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    Wyświetlanie 1-6 z 6
    Tytuł:
    Obraz Niemca w oczach Polaka, obraz Polaka w oczach Niemca. Studium nad staropolskimi traktatami kosmologicznymi przełomu XV i XVI wieku
    Germans in the eyes of Poles, Poles in the eyes of Germans. A study of Old Polish cosmological treatises at the turn of the 15th and 16th centuries
    Autorzy:
    Zawadzki, Robert K.
    Powiązania:
    https://bibliotekanauki.pl/articles/26856257.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet Komisji Edukacji Narodowej w Krakowie
    Tematy:
    new Latin literature
    cosmography
    Polish people
    German People
    Cracow
    literatura nowołacińska
    kosmografia
    Polacy
    Niemcy
    Kraków
    Opis:
    In this article the author discusses scientific and cultural Polish-German relations at the turn of the 15th and 16th centuries. These considerations are based on the old Polish cosmographers: Wojciech of Brudzew, Jan of Głogów, Wawrzyniec Korwin and Jan of Stobnica. These works show that German scholars were regarded as scientific authorities and were an inspiration and source of knowledge for Polish scholars. However, the cosmological treatise by Jan of Głogów shows that Poles associated Germans with vice and crime, as evidenced by the example of Pontius Pilate, the governor of Judea, who was attributed German origins. The picture of Germans and their lands painted by Old-Polish cosmographers is apparently based on ancient and later authors, especially Solinus, Strabon and Aeneas Sylvius Piccolomini. Significant excerpts from these works were also made available to Polish readers to show them a multifaceted panorama of the Germanic lands. Wawrzyniec Korwin’s treatise also contains the opinions of Germans about Poland and Poles. The western neighbors of Poland-Lithuania were particularly keen on Cracow and its famous university and academic staff. The two nations were undeniably fascinated by each other’s science.
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2022, 22; 39-59
    2081-1853
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Urbs admiranda, czyli śląski podziw dla miasta
    Urbs admiranda, i.e. the city admiration in Silesia
    Autorzy:
    Gaj, Beata
    Powiązania:
    https://bibliotekanauki.pl/articles/445682.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
    Tematy:
    Silesia
    city
    town
    paideia (παιδεία)
    New Latin literature
    literary culture
    Wroclaw-Breslau
    Laurentius Corvinus
    Wojciech Kilar
    Opis:
    The theme of the city has always played an important role in Silesia, one of the most urbanized areas in Central Europe. It occupied a significant position, if not the central one, in the Silesian New Latin literature. The city was not only a background, a board for the literary game, but also the main theme, the addressee of praise songs. Anne, the wife of the famous humanist, Laurentius Corvinus, is inextricably bound with one of the first poems that extoll the city. Some of the most eulogized cities are Wroclaw (Vratislavia, Bresla) and Złotoryja (Goldberga). Silesian cities were glorified both in poetry and prose until the end of the 18th century which is the end of the Latin literary culture in Silesia. Vernacular literature that followed depicted the city in a pejorative way, as a paved desert full of horror and fear, referring to the commonplace disapproving perception of the city in the biblical tradition.
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica; 2014, 2; 19-29
    2353-4583
    2449-7401
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kwestia tajemniczego autorstwa renesansowego poematu Sarca
    The question of the mysterious authorship of the Renaissance poem Sarca
    Autorzy:
    Kowalczyk-Cantoro, Daria
    Powiązania:
    https://bibliotekanauki.pl/articles/32055859.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Renaissance
    New Latin literature
    Pietro Bembo
    stylometry
    attribution
    authorship
    Sarca
    renesans
    nowa literatura łacińska
    stylometria
    atrybucja
    autorstwo
    Opis:
    Dating to the 1530s, the Latin poem Sarca was published in 1842 in Rome by Angelo Mai based on a manuscript found in Vienna. Forty years after publication, the incompatibility of this edition with the Viennese manuscript was first noticed. In the second half of the last century, a polemic began challenging the theory, previously considered certain, that Sarca’s author was Pietro Bembo. Researchers named Girolamo Fracastor, Andrea Navager and Agostino Beazzan, among others, as possible authors of the text in addition to Bembo. The question of the poem’s authorship remains unresolved to this day. The aim of this article is to analyse the turbulent and hypothesis-rich debate on the attribution of the Renaissance work. The poem has been subjected to internal criticism, i.e. inferences about the author’s person based on content analysis. Historical and bibliographical indicators of the work have also been examined. The article also attempts to answer the question of whether the latest techniques used in the analysis of the linguistic and stylistic features of the text, such as the methods of computer stylometry, could prove helpful in determining the authorship of the Sarca poem.
