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Tytuł:
Miasto w bukolice. Na przykładzie eklogi szóstej ze zbioru Adolescentia Baptysty Mantuana
The City in the Pastoral. A Case Study of the Sixth Eclogue from the Adolescentia by Baptista Mantuanus
Autorzy:
Górka, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/2015097.pdf
Data publikacji:
2021
Wydawca:
Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:
Battista Mantovano (Mantuan)
Adolescentia
Neo-Latin poetry
eclogue
bucolic tradition
city-countryside opposition
satire
Opis:
The purpose of this paper is to analyse the image of the city in the sixth eclogue from Adolescentia, a collection of eclogues by the Renaissance poet Baptista Mantuanus. This image is set in the context of the earlier bucolic tradition and the traditions of other genres. The violent depreciation of urban space in Mantunan’s idyll could be interpreted as a manifestation of the famous bucolic city-countryside opposition. Thus, the first part of the article focuses on bucolic poetry created before Mantuan: ancient, medieval and Renaissance idyll. The analysis shows no explicit rejection of urban space in the aforementioned texts, so Mantuan’s depiction of the city cannot be understood as a result of the natural development of the bucolic genre in the Renaissance. The second part of the article focuses on searching for extra-bucolic sources that inspired the Italian poet to include the invective against the city in the idyll. The relationship of the sixth eclogue to the rhetorical and satirical traditions is analysed. Satire three from the collection by the Roman satirist Juvenalis is recognized as the direct source of the attack on the city. The way in which the Italian poet received this satire may have been mediated by the medieval tradition.
Źródło:
Academic Journal of Modern Philology; 2021, 11; 115-126
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pasja i antyk. Wawrzyńca Korwina (1465–1527) rozważania wielkanocne
Autorzy:
Zawadzki, Robert K.
Powiązania:
https://bibliotekanauki.pl/articles/2028237.pdf
Data publikacji:
2021-12-28
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
literatura neolatynistyczna
poezja renesansowa
śmierć Boga
liturgia godzin
Neo-Latin literature
Renaissance poetry
death of the Lord
Liturgy of the Hours
Opis:
The article is an attempt of interpretation of seven poems written by Wawrzyniec Korwin which were inserted in St. Bonaventura`s homilies and constitute forms of prayers to be said daily by Christians. The author analyses the artistic skill of the language used by the poet. His poems keep fascinating their readers because of their language, i.e. style as a system of remarkable pattern of linguistic elements and ancient metre.
Źródło:
Collectanea Philologica; 2021, 24; 155-171
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Medycyna i ułomności ciała w lirykach i epigramatach Alberta Inesa
Medicine and body disabilities in the poems and epigrams by Albert Ines
Autorzy:
Buszewicz, Elwira
Powiązania:
https://bibliotekanauki.pl/articles/1397838.pdf
Data publikacji:
2020-12-31
Wydawca:
Polska Akademia Nauk. Instytut Historii Nauki im. Ludwika i Aleksandra Birkenmajerów
Tematy:
poezja nowołacińska
poezja jezuicka
Albert Ines
medycyna w literaturze
neo-Latin poetry
Jesuit poetry
medicine in literature
Opis:
Albert Ines (1619–1649) was one of the most important Polish-Latin poets of the 17th century. The subject of this text is the handling of the themes of medicine, health and disease in his work on the example of odes (“Lyricorum centuria”) and the collection of epigrams. The article analyses his disparaging jokes about physicians, popular in Roman and Greek tradition, and onomastic jokes about health and caricatural imagery of the body, i.e. obesity, lack of teeth, baldness or wigs. It also points at the figures of speech pertaining to the portrayal of the frailty of the human condition.
