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Tytuł:
Wzloty, odchylenia i lamenty, czyli imitatorzy wobec potrzeby nowości
Surges, Deviations, and Laments, That Is, Imitators Versus the Need for Novelty
Autorzy:
Buszewicz, Elwira
Powiązania:
https://bibliotekanauki.pl/articles/534698.pdf
Data publikacji:
2019
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
imitation and creation
Jesuit neo-Latin poetry
Józef Bartłomiej Zimorowic
Albert Ines
Andrzej Kanon
Opis:
Precursors and forerunners, when they seek for novelty, establish some norms and frameworks which, in turn, become defining for poetical genres and currents. So, what is the right of an imitator to search for new paths? The subject of the article are meta-poetic declarations of creators, who willingly and consciously follow in the footsteps of their great predecessors. The author points to the metaphors by means of which the poets defend their “space of freedoms” or concede to their powerlessness. The cases of the following poets are considered: Józef Bartłomiej Zimorowic in relation to Szymon Szymonowicz, Albert Ines and Andrzej Kanon in relation to Maciej Kazimierz Sarbiewski. Especially close attention was given to problematics and contexts of Albert Ines’s words prefacing a collection of poems that are quoted and translated in the article.
Źródło:
Śląskie Studia Polonistyczne; 2019, 14, 2; 45-66
2084-0772
2353-0928
Pojawia się w:
Śląskie Studia Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
THE MYTH OF CEPHALUS AND PROCRIS IN OVID'S 'METAMORPHOSES' AND MARCIN KROMER'S 'DE ADVERSA VALETUDINE SIGISMUNDI I' (Mit o Kefalosie i Prokris u Owidiusza i Marcina Kromera)
Autorzy:
Zawadzki, Robert K.
Powiązania:
https://bibliotekanauki.pl/articles/702647.pdf
Data publikacji:
2007
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
KROMER MARCIN
NEO-LATIN POETRY
OVID
ROMAN POETRY
Opis:
In his 1534 Latin poem on the illness of the Polish King Sigismundus I that was a consequence of his hunting expedition, Marcin Kromer introduces the myth of Cephalus and Procris. Borrowing the subject from Ovid (Met. VII 690-862), Kromer presents only the last part of the history of this unhappy couple and does not dwell on the husband's and wife's emotions as much as his predecessor. This passage seems important as we see here the first use of this myth by a Polish author.
Źródło:
Meander; 2007, 62, 3-4; 283-293
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Semiotics of Old Age in Polish Neo-Latin Poetry. Samboritanus, Cochanovius, Treter, Sarbievius, Ines
Semiotyka starości w polskiej poezji nowołacińskiej. Grzegorz z Sambora, Kochanowski, Treter, Sarbiewski, Ines
Autorzy:
Buszewicz, Elwira
Powiązania:
https://bibliotekanauki.pl/articles/1046575.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Neo-Latin poetry
old age in literature
Jan Kochanowski
Gregory of Sambor
Thomas Treter
Maciej Kazimierz Sarbiewski
Albert Ines
Opis:
The main aim of this paper is to analyze several early-modern Neo-Latin poems written by Polish authors; the poems deal (in different ways) with old age. The poets undertake a kind of intertextual game with the reader, applying various stereotypes and clichés. On can speak about a “semiotic landscape” of old age. The authors taken into consideration are Jan Kochanowski, Grzegorz of Sambor, Thomas Treter (16th century) and Maciej Kazimierz Sarbiewski, Albert Ines (17th century).
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2017, 27, 2; 85-101
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pasja i antyk. Wawrzyńca Korwina (1465–1527) rozważania wielkanocne
Autorzy:
Zawadzki, Robert K.
Powiązania:
https://bibliotekanauki.pl/articles/2028237.pdf
Data publikacji:
2021-12-28
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
literatura neolatynistyczna
poezja renesansowa
śmierć Boga
liturgia godzin
Neo-Latin literature
Renaissance poetry
death of the Lord
Liturgy of the Hours
Opis:
The article is an attempt of interpretation of seven poems written by Wawrzyniec Korwin which were inserted in St. Bonaventura`s homilies and constitute forms of prayers to be said daily by Christians. The author analyses the artistic skill of the language used by the poet. His poems keep fascinating their readers because of their language, i.e. style as a system of remarkable pattern of linguistic elements and ancient metre.
