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    Wyświetlanie 1-11 z 11
    Tytuł:
    Le denominazioni della Metafisica e della sua scienza nella filosofia tardoantica
    The Denominations of Metaphysics and its Science in the Late Antique Philosophy
    Autorzy:
    Napoli, Valerio
    Powiązania:
    https://bibliotekanauki.pl/articles/938406.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Aristotle
    Metaphysics
    meta ta physika
    theology
    Neo-Platonism
    Opis:
    In late antiquity, in the context of the jagged tradition of Neo-Platonism,Aristotle’s Metaphysics and the specific science that is traced out in itare indicated with the current denominations of meta ta physika andtheologikē pragmateia, which are seen as consistent with one anotherand closely interconnected. In this connection, the Metaphysics, in thewake of previous philosophical readings, is considered as a treatise on“theological science” - the most elevated among the sciences - and thedenomination meta ta physika is seen in a specifically theological sense.According to a widespread Neo-Platonic reading, the science thematizedin the Metaphysics is “metaphysics” in that it is theological science,an epistemic discourse on divine realities, which, within the ordo rerum,transcend the physical ones, and, therefore, according to the ordo cognoscendi,must be studied after the latter.
    Źródło:
    Peitho. Examina Antiqua; 2012, 3, 1; 51-82
    2082-7539
    Pojawia się w:
    Peitho. Examina Antiqua
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    From Masque to Masquerade: Monarchy and Art in Andrew Marvell’s Poems
    Autorzy:
    Łączyńska, Klaudia
    Powiązania:
    https://bibliotekanauki.pl/articles/888928.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    poetry
    Andrew Marvell
    Neo-Platonism
    carnivalesque
    satire
    monarchy
    art
    Opis:
    A considerable number of Andrew Marvell’s poems contain reference to various forms of visual arts. Marvell’s use of this type of imagery frequently leads to some type of transformation of a psychological, spiritual, political or social reality, with more or less overt allusions to the Neoplatonic notions of sublimation. However, this predominantly Neoplatonic notion of art, characteristic of Marvell’s earlier lyrics, disappears from his Restoration poems. In the satires, art, instead of idealising and elevating the corporeal, is rather dragged into the sphere of matter, where, together with the objects of the poet’s mockery, it undergoes a carnivalesque deformation. Such a degradation or carnivalisation of art imagery in Marvell’s Restoration satires is not only generically conditioned, but has its roots in the political, social and philosophical legacy of the Republic.
    Źródło:
    Anglica. An International Journal of English Studies; 2014, 23/1; 115-127
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Mistyka relacyjna i metafizyczna w Księdze św. Anieli z Foligno
    Relational and metaphysical mysticism in The Book of Saint Angela of Foligno
    Autorzy:
    Stróżyński, Mateusz
    Powiązania:
    https://bibliotekanauki.pl/articles/1048183.pdf
    Data publikacji:
    2019-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Aniela z Foligno
    mistyka
    metafizyka
    neoplatonizm
    mysticism
    metaphysics
    neo-platonism
    Angela of Foligno
    Opis:
    The article discusses the coexistence of two forms of Christian mysticism – metaphysical and relational – in The Book of Angela of Foligno. The metaphysical type, associated with the Neoplatonic philosophy, is probably inspired by The Soul’s Journey Into God by Saint Bonaventure who describes the experience of God as viewing existence or being (esse). The relational type is focused on the human and personal aspect of Jesus and the experience of love in the I-You relationship. While in many medieval mystics there is only one type of mysticism (e.g. metaphysical in Eckhart, relational in Bernard of Clairvaux), in Angela there is an interesting coexistence of both these types of experience of God.
