrowski, Antoni
Powiązania:
https://bibliotekanauki.pl/articles/1045743.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Ovid
Heroides
Geoffrey Chaucer
Troilus
Troy
Opis:
The medieval epic poem Troilus and Criseyde by Chaucer describes the history of unhappy love with the Trojan War in the background. The story is constructed in the convention of courtly love, and the author draws abundantly from a range of plot motifs preserved in the ancient literary tradition. The article discusses the way of intertextual use of Ovid’s Heroides 5 in the course of events told in Book One of the poem.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2019, 29, 2; 71-83
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kogo strzegły Lares Praestites?
Whom where the Lares Praestites guarding?
Autorzy:
Hartleb-Kropidło, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/1045820.pdf
Data publikacji:
2018-08-24
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Lares Praestites
Ovid
Fasti
Roman religion
Opis:
The paper discusses the Lares Praestites, whose role, customs, and festivities are described in Ovid’s Fasti 5, 129–139. The poet shows the Lares Praestites as archaic guardians of the City of Rome.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2018, 28, 1; 85-102
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ovid's 'Art of Love' I 41-134 in Three Translations
Autorzy:
Zagorski, M.
Wrotkowski, W.
Skwara, E.
Powiązania:
https://bibliotekanauki.pl/articles/702553.pdf
Data publikacji:
2005
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
OVID ('ART OF LOVE') - POLISH TRANSLATION
Opis:
The same passage of Ovid's manual for lovers is given here in three Polish translations: by Mariusz Zagorski (who supplied his translation with notes), Wojciech Wrotkowski and Ewa Skwara.
Źródło:
Meander; 2005, 60, 4; 428-436
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ovid and Statius, Thebaid 6.54–78. Necessary Allusions or a Metapoetic Dialogue?
Owidiusz i Stacjusz, Tebaida 6.54–78. Aluzje konieczne czy metapoetycki dialog?
Autorzy:
Pierzak, Damian
Powiązania:
https://bibliotekanauki.pl/articles/1045758.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Statius
Ovid
intertextuality
allusion
Opheltes
aetiological poetry
Opis:
Statius’ description of the funeral games held in honor of the baby Opheltes contains several utterances reminiscent of Ovid. The paper aims to show that these should not be read as the so-called necessary allusions, but rather as the poet’s complex dialogue with his predecessor.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2019, 29, 2; 57-70
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Artysta na obrzeżach świata, czyli wszyscy jesteśmy Odyseuszami. Kilka refl eksji ogólnych w nawiązaniu do Cycerona, Owidiusza i Seneki
Autorzy:
Wesołowska, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/631198.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Odysseus
Cicero
Ovid
Seneca
exile
centre
periphery
Opis:
Th e paper discusses three grand personalities of antiquity: Cicero, Ovid and Seneca in the circumstances of their exile, Th eir attitudes to the punishment received (whose severity varied) were diverse. Nevertheless, all they left a trace in the shape of literary works and letters. Upon reading, one discovers ambiguous attitudes towards their per-sonal misfortunes. Finally, the situation of the exiles and their return may be compared with the archetypal fi gure of Odysseus.
Źródło:
Studia Europaea Gnesnensia; 2010, 1-2; 141-147
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Remarks on Ovid and the Golden Age of Augustus
Uwagi o Owidiuszu i złotym wieku Augusta
Autorzy:
Łukaszewicz, Adam
Powiązania:
https://bibliotekanauki.pl/articles/1045750.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Ovid
Augustus
golden age
exile
Metamorphoses
lurida aconita
Opis:
Publius Ovidius Naso was an outstanding poet of the Augustan age who after a period of successful activity was suddenly sent to exile without a formal judicial procedure. Ovid wrote frivolous poems but inserted into his works also the obligatory praises of Augustus. The standard explanation of his relegation to Tomis is the licentious content of his Ars Amatoria, which were believed to offend the moral principles of Augustus. However, the Ars had been published several years before the exile. The poet himself in his Pontic writings mentions an unspecified error and a carmen, pointing also to the Ars, without, however, a clear explanation of the reason for his fall. The writer of the present contribution assumes that the actual reason for the relegation of the poet without a trial were the verses of his Metamorphoses and especially the passage about the wicked stepmothers preparing poison. That could offend Livia who, according to gossip, used poison to get rid of unwanted family members. Ovid was exiled, but the matter was too delicate for a public justification of the banishment. When writing ex Ponto the poet could not explicitly refer to the actual cause of his exile.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2019, 29, 2; 37-56
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Lukrecja – wzór dla Rzymianek. Historia niezbyt słodka
Lucrece as a model for Roman women. The story that is not very sweet
Autorzy:
Miazek-Męczyńska, Monika
Powiązania:
https://bibliotekanauki.pl/articles/1806861.pdf
Data publikacji:
2021-10-12
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Lucretia
Lucrece
virtus
Ovid
Fasti
rape
Wiliam Shakespeare
Opis:
The article presents the story of Lucrece, legendary heroine and noble wife of Lucius Tarquinius Collatinus, whose suicide was presented many times in the ancient Roman and Renaissance literature by historiographers and poets. The author compares few versions of Lucrece’s story focusing on her virtues (like castitas, obstinata pudicitia, decus muliebris) that became canonical features characterising the Roman matrona.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2021, 31, 1; 153-168
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
THE MYTH OF CEPHALUS AND PROCRIS IN OVID'S 'METAMORPHOSES' AND MARCIN KROMER'S 'DE ADVERSA VALETUDINE SIGISMUNDI I' (Mit o Kefalosie i Prokris u Owidiusza i Marcina Kromera)
Autorzy:
Zawadzki, Robert K.
Powiązania:
https://bibliotekanauki.pl/articles/702647.pdf
Data publikacji:
2007
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
KROMER MARCIN
NEO-LATIN POETRY
OVID
ROMAN POETRY
Opis:
In his 1534 Latin poem on the illness of the Polish King Sigismundus I that was a consequence of his hunting expedition, Marcin Kromer introduces the myth of Cephalus and Procris. Borrowing the subject from Ovid (Met. VII 690-862), Kromer presents only the last part of the history of this unhappy couple and does not dwell on the husband's and wife's emotions as much as his predecessor. This passage seems important as we see here the first use of this myth by a Polish author.
Źródło:
Meander; 2007, 62, 3-4; 283-293
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
EXILE IN OVID'S AND PHILIPPUS CALLIMACHUS' POETRY: BETWEEN POETICAL AUTOBIOGRAPHY AND LITERARY CREATION (Tulaczka i wygnanie w poezji Owidiusza i Filipa Kallimacha - miedzy poetycka autobiografia a kreacja literacka)
Autorzy:
Awianowicz, Bartosz
Powiązania:
https://bibliotekanauki.pl/articles/702877.pdf
Data publikacji:
2007
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
EXILE
NEO-LATIN POETRY
OVID
PHILIPPUS CALLIMACHUS
ROMAN ELEGY
Opis:
A comparison of the life and poetry of Ovid and of Philippus Callimachus (Filippo Buonaccorsi, 1437-1496) during their exile from Italy. Although there are some undeniable analogies between their fates on the whole, Callimachus' state of mind in exile, his relations with his new neighbours and the tone of his poetry are all quite different than Ovid's. All this is due especially to the fact that he found his new love and a new, quite well-educated audience in Poland.
Źródło:
Meander; 2007, 62, 3-4; 270-282
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 34

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