Źródło:
Collectanea Philologica; 2021, 24; 155-171
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Panegiryk Do Jakuba z Sienna a początki poezji humanistycznej w Krakowie w XV wieku
Autorzy:
Niedźwiedź, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/636295.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
neo-Latin poetry in Poland, panegyrics, early Humanism in Poland, Polish-Italian relationships in the 15th century, the University of Cracow, Jakub z Sienna (Jacob of Sienno), Zbigniew Oleśnicki, Leonardo Mansueti
Opis:
The panegyric To Jacob of Sienno and the beginnings of the humanistic poetry in Krakow in the 15th centuryThe paper has two aims: one is to publish a critical edition of an early humanistic poem, the other is to explain the circumstances in which it was written. The study engages the traditional methods of textual criticism. The author analyses several sources, among them the manuscript 802 preserved in the Kórnik Library which contains the poem. In the first part of the paper Jacob’s biography is reminded. Jacob of Sienno (Jakub z Sienna, 1413–1480) was a diplomat, a politician, the bishop of Kujawy and next the archbishop of Gniezno. He was born in an nobleman family, studied in Rome and in the mid 1430’s pursued his ecclesiastical and political career. He turned back to Italy many times, both as a royal diplomat and a political refugee during his conflict with king Casimir IV Jagiellon. The author stresses the fact that in his Italian journeys he must have come in contact with the early Humanistic culture, which is proved for instance by his collection of Renaissance decorated books acquired in Italy. In the second part the author reveals the circumstances in which the poem was written. The deliberations here touch upon the problem of authorship. Although some researchers made aconjecture that the author would have been Leonardo Mansueti (1414–1480), the Master General of the Dominican Order and Jacob’s friend, a hypothesis that an anonymous Cracow scholar would have been the grateful poet is more convincing. The author reminds a long-standing relationship between Jacob and the University of Cracow. As a patron of the university the bishop made it a gift of his library. The third part contains analysis of the text. The poet drew a picture of a bishop-good shepherd and a wise statesman devoted to the country. To construct such a figure, typical for Renaissance literature in the next century, he employed the classical rhetoric, astrology and especially the Stoic philosophy. The analysis leads to the conclusion that To Jacob of Sienno can be one of the first Humanistic panegyrics in Poland. It can be considered a result of Jacob’s patronage on literature and fine arts. At the end the author asserts that the bishop courts in Poland in the 15th century were important centres of Humanistic culture, among them Jacob’s court. Future research on this topic can shed new light on the beginnings of the Renaissance in Poland. Additionally, the paper provides critical edition of the Latin text and its Polish translation with commentaries
Źródło:
Terminus; 2013, 15, 4(29)
2084-3844
Pojawia się w:
Terminus
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Obraz miłości małżeńskiej w eklodze Acon Giovanniego Pontana
The image of conjugal love in Giovanni Pontano’s eclogue Acon
Autorzy:
Raczyńska, Alicja
Powiązania:
https://bibliotekanauki.pl/articles/967146.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Pontano
Neo-latin poetry
eclogues
conjugal love
intertextuality
Opis:
Acon is one of the six eclogues written by Giovanni Pontano, one of the most remarkable humanists of the Italian Quattrocento. In this work, the author presents an image of conjugal love by the usage of a bucolic context, a model of shepherd love and some myths from Ovid’s Meta- morphoses. He also refers to some facts from his own biography (marriage with Adriana Sassone). The pastoral figures who speak in the eclogue Acon are Petasillus and Saliuncus. They reminisce their master Meliseus (Pontano’s alter ego) who used to sing beautiful songs for his beloved wife Ariadna. The topics of those songs were the period of engagement, the first days of marriage and the pain caused by the separation of the spouses.