Źródło:
Analecta. Studia i Materiały z Dziejów Nauki; 2020, 29, 2; 167-183
1509-0957
Pojawia się w:
Analecta. Studia i Materiały z Dziejów Nauki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wzloty, odchylenia i lamenty, czyli imitatorzy wobec potrzeby nowości
Surges, Deviations, and Laments, That Is, Imitators Versus the Need for Novelty
Autorzy:
Buszewicz, Elwira
Powiązania:
https://bibliotekanauki.pl/articles/534698.pdf
Data publikacji:
2019
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
imitation and creation
Jesuit neo-Latin poetry
Józef Bartłomiej Zimorowic
Albert Ines
Andrzej Kanon
Opis:
Precursors and forerunners, when they seek for novelty, establish some norms and frameworks which, in turn, become defining for poetical genres and currents. So, what is the right of an imitator to search for new paths? The subject of the article are meta-poetic declarations of creators, who willingly and consciously follow in the footsteps of their great predecessors. The author points to the metaphors by means of which the poets defend their “space of freedoms” or concede to their powerlessness. The cases of the following poets are considered: Józef Bartłomiej Zimorowic in relation to Szymon Szymonowicz, Albert Ines and Andrzej Kanon in relation to Maciej Kazimierz Sarbiewski. Especially close attention was given to problematics and contexts of Albert Ines’s words prefacing a collection of poems that are quoted and translated in the article.
Źródło:
Śląskie Studia Polonistyczne; 2019, 14, 2; 45-66
2084-0772
2353-0928
Pojawia się w:
Śląskie Studia Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Doktryna i polityka w łacińskiej poezji biblijnej śląskich uczniów Filipa Melanchtona
Autorzy:
Modlińska-Piekarz, Angelika
Powiązania:
https://bibliotekanauki.pl/articles/602640.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
Tematy:
doktryny protestanckie
łacińska poezja biblijna
reformacja
Filip Melanchton
Jacob Kuchler
Joannes Seckerwitz
Thomas Mawer
Caspar Pridmann
Laurentius Fabricius
Protestant doctrines
neo-Latin biblical poetry
Reformation
Opis:
Przedmiotem artykułu są wybrane utwory śląskich uczniów Filipa Melanchtona, studiujących w Wittenberdze w latach 1545–1560: Jacoba Kuchlera z Jeleniej Góry (ok. 1526 – ok. 1572), Joannesa Seckerwitza z Wrocławia (ok. 1529–1583), Thomasa Mawera z Trzebiela (1536–1575), Caspara Pridmanna z Głogowa (1537–1598) i Laurentiusa Fabriciusa z Rud (1539–1577). W artykule zwrócono uwagę na znaczenie doktrynalne i polityczne ich twórczości, która miała stanowić oręż w walce z Kościołem katolickim i jednocześnie szerzyć protestantyzm w tym burzliwym okresie walki wyznaniowej nie tylko na Śląsku, ale właściwie na całym obszarze północnej i środkowej Europy. Do zadań prezentowanych tutaj tekstów należało też promowanie protestanckich doktryn (sola gratia, solus Christus, sola fide, sola Scriptura, predestynacja, ubogi kult, negacja kapłaństwa i celibatu) i rozpowszechnianie ich na terenie cesarstwa, w Rzeczypospolitej, Prusach, Inflantach. The article presents selected works of Philip Melanchthon’s Silesian pupils who studied in Wittenberg during last years of the big Protestant reformer (1545–1560). Some biblical poems of Jacob Kuchler (ca. 1526 – ca. 1572), Joannes Seckerwitz (ca. 1529–1583), Thomas Mawer (1536–1575), Caspar Pridmann (1537–1598), and Laurentius Fabricius (1539–1577) are elaborated. The study seeks to decipher the political and religious function of propaganda of these religious publications, with particular emphasis on their role played in the religious battle against the Catholic Church and for the promotion of several protestant doctrines, including: a doctrine of “justification by grace alone, by Christ alone, through faith alone on the basis of Scripture alone”. Their authors highlighted also the doctrine of predestination, simple and modest religious worship, and questioned the religious significance of the priesthood and the celibacy. This poetry was written not only for Germans, Silesians, but also for the Polish, Prussian and Livonian people.