    Źródło:
    Filozofia Chrześcijańska; 2019, 16; 7-25
    1734-4530
    2450-0399
    Pojawia się w:
    Filozofia Chrześcijańska
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ficino And Savonarola Two Faces of the Florence Renaissance
    Autorzy:
    Gawrońska-Oramus, Beata
    Powiązania:
    https://bibliotekanauki.pl/articles/1806836.pdf
    Data publikacji:
    2019-10-23
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Ficino; Savonarola; Pico della Mirandola; neo-Platonism; art; religion; Renaissance; republic; piagnoni; Apologia contra Savonarolam
    Opis:
    The Polish version of the article was published in “Roczniki Humanistyczne,” vol. 61 (2013), issue 4. Analysis of the mutual relations between the main intellectual and spiritual authority of the Plato Academy—Marsilio Ficino on the one hand, and Girolamo Savonarola, whose activity was a reaction to the secularization of de Medici times on the other, and a thorough study of their argument that turned into a ruthless struggle, are possible on the basis of selected sources and studies of the subject. The most significant are the following: Savonarola, Prediche e scritti; Guida Spirituale—Vita Christiana; Apologetico: indole e natura dell'arte poetica; De contempt mundi as well as Ficino’s letters and Apologia contra Savonarolam; and also Giovanni Pica della Mirandoli’s De hominis dignitate. The two adversaries’ mutual relations were both surprisingly similar and contradictory. They both came from families of court doctors, which gave them access to broad knowledge of man’s nature that was available to doctors at those times and let them grow up in the circles of sophisticated Renaissance elites. Ficino lived in de Medicis' residences in Florence, and Savonarola in the palace belonging to d’Este family in Ferrara. Ficino eagerly used the benefits of such a situation, whereas Savonarola became an implacable enemy of the oligarchy that limited the citizens’ freedom they had at that time, and a determined supporter of the republic, to whose revival in Florence he contributed a lot. This situated them in opposing political camps. They were similarly educated and had broad intellectual horizons. They left impressive works of literature concerned with the domain of spirituality, philosophy, religion, literature and arts, and their texts contain fewer contradictions than it could be supposed. Being priests, they aimed at defending the Christian religion. Ficino wanted to reconcile the religious doctrine with the world of ancient philosophy and in order to do this he did a formidable work to make a translation of Plato’s works. He wanted to fish souls in the intellectual net of Plato’s philosophy and to convert them. And it is here that they differed from each other. Savonarola’s attitude towards the antiquity was hostile; he struggled for the purity of the Christian doctrine and for the simplicity of its followers’ lives. He called upon people to repent and convert. He first of all noticed an urgent need to deeply reform the Church, which led him to an immediate conflict with Pope Alexander VI Borgia. In accordance with the spirit of the era, he was interested in astrology and prepared accurate horoscopes. Savonarola rejected astrology, and he believed that God, like in the past, sends prophets to the believers. His sermons, which had an immense impact on the listeners, were based on prophetic visions, especially ones concerning the future of Florence, Italy and the Church. His moral authority and his predictions that came true, were one of the reasons why his influence increased so much that after the fall of the House of Medici he could be considered an informal head of the Republic of Florence. It was then that he carried out the strict reforms, whose part were the famous “Bonfires of the Vanities.” Ficino only seemingly passively observed the preacher’s work. Nevertheless, over the years a conflict arose between the two great personalities. It had the character of political struggle. It was accompanied by a rivalry for intellectual and spiritual influence, as well as by a deepening mutual hostility. Ficino expressed it in Apologia contra Savonarolam written soon after Savonarola’s tragic death; the monk was executed according to Alexander VI Borgia’s judgment. The sensible neo-Platonist did not hesitate to thank the Pope for liberating Florence from Savonarola’s influence and he called his opponent a demon and the antichrist deceiving the believers. How deep must the conflict have been since it led Ficino to formulating his thoughts in this way, and how must it have divided Florence's community? The dispute between the leading moralizers of those times must have caused anxiety in their contemporaries. Both the antagonists died within a year, one after the other, and their ideas had impact even long after their deaths, finding their reflection in the next century’s thought and arts. 
    Źródło:
    Roczniki Humanistyczne; 2018, 66, 4 Selected Papers in English; 63-86
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Der Tod nach Boethius in der Consolatio philosophiae
    Death according to Boethius in Consolatio philosophiae
    Autorzy:
    Mielnik, Paweł
    Powiązania:
    https://bibliotekanauki.pl/articles/1395535.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
    Tematy:
    Boecjusz
    Platon
    neoplatonizm
    śmierć
    filozofia antyczna
    dusza
    Boethius
    Plato
    Neo-Platonism
    death
    ancient philosophy
    soul
    Opis:
    Śmierć jest jednym z ważniejszych tematów filozoficznych już od czasów antycznych. Niniejszy artykuł jest próbą analizy ostatniego dzieła Boecjusza Consolatio philosophiae właśnie w kontekście problematyki śmierci. Artykuł dzieli się na dwie części, w których autor najpierw stara się przedstawić punkt widzenia poprzedników Boecjusza. Wśród nich do najważniejszych postaci należą: Platon, Plotyn, św. Augustyn i Proklos. Dzięki temu w drugiej części analiza fragmentów Consolatio… odnoszących się do śmierci, zyskuje swoją głębię i zarazem jasność.
