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Wyświetlanie 1-2 z 2
Tytuł:
The vīthī, lāsya and nāṭikā, and the daśarūpa List in the Nāṭyaśāstra
Autorzy:
Tieken, Herman
Powiązania:
https://bibliotekanauki.pl/articles/35059849.pdf
Data publikacji:
2023
Wydawca:
Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
Tematy:
Daśarūpa
vīthī
lāsya
uparūpaka
nātikā
Nātyaśāstra
Daśarūpaka
Śr̥ ṅgāraprakāśa
Opis:
This article aims to show that the term vīthī, the tenth in the daśarūpa list of plays found in the early dramatic treatises, does not refer to a play but to a number of small-scale dramatic scenes. As such, the vīthī is an exception in the list, which otherwise is made up of fully-fledged plays. However, as a collection of scenes, it does form a group with numbers 8 and 9, the prahasana and bhāṇa, each of which has two lives, namely as complete plays and as scenes within plays. The vīthī plays we have are all late reconstructions based on the general characteristics mentioned in the dramatic treatises. In some of the treatises the daśarūpa list is extended by the lāsya, another term designating a number of minor dramatic scenes which involve singing and dancing. It will be argued that the lāsya – as well as another set of minor dramatic types, the uparūpakas – came to be included into the dramatic theory through its occurrence within the nāṭikā, a type of play that is presented as a mixture of the nāṭaka and prakaraṇa, numbers 1 and 2 in the daśarūpa list, and was consequently not counted separately. It will furthermore be shown that the daśarūpa list consists of three clearly distinct groups, namely of 1–2 (nāṭaka, prakaraṇa and supernumerary nāṭikā) and 8–10 (prahasana, bhāṇa and vīthī), separated by a group of five types of play (3–7) dealing with battle and its aftermath. Of the latter five no early, classical examples have come down to us; apparently their topics have fallen outside the sphere of interest of the kāvya literary tradition.
Źródło:
Acta Asiatica Varsoviensia; 2023, 36; 265-297
0860-6102
2449-8653
Pojawia się w:
Acta Asiatica Varsoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Terminy nīras, nirastā w opowiadaniach Agjeja. Ślady sanskryckiej teorii estetyki rasa we współczesnej literaturze hindi
The Terms nīras, nirastā in Ajñeya’s Short-Stories: Tracing the rasa Theory of Aesthetics in Contemporary Hindi Literature
Autorzy:
Miążek, Teresa
Powiązania:
https://bibliotekanauki.pl/articles/504758.pdf
Data publikacji:
2014
Wydawca:
Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:
Hindi literature
Hindi short-stories
Ajñeya
Sanskrit aesthetics
rasa theory
Nātyaśāstra
Opis:
The main focus of this paper is to admit a possibility of interpreting some ideas present in modern Hindi literature in terms of the Sanskrit theory of aesthetics, originally conceived for stage performing arts. The author is aiming at presenting a symbolic context of rasa and its validity for usage in literature. Examples from Ajñeya’s short-stories point towards the possible connotations of the term nīras with the terminology of Sanskrit aesthetics rasa. The contribution of Saccidānand Hīrānand Vātsyayān known as Ajñeya in Hindi literature is presented in short. Some meanings of rasa known from Nāṭyaśāstra, especially the symbolic meaning of colors, are depicted as employed in modern literary criticism. Hindi terms: nīras “without sap,” “without taste” and nirastā – “dullness,” “emptiness” are discussed in relation to the Sanskrit term rasa “juice,” “taste,” “aesthetic experience,” “aesthetic category” and to its symbolic colors. The results of this discussion could serve as proof for an unbroken flow of Indian literary tradition since 500 BC till nowadays. Moreover, they acknowledge Ajñeya’s affirmative attitude towards the Sanskrit tradition.
Źródło:
Academic Journal of Modern Philology; 2014, 3; 43-54
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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