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    Wyświetlanie 1-7 z 7
    Tytuł:
    Archangel Raphael as protector, demon tamer, guide and healer. Some aspects of the Archangel’s activities in Nubian painting
    Autorzy:
    Łaptaś, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/chapters/1053010.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Banganarti
    Archangel Raphael
    Nubian painting
    Opis:
    The article is devoted to the Archangel Raphael and his position in Nubian painting, taking into consideration new archaeological discoveries. The cult of the Archangel Raphael seems to be more extensive than it was thought to be before, given the examples from Banganarti and Old Dongola. His special position was a result of his multiple activities, described in the Book of Tobit and the apocryphal texts. He was a guide, healer, God’s intercessor for mankind, demon tamer and so on. In Nubia, he also seemed to be a special patron and protector of kings.
    Źródło:
    Aegyptus et Nubia Christiana. The Włodzimierz Godlewski jubilee volume on the occasion of his 70th birthday; 459-479
    9788323547266
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    An ‘Enigmatic Man’ in the Anastasis Scene from the Lower Church in Banganarti An Attempt at Identification
    Autorzy:
    Łaptaś, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/484029.pdf
    Data publikacji:
    2015
    Wydawca:
    Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
    Tematy:
    Abel
    Anastasis
    iconography
    Banganarti
    Nubian painting
    Byzantine art
    Opis:
    The purpose of this paper is twofold: to identify an ‘enigmatic man’ represented on the right side of the Banganarti Anastasis painting as Abel and to exclude the identification of the figure as ‘Moses at the Burning Bush’. The ‘enigmatic man’ is young and he holds a stick in his hand, which seems to be the shepherd’s crook. Such an attribute is typical for images of Abel (a younger son of Adam and Eve killed by his brother). The absence of the Manus Dei and sandals makes the identification of the figure as ‘Moses at the Burning Bush’ a bit unlikely. In Banganarti, Abel is set in a separate field, what makes this image unusual. Solitude of Abel brings to mind an apocryphal Ethiopic Book of Enoch. In this text the lonely spirit of Abel cries and awaits for the Resurrection and condemnation of Cain’s offspring. The image from Banganarti allows to state that some apocryphal texts had an impact on Nubian painting and for this reason several murals are unique on the background of Byzantine art.
    Źródło:
    Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2015, 28; 105-120
    2084-6762
    2449-9579
    Pojawia się w:
    Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    A dance for a princess: The legends on a painting in room 5 of the Southwest Annex of the Monastery on Kom H in Dongola
    Autorzy:
    van Gerven Oei, Vincent W. J.
    Powiązania:
    https://bibliotekanauki.pl/articles/1195348.pdf
    Data publikacji:
    2017
    Wydawca:
    Fundacja im. Rafała Taubenschlaga
    Tematy:
    Old Nubian
    epigraphy
    wall inscriptions
    Dongola
    Monastery on Kom H Nubian iconography Nubian painting
    Opis:
    The article provides a transcription, translation, and analysis of the Old Nubian legends on a painting of a dancing scene in room 5 of the Southwest Annex of the Monastery on Kom H in Dongola. The painting shows two groups of Nubian singing and dancing, and from the legends we understand that the occasion is the birth of a new heir to the royal throne, and that the Virgin Mary is invoked to ease the pangs of labour.
    Źródło:
    The Journal of Juristic Papyrology; 2017, 47; 117-135
    0075-4277
    Pojawia się w:
    The Journal of Juristic Papyrology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Attributes, Vestments, Context and Inscription in the Identification of Nubian Paintings: Proposing the ‘Multi-Layer’ Image Recognition Method
    Autorzy:
    Łaptaś, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/484134.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
    Tematy:
    Attribute
    vestment
    context
    iconography
    identification
    method
    Nubian painting
    Byzantine art
    Opis:
    The aim of this paper is to present a method that enables identification of Nubian paintings whose tituli have not been preserved or are incomplete. This method is reminiscent of the laborious piecing together of mosaics from scattered and incomplete tesserae. The attributes, vestments or contexts are such tesserae, which taken into consideration together enable the composing of a mosaic, piece by piece. Some interpretations of the paintings were made during excavations, without time for deeper analysis. Identifications created in this way have become so merged with the images, and then repeated frequently, that it was very difficult to change them and introduce a new perspective on already widely accepted opinions. In this article, I have focused on a few select examples that show how one can identify individual paintings, but also how one can fall into the trap of too easy comparisons and attributions. A scholar studying Nubian art has to be cautious as its iconography is sometimes so original that it cannot be easily compared to Byzantine or any other cultural patterns.
    Źródło:
    Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2019, 32; 161-179
    2084-6762
    2449-9579
    Pojawia się w:
    Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The northern pastophorium of Nubian churches: ideology and function (on the basis of inscriptions and paintings)
    Autorzy:
    Łajtar, Adam
    Zielińska, Dobrochna
    Powiązania:
    https://bibliotekanauki.pl/chapters/1053031.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    church architecture
    wall inscriptions
    Christian Nubia
    Oriental Christianity
    Nubian painting
    Christian liturgy
    Opis:
    A well established program can be observed in the decoration of the northern pastophoria of Nubian churches from the 9th/10th century onwards. It consisted of a painted representation of Jesus Christ blessing with his right hand the chalice held in his left and inscriptions in Greek with prayers from the Liturgy of the Presanctified Gifts. The authors argue that this program was a Nubian creation, alluding to the function of the northern pastophorium as a place for storing oblations, keeping liturgical implements and liturgical reserve, and possibly also celebrating the Liturgy of the Presanctified Gifts.
    Źródło:
    Aegyptus et Nubia Christiana. The Włodzimierz Godlewski jubilee volume on the occasion of his 70th birthday; 435-457
    9788323547266
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    When epigraphy meets art history: On St Phoibammon from Abdallah-n Irqi
    Autorzy:
    Ochała, Grzegorz
    Powiązania:
    https://bibliotekanauki.pl/chapters/1052887.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    wall inscriptions
    Abdallah-n Irqi
    St. Phoibammon
    Era of Diocletian
    stylistic dating of Nubian wall painting
    Opis:
    The article offers a new reading of one of the wall inscriptions discovered during Dutch excavations in the central church of Abdallah-n Irqi. According to the new interpretation, the text includes an annual date, a fact that is extremely important for the dating of not only the text itself, but also of the wall painting (mounted St Phoibammon) it accompanies. In more general terms, the inscription has helped to verify methods for the stylistic dating of Nubian murals.
    Źródło:
    Aegyptus et Nubia Christiana. The Włodzimierz Godlewski jubilee volume on the occasion of his 70th birthday; 513-524
    9788323547266
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Corrigenda to a ‘Dance for a princess’
    Autorzy:
    van Gerven Oei, Vincent W. J.
    Powiązania:
    https://bibliotekanauki.pl/articles/16648015.pdf
    Data publikacji:
    2022
    Wydawca:
    Fundacja im. Rafała Taubenschlaga
    Tematy:
    Dongola
    Old Nubian
    Christian Nubia
    epigraphy
    wall painting
    philology
    Opis:
    In this brief note, I ofer correctionsto two interpretations from the editio princeps of a series of legends on a painting in room 5 in the Southwest Annex of the Monastery on Kom H in Dongola.
    Źródło:
    The Journal of Juristic Papyrology; 2022, 52; 53-54
    0075-4277
    Pojawia się w:
    The Journal of Juristic Papyrology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-7 z 7

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