    Death has been one of the major themes of philosophy since the ancient times. The article attempts to analyze last works of Boethius Consolatio philosophiae with particular reference to this subject. It is divided into two parts in which the author tries to present Boethius predecessors’ point of view such as Plato, Plotinus, St. Augustine and Proclus. Consequently, the second part of the fragments’ enquiry related to death finds its depth and clarity.
    Źródło:
    Studia Koszalińsko-Kołobrzeskie; 2017, 24; 149-167
    1230-0780
    2719-4337
    Pojawia się w:
    Studia Koszalińsko-Kołobrzeskie
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Hic liber libenter legitur in Polonia Mapping the popularity of the Zodiacus Vitae in Poland between the sixteenth and seventeenth centuries
    Autorzy:
    Lepri, Valentina
    Powiązania:
    https://bibliotekanauki.pl/articles/602711.pdf
    Data publikacji:
    2015
    Wydawca:
    Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
    Tematy:
    Marcellus Palingenius Stellatus
    literatura renesansowa
    neoplatonizm
    humanizm
    renesans włoski
    Renaissance literature
    Neo-platonism
    Humanism
    Italian Renaissance
    Opis:
    Choć Zodiacus vitae Marcellusa Palingeniusa Stellatusa był jedną z najbardziej sensacyjnych publikacji XVI stulecia, jego popularność w epoce renesansu nie stała się jeszcze przedmiotem wszechstronnych badań naukowych. Zatem celem niniejszego artykułu jest wypełnienie przynajmniej części tej luki poprzez prezentację popularności dzieła w szesnastowiecznej Polsce, gdzie pierwszego przekładu dokonał Mikołaj Rej. Faktem jest, że wielu innych wybitnych przedstawicieli kultury polskiego renesansu interesowało się Zodiacusem, na co znajdujemy liczne odwołania do tego dzieła, zarówno w utworach poetyckich, jak i traktatach filozoficznych. Ustrój ówczesnej Rzeczypospolitej oraz intensywne kontakty z niemieckimi i włoskimi uniwersytetami dają doskonałe pole do badań pogłębiających nasze rozumienie wpływu Zodiacusa na rozwój literatury i kultury pod koniec XVI i na początku XVII stulecia.
    Marcellus Palingenius Stellatus’ Zodiacus vitae was one of the biggest editorial sensations of the sixteenth century, despite which its popularity in the Renaissance has not yet been the subject of a comprehensive study. The aim of this article is to partially fill that gap by addressing the circulation of the work in sixteenth-century Poland, where the first adaptation of the text into a language other than Latin was produced by the poet Mikołaj Rej. Indeed, several other illustrious exponents of Polish Renaissance culture were also interested in the Zodiacus and we can find references to it in both poetic works and in philosophical treatises. The particular political and social organisation of Poland at the time, and its intensive contacts with Italian and German universities, make it an excellent field of investigation for an understanding of the impact of the Zodiacus between the end of the sixteenth century and the beginning of the seventeenth.