Źródło:
Collectanea Philologica; 2014, 17
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Miasto w bukolice. Na przykładzie eklogi szóstej ze zbioru Adolescentia Baptysty Mantuana
The City in the Pastoral. A Case Study of the Sixth Eclogue from the Adolescentia by Baptista Mantuanus
Autorzy:
Górka, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/2015097.pdf
Data publikacji:
2021
Wydawca:
Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:
Battista Mantovano (Mantuan)
Adolescentia
Neo-Latin poetry
eclogue
bucolic tradition
city-countryside opposition
satire
Opis:
The purpose of this paper is to analyse the image of the city in the sixth eclogue from Adolescentia, a collection of eclogues by the Renaissance poet Baptista Mantuanus. This image is set in the context of the earlier bucolic tradition and the traditions of other genres. The violent depreciation of urban space in Mantunan’s idyll could be interpreted as a manifestation of the famous bucolic city-countryside opposition. Thus, the first part of the article focuses on bucolic poetry created before Mantuan: ancient, medieval and Renaissance idyll. The analysis shows no explicit rejection of urban space in the aforementioned texts, so Mantuan’s depiction of the city cannot be understood as a result of the natural development of the bucolic genre in the Renaissance. The second part of the article focuses on searching for extra-bucolic sources that inspired the Italian poet to include the invective against the city in the idyll. The relationship of the sixth eclogue to the rhetorical and satirical traditions is analysed. Satire three from the collection by the Roman satirist Juvenalis is recognized as the direct source of the attack on the city. The way in which the Italian poet received this satire may have been mediated by the medieval tradition.
Źródło:
Academic Journal of Modern Philology; 2021, 11; 115-126
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Metamorfozy motywów laudacyjnych w epitalamiach. Od greckiego Teokryta do gdańskiego Mollera
Epitalamic laudatory motives in transformation. From Greek Theocritus to Henry Moller, a Neo-Latin poet from Gdańsk
Autorzy:
Bogumił, Izabela
Powiązania:
https://bibliotekanauki.pl/articles/2012479.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
epitalamium
motywy laudacyjne
panegiryk
poezja nowołacińska
epithalamion
laudatory motives
panegyric
Neo-Latin poetry
Opis:
The paper is concerned with the transformation of laudatory motives in the epithalamia, from the earliest extant Greek texts, through the nuptial poetic pieces by Catullus, Statius and Claudianus, down to the wedding poetry from the 16th century. Both, the ancient Greek poets, and Catullus as well, used to introduce the motive of praise with a dose of restraint. In other words, the early Greek and Roman poets were focused on the newly married couple. On the contrary, since the Roman Imperial period, it was intended to make the poetic praise more universal and so the poets used to extend the passages with laudatory motives. Therefore, other topics were added, such as the origin of the spouse and the bridegroom. Henry Moller as a poet was quite excessive in the matter of praise. Frankly speaking, his poetry praises everyone and everything: for instance, family members, both those who died not long ago, and those who are alive (epithalamium for Casper Nefelius and Sophia, Nicolaus Richavius’s daughter); the duchy of Baden and the city of Gdańsk (Gratulatio Musarum Gedanensium for Swedish princess Cecilia Vasa and prince Christopher II of Baden); even Jagiellonian king Sigismund II Augustus once became the object of praise, because he was a brother of the female addressee of the poem entitled Auleum Gratiarum (besides, Moller interlaced some political suggestions to the Jagiellonian ruler with the verses). It seems typical to Neo-Latin poets to insert the words of praise in the mouth of fictional characters. However, it is evident that the poetic self-esteem was not an unimportant factor. Over time, the authors of Neo-Latin poetry got used to speaking directly to the reader. Some of them were evident and eager flatterers. In general, we can observe that the epithalamic laudatory motives are in constant transformation. Every epoch, or even culture, has its own inventory of laudatory topics and objects.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2013, 3(6) cz.2; 117-142
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Medycyna i ułomności ciała w lirykach i epigramatach Alberta Inesa
Medicine and body disabilities in the poems and epigrams by Albert Ines
Autorzy:
Buszewicz, Elwira
Powiązania:
https://bibliotekanauki.pl/articles/1397838.pdf
Data publikacji:
2020-12-31
Wydawca:
Polska Akademia Nauk. Instytut Historii Nauki im. Ludwika i Aleksandra Birkenmajerów
Tematy:
poezja nowołacińska
poezja jezuicka
Albert Ines
medycyna w literaturze
neo-Latin poetry
Jesuit poetry
medicine in literature
Opis:
Albert Ines (1619–1649) was one of the most important Polish-Latin poets of the 17th century. The subject of this text is the handling of the themes of medicine, health and disease in his work on the example of odes (“Lyricorum centuria”) and the collection of epigrams. The article analyses his disparaging jokes about physicians, popular in Roman and Greek tradition, and onomastic jokes about health and caricatural imagery of the body, i.e. obesity, lack of teeth, baldness or wigs. It also points at the figures of speech pertaining to the portrayal of the frailty of the human condition.