Źródło:
Odrodzenie i Reformacja w Polsce; 2017, 61
0029-8514
Pojawia się w:
Odrodzenie i Reformacja w Polsce
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Klemensa Janicjusza sztuka wymówki
Clemens Ianicius’ Art of the Recusatio
Autorzy:
Buszewicz, Elwira
Powiązania:
https://bibliotekanauki.pl/articles/1046591.pdf
Data publikacji:
2017-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
the recusatio in poetry
rhetorical strategies in poetry
neo-Latin elegy
Clemens Ianitius’ poetry
Piotr Kmita’s patronage
renaissance in Poland
Opis:
Rhetorical strategy called the recusatio, starting from the rejection of the epic in the Hellenistic period, developed in diverse ways in Roman poetry (Tibullus, Vergil, Horace, Martial and others). It was often connected with the poet’s declaration of his literary interest, hierarchy or program. The author’s aim is to confront these topoi with Clemens Ianicius’ realization of this strategy in three elegies: Tristia III (Excusat Petro Cmitae, Viro Illustri, Patrono suo, silentium suum Patavinum…), Variae elegiae VI (Verecunde a Petro Cmita petit, ut ei ad Italica studia subsidio sit) and Variae elegiae XI (A Franciscano quodam rogatus, ut in Scotum quiddam scriberet, se illi excusat).
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2017, 27, 1; 103-120
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Semiotics of Old Age in Polish Neo-Latin Poetry. Samboritanus, Cochanovius, Treter, Sarbievius, Ines
Semiotyka starości w polskiej poezji nowołacińskiej. Grzegorz z Sambora, Kochanowski, Treter, Sarbiewski, Ines
Autorzy:
Buszewicz, Elwira
Powiązania:
https://bibliotekanauki.pl/articles/1046575.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Neo-Latin poetry
old age in literature
Jan Kochanowski
Gregory of Sambor
Thomas Treter
Maciej Kazimierz Sarbiewski
Albert Ines
Opis:
The main aim of this paper is to analyze several early-modern Neo-Latin poems written by Polish authors; the poems deal (in different ways) with old age. The poets undertake a kind of intertextual game with the reader, applying various stereotypes and clichés. On can speak about a “semiotic landscape” of old age. The authors taken into consideration are Jan Kochanowski, Grzegorz of Sambor, Thomas Treter (16th century) and Maciej Kazimierz Sarbiewski, Albert Ines (17th century).
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2017, 27, 2; 85-101
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ad fontem Sonam (Ep 2) Macieja Kazimierza Sarbiewskiego. Opowieść o źródłach
Maciej Kazimierz Sarbiewski’s Ad Fontem Sonam (Ep 2). Reflexion on the Sources
Autorzy:
Buszewicz, Elwira
Powiązania:
https://bibliotekanauki.pl/articles/28409073.pdf
Data publikacji:
2015
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Metapoetic poetry
Intertextuality in Neo-Latin Poetry
Sarbiewski's poetry
Opis:
The aim of this study is to discuss the rhetorical strategies and literary sources in Epode 2, Ad fontem Sonam. In patrio fundo, dum Roma rediisset by Maciej Kazimierz Sarbiewski (Casimir). It opens the possibility of an intertextual reading of the text (Catullus 31, Horace III 13, Ovid Metamorphoses III (407-417). My thesis is that the text, like the Horatian ode, demands a metapoetic reading. The “source Sona” and its waters, wherever located in fact, stand for an allegory of poetic inspiration, to be identified, again as in Horace, with both the poet and his poetry, but probably also with God’s grace. Thus the image of the poet’s motherland takes on a symbolic dimension and may be understood as an expression of the poetic identity of his own, a hallmark of the poet and of his individuality. In this way the poem becomes a kind of prayer and a performative act of speech.