    Źródło:
    Odrodzenie i Reformacja w Polsce; 2015, 59
    0029-8514
    Pojawia się w:
    Odrodzenie i Reformacja w Polsce
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Neoplatońska idea wyjścia i powrotu jako strukturalna zasada wyrażania prawd teologicznych i jej dekonstrukcyjna reinterpretacja
    The Neo-Platonic Idea of Procession and Return as a Structural Rule of Expressing Theological Truths and Its Deconstructional Reinterpretation
    Autorzy:
    Strumiłowski, Jan
    Powiązania:
    https://bibliotekanauki.pl/articles/1601696.pdf
    Data publikacji:
    2016
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Tematy:
    teo-ontologia
    neoplatonizm
    dekonstrukcja
    różnica
    Trójca
    stworzenie
    zbawienie
    theo-ontology
    neo-platonism
    deconstruction
    differences
    Trinity
    creation
    salvation
    Opis:
    Każda epoka wymaga, aby teologia szukała takiego języka, który pozwalałby na wyrażanie prawd objawionych adekwatnie do sposobu myślenia współczesnych ludzi. Dlatego teologia korzysta z obecnej filozofii. Nowe tendencje filozoficzne, wyrażające sposób myślenia współczesnego człowieka, mogą budzić wątpliwości co do ich wkładu teologicznego. Jest tak, ponieważ np. niektóre nurty filozoficzne kwestionują wcześniejsze narracje filozoficzne, które mogą budzić obawy, że jednocześnie psują oparte na nich systemy teologiczne. Ta sytuacja jest szczególnie widoczna, gdy pyta się o zasadność wykorzystania filozofii postmodernistycznych w dziedzinie teologii. Niemniej jednak istnieje możliwość przeniesienia (przetłumaczenia) podstawowych kategorii tradycyjnych filozofii i ich teologicznych implikacji na kategorie nowych i niezweryfikowanych systemów filozoficznych, i ta możliwość potwierdza adekwatność wspomnianą powyżej. Niniejszy artykuł próbuje zweryfikować, czy podstawowe kategorie dekonstrukcji mogą być zgodne z kategoriami zbudowanymi na filozofii neo-platońskiej.  
    Every age requires that theology seek such a language that would allow the expression of the revealed truths adequately to the way of thinking of contemporary people. That is why theology benefits from the current philosophy. New philosophical tendencies however, expressing the way of thinking of a modern man, may raise doubts as to their theological contributes. It is so because e.g. some philosophical currents question previous philosophical narrations which may raise concerns that they controvert simultaneously the theological systems based upon them. This situation is particularly visible actually, when one asks about the legitimacy of the use of postmodernist philosophies in the sphere of theology. Nevertheless, there is a possibility of transposing (translating) of the basic categories of traditional philosophies and their theological implications to the categories of new and unverified philosophical systems and this possibility proves the adequacy mentioned above. The present article attempts to verify whether the basic categories of deconstruction may be compatible with the categories built upon the Neo-platonic philosophy.
    Źródło:
    Teologia w Polsce; 2016, 10, 2; 129-140
    1732-4572
    Pojawia się w:
    Teologia w Polsce
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Neoplatońska idea wyjścia i powrotu jako strukturalna zasada wyrażania prawd teologicznych i jej dekonstrukcyjna reinterpretacja
    The Neo-Platonic Idea of Procession and Return as a Structural Rule of Expressing Theological Truths and Its Deconstructional Reinterpretation
    Autorzy:
    Strumiłowski, Jan
    Powiązania:
    https://bibliotekanauki.pl/articles/1601695.pdf
    Data publikacji:
    2016
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Tematy:
    teo-ontologia
    neoplatonizm
    dekonstrukcja
    różnica
    Trójca
    stworzenie
    zbawienie
    theo-ontology
    neo-platonism
    deconstruction
    differences
    Trinity
    creation
    salvation
    Opis:
    Każda epoka wymaga, aby teologia szukała takiego języka, który pozwalałby na wyrażanie prawd objawionych adekwatnie do sposobu myślenia współczesnych ludzi. Dlatego teologia korzysta z obecnej filozofii. Nowe tendencje filozoficzne, wyrażające sposób myślenia współczesnego człowieka, mogą budzić wątpliwości co do ich wkładu teologicznego. Jest tak, ponieważ np. niektóre nurty filozoficzne kwestionują wcześniejsze narracje filozoficzne, które mogą budzić obawy, że jednocześnie psują oparte na nich systemy teologiczne. Ta sytuacja jest szczególnie widoczna, gdy pyta się o zasadność wykorzystania filozofii postmodernistycznych w dziedzinie teologii. Niemniej jednak istnieje możliwość przeniesienia (przetłumaczenia) podstawowych kategorii tradycyjnych filozofii i ich teologicznych implikacji na kategorie nowych i niezweryfikowanych systemów filozoficznych, i ta możliwość potwierdza adekwatność wspomnianą powyżej. Niniejszy artykuł próbuje zweryfikować, czy podstawowe kategorie dekonstrukcji mogą być zgodne z kategoriami zbudowanymi na filozofii neo-platońskiej.  