Źródło:
Analecta. Studia i Materiały z Dziejów Nauki; 2020, 29, 2; 167-183
1509-0957
Pojawia się w:
Analecta. Studia i Materiały z Dziejów Nauki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Maciej Kazimierz Sarbiewski and English Dissenting Poets of the Early 18th Century: A Study in Reception of Neo-Latin Poetry in Great Britain
Autorzy:
Fordoński, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/636332.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Maciej Kazimierz Sarbiewski
Neo-Latin Poetry
Isaac Watts
Opis:
The article presents historical, literary, religious and political context in which interest in the poetry of the Baroque Neo-Latin poet Maciej Kazimierz Sarbiewski (1595–1640) appeared in the first half of the 18th century among English dissenters and non-conformists. The article concentrates on the best known and most prolific of the six dissenting translators of Sarbiewski Isaac Watts (1674–1748) and his pupil and biographer Thomas Gibbons (1720–1785). The article includes a brief presentation of the translated poems of Sarbiewski and their translators.
Artykuł przedstawia historyczny, literacki, religijny i polityczny kontekst zainteresowania, jakim cieszyła siętwórczość Macieja Kazimierza Sarbiewskiego (1595–1640) wśród dysydentów i nonkonformistów w Anglii w I poł. XVIII w. Autor skupia się na najbardziej znanych i płodnych spośród sześciu dysydenckich tłumaczy Sarbiewskiego: Isaaku Wattsie (1674–1748) oraz jego wychowanku i biografiście Thomasie Gibbonsie (1720–1785). Artykuł zawiera krótkie omówienie przekładów wierszy Sarbiewskiego oraz sylwetek tłumaczy
Źródło:
Terminus; 2011, 13, 24; 71-85
2084-3844
Pojawia się w:
Terminus
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Locus horribilis pod zamkniętymi drzwiami. Trzy paralaktyczna Janusa Secundusa (el. I 5, II 5, III 1) wobec tradycji klasycznej
Locus horribilis behind the closed door. Three paraclausithyra by Johannes Secundus (el. I 5, II 5, III 1) in the light of classical traditio
Autorzy:
Urban-Godziek, Grażyna
Powiązania:
https://bibliotekanauki.pl/articles/2013687.pdf
Data publikacji:
2014-06-02
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
paraklausithyron
elegia miłosna
Johannes Secundus
poezja nowołacińska
eschatologia elegijna
love elegy
Neo-Latin poetry
elegiac eschatology
Opis:
The article presents an elegiac motif of paraclausithyron (a song sung behind the closed door) in the poetical output of a Dutch Latinist, Johannes Secundus (1511−1536). The night vigil behind the closed door experienced by a rejected poet-lover who tries in vain to gain his beloved’s favour and access to her alcove is compared by the Roman elegiacs(Prop. II 17, Tib. I3) to the infernal torments of the mythical heroes: Tantalus, Ixion, Sisyphus and Tytios. Being very close to their goal, yet unable to get the object of their desire, they suffer a great anxiety. This kind of metaphor, taken probably from Lucretius, finds its continuation evenlater (Paulus Silentiarius), and is developed in the Renaissance poetry. Two scandalous paraclausithyra (el.II 5andIII 1) by Secundus –not yet analysed in the light of this convention − seem to be the settlement with ancient masters, who were proudly announcing that each girl could be conquered with their poems (Prop. III 2; Ovid.Am. II 1). At the same time, it is an ironic reinterpretation of Secundus’s own triumphalism, and of his previous belief in the power of his own poetry − the poetry which is actually more important than its subject matter − love. However, behind the closed door and in confrontation with the rival’s money, the song loses its supernatural power and the hurt feeling brings hellish torments to the poet. In the elegiac paraclausithyra the threshold of an inaccessible house defines the lover’s locus horribilis. Stayingin such an inferno brings the desire of revenge and the will to expose the guilty ones to eternal torment. This initiates an eschatological perspective (inscribed in the represented elegiac world), where true lovers receive the Elysian award, while their traitors and rivals − eternal punishment (Tib. I 3; Prop. IV 7, and others Renaissance elegiacs).