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2015, 6; 39-55
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Aeneis Jana Lucienbergiusa. Wizja typograficzna i teatralna
„Aeneis” by Johann Lucienberger(gius): Theatrical and Typographic Vision
Autorzy:
Bogumił, Izabela
Powiązania:
https://bibliotekanauki.pl/articles/1046682.pdf
Data publikacji:
2015-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
tragicomedy
Neo-Latin poetry
epic motifs
typographic solutions
Opis:
This paper deals with the dramatization of Virgil’s Aeneid created in Frankfurt am Meinz in the second half of the 16th century by Ioannes Lucienbergius. It discusses the text as a scenic adaptation of Roman epic and as typographic work.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2015, 25, 1; 91-107
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dwujęzyczność w twórczości Jana Kochanowskiego
Bilingualism in the Writings of Jan Kochanowski
Autorzy:
Kwiatkowska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1363465.pdf
Data publikacji:
2015-12-02
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
neo-Latin poetry
foricoenia
fraszkas
bilingualism
Kochanowski
poezja nowołacińska
fraszki
dwujęzyczność
Opis:
Jan Kochanowski był twórcą dwujęzycznym – pisał po łacinie i po polsku. Wybór języka w jego twórczości determinowany jest okolicznościami powstawania utworów (w okresie padewskim tworzy po łacinie, po powrocie do Polski sięga po język ojczysty) oraz tematyka, jaką podejmuje w kolejnych tekstach. Porównanie Foricoeniów i Fraszek czy łacińskich elegii i polskich pieśni pokazuje, że oba języki służą poecie do wyrażania różnych emocji i pozwalają uruchomić inne konwencje literackie.
Jan Kochanowski was a bilingual artist– he wrote poems in both Latin and Polish. The choice of language in his work is determined by the circumstances in which particular works arose (in his Paduan period he wrote in Latin, after his return to Poland he turned to his native language) as well as the subject matter he deals with in different texts. A comparison of his foricoenia and fraszkas or Latin elegies and Polish songs demonstrates that he uses both languages to express a range of emotions and both allow him to employ diverse literary conventions.
Źródło:
Forum Poetyki; 2015, 2; 80-91
2451-1404
Pojawia się w:
Forum Poetyki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Eine unbekannte Ausgabe der Imagines diaetae Zamoscianae und ihr Herausgeber. Ein Beitrag zur Geschichte der europäischen Rezeption von Szymon Szymonowic
Nieznana edycja Imagines diaetae Zamoscianae i ich wydawca. Przyczynek do historii europejskiej recepcji Szymona Szymonowica
Autorzy:
Pawlak, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/1882471.pdf
Data publikacji:
2015
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
literatura nowołacińska
poezja polsko-łacińska
polsko-niemieckie związki kulturalne
Szymon Szymonowic
Johann Georg Styrzel
Thomas Seget
neo-Latin literature
Polish-Latin poetry
Polish-German cultural ties
Opis:
Artykuł przedstawia nieznane dotychczas wydanie Imagines diaetae Zamoscianae Szymona Szymonowica, które ukazało się w Augsburgu w 1665 r. staraniem Johanna Georga Styrzela (1591-1668), bawarskiego humanisty i zapomnianego wielbiciela łacińskiej twórczości polskiego poety.
The article presents an edition of Imagines diaetae Zamoscianae by Szymon Szymonowic that has been unknown up till now. The edition appeared in Augsburg in 1665, the editor being Johann Georg Styrzel (1591-1668), a Bavarian humanist and forgotten admirer of the Latin works by the Polish poet.