    Every age requires that theology seek such a language that would allow the expression of the revealed truths adequately to the way of thinking of contemporary people. That is why theology benefits from the current philosophy. New philosophical tendencies however, expressing the way of thinking of a modern man, may raise doubts as to their theological contributes. It is so because e.g. some philosophical currents question previous philosophical narrations which may raise concerns that they controvert simultaneously the theological systems based upon them. This situation is particularly visible actually, when one asks about the legitimacy of the use of postmodernist philosophies in the sphere of theology. Nevertheless, there is a possibility of transposing (translating) of the basic categories of traditional philosophies and their theological implications to the categories of new and unverified philosophical systems and this possibility proves the adequacy mentioned above. The present article attempts to verify whether the basic categories of deconstruction may be compatible with the categories built upon the Neo-platonic philosophy.
    Źródło:
    Teologia w Polsce; 2016, 10, 2; 129-140
    1732-4572
    Pojawia się w:
    Teologia w Polsce
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Castiglionego i Górnickiego pochwała muzyki (na podstawie pierwszych ksiąg Il Cortigiano i Dworzanina polskiego)
    Castiglione’s and Górnicki’s Praise for Music. (On the Basis of the First Books of Il Cortigiano and Dworzanin polski)
    Autorzy:
    Wojtkowska-Maksymik, Marta
    Powiązania:
    https://bibliotekanauki.pl/articles/1945408.pdf
    Data publikacji:
    2008
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    literatura renesansowa
    pareneza
    muzyka
    dworzanin
    neoplatonizm
    humanizm
    edukacja
    renaissance literature
    parenesis
    music
    courtier
    neo-Platonism
    humanism
    education
    Opis:
    This paper is based on an analysis that compares some texts devoted to music taken from Łukasz Górnicki’s “Dworzanin polski” (1566) and Baldassarr Castiglione’s “Il libro del Cortigiano” (1528). The purpose of this comparison is to show the relationship of the works under study with the broad philosophical and literary tradition of the sixteenth century. It also seeks to answer the question about the function played by music and musical education in the image of a perfect courtier.
    Źródło:
    Roczniki Humanistyczne; 2008, 56, 1; 109-128
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ficino i Savonarola. Dwa oblicza florenckiego renesansu
    Ficino and Savonarola. Two faces of the Florence Renaissance
    Autorzy:
    Gawrońska-Oramus, Beata
    Powiązania:
    https://bibliotekanauki.pl/articles/1890573.pdf
    Data publikacji:
    2013
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Ficino
    Savonarola
    Pico della Mirandola
    neoplatonizm
    sztuka
    religia
    renesans
    republika
    piagnoni
    Apologia contra Savonarolam
    neo-Platonism
    art
    religion
    Renaissance
    republic
    Opis:
    Analysis of the mutual relations between the main intellectual and spiritual authority of the Plato Academy – Marsilio Ficino on the one hand, and Girolamo Savonarola, whose activity was a reaction to the secularization of the Medicean times on the other, and a thorough study of their argument that turned into a ruthless struggle, are possible on the basis of selected sources and studies of the subject. The most significant are the following: Savonarola, Prediche e scritti; Guida Spirituale – Vita Christiana; Apologetico: indole e natura dell’arte poetica; De contempt mundi as well as Ficino’s letters and Apologia contra Savonarolam; and also Giovanni Pica della Mirandoli’s De hominis dignitate. The two adversaries’ mutual relations assumed the shape of surprising similarities and contradictions. They both came from the families of court doctors, which gave them access to broad knowledge of man’s nature that was available to doctors at those times, and let them grow up in the circles of sophisticated Renaissance elites. Ficino lived in the Medici’s residences in Florence, and Savonarola in the palace belonging to the Este family in Ferrara. Ficino eagerly used the benefits of such a situation, whereas Savonarola became an implacable enemy of the oligarchy that limited the citizens’ freedom they had at that time, and a determined supporter of the republic, to whose revival in Florence he contributed a lot. This situated them in political camps that opposed each other. They were similarly educated and had broad intellectual horizons. They left impressive works of literature concerned with the domain of spirituality, philosophy, religion, literature and arts, and their texts contain fewer contradictions than it could be supposed. Being priests they aimed at defending the Christian religion. Ficino wanted to reconcile the religious doctrine with the world of ancient philosophy and in order to do this he did gigantic work to make a translation of Plato’s works. He wanted to fish souls