    Źródło:
    Przestrzenie Teorii; 2022, 38; 291-300
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Międzynarodowa Konferencja „Latin in Medicine”
    International conference 'Latin in medicine'
    Autorzy:
    Gaj, Beata
    Powiązania:
    https://bibliotekanauki.pl/articles/1856834.pdf
    Data publikacji:
    2019
    Wydawca:
    Narodowe Centrum Kultury
    Tematy:
    język łaciński w medycynie
    słowiańska literatura nowołacińska
    societas studiis slavo-latinis provehendis
    konferencja międzynarodowa
    medycyna na uksw
    latin in medicine
    slavonic new latin literature
    societas studiis
    slavo-latinis provehendis
    international conference
    medicine at uksw
    Źródło:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2019, 107, 4; 201-203
    1230-4808
    Pojawia się w:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Parodia, intertextualidad y sátira en la narrativa policial de Lorenzo Lunar Cardedo
    Parody, Intertextuality and Satire in the Detective Stories of Lorenzo Lunar Cardedo
    Autorzy:
    Gómez-de-Tejada, Jesús
    Powiązania:
    https://bibliotekanauki.pl/articles/1048209.pdf
    Data publikacji:
    2020-03-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Lorenzo Lunar Cardedo
    Latin American Detective Novel
    Neopolicial (New Detective Fiction)
    Cuban Literature
    Satire
    Parody
    Opis:
    Detective fiction as parodic reformulation of genre’s defining patterns has a long history in the Latin American tradition: Borges, Bioy Casares, Soriano, Levrero, Ibargüengoitia, etc. Besides, the evolution of Latin American detective genre has always been characterized by a progressive focalization in the social aspects over the detective story line which has served as a mask to depict in a critical way the flaws of the region’s societies and governments. In nowadays Cuba it could be highlighted the crime narrative of parodic slant by Lorenzo Lunar Cardedo. Among the major features of Lunar Cardedo’s style there are the marginal atmospheres, the stylization of popular speech, the intertextuality, the humor, the parody, and the social criticism. This article focuses on the parodic, intertextual and satiric aspects of his work, particularly discernible in the novel Proyecto en negro (2013), in which the author emphasizes – in opposition to the official discourse – the perpetuation of corrupt, chauvinist, racist, and homophobic behaviors in contemporary Cuba, while relaxing the genre formula limits in order to follow a much more irreverent path within the new Latin American detective fiction.
    Źródło:
    Studia Romanica Posnaniensia; 2020, 47, 1; 5-17
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Between Romanticism and the Baroque – Władysław Syrokomla as a translator of Maciej Kazimierz Sarbiewski’s poetry: Theory and practice
    Między romantyzmem a barokiem. Władysław Syrokomla jako tłumacz poezji Sarbiewskiego – teoria i praktyka
    Autorzy:
    Buszewicz, Elwira
    Powiązania:
    https://bibliotekanauki.pl/articles/2088449.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the 17th and 19th century
    New Latin poetry
    translation theory and practice in the Age of Romanticism
    Władysław Syrokomla (1823–1862)
    Maciej Sarbiewski (1595–1640)
    Władysław Syrokomla (Ludwik Kondratowicz)
    teoria i praktyka przekładu w dobie romantyzmu
    przekłady poezji polsko-łacińskiej
    Maciej Kazimierz Sarbiewski
    Opis:
    This article outlines the approach adopted by Władysław Syrokomla (the pen name of Ludwik Kondratowicz) in his translation of Latin verse and examines, by analyzing some of the poems he translated into Polish, how it worked in practice. He believed that the translator should strive for an empathic attunement to the writers voice (Einfühlung) while ‘remaining oneself’ and that abandoning ‘slavish imitation’ was the best way to animate a poem (an approach much criticized by philological authorities). These ideas are discussed in the fi rst part of the article; the second part contains analyses of his translations of Latin odes written by Maciej Sarbiewski, i.e. Ode I 19 (Ad caelestem adspirat patriam), II 3 (Ad suam testudinem), and IV 12 (Ad Ianum Libinium. Solitudinem suam excusat). Syrokomla does not engage in any intertextual games with the ancients; instead, he adapts the original to the formal and stylistic conventions of his time, most notably the Romantic concept of the poem as a projection of a poetic consciousness (‘ego’). In effect, Sarbiewski’s (neo) classical poetic personas become versions of the Romantic hero, most conspicuously in the case of Ode IV 12.
    Źródło:
    Ruch Literacki; 2019, 3; 289-299
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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