Źródło:
Roczniki Humanistyczne; 2015, 63, 1; 185-204
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
De consolatione somni – figura Pocieszycielki w renesansowej poezji miłosnej. Jan Kochanowski w nurcie łacińskiej literatury europejskiej (Boecjusz, F. Petrarca, G. Pontano, J. Secundus)
Autorzy:
Urban-Godziek, Grażyna
Powiązania:
https://bibliotekanauki.pl/articles/943032.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
A Dream Motif, Consolation, Early Modern Love Poetry, Mournful Poetry, Neo-Latin Poetry, Boethius, Francesco Petrarch, Giovanni Pontano, Janus Secundus, Jan Kochanowski
Opis:
De consolatione somni– the figure of the comforter in renaissance love poetry. Jan Kochanowski and the current of Latin literature in Europe (Boecjusz, F. Petrarca, G. Pontano, J. Secundus)This paper presents the history of a motif that the author calls De consolatione somni. It is based on the Boethian pattern of consolation brought about by a woman who appears in a dream. Lady Philosophy, who in De consolatione Philosophiae morally and philosophically comforts Boethius when under sentence of death, is later introduced by Dante and Petrarch into the Renaissance poetry. The motif was applied to two ends: to express love in amorous poetry and grief in poetry of mourning. In Dante’s Vita nova and Petrarch’s Canzoniere (the author analyses poems No. 282 and 359) the deceased beloved appears to the bereaved lover in a dream and brings him comfort. Boccaccio, the third jewel in the “Tuscan crown,” in his eclogue Olympia introduces this motif to literature of mourning, creating the patterns of poetry dedicated to deceased girls (his influence is visible, for instance, in the Middle English poem The Perl, in the Dialogue en forme de vision nocturne by Margaret of Navarre or in Lament XIX by Kochanowski). The 15th-century lyric bonds mourning and erotic elements together even more strongly, adding a sensual dimension. Giovanni Pontano, in his poems dedicated to the memory of his late wife (the author analyses works from Lyra 9, Eridanus II 1; II 32, Hendecasyllabi II 29), evokes dream visions in which her spirit visits him. This consolation, however, had a clear sensual and erotic character, for the dead wife would come to her husband’s bed. He also likewise envisioned the prospective unification of the spouses in Elysium. In the next two centuries, in anti-Petrarchan poetry such consolation experienced in erotic dreams appeared both in poems of mourning (when the beloved passed away) and in love poems (when fulfilment was impossible for other reasons). The latter option is here illustrated in elegy I 10 by Secundus. A dream that compensates for the deficiencies of reality is a frequent motif in baroque poetry (G.B. Marino, A. Morsztyn). Yet the target point of this study is determined by the works that constitute the compositional frame of book II of Jan Kochanowski’s Elegiarum libri IV. Here we come across a rather unusual idea. A betrayed lover wishing to free himself from his humiliating love has a dream in which the goddess Venus appears (elegy II 4). Like Lady Philosophy (the Boethian pattern is particularly visible in a previous version of the elegy that is preserved in a manuscript), Venus tries to convert her charge to her domain, that is, to renew love in him. (This character, and especially her way of reasoning, is reminiscent of the creation of the Mother in Lament XIX). The triumph of the comforter is not long – elegy 11 brings another concept: a suicide committed in a dream that symbolically puts an end to unhappy love. Another significant aim of this paper is to draw attention to the influence that Boethius and his version of Platonism had on Renaissance poetry, and on Jan Kochanowski in particular. It seems especially important for recognising the sources of Lament XIX and elegies from book II of the printed volume. The first to have noticed Boethius’ impact on Kochanowski’s work was Izydor Richter (1912) but his discovery has not been exploited by later researchers. To sum up, the paper presents the history of a non-obvious (singled out by the paper’s author) motif in modern poetry and its relation to both love poetry and poetry of mourning as well as the Neoplatonic basis of Renaissance erotic lyric. It also explains the origin and the meaning of the dream vision in Kochanowski’s book II of Elegies and (although it is not the chief aim of the paper) the genesis of the comforting Mother who appears with Orszulka, the departed daughter of the poet, in Lament XIX.