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2014, 4(7); 17-33
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Królewiec i Prusy Królewskie w życiu i twórczości Jana Kochanowskiego
Autorzy:
Awianowicz, Bartosz
Powiązania:
https://bibliotekanauki.pl/articles/636393.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Jan Kochanowski, Georg Sabinus, Königsberg, Ducal Prussia, Royal Prussia, Neo-Latin Poetry, Renaissance Polish Poetry
Opis:
Königsberg and Prussia in Life and Works of Jan KochanowskiResearchers interested in Jan Kochanowski have paid little attention to the impact of German Humanism – as represented in Königsberg – on both the writing and the life of the poet. The aim of this article is: first, to present literary sources testifying to the poet’s stay in the capital of the Duchy of Prussia and his contacts with Prince Albert von Hohenzollern and humanists from the Albertina University; and second, to discuss Kochanowski’s view of Prussia (both Royal Prussia and the Duchy of Prussia) in his poems, and the possible influences of Georg Sabinus upon the Polish poet’s works. So far the connections of the Polish poet with Königsberg University (Albertina) and the court of the Prussian prince (actually duke) Albert Hohenzollern have been researched in the majority by Stanisław Kot, to whom we owe the publication of Kochanowski’s letter to the prince and his reply, and Janusz Małłek, who has verified Kot’s intuitional remarks using sources from the Geheimes Staatsarchiv Preußischer Kulturbesitz in Berlin, but only from an historian’s biographical perspective.   Kochanowski went to Königsberg for the first time in summer or autumn 1551 and stayed until the following spring. He returned for a second visit in spring 1555 and remained at least until mid-1556. The Polish poet’s second stay in the Prussian capital, especially, has been well documented thanks to Kochanowski’s autographed letter written to Prince Albert on April the 6th, 1556, and the prince’s reply dated April the 15th. Moreover, important information is recorded in the Prussian court’s expenditure accounts (Ausgabe-Bücher) from 1555 and 1556. These documents give explicit evidence of the Polish poet’s links with the ducal court. They also give implicit proof of his relations with humanists from the university (Georg Sabinus, the first rector of the Albertina) and the court. Of all Kochanowski’s works, the most important source for his feelings towards Prussia is his Proporzec albo Hołd pruski. He celebrates there the homage paid in 1569 to Sigismund Augustus by Albert Frederic (1553–1618), the son of Prince Albert, whom Kochanowski introduces as the very model of a good monarch: a virtuous, faithful and wise prince (v. 25–36). Whereas it is Royal Prussia itself that is praised by the poet in his Satyr albo dziki mąż (v. 85-90). Less known is the fact that Kochanowski’s poetry was influenced not only by Italian but also by German humanists: by the authors of handbooks of poetics and rhetoric such as Philipp Melanchthon or Joachim Camerarius, and especially by the poetry and theoretical treatises (e.g. Fabularum Ovidii interpretatio) of Georg Sabinus (1508–1560). The paper’s author concludes that the period (in total two years) which the young poet spent in the Duchy of Prussia was important for at least three reasons: the experiences gained at the court of Prince Albert definitely helped the poet in his further career as a courtier of Sigismund Augustus; ducal patronage helped Kochanowski in at least one trip to Italy; and the ducal library and acquaintance with Georg Sabinus obviously influenced the poetry (especially Latin poetry) of Jan of Czarnolas.