in the intellectual net of Plato’s philosophy and to convert them. And it is here that they differed from each other. Savonarola’s attitude towards the antiquity was hostile; he struggled for the purity of the Christian doctrine and for the simplicity of its followers’ lives. He called upon people to repent and convert. He first of all noticed an urgent need to deeply reform the Chuch, which led him to an immediate conflict with Pope Alexander VI Borgia. In accordance with the spirit of the epoch he was interested in astrology and he cast accurate horoscopes. Savonarola rejected astrology, and he believed that God, like in the past, sends prophets to the believers. His sermons, that had an immense impact on the listeners, were based on prophetic visions, especially ones concerning the future of Florence, Italy and the Church. His moral authority and his predictions that came true, were one of the reasons why his influence increased so much that after the fall of the House of Medici he could be considered an informal head of the Republic of Florence. It was then that he carried out the strict reforms, whose part were the famous „Bonfires of the Vanities”. Seemingly Ficino passively observed the preacher’s work. Nevertheless over the years a conflict arose between the two great personalities. It had the character of a political struggle. It was accompanied by a rivalry for intellectual and spiritual influence, as well as by a deepening mutual hostility. Ficino expressed it in Apologia contra Savonarolam written soon after Savonarola’s tragic death; the monk was executed according to Alexander VI Borgia’s judgment. The sensible neo-Platonist had no hesitation in thanking the Pope for liberating Florence from Savonarola’s influence and he called his opponent a demon and the Antichrist deceiving the believers. How deep must the conflict have been since it led Ficino to formulating his thoughts in this way, and how must it have divided Florence’s community? The dispute between the leading moralizers of those times must have caused anxiety in their contemporaries. Both the antagonists died within a year, one after the other, and their ideas had impact even long after their deaths, finding their reflection in the next century’s thought and arts.
    Źródło:
    Roczniki Humanistyczne; 2013, 61, 4; 103-126
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Amor udrí – la poesía cortesana árabe en la Península Ibérica
    Amor udrí – Arab courtly poetry in the Iberian Peninsula
    Autorzy:
    Janowska, Karolina
    Powiązania:
    https://bibliotekanauki.pl/articles/1398072.pdf
    Data publikacji:
    2019-12-31
    Wydawca:
    Ateneum - Akademia Nauk Stosowanych w Gdańsku
    Tematy:
    lyric
    poetry
    Andalusia
    Bedouin
    quasida
    love poetry
    passion
    ladylove
    spiritual love
    Neo-Platonism
    lírica
    poesía
    Andalucía
    beduinos
    casida
    poesía amorosa
    pasión
    amada
    amor espiritual
    neoplatonismo
    Opis:
    The poetry of Arab-Andalusian poets is a bridge between Eastern and Western culture. Its roots date back to the sixth century, when the first Bedouin songs resounded in the limitless areas of the Arabian desert. His echoes resounded in the poetry of Provençal troubadours. Traces of this poetry can be found in the works of Renaissance poets, including Petrarc. Elements of Andalusian poetry were also visible in the poetry of the Spanish court since the 16th century. The characteristic poetic forms still appeared in 20th century poetry – at least one of the most outstanding Spanish poets, Federico Garcia Llorca, reached for it. Its greatest prosperity was in the 10th andd 11th centuries, and among the outstanding Andalusian poets were both men and women. The main motive of this poetry was unfulfilled love, which remained the dominant element of modern European court poetry.
    La obra de los poetas arabigo-andaluces es un puente entre la cultura oriental y occidental. Sus raíces se remontan al siglo VI, cuando las primeras canciones beduinas resonaron en las áreas ilimitadas del desierto de Arabia. Sus ecos resonaron en la poesía de los trovadores provenzales. Los motivos de esta poesía se pueden encontrar en las obras de los poetas del Renacimiento, incluso en las de Petrarca. Los elementos de la poesía andaluza también fueron visibles en la poesía de la corte española del siglo XVI. Las formas poéticas características de esta poesía todavía aparecieron en la poesía del siglo XX: fue alcanzada por al menos uno de los poetas españoles más destacados, Federico García Llorca. Su mayor prosperidad fue en los siglos X y XI, y entre los poetas andaluces más destacados se encontraban tanto hombres como mujeres. El motivo principal de esta poesía era el amor incumplido, que seguía siendo el elemento dominante de la poesía moderna de la corte europea.
    Źródło:
    Forum Filologiczne Ateneum; 2019, 7, 1; 323-342
    2353-2912
    2719-8537
    Pojawia się w:
    Forum Filologiczne Ateneum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-11 z 11

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