Źródło:
Terminus; 2014, 16, 1(30)
2084-3844
Pojawia się w:
Terminus
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Forma gatunkowa ody w łacińskiej poezji Jana Kochanowskiego (Lyricorum libellus)
Autorzy:
Buszewicz, Elwira
Powiązania:
https://bibliotekanauki.pl/articles/636389.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
neo-Latin poetry, works of Jan Kochanowski, Horatian imitation, poetic genres, ode and its variations
Opis:
The ode as a genre in the Latin poetry of Jan Kochanowski (Lyricorum libellus)The aim of this study is to establish the place of Jan Kochanowski’s Lyricorum libellus (1580) in the history of Polish Renaissance Neo-Latin ode presented against a wider European background. The development of this genre in this historico-literary period in Poland has received only fragmentary reporting, e.g. in relation to Horatianism in literature or as a background for the vernacular ode. Yet, as Carol Maddison argues in her Apollo and the Nine, the Neo-Latin ode is, in a sense, a new genre revived and newly “devised” by Renaissance humanists. In her fundamental work, Maddison also presents the development of the ode and its variations in Italy and France. According to ancient patterns used by poets, Horatian odes (including Kochanowski’s odes) can be divided into the “pindaric” and the “anacreontic-sapphic.” To some extent this division coincides with the classification of odes as “political” or “private.” Similar categorisation criteria adopted by various researchers (Zofia Głombiowska, Jacqueline Glomski, Józef Budzyński) may result in individual odes being assigned to several different categories. The first part of the paper, therefore, emphasises the identity of the Neo-Latin ode and its status as a new genre strongly related to Renaissance Humanism. In the second part, the author attempts to assign particular poems from Lyricorum libellus to patterns indicated by Maddison, and deals with previous attempts at classification based on differentiating between political and private odes. She also underlines that Kochanowski frequently imitated both pindaric and anacreontic patterns through Horace. In the third part, the author analyses the strophic organisation of individual odes and their metre as well as their logical-rhetorical structure. The odes are here classified with regard to these criteria and interpreted in accordance with their historical context. The author pays close attention to the genre’s borderline between ode and hymn, stylistic “nobilitation” of lyrical poems and the outright Horationism of the collection. Lastly, she presents conclusions concerning the role of Lyricorum libellus in the development of the ode. Before Kochanowski, a significant role in the evolution of the genre was played by the so-called “university ode,” which was popular in Silesian and German poetic circles, as well as in odes by Paweł z Krosna. Kochanowski’s odes, however, bear little resemblance to this stage of the development of the genre in Poland. Imitating Horace in the spirit of such poets as Michal Marullus or Giovanni Pontano, Kochanowski demonstrates a mature awareness of the Neo-Latin ode, formed at the meeting-point of ode and hymn and constituting an element of a cycle organised in accordance with a certain idea.
Źródło:
Terminus; 2014, 16, 1(30)
2084-3844
Pojawia się w:
Terminus
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Imitacja horacjańska w łacińskiej twórczości Jana Kochanowskiego
Autorzy:
Buszewicz, Elwira
Powiązania:
https://bibliotekanauki.pl/articles/636433.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Neo-Latin poetry, Horatian imitation, Jan Kochanowski’s poetry
Opis:
Horatian Imitation in Jan Kochanowski’s Latin PoetryThe aim of this study is to show how Kochanowski imitated Horace in various ways and at different levels of his poetry. As to this moment, the matter has been discussed, mainly in regard to the Lyricorum libellus, by Zofia Głombiowska and Józef Budzyński. In this paper, the author briefly summarises their statements and comments upon them expressing her own view. She also mentions some other publications dealing with the Horatianism of the Polish poet to a lesser degree. The text is divided into four sections. In the first one, the author makes a brief comparison between Kochanowski and Petrarca in the context of their mental kinship with Horace that resulted in poetry which is “Horatian” not only in terms of the verba but also some ideas. The second section is devoted to the Horatianism of Kochanowski’s collection of odes (Lyricorum libellus). The author begins with a brief summary of the previously mentioned scholars’ views. She also demonstrates that some of these views may oversimplify the question of Horatian imitation in case of at least several of Kochanowski’s poems. To illustrate this, she presents an analysis of ode XI (In equum) in the context of its Horatian models; the conclusion is that in this poem, as well as in the entire collection, Kochanowski imitates Horace in a sophisticated and polyphonic way. The third part of the text, after a brief mention of the “loci Horatiani” in Kochanowski’s elegies, shows the interplay of ideas between Horatian poetry and Kochanowski’s Elegy III 1. The author puts emphasis on the fact that Kochanowski adapted some of the elegiac themes to the Horatian rhetoric. Concluding her disquisition, the author argues that Kochanowski’s Horatian imitation is neither superficial nor confined to the imitation verborum, but reaches deep in the structures of Horace’s poetry.