Źródło:
Terminus; 2014, 16, 1(30)
2084-3844
Pojawia się w:
Terminus
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Klemensa Janicjusza sztuka wymówki
Clemens Ianicius’ Art of the Recusatio
Autorzy:
Buszewicz, Elwira
Powiązania:
https://bibliotekanauki.pl/articles/1046591.pdf
Data publikacji:
2017-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
the recusatio in poetry
rhetorical strategies in poetry
neo-Latin elegy
Clemens Ianitius’ poetry
Piotr Kmita’s patronage
renaissance in Poland
Opis:
Rhetorical strategy called the recusatio, starting from the rejection of the epic in the Hellenistic period, developed in diverse ways in Roman poetry (Tibullus, Vergil, Horace, Martial and others). It was often connected with the poet’s declaration of his literary interest, hierarchy or program. The author’s aim is to confront these topoi with Clemens Ianicius’ realization of this strategy in three elegies: Tristia III (Excusat Petro Cmitae, Viro Illustri, Patrono suo, silentium suum Patavinum…), Variae elegiae VI (Verecunde a Petro Cmita petit, ut ei ad Italica studia subsidio sit) and Variae elegiae XI (A Franciscano quodam rogatus, ut in Scotum quiddam scriberet, se illi excusat).
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2017, 27, 1; 103-120
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Imitacja horacjańska w łacińskiej twórczości Jana Kochanowskiego
Autorzy:
Buszewicz, Elwira
Powiązania:
https://bibliotekanauki.pl/articles/636433.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Neo-Latin poetry, Horatian imitation, Jan Kochanowski’s poetry
Opis:
Horatian Imitation in Jan Kochanowski’s Latin PoetryThe aim of this study is to show how Kochanowski imitated Horace in various ways and at different levels of his poetry. As to this moment, the matter has been discussed, mainly in regard to the Lyricorum libellus, by Zofia Głombiowska and Józef Budzyński. In this paper, the author briefly summarises their statements and comments upon them expressing her own view. She also mentions some other publications dealing with the Horatianism of the Polish poet to a lesser degree. The text is divided into four sections. In the first one, the author makes a brief comparison between Kochanowski and Petrarca in the context of their mental kinship with Horace that resulted in poetry which is “Horatian” not only in terms of the verba but also some ideas. The second section is devoted to the Horatianism of Kochanowski’s collection of odes (Lyricorum libellus). The author begins with a brief summary of the previously mentioned scholars’ views. She also demonstrates that some of these views may oversimplify the question of Horatian imitation in case of at least several of Kochanowski’s poems. To illustrate this, she presents an analysis of ode XI (In equum) in the context of its Horatian models; the conclusion is that in this poem, as well as in the entire collection, Kochanowski imitates Horace in a sophisticated and polyphonic way. The third part of the text, after a brief mention of the “loci Horatiani” in Kochanowski’s elegies, shows the interplay of ideas between Horatian poetry and Kochanowski’s Elegy III 1. The author puts emphasis on the fact that Kochanowski adapted some of the elegiac themes to the Horatian rhetoric. Concluding her disquisition, the author argues that Kochanowski’s Horatian imitation is neither superficial nor confined to the imitation verborum, but reaches deep in the structures of Horace’s poetry.
Źródło:
Terminus; 2014, 16, 2(31)
2084-3844
Pojawia się w:
Terminus
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
HELEN IN EGYPT (Helena w Egipcie)
Autorzy:
Maciejewska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/702549.pdf
Data publikacji:
2007
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
NEO-LATIN POETRY
Opis:
A short comedy in two versions, Latin and Polish, developing the myth, popularised by Euripides' Helen. Its relations to that tragedy and to other ancient sources are discussed in the introduction.
Źródło:
Meander; 2007, 62, 3-4; 370-375
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
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