Źródło:
Terminus; 2014, 16, 2(31)
2084-3844
Pojawia się w:
Terminus
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Królewiec i Prusy Królewskie w życiu i twórczości Jana Kochanowskiego
Autorzy:
Awianowicz, Bartosz
Powiązania:
https://bibliotekanauki.pl/articles/636393.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Jan Kochanowski, Georg Sabinus, Königsberg, Ducal Prussia, Royal Prussia, Neo-Latin Poetry, Renaissance Polish Poetry
Opis:
Königsberg and Prussia in Life and Works of Jan KochanowskiResearchers interested in Jan Kochanowski have paid little attention to the impact of German Humanism – as represented in Königsberg – on both the writing and the life of the poet. The aim of this article is: first, to present literary sources testifying to the poet’s stay in the capital of the Duchy of Prussia and his contacts with Prince Albert von Hohenzollern and humanists from the Albertina University; and second, to discuss Kochanowski’s view of Prussia (both Royal Prussia and the Duchy of Prussia) in his poems, and the possible influences of Georg Sabinus upon the Polish poet’s works. So far the connections of the Polish poet with Königsberg University (Albertina) and the court of the Prussian prince (actually duke) Albert Hohenzollern have been researched in the majority by Stanisław Kot, to whom we owe the publication of Kochanowski’s letter to the prince and his reply, and Janusz Małłek, who has verified Kot’s intuitional remarks using sources from the Geheimes Staatsarchiv Preußischer Kulturbesitz in Berlin, but only from an historian’s biographical perspective.   Kochanowski went to Königsberg for the first time in summer or autumn 1551 and stayed until the following spring. He returned for a second visit in spring 1555 and remained at least until mid-1556. The Polish poet’s second stay in the Prussian capital, especially, has been well documented thanks to Kochanowski’s autographed letter written to Prince Albert on April the 6th, 1556, and the prince’s reply dated April the 15th. Moreover, important information is recorded in the Prussian court’s expenditure accounts (Ausgabe-Bücher) from 1555 and 1556. These documents give explicit evidence of the Polish poet’s links with the ducal court. They also give implicit proof of his relations with humanists from the university (Georg Sabinus, the first rector of the Albertina) and the court. Of all Kochanowski’s works, the most important source for his feelings towards Prussia is his Proporzec albo Hołd pruski. He celebrates there the homage paid in 1569 to Sigismund Augustus by Albert Frederic (1553–1618), the son of Prince Albert, whom Kochanowski introduces as the very model of a good monarch: a virtuous, faithful and wise prince (v. 25–36). Whereas it is Royal Prussia itself that is praised by the poet in his Satyr albo dziki mąż (v. 85-90). Less known is the fact that Kochanowski’s poetry was influenced not only by Italian but also by German humanists: by the authors of handbooks of poetics and rhetoric such as Philipp Melanchthon or Joachim Camerarius, and especially by the poetry and theoretical treatises (e.g. Fabularum Ovidii interpretatio) of Georg Sabinus (1508–1560). The paper’s author concludes that the period (in total two years) which the young poet spent in the Duchy of Prussia was important for at least three reasons: the experiences gained at the court of Prince Albert definitely helped the poet in his further career as a courtier of Sigismund Augustus; ducal patronage helped Kochanowski in at least one trip to Italy; and the ducal library and acquaintance with Georg Sabinus obviously influenced the poetry (especially Latin poetry) of Jan of Czarnolas.
Źródło:
Terminus; 2014, 16, 1(30)
2084-3844
Pojawia się w:
Terminus
Dostawca treści:
Biblioteka Nauki
Artykuł
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